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Antiochos IV Epiphane (215-175/163 BC) storms the city of Jerusalem Manuscript page “” Chronicle dit de la Bouquechardiere par Jean de Courcy (1350-1431)”” (ms. 312) Miniature du Maitre de l'Echevinage de Rouen (15th century) 15th century Musee Conde, Chantilly
Antiochos IV Epiphane (215-175/163 BC) storms the city of Jerusalem Manuscript page “” Chronicle dit de la Bouquechardiere par Jean de Courcy (1350-1431)”” (ms. 312) Miniature du Maitre de l'Echevinage de Rouen (15th century) 15th century Musee Conde, Chantilly

LRI4666333: Antiochos IV Epiphane (215-175/163 BC) storms the city of Jerusalem Manuscript page “” Chronicle dit de la Bouquechardiere par Jean de Courcy (1350-1431)”” (ms. 312) Miniature du Maitre de l'Echevinage de Rouen (15th century) 15th century Musee Conde, Chantilly, Maitre de l'Echevinage de Rouen, (active 1450-85) / Bridgeman Images

Reception in honour of the princes of the North Detail representing the banquet of the ambassadors. Painting by Gabriel Bella (1730-1799) 18th century Venice, Galleria Fondazione Querini Stampalia
Reception in honour of the princes of the North Detail representing the banquet of the ambassadors. Painting by Gabriel Bella (1730-1799) 18th century Venice, Galleria Fondazione Querini Stampalia

LRI4662927: Reception in honour of the princes of the North Detail representing the banquet of the ambassadors. Painting by Gabriel Bella (1730-1799) 18th century Venice, Galleria Fondazione Querini Stampalia, Bella, Gabriele (1730-1799) / Bridgeman Images

Reception of Ambassadors at the Collegio (Venezia, ricevimento di un ambasciatore in Collegio) - Painting by Gabriele Bella (ca. 1730-1799), oil on canvas, 99x150 cm. Venezia, Fondazione Querini Stampalia
Reception of Ambassadors at the Collegio (Venezia, ricevimento di un ambasciatore in Collegio) - Painting by Gabriele Bella (ca. 1730-1799), oil on canvas, 99x150 cm. Venezia, Fondazione Querini Stampalia

LRI4662953: Reception of Ambassadors at the Collegio (Venezia, ricevimento di un ambasciatore in Collegio) - Painting by Gabriele Bella (ca. 1730-1799), oil on canvas, 99x150 cm. Venezia, Fondazione Querini Stampalia, Bella, Gabriele (1730-1799) / Bridgeman Images

View of the Fete de la Sensa in St Mark square (oil on canvas, 18th century)
View of the Fete de la Sensa in St Mark square (oil on canvas, 18th century)

LRI4662975: View of the Fete de la Sensa in St Mark square (oil on canvas, 18th century), Bella, Gabriele (1730-1799) / Bridgeman Images

Portrait of Old Woman Painting by Quinringh (Quiringh) Gerritsz Van Brekelenkam (1620-1668) 17th century Madrid Prado Museum
Portrait of Old Woman Painting by Quinringh (Quiringh) Gerritsz Van Brekelenkam (1620-1668) 17th century Madrid Prado Museum

LRI4663072: Portrait of Old Woman Painting by Quinringh (Quiringh) Gerritsz Van Brekelenkam (1620-1668) 17th century Madrid Prado Museum, Brekelenkam, Quiringh Gerritsz. van (c.1620-68) / Bridgeman Images

Portrait of Frederic III the Wise, Grand Elector of Saxony (Painting, 16th century)
Portrait of Frederic III the Wise, Grand Elector of Saxony (Painting, 16th century)

LRI4663180: Portrait of Frederic III the Wise, Grand Elector of Saxony (Painting, 16th century), Cranach, Lucas the Elder (1472-1553) / Bridgeman Images

Portrait of a gentleman said the fiance Painting by Lucas Cranach the Elder (1472-1553) 1539 Sao Paulo, Museum of Art
Portrait of a gentleman said the fiance Painting by Lucas Cranach the Elder (1472-1553) 1539 Sao Paulo, Museum of Art

LRI4663190: Portrait of a gentleman said the fiance Painting by Lucas Cranach the Elder (1472-1553) 1539 Sao Paulo, Museum of Art, Cranach, Lucas the Elder (1472-1553) / Bridgeman Images

Woman wiping her arm. Painting by Edgar Degas (1834-1917). Pastel. Sao Paulo Art Museum, Brazil
Woman wiping her arm. Painting by Edgar Degas (1834-1917). Pastel. Sao Paulo Art Museum, Brazil

LRI4663285: Woman wiping her arm. Painting by Edgar Degas (1834-1917). Pastel. Sao Paulo Art Museum, Brazil, Degas, Edgar (1834-1917) / Bridgeman Images

Portrait of the Children of Gabriel Thomas (oil on canvas, 1894)
Portrait of the Children of Gabriel Thomas (oil on canvas, 1894)

LRI4664082: Portrait of the Children of Gabriel Thomas (oil on canvas, 1894), Morisot, Berthe (1841-95) / Bridgeman Images

Young Woman Powdering Her Face (oil on canvas, 19th century)
Young Woman Powdering Her Face (oil on canvas, 19th century)

LRI4664099: Young Woman Powdering Her Face (oil on canvas, 19th century), Morisot, Berthe (1841-95) / Bridgeman Images

Rinaldo abandons Armida, 1757 (Fresco)
Rinaldo abandons Armida, 1757 (Fresco)

LRI4664230: Rinaldo abandons Armida, 1757 (Fresco), Tiepolo, Giandomenico (Giovanni Domenico) (1727-1804) / Bridgeman Images

Month cycle: September (harvest). Detail of a 12th century fresco from the Royal Pantheon of the Real Colegiata of San Isidoro (Royal Collegiale of Saint Isidore). Leon.
Month cycle: September (harvest). Detail of a 12th century fresco from the Royal Pantheon of the Real Colegiata of San Isidoro (Royal Collegiale of Saint Isidore). Leon.

LRI4664863: Month cycle: September (harvest). Detail of a 12th century fresco from the Royal Pantheon of the Real Colegiata of San Isidoro (Royal Collegiale of Saint Isidore). Leon., Unknown Artist, (12th century) / Bridgeman Images

The cycle of months: October: the collection of acorns. Detail of a 12th century fresco from the Royal Pantheon of the Real Colegiata of San Isidoro (Royal Collegiale of Saint Isidore). Leon.
The cycle of months: October: the collection of acorns. Detail of a 12th century fresco from the Royal Pantheon of the Real Colegiata of San Isidoro (Royal Collegiale of Saint Isidore). Leon.

LRI4664868: The cycle of months: October: the collection of acorns. Detail of a 12th century fresco from the Royal Pantheon of the Real Colegiata of San Isidoro (Royal Collegiale of Saint Isidore). Leon., Unknown Artist, (12th century) / Bridgeman Images

The cycle of months: detail the announcement to the shepherds. 12th century (fresco)
The cycle of months: detail the announcement to the shepherds. 12th century (fresco)

LRI4664912: The cycle of months: detail the announcement to the shepherds. 12th century (fresco), Spanish School, (12th century) / Bridgeman Images

The Birth of Jules Cesar - Miniature extracted from Facts of the Romans by Jules Cesar a Domitian, texts by Lucan (39-65), Suetone (70-122) and Salluste (86-34 BC), (ms. 1055), 15th century. Chantilly, Musee Conde
The Birth of Jules Cesar - Miniature extracted from Facts of the Romans by Jules Cesar a Domitian, texts by Lucan (39-65), Suetone (70-122) and Salluste (86-34 BC), (ms. 1055), 15th century. Chantilly, Musee Conde

LRI4665021: The Birth of Jules Cesar - Miniature extracted from Facts of the Romans by Jules Cesar a Domitian, texts by Lucan (39-65), Suetone (70-122) and Salluste (86-34 BC), (ms. 1055), 15th century. Chantilly, Musee Conde, Unknown Artist, (15th century) / Bridgeman Images

How Romans abandon the provinces of their empire Miniature from “” Roman History”” (Ad urbe condita) by Tite Live (59 BC-17 AD) (Titus Livius), translated by Pierre Bressuire (ms. 310) 1450-1500 Chantilly, Musee Conde
How Romans abandon the provinces of their empire Miniature from “” Roman History”” (Ad urbe condita) by Tite Live (59 BC-17 AD) (Titus Livius), translated by Pierre Bressuire (ms. 310) 1450-1500 Chantilly, Musee Conde

LRI4665066: How Romans abandon the provinces of their empire Miniature from “” Roman History”” (Ad urbe condita) by Tite Live (59 BC-17 AD) (Titus Livius), translated by Pierre Bressuire (ms. 310) 1450-1500 Chantilly, Musee Conde, Unknown Artist, (15th century) / Bridgeman Images

Pierre de Bressuire offers his book to John II the Good on the island of the Cite in Paris Miniature from “” Histoire romaine”” (Ad urbe condita) by Titus Live (59 BC-17 AD) (Titus Livius), translated by Pierre Bressuire (ms. 310) 1450-1500 Chantilly, musee Conde
Pierre de Bressuire offers his book to John II the Good on the island of the Cite in Paris Miniature from “” Histoire romaine”” (Ad urbe condita) by Titus Live (59 BC-17 AD) (Titus Livius), translated by Pierre Bressuire (ms. 310) 1450-1500 Chantilly, musee Conde

LRI4665070: Pierre de Bressuire offers his book to John II the Good on the island of the Cite in Paris Miniature from “” Histoire romaine”” (Ad urbe condita) by Titus Live (59 BC-17 AD) (Titus Livius), translated by Pierre Bressuire (ms. 310) 1450-1500 Chantilly, musee Conde, Unknown Artist, (15th century) / Bridgeman Images

Calendar: the month of May, dances and games - Miniature of the Master of Jean Rolin from the manuscript “The Hours of Adelaide of Savoy, Duchess of Burgundy” 1460-1465 Chantilly, Musee Conde
Calendar: the month of May, dances and games - Miniature of the Master of Jean Rolin from the manuscript “The Hours of Adelaide of Savoy, Duchess of Burgundy” 1460-1465 Chantilly, Musee Conde

LRI4665177: Calendar: the month of May, dances and games - Miniature of the Master of Jean Rolin from the manuscript “The Hours of Adelaide of Savoy, Duchess of Burgundy” 1460-1465 Chantilly, Musee Conde, Unknown Artist, (15th century) / Bridgeman Images

young people playing with rabbits Miniature from “” Histoire de Jean III de Brush and his wife Louise de Laval”” (ms. 1475) Chantilly, Musee Conde
young people playing with rabbits Miniature from “” Histoire de Jean III de Brush and his wife Louise de Laval”” (ms. 1475) Chantilly, Musee Conde

LRI4665211: young people playing with rabbits Miniature from “” Histoire de Jean III de Brush and his wife Louise de Laval”” (ms. 1475) Chantilly, Musee Conde, Unknown Artist, (16th century) / Bridgeman Images

Representation of the Queen of Navarre Margarita of Angoulema (1492-1549) talking with her companions Page taken from the manuscript “” La coche ou Debat d'Amour”” by Margarita of Angoulema enluminated by the Master of Rohan, 1542. Dim. 0,2x0,15 m. Chantily, Conde Museum
Representation of the Queen of Navarre Margarita of Angoulema (1492-1549) talking with her companions Page taken from the manuscript “” La coche ou Debat d'Amour”” by Margarita of Angoulema enluminated by the Master of Rohan, 1542. Dim. 0,2x0,15 m. Chantily, Conde Museum

LRI4665239: Representation of the Queen of Navarre Margarita of Angoulema (1492-1549) talking with her companions Page taken from the manuscript “” La coche ou Debat d'Amour”” by Margarita of Angoulema enluminated by the Master of Rohan, 1542. Dim. 0,2x0,15 m. Chantily, Conde Museum, Master of the Rohan Hours, (fl.1420-30) / Bridgeman Images

King Arthur holding court, Lancelot led by a lady to the abbey, softening from Galahad (Gaalad or Galaad) to the abbey and the knights of the Round Table around the Holy Grail Manuscript page “” Roman of the Knight Tristan and Queen Yseult” by Gassien de Poitiers and illustrated by Everard de Espinques (Evrard d'Espinques Spanish) (15th century) 15th century Chantilly. Conde Museum
King Arthur holding court, Lancelot led by a lady to the abbey, softening from Galahad (Gaalad or Galaad) to the abbey and the knights of the Round Table around the Holy Grail Manuscript page “” Roman of the Knight Tristan and Queen Yseult” by Gassien de Poitiers and illustrated by Everard de Espinques (Evrard d'Espinques Spanish) (15th century) 15th century Chantilly. Conde Museum

LRI4665396: King Arthur holding court, Lancelot led by a lady to the abbey, softening from Galahad (Gaalad or Galaad) to the abbey and the knights of the Round Table around the Holy Grail Manuscript page “” Roman of the Knight Tristan and Queen Yseult” by Gassien de Poitiers and illustrated by Everard de Espinques (Evrard d'Espinques Spanish) (15th century) 15th century Chantilly. Conde Museum, Espinques, Everard de (fl.1440-1494) / Bridgeman Images

Diptych of Granada: “The pious women and st John evangelist” Painting by Hans Memling (1435/40-1494) 15th century Dim 51x36.5 cm Granada, Royal Chapel
Diptych of Granada: “The pious women and st John evangelist” Painting by Hans Memling (1435/40-1494) 15th century Dim 51x36.5 cm Granada, Royal Chapel

LRI4662525: Diptych of Granada: “The pious women and st John evangelist” Painting by Hans Memling (1435/40-1494) 15th century Dim 51x36.5 cm Granada, Royal Chapel, Memling, Hans (c.1433-94) / Bridgeman Images

Adoration of the Magi. Central panel of the triptych of Prado (oil on wood, c.1470)
Adoration of the Magi. Central panel of the triptych of Prado (oil on wood, c.1470)

LRI4662553: Adoration of the Magi. Central panel of the triptych of Prado (oil on wood, c.1470), Memling, Hans (c.1433-94) / Bridgeman Images

Representation of Archimede (oil on canvas, 17th century)
Representation of Archimede (oil on canvas, 17th century)

LRI4662637: Representation of Archimede (oil on canvas, 17th century), Ribera, Jusepe de (c.1590-1652) / Bridgeman Images

The King of the Francs and then Lotharia I (9th century) Miniature from “Codex Legum Longobardorum” (or Langobardorum) describing the laws of the Lombard kingdom established by King Rothari, 11th century Bibliotheque of the Benedictine Abbey, Cava dei Tirreni, Salerno
The King of the Francs and then Lotharia I (9th century) Miniature from “Codex Legum Longobardorum” (or Langobardorum) describing the laws of the Lombard kingdom established by King Rothari, 11th century Bibliotheque of the Benedictine Abbey, Cava dei Tirreni, Salerno

LRI4666452: The King of the Francs and then Lotharia I (9th century) Miniature from “Codex Legum Longobardorum” (or Langobardorum) describing the laws of the Lombard kingdom established by King Rothari, 11th century Bibliotheque of the Benedictine Abbey, Cava dei Tirreni, Salerno, Italian School, (11th century) / Bridgeman Images

The Picking of Fruit Miniature from “” The Rustican or Book of Country and Rural Profit”” (Rerum ruralium commodorum) by Pietro de Crescenzi (Crescent Stone or Crescens Stone) (1233-1320) 14th century Prague, Biblioteca Nazionale
The Picking of Fruit Miniature from “” The Rustican or Book of Country and Rural Profit”” (Rerum ruralium commodorum) by Pietro de Crescenzi (Crescent Stone or Crescens Stone) (1233-1320) 14th century Prague, Biblioteca Nazionale

LRI4666542: The Picking of Fruit Miniature from “” The Rustican or Book of Country and Rural Profit”” (Rerum ruralium commodorum) by Pietro de Crescenzi (Crescent Stone or Crescens Stone) (1233-1320) 14th century Prague, Biblioteca Nazionale, Unknown Artist, (14th century) / Bridgeman Images

The translator offers his book to King Charles V (1338-1380) Miniature taken from 'Le livre des proprietes des choses' (De proprietatibus rerum) by Barthelemy the English, translated by John Corbichon. 15th century. Reims, Municipal Library
The translator offers his book to King Charles V (1338-1380) Miniature taken from 'Le livre des proprietes des choses' (De proprietatibus rerum) by Barthelemy the English, translated by John Corbichon. 15th century. Reims, Municipal Library

LRI4666675: The translator offers his book to King Charles V (1338-1380) Miniature taken from 'Le livre des proprietes des choses' (De proprietatibus rerum) by Barthelemy the English, translated by John Corbichon. 15th century. Reims, Municipal Library, French School, (15th century) / Bridgeman Images

The coronation of a king Probably King Richard II of England (1367-1400). Miniature from the manuscript on coronation rites “” Liber regalis”” 14th century Pamplona, archive of Navarre
The coronation of a king Probably King Richard II of England (1367-1400). Miniature from the manuscript on coronation rites “” Liber regalis”” 14th century Pamplona, archive of Navarre

LRI4666878: The coronation of a king Probably King Richard II of England (1367-1400). Miniature from the manuscript on coronation rites “” Liber regalis”” 14th century Pamplona, archive of Navarre, Unknown Artist, (14th century) / Bridgeman Images

Description of Albanian costumes: a priest and a laic Page taken from the travel book “” peregrinatio in terram sanctam””” after the pilgrimage in the Holy Land of Bernard of Breydenbach (Breidenbach) (1454-1497) illustrated by prints by Erhard Reuwich, 1486 (Mainz) Paris, Musee Carnavalet
Description of Albanian costumes: a priest and a laic Page taken from the travel book “” peregrinatio in terram sanctam””” after the pilgrimage in the Holy Land of Bernard of Breydenbach (Breidenbach) (1454-1497) illustrated by prints by Erhard Reuwich, 1486 (Mainz) Paris, Musee Carnavalet

LRI4666957: Description of Albanian costumes: a priest and a laic Page taken from the travel book “” peregrinatio in terram sanctam””” after the pilgrimage in the Holy Land of Bernard of Breydenbach (Breidenbach) (1454-1497) illustrated by prints by Erhard Reuwich, 1486 (Mainz) Paris, Musee Carnavalet, Reuwich, Erhard (fl.1488) / Bridgeman Images

Ottoman Empire: “” Portrait of Ottoman Sultan Mehmet (or Mehmed or Mohammed) Celebi I (1389-1421)”” Miniature from the manuscript (Ms. 1973, folio 62a) “” Zubdat al Tawarikh” (Zubdat al Tawarikh) (Creme of Stories) by historian Seyyid Loqman Ashuri 1538. Turkish and Islamic Art Museum Istanbul
Ottoman Empire: “” Portrait of Ottoman Sultan Mehmet (or Mehmed or Mohammed) Celebi I (1389-1421)”” Miniature from the manuscript (Ms. 1973, folio 62a) “” Zubdat al Tawarikh” (Zubdat al Tawarikh) (Creme of Stories) by historian Seyyid Loqman Ashuri 1538. Turkish and Islamic Art Museum Istanbul

LRI4661721: Ottoman Empire: “” Portrait of Ottoman Sultan Mehmet (or Mehmed or Mohammed) Celebi I (1389-1421)”” Miniature from the manuscript (Ms. 1973, folio 62a) “” Zubdat al Tawarikh” (Zubdat al Tawarikh) (Creme of Stories) by historian Seyyid Loqman Ashuri 1538. Turkish and Islamic Art Museum Istanbul, Ottoman School, (16th century) / Bridgeman Images

Portrait of the Sultan of the Ottoman Empire Mehet II (Mehmet II the Conquerant or Mehmed II Fatih) (1430-1481) Turkish miniature from the manuscript Ms. H. 2153, folio 145b. End of the 15th century. Istanbul, Biblioteca Topkapi Sarayi
Portrait of the Sultan of the Ottoman Empire Mehet II (Mehmet II the Conquerant or Mehmed II Fatih) (1430-1481) Turkish miniature from the manuscript Ms. H. 2153, folio 145b. End of the 15th century. Istanbul, Biblioteca Topkapi Sarayi

LRI4661761: Portrait of the Sultan of the Ottoman Empire Mehet II (Mehmet II the Conquerant or Mehmed II Fatih) (1430-1481) Turkish miniature from the manuscript Ms. H. 2153, folio 145b. End of the 15th century. Istanbul, Biblioteca Topkapi Sarayi, Ottoman School, (15th century) / Bridgeman Images

Sultan Selim I called the Grim or the Resolute, on horseback. 16th century (miniature)
Sultan Selim I called the Grim or the Resolute, on horseback. 16th century (miniature)

LRI4661807: Sultan Selim I called the Grim or the Resolute, on horseback. 16th century (miniature), Ottoman School, (16th century) / Bridgeman Images

Ottoman Empire: Portrait of Sultan Murad V (1840-1904)” Photography. 1876 Ankara, Turkish Historical Society Turkey
Ottoman Empire: Portrait of Sultan Murad V (1840-1904)” Photography. 1876 Ankara, Turkish Historical Society Turkey

LRI4661931: Ottoman Empire: Portrait of Sultan Murad V (1840-1904)” Photography. 1876 Ankara, Turkish Historical Society Turkey, Unknown photographer, (19th century) / Bridgeman Images

Ottoman Empire: portrait of the first Sultan Osman I (1258-1326) Miniature from the manuscript “” Human physiognomy (About personal arrangements of the Ottomans) by Seyyid Lokman Hussein. (Ms. ty6087 folio 21b), 1579. University Library Istanbul
Ottoman Empire: portrait of the first Sultan Osman I (1258-1326) Miniature from the manuscript “” Human physiognomy (About personal arrangements of the Ottomans) by Seyyid Lokman Hussein. (Ms. ty6087 folio 21b), 1579. University Library Istanbul

LRI4661618: Ottoman Empire: portrait of the first Sultan Osman I (1258-1326) Miniature from the manuscript “” Human physiognomy (About personal arrangements of the Ottomans) by Seyyid Lokman Hussein. (Ms. ty6087 folio 21b), 1579. University Library Istanbul, Ottoman School, (16th century) / Bridgeman Images

Portrait of the Sultan of the Ottoman Empire Orhan (Orkhan or Urchan) I (1281-1360) Miniature from the manuscript “” Human physiognomy (About personal arrangements of the Ottomans) by Seyyid Lokman Hussein. (Ms. ty6087 folio 25b), 1579. University Library Istanbul
Portrait of the Sultan of the Ottoman Empire Orhan (Orkhan or Urchan) I (1281-1360) Miniature from the manuscript “” Human physiognomy (About personal arrangements of the Ottomans) by Seyyid Lokman Hussein. (Ms. ty6087 folio 25b), 1579. University Library Istanbul

LRI4661653: Portrait of the Sultan of the Ottoman Empire Orhan (Orkhan or Urchan) I (1281-1360) Miniature from the manuscript “” Human physiognomy (About personal arrangements of the Ottomans) by Seyyid Lokman Hussein. (Ms. ty6087 folio 25b), 1579. University Library Istanbul, Ottoman School, (16th century) / Bridgeman Images

Sultan Bayezid (or Bajazet) I (1360-ca. 1402) has his Miniature Court from “Hunername” of Lokman, vol. 1 (H 1523, f.7) 1584 Topkapi Sarayi Museum Library Istanbul
Sultan Bayezid (or Bajazet) I (1360-ca. 1402) has his Miniature Court from “Hunername” of Lokman, vol. 1 (H 1523, f.7) 1584 Topkapi Sarayi Museum Library Istanbul

LRI4661712: Sultan Bayezid (or Bajazet) I (1360-ca. 1402) has his Miniature Court from “Hunername” of Lokman, vol. 1 (H 1523, f.7) 1584 Topkapi Sarayi Museum Library Istanbul, Ottoman School, (16th century) / Bridgeman Images


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