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Pier Paolo Pasolini and Italo Calvino at Caffe Rosati, Piazza del Popolo, Rome, Italy, 1960 (b/w photo)
Pier Paolo Pasolini and Italo Calvino at Caffe Rosati, Piazza del Popolo, Rome, Italy, 1960 (b/w photo)

FDG5948281: Pier Paolo Pasolini and Italo Calvino at Caffe Rosati, Piazza del Popolo, Rome, Italy, 1960 (b/w photo), Garolla, Federico / Bridgeman Images

ID: FDG5948281

Pier Paolo Pasolini and Italo Calvino at Caffe Rosati, Piazza del Popolo, Rome, Italy, 1960 (b/w photo)

Garolla, Federico

Saint Nicholas of Tolentino, 1650-99 (black chalk, pen and brown ink, brown wash on laid paper, laid down, with brown ink framing lines, the lower right corner made up)
Saint Nicholas of Tolentino, 1650-99 (black chalk, pen and brown ink, brown wash on laid paper, laid down, with brown ink framing lines, the lower right corner made up)

COU5948315: Saint Nicholas of Tolentino, 1650-99 (black chalk, pen and brown ink, brown wash on laid paper, laid down, with brown ink framing lines, the lower right corner made up), Spanish School, (17th century) / Bridgeman Images

ID: COU5948315

Saint Nicholas of Tolentino, 1650-99 (black chalk, pen and brown ink, brown wash on laid paper, laid down, with brown ink framing lines, the lower right corner made up)

Spanish School, (17th century)

Nude male figure (after Michelangelo's Last Judgment), 16th century (pen & brown ink on laid paper)
Nude male figure (after Michelangelo's Last Judgment), 16th century (pen & brown ink on laid paper)

COU5948318: Nude male figure (after Michelangelo's Last Judgment), 16th century (pen & brown ink on laid paper), Cespedes, Pablo de (1538-1608) (attr.to) / Bridgeman Images

ID: COU5948318

Nude male figure (after Michelangelo's Last Judgment), 16th century (pen & brown ink on laid paper)

Cespedes, Pablo de (1538-1608) (attr.to)

Saint Stephen, 17th century (pen & brown ink on laid paper)
Saint Stephen, 17th century (pen & brown ink on laid paper)

COU5948321: Saint Stephen, 17th century (pen & brown ink on laid paper), Valencia, Felipe Gómez de (c.1634-1679/94) (workshop of) / Bridgeman Images

ID: COU5948321

Saint Stephen, 17th century (pen & brown ink on laid paper)

Valencia, Felipe Gómez de (c.1634-1679/94) (workshop of)

Apotheosis of Saint Augustine (recto), 1675-99 (red chalk, pen & brown ink, brown wash and white bodycolour on laid paper) [see 5948335]
Apotheosis of Saint Augustine (recto), 1675-99 (red chalk, pen & brown ink, brown wash and white bodycolour on laid paper) [see 5948335]

COU5948336: Apotheosis of Saint Augustine (recto), 1675-99 (red chalk, pen & brown ink, brown wash and white bodycolour on laid paper) [see 5948335], Portuguese School, (17th century) / Bridgeman Images

ID: COU5948336

Apotheosis of Saint Augustine (recto), 1675-99 (red chalk, pen & brown ink, brown wash and white bodycolour on laid paper) [see 5948335]

Portuguese School, (17th century)

Design for a sarcophagus with cherubs flanking an empty cartouche, 1650-99 (graphite, pen & brown ink and brown wash on laid paper)
Design for a sarcophagus with cherubs flanking an empty cartouche, 1650-99 (graphite, pen & brown ink and brown wash on laid paper)

COU5948346: Design for a sarcophagus with cherubs flanking an empty cartouche, 1650-99 (graphite, pen & brown ink and brown wash on laid paper), Spanish School, (17th century) / Bridgeman Images

ID: COU5948346

Design for a sarcophagus with cherubs flanking an empty cartouche, 1650-99 (graphite, pen & brown ink and brown wash on laid paper)

Spanish School, (17th century)

Christ crucified, fragment (verso), 17th century (black chalk on laid paper)
Christ crucified, fragment (verso), 17th century (black chalk on laid paper)

COU5948352: Christ crucified, fragment (verso), 17th century (black chalk on laid paper), Cano, Alonso (1601-67) (follower of) / Bridgeman Images

ID: COU5948352

Christ crucified, fragment (verso), 17th century (black chalk on laid paper)

Cano, Alonso (1601-67) (follower of)

God the Father blessing, 1675-99 (graphite, pen & brown ink, brown wash on laid paper, squared in red chalk over graphite, framed in graphite)
God the Father blessing, 1675-99 (graphite, pen & brown ink, brown wash on laid paper, squared in red chalk over graphite, framed in graphite)

COU5948355: God the Father blessing, 1675-99 (graphite, pen & brown ink, brown wash on laid paper, squared in red chalk over graphite, framed in graphite), Spanish School, (17th century) / Bridgeman Images

ID: COU5948355

God the Father blessing, 1675-99 (graphite, pen & brown ink, brown wash on laid paper, squared in red chalk over graphite, framed in graphite)

Spanish School, (17th century)

Julius Caesar, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)
Julius Caesar, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

COU5948358: Julius Caesar, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines), Torres, Matias de (c.1635-1711) (attr.to) / Bridgeman Images

ID: COU5948358

Julius Caesar, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

Torres, Matias de (c.1635-1711) (attr.to)

Duke of Lorraine, 17th century (black chalk, pen and brown ink on laid paper with brown ink framing lines)
Duke of Lorraine, 17th century (black chalk, pen and brown ink on laid paper with brown ink framing lines)

COU5948361: Duke of Lorraine, 17th century (black chalk, pen and brown ink on laid paper with brown ink framing lines), Torres, Matias de (c.1635-1711) (attr.to) / Bridgeman Images

ID: COU5948361

Duke of Lorraine, 17th century (black chalk, pen and brown ink on laid paper with brown ink framing lines)

Torres, Matias de (c.1635-1711) (attr.to)

Joshua, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)
Joshua, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

COU5948370: Joshua, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines), Torres, Matias de (c.1635-1711) (attr.to) / Bridgeman Images

ID: COU5948370

Joshua, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

Torres, Matias de (c.1635-1711) (attr.to)

White tin-glazed side plate, 1914-15 (tin-glazed earthenware)
White tin-glazed side plate, 1914-15 (tin-glazed earthenware)

COU5948448: White tin-glazed side plate, 1914-15 (tin-glazed earthenware), Fry, Roger Eliot (1866-1934) / Bridgeman Images

ID: COU5948448

White tin-glazed side plate, 1914-15 (tin-glazed earthenware)

Fry, Roger Eliot (1866-1934)

Scenes of romance on a small box, 14th century (carved ivory, boxwood & gilt metal)
Scenes of romance on a small box, 14th century (carved ivory, boxwood & gilt metal)

COU5948481: Scenes of romance on a small box, 14th century (carved ivory, boxwood & gilt metal), Northern French school, (14th century) / Bridgeman Images

ID: COU5948481

Scenes of romance on a small box, 14th century (carved ivory, boxwood & gilt metal)

Northern French school, (14th century)

Candlestick base, 1342 (metalworked engraved brass & silver inlay)
Candlestick base, 1342 (metalworked engraved brass & silver inlay)

COU5948526: Candlestick base, 1342 (metalworked engraved brass & silver inlay), Mamluk Sultanate school, (14th century) / Bridgeman Images

ID: COU5948526

Candlestick base, 1342 (metalworked engraved brass & silver inlay)

Mamluk Sultanate school, (14th century)

Le Cri, before 1886 (bronze) [see 5948540]
Le Cri, before 1886 (bronze) [see 5948540]

COU5948541: Le Cri, before 1886 (bronze) [see 5948540], Rodin, Auguste (1840-1917) / Bridgeman Images

ID: COU5948541

Le Cri, before 1886 (bronze) [see 5948540]

Rodin, Auguste (1840-1917)

San Giovanni e San Pietro (right), Fresco inside the Rupestre Church of San Giovanni in Monterrone, Matera, Basilicata, Italy (photo)
San Giovanni e San Pietro (right), Fresco inside the Rupestre Church of San Giovanni in Monterrone, Matera, Basilicata, Italy (photo)

RTG5948635: San Giovanni e San Pietro (right), Fresco inside the Rupestre Church of San Giovanni in Monterrone, Matera, Basilicata, Italy (photo) / Bridgeman Images

ID: RTG5948635

San Giovanni e San Pietro (right), Fresco inside the Rupestre Church of San Giovanni in Monterrone, Matera, Basilicata, Italy (photo)

Matera, Basilicata, Italy, Fresco of the Annunciation in the Rock Church of San Pietro Barisano (photo)
Matera, Basilicata, Italy, Fresco of the Annunciation in the Rock Church of San Pietro Barisano (photo)

RTG5948645: Matera, Basilicata, Italy, Fresco of the Annunciation in the Rock Church of San Pietro Barisano (photo) / Bridgeman Images

ID: RTG5948645

Matera, Basilicata, Italy, Fresco of the Annunciation in the Rock Church of San Pietro Barisano (photo)

Mottola, Taranto, Puglia, Italy, Rock Church of Sant'Angelo, Fresco di San Pietro (photo)
Mottola, Taranto, Puglia, Italy, Rock Church of Sant'Angelo, Fresco di San Pietro (photo)

RTG5948665: Mottola, Taranto, Puglia, Italy, Rock Church of Sant'Angelo, Fresco di San Pietro (photo) / Bridgeman Images

ID: RTG5948665

Mottola, Taranto, Puglia, Italy, Rock Church of Sant'Angelo, Fresco di San Pietro (photo)

Literacy unlocking the door to learning, 1575-1600 (traces of graphite, pen & brown ink, and brown wash on laid paper, hinged at left edge to a historic support)
Literacy unlocking the door to learning, 1575-1600 (traces of graphite, pen & brown ink, and brown wash on laid paper, hinged at left edge to a historic support)

COU5948341: Literacy unlocking the door to learning, 1575-1600 (traces of graphite, pen & brown ink, and brown wash on laid paper, hinged at left edge to a historic support), Spanish School, (17th century) / Bridgeman Images

ID: COU5948341

Literacy unlocking the door to learning, 1575-1600 (traces of graphite, pen & brown ink, and brown wash on laid paper, hinged at left edge to a historic support)

Spanish School, (17th century)

Head of a woman gazing up (recto), 18th century (black chalk on laid paper) [see 5948343]
Head of a woman gazing up (recto), 18th century (black chalk on laid paper) [see 5948343]

COU5948344: Head of a woman gazing up (recto), 18th century (black chalk on laid paper) [see 5948343], Tovar, Alonso Miguel de (1678-1758) / Bridgeman Images

ID: COU5948344

Head of a woman gazing up (recto), 18th century (black chalk on laid paper) [see 5948343]

Tovar, Alonso Miguel de (1678-1758)

Fragment of a landscape (verso), 17th centuy (pen & brown ink, and brown wash on laid paper) [see 5948351]
Fragment of a landscape (verso), 17th centuy (pen & brown ink, and brown wash on laid paper) [see 5948351]

COU5948350: Fragment of a landscape (verso), 17th centuy (pen & brown ink, and brown wash on laid paper) [see 5948351], Herrera, Francisco the Younger (1622-85) / Bridgeman Images

ID: COU5948350

Fragment of a landscape (verso), 17th centuy (pen & brown ink, and brown wash on laid paper) [see 5948351]

Herrera, Francisco the Younger (1622-85)

Lioness prowling (recto), 18th or 19th century (red and black chalk on laid paper) [see 5948391]
Lioness prowling (recto), 18th or 19th century (red and black chalk on laid paper) [see 5948391]

COU5948392: Lioness prowling (recto), 18th or 19th century (red and black chalk on laid paper) [see 5948391], Stubbs, George (1724-1806) / Bridgeman Images

ID: COU5948392

Lioness prowling (recto), 18th or 19th century (red and black chalk on laid paper) [see 5948391]

Stubbs, George (1724-1806)

Mounted warrior, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)
Mounted warrior, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

COU5948369: Mounted warrior, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines), Torres, Matias de (c.1635-1711) (attr.to) / Bridgeman Images

ID: COU5948369

Mounted warrior, 17th century (black chalk, pen & brown ink on laid paper with brown ink framing lines)

Torres, Matias de (c.1635-1711) (attr.to)

Turquoise vase, c.1914 (stoneware with turquoise glaze)
Turquoise vase, c.1914 (stoneware with turquoise glaze)

COU5948446: Turquoise vase, c.1914 (stoneware with turquoise glaze), Fry, Roger Eliot (1866-1934) / Bridgeman Images

ID: COU5948446

Turquoise vase, c.1914 (stoneware with turquoise glaze)

Fry, Roger Eliot (1866-1934)

Central panel of a triptych depicting Christ in Judgement above the Vierge Glorieuse, 13th century (carved ivory with traces of pigment and metal (remains of hinges on the right))
Central panel of a triptych depicting Christ in Judgement above the Vierge Glorieuse, 13th century (carved ivory with traces of pigment and metal (remains of hinges on the right))

COU5948473: Central panel of a triptych depicting Christ in Judgement above the Vierge Glorieuse, 13th century (carved ivory with traces of pigment and metal (remains of hinges on the right)), Northern French school, (13th century) / Bridgeman Images

ID: COU5948473

Central panel of a triptych depicting Christ in Judgement above the Vierge Glorieuse, 13th century (carved ivory with traces of pigment and metal (remains of hinges on the right))

Northern French school, (13th century)

Bucket, 1475-1550 (engraved brass and silver inlay) [see 5948496]
Bucket, 1475-1550 (engraved brass and silver inlay) [see 5948496]

COU5948494: Bucket, 1475-1550 (engraved brass and silver inlay) [see 5948496], Middle Eastern School (15th-16th century) / Bridgeman Images

ID: COU5948494

Bucket, 1475-1550 (engraved brass and silver inlay) [see 5948496]

Middle Eastern School (15th-16th century)

Pas de deux B, c.1911 (bronze) [see 5948537]
Pas de deux B, c.1911 (bronze) [see 5948537]

COU5948536: Pas de deux B, c.1911 (bronze) [see 5948537], Rodin, Auguste (1840-1917) / Bridgeman Images

ID: COU5948536

Pas de deux B, c.1911 (bronze) [see 5948537]

Rodin, Auguste (1840-1917)

Danseuse regardant la plante de son pied droit, 1895-1900 (bronze) [see 5948543]
Danseuse regardant la plante de son pied droit, 1895-1900 (bronze) [see 5948543]

COU5948542: Danseuse regardant la plante de son pied droit, 1895-1900 (bronze) [see 5948543], Degas, Edgar (1834-1917) / Bridgeman Images

ID: COU5948542

Danseuse regardant la plante de son pied droit, 1895-1900 (bronze) [see 5948543]

Degas, Edgar (1834-1917)

Candlestick, 1275-99 (cast, engraved bronze inlaid with silver)
Candlestick, 1275-99 (cast, engraved bronze inlaid with silver)

COU5948513: Candlestick, 1275-99 (cast, engraved bronze inlaid with silver), Eastern Anatolian or Turkish school, (13th century) / Bridgeman Images

ID: COU5948513

Candlestick, 1275-99 (cast, engraved bronze inlaid with silver)

Eastern Anatolian or Turkish school, (13th century)

Massafra, Taranto, Apulia, Italy, The Rock Church of the Candelora (photo)
Massafra, Taranto, Apulia, Italy, The Rock Church of the Candelora (photo)

RTG5948617: Massafra, Taranto, Apulia, Italy, The Rock Church of the Candelora (photo) / Bridgeman Images

ID: RTG5948617

Massafra, Taranto, Apulia, Italy, The Rock Church of the Candelora (photo)

Massafra, Taranto, Puglia, Italy, Wooden statue of St. Michael in the Mother Church (photo)
Massafra, Taranto, Puglia, Italy, Wooden statue of St. Michael in the Mother Church (photo)

RTG5948629: Massafra, Taranto, Puglia, Italy, Wooden statue of St. Michael in the Mother Church (photo) / Bridgeman Images

ID: RTG5948629

Massafra, Taranto, Puglia, Italy, Wooden statue of St. Michael in the Mother Church (photo)

Anti-Assad uprising, Idlib province, Syria, 23 April 2012 (photo)
Anti-Assad uprising, Idlib province, Syria, 23 April 2012 (photo)

SZT5948594: Anti-Assad uprising, Idlib province, Syria, 23 April 2012 (photo) / Bridgeman Images

ID: SZT5948594

Anti-Assad uprising, Idlib province, Syria, 23 April 2012 (photo)

Massafra, Taranto, Apulia, Italy, The Rock Church of the Candelora (photo)
Massafra, Taranto, Apulia, Italy, The Rock Church of the Candelora (photo)

RTG5948618: Massafra, Taranto, Apulia, Italy, The Rock Church of the Candelora (photo) / Bridgeman Images

ID: RTG5948618

Massafra, Taranto, Apulia, Italy, The Rock Church of the Candelora (photo)

Frescoes in the Rock Church of Our Lady of the Three Doors. Deesis, detail of Christ Pantocrator, work of the Master of Miglionico, 15th century Matera, Basilicata, Italy (photo)
Frescoes in the Rock Church of Our Lady of the Three Doors. Deesis, detail of Christ Pantocrator, work of the Master of Miglionico, 15th century Matera, Basilicata, Italy (photo)

RTG5948631: Frescoes in the Rock Church of Our Lady of the Three Doors. Deesis, detail of Christ Pantocrator, work of the Master of Miglionico, 15th century Matera, Basilicata, Italy (photo) / Bridgeman Images

ID: RTG5948631

Frescoes in the Rock Church of Our Lady of the Three Doors. Deesis, detail of Christ Pantocrator, work of the Master of Miglionico, 15th century Matera, Basilicata, Italy (photo)

Rock church of Santa Lucia alle Malve, Matera, Basilicata, Italy, Altar of Saint Lucia (wooden statue of Saint Lucia) (photo)
Rock church of Santa Lucia alle Malve, Matera, Basilicata, Italy, Altar of Saint Lucia (wooden statue of Saint Lucia) (photo)

RTG5948650: Rock church of Santa Lucia alle Malve, Matera, Basilicata, Italy, Altar of Saint Lucia (wooden statue of Saint Lucia) (photo) / Bridgeman Images

ID: RTG5948650

Rock church of Santa Lucia alle Malve, Matera, Basilicata, Italy, Altar of Saint Lucia (wooden statue of Saint Lucia) (photo)

Rock church of Santa Lucia alle Malve, Matera, Basilicata, Italy, Altar of Saint Lucia (wooden statue of Saint Lucia) (photo)
Rock church of Santa Lucia alle Malve, Matera, Basilicata, Italy, Altar of Saint Lucia (wooden statue of Saint Lucia) (photo)

RTG5948653: Rock church of Santa Lucia alle Malve, Matera, Basilicata, Italy, Altar of Saint Lucia (wooden statue of Saint Lucia) (photo) / Bridgeman Images

ID: RTG5948653

Rock church of Santa Lucia alle Malve, Matera, Basilicata, Italy, Altar of Saint Lucia (wooden statue of Saint Lucia) (photo)


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