Piper, John (1903-92) Assets (450 in total)

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Newhaven, c.1937 (watercolour, bodycolour, gouache, collage, pen, brush and black)
Newhaven, c.1937 (watercolour, bodycolour, gouache, collage, pen, brush and black)

CH657128: Newhaven, c.1937 (watercolour, bodycolour, gouache, collage, pen, brush and black), Piper, John (1903-92) / Bridgeman Images

Hamstead Marshall Gate Piers, 1982 (w/c on paper)
Hamstead Marshall Gate Piers, 1982 (w/c on paper)

MFA407490: Hamstead Marshall Gate Piers, 1982 (w/c on paper), Piper, John (1903-92) / Bridgeman Images

Adoration of the Magi, window based on the tympanum at Neuilly-en-Donjon, France, 1980 (stained glass)
Adoration of the Magi, window based on the tympanum at Neuilly-en-Donjon, France, 1980 (stained glass)

MH21586: Adoration of the Magi, window based on the tympanum at Neuilly-en-Donjon, France, 1980 (stained glass), Piper, John (1903-92) / Bridgeman Images

Pentre Ifan, Prescelly Hills, Pembrokeshire, c. 1975
Pentre Ifan, Prescelly Hills, Pembrokeshire, c. 1975

WIN33037: Pentre Ifan, Prescelly Hills, Pembrokeshire, c. 1975, Piper, John (1903-92) / Bridgeman Images

The Nativity by John Piper (1903-92), 1982 (stained glass)
The Nativity by John Piper (1903-92), 1982 (stained glass)

BAL82999: The Nativity by John Piper (1903-92), 1982 (stained glass), Piper, John (1903-92) / Bridgeman Images

Taillebourg, Charente (mixed media)
Taillebourg, Charente (mixed media)

AAH863124: Taillebourg, Charente (mixed media), Piper, John (1903-92) / Bridgeman Images

Harlaxton Manor, Lincolnshire, 1977 (oil on canvas)
Harlaxton Manor, Lincolnshire, 1977 (oil on canvas)

CH6233269: Harlaxton Manor, Lincolnshire, 1977 (oil on canvas), Piper, John (1903-92) / Bridgeman Images

Hotel du Voyages, c.1957 (ink, charcoal, crayon, w/c & bodycolour on paper)
Hotel du Voyages, c.1957 (ink, charcoal, crayon, w/c & bodycolour on paper)

CH2607284: Hotel du Voyages, c.1957 (ink, charcoal, crayon, w/c & bodycolour on paper), Piper, John (1903-92) / Bridgeman Images

Binham Priory, Norfolk (oil on canvas)
Binham Priory, Norfolk (oil on canvas)

CH2637626: Binham Priory, Norfolk (oil on canvas), Piper, John (1903-92) / Bridgeman Images

Monument by Grinling Gibbons, Exton Church, Rutland, c.1970 (ink & wash)
Monument by Grinling Gibbons, Exton Church, Rutland, c.1970 (ink & wash)

WIN34002: Monument by Grinling Gibbons, Exton Church, Rutland, c.1970 (ink & wash), Piper, John (1903-92) / Bridgeman Images

Chambord (The Roof), 1964 (oil on canvas)
Chambord (The Roof), 1964 (oil on canvas)

CH2636540: Chambord (The Roof), 1964 (oil on canvas), Piper, John (1903-92) / Bridgeman Images

Sheffield, 1961 (oil on canvas)
Sheffield, 1961 (oil on canvas)

CH2607283: Sheffield, 1961 (oil on canvas), Piper, John (1903-92) / Bridgeman Images

Design for the Baptistry Window, All Saints, Clifton, Bristol (paint & collage on paper)
Design for the Baptistry Window, All Saints, Clifton, Bristol (paint & collage on paper)

CH3741502: Design for the Baptistry Window, All Saints, Clifton, Bristol (paint & collage on paper), Piper, John (1903-92) / Bridgeman Images

Approach to Fonthill, 1940 (oil on board)
Approach to Fonthill, 1940 (oil on board)

WHT6365331: Approach to Fonthill, 1940 (oil on board), Piper, John (1903-92) / Bridgeman Images

Castlemartin, 1976 (screenprint in colours)
Castlemartin, 1976 (screenprint in colours)

CH6233270: Castlemartin, 1976 (screenprint in colours), Piper, John (1903-92) / Bridgeman Images

Swansea Chapel (litho)
Swansea Chapel (litho)

XYC173645: Swansea Chapel (litho), Piper, John (1903-92) / Bridgeman Images

Stourhead, 1946. Bristol High Cross and Pantheon
Stourhead, 1946. Bristol High Cross and Pantheon

WIN33440: Stourhead, 1946. Bristol High Cross and Pantheon, Piper, John (1903-92) / Bridgeman Images

Rose Cottage, Rye Harbour, Sussex, 1931 (gouache & pencil)
Rose Cottage, Rye Harbour, Sussex, 1931 (gouache & pencil)

WIN34205: Rose Cottage, Rye Harbour, Sussex, 1931 (gouache & pencil), Piper, John (1903-92) / Bridgeman Images

Bedwellty, 1944 (gouache, w/c, pen & ink on paper)
Bedwellty, 1944 (gouache, w/c, pen & ink on paper)

PFA188068: Bedwellty, 1944 (gouache, w/c, pen & ink on paper), Piper, John (1903-92) / Bridgeman Images

Palazzo Pesaro, from the 'John Piper 80th Anniversary Portfolio', pub. in 1983 (intaglio etching)
Palazzo Pesaro, from the 'John Piper 80th Anniversary Portfolio', pub. in 1983 (intaglio etching)

STC129791: Palazzo Pesaro, from the 'John Piper 80th Anniversary Portfolio', pub. in 1983 (intaglio etching), Piper, John (1903-92) / Bridgeman Images

Old Romney, I (NW), 1982 (w/c on paper)
Old Romney, I (NW), 1982 (w/c on paper)

MFA408935: Old Romney, I (NW), 1982 (w/c on paper), Piper, John (1903-92) / Bridgeman Images

Garn Fawr, 1983 (w/c & mixed media on paper)
Garn Fawr, 1983 (w/c & mixed media on paper)

MFA407427: Garn Fawr, 1983 (w/c & mixed media on paper), Piper, John (1903-92) / Bridgeman Images

Temple of British Worthies, Stowe, 1940 (w/c on paper)
Temple of British Worthies, Stowe, 1940 (w/c on paper)

STC243935: Temple of British Worthies, Stowe, 1940 (w/c on paper), Piper, John (1903-92) / Bridgeman Images

Redland Park Congregational Church, Bristol, 1940 (oil on canvas)
Redland Park Congregational Church, Bristol, 1940 (oil on canvas)

PAL264003: Redland Park Congregational Church, Bristol, 1940 (oil on canvas), Piper, John (1903-92) / Bridgeman Images

Town from the Water Meadows, c.1935-38 (oil on canvas)
Town from the Water Meadows, c.1935-38 (oil on canvas)

TW427034: Town from the Water Meadows, c.1935-38 (oil on canvas), Piper, John (1903-92) / Bridgeman Images

Nudes in a Landscape near a ruined Building, (black watercolour, bodycolour, pen, brush, black ink and black w)
Nudes in a Landscape near a ruined Building, (black watercolour, bodycolour, pen, brush, black ink and black w)

CH657329: Nudes in a Landscape near a ruined Building, (black watercolour, bodycolour, pen, brush, black ink and black w), Piper, John (1903-92) / Bridgeman Images

Ruined Abbey, (pen, brush, black ink and watercolour)
Ruined Abbey, (pen, brush, black ink and watercolour)

CH658059: Ruined Abbey, (pen, brush, black ink and watercolour), Piper, John (1903-92) / Bridgeman Images

Botallack Chapel, Near Fowey, Cornwall 1943
Botallack Chapel, Near Fowey, Cornwall 1943

WIN33443: Botallack Chapel, Near Fowey, Cornwall 1943, Piper, John (1903-92) / Bridgeman Images

Newcastle Emlyn, Carmarthenshire, 1981 (oil on canvas)
Newcastle Emlyn, Carmarthenshire, 1981 (oil on canvas)

WIN34000: Newcastle Emlyn, Carmarthenshire, 1981 (oil on canvas), Piper, John (1903-92) / Bridgeman Images

Llyn Teifi, Cardiganshire, 1982 (w/c)
Llyn Teifi, Cardiganshire, 1982 (w/c)

WIN34009: Llyn Teifi, Cardiganshire, 1982 (w/c), Piper, John (1903-92) / Bridgeman Images

Hovingham Village, 1944 (w/c)
Hovingham Village, 1944 (w/c)

WIN34042: Hovingham Village, 1944 (w/c), Piper, John (1903-92) / Bridgeman Images

Wiggenhall St.Peter, Norfolk, 1974 (mixed media)
Wiggenhall St.Peter, Norfolk, 1974 (mixed media)

WIN34045: Wiggenhall St.Peter, Norfolk, 1974 (mixed media), Piper, John (1903-92) / Bridgeman Images

Long Sutton, Lincolnshire, 1981.
Long Sutton, Lincolnshire, 1981.

WIN34097: Long Sutton, Lincolnshire, 1981., Piper, John (1903-92) / Bridgeman Images

St. George Kemptown, Brighton, Sussex (aquatint)
St. George Kemptown, Brighton, Sussex (aquatint)

WIN34208: St. George Kemptown, Brighton, Sussex (aquatint), Piper, John (1903-92) / Bridgeman Images

Three Oviform Images (colour litho)
Three Oviform Images (colour litho)

NCO615931: Three Oviform Images (colour litho), Piper, John (1903-92) / Bridgeman Images

The Geffrye Museum (colour litho)
The Geffrye Museum (colour litho)

NCO615912: The Geffrye Museum (colour litho), Piper, John (1903-92) / Bridgeman Images


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