Goya y Lucientes, Francisco Jose de (1746-1828) Assets (686 in total)
Results
TRK5494986: Boys with mastiff, c.1786 (oil on cardboard), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
LRI4353590: Portrait of Don Andres del Peral (active 1770-1820) painter decorator - Oil on wood, 1798, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
JLJ4577316: Charles III of Spain in hunting dress, c.1786-88 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
JLJ4579496: Portrait of Francisco Bayeu, 1795 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
JLJ4612864: The Prairie of San Isidro (San Isidro) View of the City of Madrid from the Hermitage of San Isidoro, 1788 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
LRI4606365: War Destres: “” This is no less”” Anticlerical print on the cult of holy icons. Preparation drawing in red pencil for etching by Francisco de Goya y Lucientes (1746-1828). 1810-1812. Madrid. Prado Museum, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5380620: The Infante Francisco de Paula, 1800 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5333664: Duchess Alba putting her hair in order. Drawing by Francisco de Goya y Lucientes (1746-1828). 1796., Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5345414: Friar Pedro Binds El Maragato with a Rope, painting by Francisco de Goya, 1806-7, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
CH3112266: Soplones, plate from 'Los Caprichos', 1799 (etching & aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
CCI1856385: Buen Viage (Safe trip). Wing Monsters. c.1802 (engraving), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE291909: Salvaje menos que otros (ink on paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE291925: Awaiting his arrival (ink on paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
BOO74012: "May God forgive her: it was her mother", 1797 (etching and aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE291915: Allegory: War or Evil, 1810s (ink on paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XDM1071367: To Rise and Fall (Subir y Bajar), 1799 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XDM1071366: Two of a Kind (Tal para Qual), 1799 (etching, aquatint & drypoint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5376422: Mariano Ceballos called "the Indian" on the back of a bull breaks his pike in the arenas of Madrid, c. 1810 (painting), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5380014: The age of misfortune, 1814-23 (wash, brush, pencil, grey-brown ink, iron gall ink on laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5380027: Exhortation, 1815-19 (red wash, red chalk on ivory laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5380042: Strange Dream, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
IBE5376375: Bullfighting, 1780-90 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XOS6067357: Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XOS6067358: Que se rompe la cuerda (May the cord break), Plate 77 from Los Desastres de la Guerra (The Disasters of War), after 1814-15, published 1863 (etching, aquatint or lavis & drypoint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XKH153640: Because she was susceptible, plate 32 of 'Los Caprichos', 1799 (aquatint), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XIR203356: Equestrian Portrait of Ferdinand VII (1784-1833) King of Spain (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XIR897700: Woman with a Fan, c.1805-06 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XCC2972717: They Carried Her Off!, plate eight from Los Caprichos, 1797-99 (etching and aquatint on ivory laid paper), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
CH376754: Portrait of the 10th Marquesa de Santa Cruz as the Muse, Euterpe, 1805 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XIR238646: Spring or the Flower Seller, 1786 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XJF128044: Letter from the Artist (1746-1828) (pen) (b/w photo), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
XKH153637: Sleep overcomes them, plater 34 of 'Los caprichos', 1799 (etching), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
PWI83796: Portrait of a man presumed to be Don Evaristo Perez de Castro, Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
FIA2629153: Portrait of Dona Manuela Camas, 1795 (oil on canvas), Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
HMA616445: Bull Fight, from 'La Tauromaquia', 1921 (etching & aquatint on paper) , Goya y Lucientes, Francisco Jose de (1746-1828) / Bridgeman Images
