Unknown Artist, (19th century) Assets (17892 in total)

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Le chanteur de lamte en Alsace. Engraving in “Le Journal de la jeunesse””, 1890.
Le chanteur de lamte en Alsace. Engraving in “Le Journal de la jeunesse””, 1890.

XEE4134392: Le chanteur de lamte en Alsace. Engraving in “Le Journal de la jeunesse””, 1890., Unknown Artist, (19th century) / Bridgeman Images

The dairy industry in France - manufacture of whey butter: dam in Lozere. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of March 27, 1897.
The dairy industry in France - manufacture of whey butter: dam in Lozere. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of March 27, 1897.

XEE4134485: The dairy industry in France - manufacture of whey butter: dam in Lozere. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of March 27, 1897., Unknown Artist, (19th century) / Bridgeman Images

Thomas Edison (1847-1931), American physicist, in New York, hearing the first “phonogram” sent from England. (From a photograph communicated to “La Nature” by Colonel Gouraud). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 4 May 1889.
Thomas Edison (1847-1931), American physicist, in New York, hearing the first “phonogram” sent from England. (From a photograph communicated to “La Nature” by Colonel Gouraud). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 4 May 1889.

XEE4134542: Thomas Edison (1847-1931), American physicist, in New York, hearing the first “phonogram” sent from England. (From a photograph communicated to “La Nature” by Colonel Gouraud). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 4 May 1889., Unknown Artist, (19th century) / Bridgeman Images

Metal furnace blower operated by a hydraulic motor. Fac simile (Fac-simile) of an engraving published in “” Cosmographie”” (1555) by Sebastien Munster. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 10 August 1889.
Metal furnace blower operated by a hydraulic motor. Fac simile (Fac-simile) of an engraving published in “” Cosmographie”” (1555) by Sebastien Munster. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 10 August 1889.

XEE4134549: Metal furnace blower operated by a hydraulic motor. Fac simile (Fac-simile) of an engraving published in “” Cosmographie”” (1555) by Sebastien Munster. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 10 August 1889., Unknown Artist, (19th century) / Bridgeman Images

Les creches: nursery and nursery of Guise (Aisne, 02). Internal view of the main room. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 20 February 1892.
Les creches: nursery and nursery of Guise (Aisne, 02). Internal view of the main room. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 20 February 1892.

XEE4134566: Les creches: nursery and nursery of Guise (Aisne, 02). Internal view of the main room. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 20 February 1892., Unknown Artist, (19th century) / Bridgeman Images

The skin of a Python snake, 6.60m long, captured in the Philippines Islands. (From a photograph). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 16 July 1892.
The skin of a Python snake, 6.60m long, captured in the Philippines Islands. (From a photograph). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 16 July 1892.

XEE4134581: The skin of a Python snake, 6.60m long, captured in the Philippines Islands. (From a photograph). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 16 July 1892., Unknown Artist, (19th century) / Bridgeman Images

Panda, late king of the Zulu. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 5 April 1879.
Panda, late king of the Zulu. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 5 April 1879.

XEE4134618: Panda, late king of the Zulu. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 5 April 1879., Unknown Artist, (19th century) / Bridgeman Images

Position occupied by the blade in the body of a swallow. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 21 July 1883.
Position occupied by the blade in the body of a swallow. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 21 July 1883.

XEE4134672: Position occupied by the blade in the body of a swallow. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 21 July 1883., Unknown Artist, (19th century) / Bridgeman Images

Transport of the obelisque known as “Needle of Cleopatre” from Egypt to England, 1877-1878: construction of a waterproof cylinder around the obelisque. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 20 April 1878.
Transport of the obelisque known as “Needle of Cleopatre” from Egypt to England, 1877-1878: construction of a waterproof cylinder around the obelisque. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 20 April 1878.

XEE4134680: Transport of the obelisque known as “Needle of Cleopatre” from Egypt to England, 1877-1878: construction of a waterproof cylinder around the obelisque. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 20 April 1878., Unknown Artist, (19th century) / Bridgeman Images

Tricycles at the Stanley Club Exhibition in London, England, 1883: A “Sociable” has two people. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 5 May 1883.
Tricycles at the Stanley Club Exhibition in London, England, 1883: A “Sociable” has two people. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 5 May 1883.

XEE4134704: Tricycles at the Stanley Club Exhibition in London, England, 1883: A “Sociable” has two people. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 5 May 1883., Unknown Artist, (19th century) / Bridgeman Images

The planetary of N. Perini, Italian astronomer. Engraving in “La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 12 June 1880.
The planetary of N. Perini, Italian astronomer. Engraving in “La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 12 June 1880.

XEE4134719: The planetary of N. Perini, Italian astronomer. Engraving in “La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 12 June 1880., Unknown Artist, (19th century) / Bridgeman Images

THE THEATRE BY THE AGES: A performance under Louis XIV. Branded spectators attended the performance on stage near the actors.
THE THEATRE BY THE AGES: A performance under Louis XIV. Branded spectators attended the performance on stage near the actors.

XEE4135220: THE THEATRE BY THE AGES: A performance under Louis XIV. Branded spectators attended the performance on stage near the actors., Unknown Artist, (19th century) / Bridgeman Images

THEATRE IN THE AGES: Theatre under the Second Empire. The military play at the Imperial Circus Theatre (Winter) Boulevard du Temple in Paris.
THEATRE IN THE AGES: Theatre under the Second Empire. The military play at the Imperial Circus Theatre (Winter) Boulevard du Temple in Paris.

XEE4135233: THEATRE IN THE AGES: Theatre under the Second Empire. The military play at the Imperial Circus Theatre (Winter) Boulevard du Temple in Paris., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Felix Gustave Saussier, French general-
Portrait of Felix Gustave Saussier, French general-

XEE4135453: Portrait of Felix Gustave Saussier, French general- "Le Pelerin" January 16, 1898 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Scenes of Missing Kingdoms: Chaussee of the Incas Chromolithography of the 19th century.
Scenes of Missing Kingdoms: Chaussee of the Incas Chromolithography of the 19th century.

XEE4154917: Scenes of Missing Kingdoms: Chaussee of the Incas Chromolithography of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

allegory of Etruria, 1856 (engraving)
allegory of Etruria, 1856 (engraving)

XEE4155451: allegory of Etruria, 1856 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Jupiter and Juno - engraving from “” Usi e Costumi di Tutti i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856
Jupiter and Juno - engraving from “” Usi e Costumi di Tutti i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856

XEE4155507: Jupiter and Juno - engraving from “” Usi e Costumi di Tutti i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856, Unknown Artist, (19th century) / Bridgeman Images

Korah Hottentots of the Cape on the move - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856
Korah Hottentots of the Cape on the move - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856

XEE4155696: Korah Hottentots of the Cape on the move - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856, Unknown Artist, (19th century) / Bridgeman Images

View of Valletta (Malta) in the 19th century - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856
View of Valletta (Malta) in the 19th century - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856

XEE4155742: View of Valletta (Malta) in the 19th century - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Saint Louis (Saint-Louis, Louis IX (1214-1270) - Saint Louis IX (1214-70) king of France -
Portrait of Saint Louis (Saint-Louis, Louis IX (1214-1270) - Saint Louis IX (1214-70) king of France -

XEE4155817: Portrait of Saint Louis (Saint-Louis, Louis IX (1214-1270) - Saint Louis IX (1214-70) king of France -, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Berengar II king of Italy (900-966) - Berenger II ou ou ou Berenger d'Igree (Ivrea) (berengario re d'italia) - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856
Portrait of Berengar II king of Italy (900-966) - Berenger II ou ou ou Berenger d'Igree (Ivrea) (berengario re d'italia) - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856

XEE4155876: Portrait of Berengar II king of Italy (900-966) - Berenger II ou ou ou Berenger d'Igree (Ivrea) (berengario re d'italia) - engraving from “” Usi e Costumi di Tutti i i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri” 1856, Unknown Artist, (19th century) / Bridgeman Images

Joseph Black visiting James Watt in his Glasgow workshop - The Scottish chemist Joseph Black visits engineer James Watt (1736-1819) in his laboratory at the University of Glasgow around 1760. Engraving from Louis Figuier's “The wonders of science”.
Joseph Black visiting James Watt in his Glasgow workshop - The Scottish chemist Joseph Black visits engineer James Watt (1736-1819) in his laboratory at the University of Glasgow around 1760. Engraving from Louis Figuier's “The wonders of science”.

XEE4155908: Joseph Black visiting James Watt in his Glasgow workshop - The Scottish chemist Joseph Black visits engineer James Watt (1736-1819) in his laboratory at the University of Glasgow around 1760. Engraving from Louis Figuier's “The wonders of science”., Unknown Artist, (19th century) / Bridgeman Images

Joan of Arc, arrived at Chinon (1429) recognized in Charles VII (1403-1461), who was in the crowd of courtiers - Engraving in “Les Fastes populaires, ou Histoire des actes heroiques du peuple et de son influence sur les sciences, les arts, l'industrie et agriculture” by Alphonse Esquiros - 1851-1853
Joan of Arc, arrived at Chinon (1429) recognized in Charles VII (1403-1461), who was in the crowd of courtiers - Engraving in “Les Fastes populaires, ou Histoire des actes heroiques du peuple et de son influence sur les sciences, les arts, l'industrie et agriculture” by Alphonse Esquiros - 1851-1853

XEE4156374: Joan of Arc, arrived at Chinon (1429) recognized in Charles VII (1403-1461), who was in the crowd of courtiers - Engraving in “Les Fastes populaires, ou Histoire des actes heroiques du peuple et de son influence sur les sciences, les arts, l'industrie et agriculture” by Alphonse Esquiros - 1851-1853, Unknown Artist, (19th century) / Bridgeman Images

the marriage of the Italians at the time of the Lombard kings (568-774) -
the marriage of the Italians at the time of the Lombard kings (568-774) -

XEE4156455: the marriage of the Italians at the time of the Lombard kings (568-774) -, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Miguel de Cervantes (1547-1616) Spanish writer Miguel Cervantes de Saavedra.
Portrait of Miguel de Cervantes (1547-1616) Spanish writer Miguel Cervantes de Saavedra.

XEE4142377: Portrait of Miguel de Cervantes (1547-1616) Spanish writer Miguel Cervantes de Saavedra., Unknown Artist, (19th century) / Bridgeman Images

In 1274 Queen Mary of Brabant was falsely accused by the great chamberlain Pierre de la Broce (Pierre de Brush) of the death of the young prince Louis of France, the groin son of Philip III and Isabella of Aragon. Chromolitography of the late 19th century.
In 1274 Queen Mary of Brabant was falsely accused by the great chamberlain Pierre de la Broce (Pierre de Brush) of the death of the young prince Louis of France, the groin son of Philip III and Isabella of Aragon. Chromolitography of the late 19th century.

XEE4142731: In 1274 Queen Mary of Brabant was falsely accused by the great chamberlain Pierre de la Broce (Pierre de Brush) of the death of the young prince Louis of France, the groin son of Philip III and Isabella of Aragon. Chromolitography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Manufacture of pen holder (pen holder) and pencil holder (pencil holder). Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Manufacture of pen holder (pen holder) and pencil holder (pencil holder). Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143592: Manufacture of pen holder (pen holder) and pencil holder (pencil holder). Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Gold seekers in Australia: stain of daily life of miners during their rest days (cleaning and drying of linen, socks, etc.). Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Gold seekers in Australia: stain of daily life of miners during their rest days (cleaning and drying of linen, socks, etc.). Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143635: Gold seekers in Australia: stain of daily life of miners during their rest days (cleaning and drying of linen, socks, etc.). Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

The art of tour: shooting a steel monster cannon. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The art of tour: shooting a steel monster cannon. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143671: The art of tour: shooting a steel monster cannon. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

The art of glass: making ice cream. Step called “the big flow”. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
The art of glass: making ice cream. Step called “the big flow”. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143709: The art of glass: making ice cream. Step called “the big flow”. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Pottery: pipe earth (fine faience). The Englishman John Astbury (1688-1743) came to the house of the brothers John Philip and David Elers to steal from them the secret of the new white faience. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Pottery: pipe earth (fine faience). The Englishman John Astbury (1688-1743) came to the house of the brothers John Philip and David Elers to steal from them the secret of the new white faience. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143743: Pottery: pipe earth (fine faience). The Englishman John Astbury (1688-1743) came to the house of the brothers John Philip and David Elers to steal from them the secret of the new white faience. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

The princess faints. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.
The princess faints. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century.

XEE4143840: The princess faints. Tale “” Histoire du cheval enchante””” in “” Les mille et une nuits “” (les 1001 nuits ou Le mille e una notte, Arabian Nights). Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

The fight with the savages. Illustration for the book of Daniel Defoe (De foe) “” Robinson Crusoe””. Chromolithography of the late 19th century.
The fight with the savages. Illustration for the book of Daniel Defoe (De foe) “” Robinson Crusoe””. Chromolithography of the late 19th century.

XEE4143945: The fight with the savages. Illustration for the book of Daniel Defoe (De foe) “” Robinson Crusoe””. Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Robinson visits the debris. Illustration for the book of Daniel Defoe (De foe) “” Robinson Crusoe””. Chromolithography of the late 19th century.
Robinson visits the debris. Illustration for the book of Daniel Defoe (De foe) “” Robinson Crusoe””. Chromolithography of the late 19th century.

XEE4143954: Robinson visits the debris. Illustration for the book of Daniel Defoe (De foe) “” Robinson Crusoe””. Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Telegraphy: manufacture of transatlantic cable in Glass, Elliot and Company plant in East Greenwich (England). Engraving In “” The Illustrated London News”” of March 14, 1857.
Telegraphy: manufacture of transatlantic cable in Glass, Elliot and Company plant in East Greenwich (England). Engraving In “” The Illustrated London News”” of March 14, 1857.

XEE4144041: Telegraphy: manufacture of transatlantic cable in Glass, Elliot and Company plant in East Greenwich (England). Engraving In “” The Illustrated London News”” of March 14, 1857., Unknown Artist, (19th century) / Bridgeman Images

Launch of the Portuguese corvette “Sagres”” in Limehouse (London). Engraving In “” The Illustrated London News”” of June 5, 1858.
Launch of the Portuguese corvette “Sagres”” in Limehouse (London). Engraving In “” The Illustrated London News”” of June 5, 1858.

XEE4144064: Launch of the Portuguese corvette “Sagres”” in Limehouse (London). Engraving In “” The Illustrated London News”” of June 5, 1858., Unknown Artist, (19th century) / Bridgeman Images


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