Unknown Artist, (19th century) Assets (17892 in total)

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The service of sake, is what is most ceremonial in banquets, sake is brought in large lacquered pots or bronze cans, placed on a bamboo bar, heated in a bath bath in porcelain bottles; the cuts of materials and various sizes are richly decorated, but the pieces of honour are the large bowls shaped like a shield that is filled to the brim to make them go round and throw challenges. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The service of sake, is what is most ceremonial in banquets, sake is brought in large lacquered pots or bronze cans, placed on a bamboo bar, heated in a bath bath in porcelain bottles; the cuts of materials and various sizes are richly decorated, but the pieces of honour are the large bowls shaped like a shield that is filled to the brim to make them go round and throw challenges. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328306: The service of sake, is what is most ceremonial in banquets, sake is brought in large lacquered pots or bronze cans, placed on a bamboo bar, heated in a bath bath in porcelain bottles; the cuts of materials and various sizes are richly decorated, but the pieces of honour are the large bowls shaped like a shield that is filled to the brim to make them go round and throw challenges. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The matsouri (fair, procession) of Roksamia, Kami temple in the vicinity of Yedo (or Edo, present-day Tokyo), on the 5th day of the 5th month of the year, the crowd gather to collect medicinal herbs in the forest and in the evening, the priests organize a solemn procession to walk the relics and holy objects in the forest until a bucher, to the sound of fives, gongs and drums, illuminated by many paper lanterns, the crowd joins them for a festive celebration.Engraving to illustrate Japan, a travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The matsouri (fair, procession) of Roksamia, Kami temple in the vicinity of Yedo (or Edo, present-day Tokyo), on the 5th day of the 5th month of the year, the crowd gather to collect medicinal herbs in the forest and in the evening, the priests organize a solemn procession to walk the relics and holy objects in the forest until a bucher, to the sound of fives, gongs and drums, illuminated by many paper lanterns, the crowd joins them for a festive celebration.Engraving to illustrate Japan, a travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328343: The matsouri (fair, procession) of Roksamia, Kami temple in the vicinity of Yedo (or Edo, present-day Tokyo), on the 5th day of the 5th month of the year, the crowd gather to collect medicinal herbs in the forest and in the evening, the priests organize a solemn procession to walk the relics and holy objects in the forest until a bucher, to the sound of fives, gongs and drums, illuminated by many paper lanterns, the crowd joins them for a festive celebration.Engraving to illustrate Japan, a travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The Arcturus, a Danish liner serving between Copenhagen and Iceland, on which the author embarks to reach Reykjavik, sailing among the whales. Engraving to illustrate the voyage in Iceland, story by Noel Nougaret, in 1866, published in “” Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection.
The Arcturus, a Danish liner serving between Copenhagen and Iceland, on which the author embarks to reach Reykjavik, sailing among the whales. Engraving to illustrate the voyage in Iceland, story by Noel Nougaret, in 1866, published in “” Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection.

LSE4328356: The Arcturus, a Danish liner serving between Copenhagen and Iceland, on which the author embarks to reach Reykjavik, sailing among the whales. Engraving to illustrate the voyage in Iceland, story by Noel Nougaret, in 1866, published in “” Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Young Indians from Cerro de Pasco (central Peru), gather for breakfast. Engraving to illustrate Les iles Chincha, rect by L.Simonin, in 1860, published in “Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection.
Young Indians from Cerro de Pasco (central Peru), gather for breakfast. Engraving to illustrate Les iles Chincha, rect by L.Simonin, in 1860, published in “Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection.

LSE4328377: Young Indians from Cerro de Pasco (central Peru), gather for breakfast. Engraving to illustrate Les iles Chincha, rect by L.Simonin, in 1860, published in “Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Pope Pius IX (pio 9) (1792-1878) collected at the foot of the statue of St. Peter, at the entrance of the Basilica, in the Vatican. Engraving to illustrate the Rome story, by Francis Wey, in 1864-1868, published in “” le tour du monde””, edited by D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
Pope Pius IX (pio 9) (1792-1878) collected at the foot of the statue of St. Peter, at the entrance of the Basilica, in the Vatican. Engraving to illustrate the Rome story, by Francis Wey, in 1864-1868, published in “” le tour du monde””, edited by D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328586: Pope Pius IX (pio 9) (1792-1878) collected at the foot of the statue of St. Peter, at the entrance of the Basilica, in the Vatican. Engraving to illustrate the Rome story, by Francis Wey, in 1864-1868, published in “” le tour du monde””, edited by D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The lantern crimper, without any instrument other than a clamp, adjusts to the paper lanterns their frame of hoops and wire hooks. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.
The lantern crimper, without any instrument other than a clamp, adjusts to the paper lanterns their frame of hoops and wire hooks. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328674: The lantern crimper, without any instrument other than a clamp, adjusts to the paper lanterns their frame of hoops and wire hooks. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A lively scene of a street in Edo (Tokyo), with a traveling juggler in front of a fish deli, and a cheap cloth salesman. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.
A lively scene of a street in Edo (Tokyo), with a traveling juggler in front of a fish deli, and a cheap cloth salesman. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328683: A lively scene of a street in Edo (Tokyo), with a traveling juggler in front of a fish deli, and a cheap cloth salesman. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Street saltims: jugglers, balancers and acrobats, in night performances, at the annual Asaksa Fair, Tokyo Temple. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.
Street saltims: jugglers, balancers and acrobats, in night performances, at the annual Asaksa Fair, Tokyo Temple. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328734: Street saltims: jugglers, balancers and acrobats, in night performances, at the annual Asaksa Fair, Tokyo Temple. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Surprised by a lion during the hike at sunrise, the author shoots and wounds the animal. Engraving to illustrate the exploration of the Abyssinian tributaries of the Nile, by Sir Samuel W.Baker, in 1861-62, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Surprised by a lion during the hike at sunrise, the author shoots and wounds the animal. Engraving to illustrate the exploration of the Abyssinian tributaries of the Nile, by Sir Samuel W.Baker, in 1861-62, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328956: Surprised by a lion during the hike at sunrise, the author shoots and wounds the animal. Engraving to illustrate the exploration of the Abyssinian tributaries of the Nile, by Sir Samuel W.Baker, in 1861-62, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A gypsy blacksmith and his tools, in full working session in the region of the northern borders of Croatia. Engraving to illustrate the memories of travel among the southern Slavs, by Georges Perrot, in 1868, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
A gypsy blacksmith and his tools, in full working session in the region of the northern borders of Croatia. Engraving to illustrate the memories of travel among the southern Slavs, by Georges Perrot, in 1868, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329009: A gypsy blacksmith and his tools, in full working session in the region of the northern borders of Croatia. Engraving to illustrate the memories of travel among the southern Slavs, by Georges Perrot, in 1868, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The “Borda”” and its annexes the “Janus” and the “Bougainville””. Engraving in “Le journal de la jeunesse””, 1885.
The “Borda”” and its annexes the “Janus” and the “Bougainville””. Engraving in “Le journal de la jeunesse””, 1885.

XEE4134081: The “Borda”” and its annexes the “Janus” and the “Bougainville””. Engraving in “Le journal de la jeunesse””, 1885., Unknown Artist, (19th century) / Bridgeman Images

View of the port of Piree in Greece. Engraving in “The Journal of Youth””, 1890.
View of the port of Piree in Greece. Engraving in “The Journal of Youth””, 1890.

XEE4134395: View of the port of Piree in Greece. Engraving in “The Journal of Youth””, 1890., Unknown Artist, (19th century) / Bridgeman Images

View of the City of Beirut. Engraving in “The Journal of Youth””, 1890.
View of the City of Beirut. Engraving in “The Journal of Youth””, 1890.

XEE4134403: View of the City of Beirut. Engraving in “The Journal of Youth””, 1890., Unknown Artist, (19th century) / Bridgeman Images

Nile Hippo. (After Pierre Belon, 1517-1564). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 11 February 1888.
Nile Hippo. (After Pierre Belon, 1517-1564). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 11 February 1888.

XEE4134455: Nile Hippo. (After Pierre Belon, 1517-1564). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 11 February 1888., Unknown Artist, (19th century) / Bridgeman Images

Greenland exhibition at the Geography Society, Paris: sleigh model manufactured by Eskimos. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 16 February 1889.
Greenland exhibition at the Geography Society, Paris: sleigh model manufactured by Eskimos. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 16 February 1889.

XEE4134525: Greenland exhibition at the Geography Society, Paris: sleigh model manufactured by Eskimos. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 16 February 1889., Unknown Artist, (19th century) / Bridgeman Images

Portrait of John Ericsson (1803-1889), American engineer and inventor of Swedish origin. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 27 April 1889.
Portrait of John Ericsson (1803-1889), American engineer and inventor of Swedish origin. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 27 April 1889.

XEE4134537: Portrait of John Ericsson (1803-1889), American engineer and inventor of Swedish origin. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 27 April 1889., Unknown Artist, (19th century) / Bridgeman Images

Winter Pyramid 1784 in Paris. Fac simile (Fac-simile) of two prints published in “La Pyramide de neige”, almanach of 1786. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of March 16, 1895.
Winter Pyramid 1784 in Paris. Fac simile (Fac-simile) of two prints published in “La Pyramide de neige”, almanach of 1786. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of March 16, 1895.

XEE4134590: Winter Pyramid 1784 in Paris. Fac simile (Fac-simile) of two prints published in “La Pyramide de neige”, almanach of 1786. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of March 16, 1895., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Henri Milne Edwards (Milne-Edwards) (1800-1885), French naturalist. (From a photograph). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of August 8, 1885.
Portrait of Henri Milne Edwards (Milne-Edwards) (1800-1885), French naturalist. (From a photograph). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of August 8, 1885.

XEE4134658: Portrait of Henri Milne Edwards (Milne-Edwards) (1800-1885), French naturalist. (From a photograph). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of August 8, 1885., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Michel Eugene (Michel-Eugene) Chevreul (1786-1889), French chemist. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of August 28, 1886.
Portrait of Michel Eugene (Michel-Eugene) Chevreul (1786-1889), French chemist. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of August 28, 1886.

XEE4134668: Portrait of Michel Eugene (Michel-Eugene) Chevreul (1786-1889), French chemist. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of August 28, 1886., Unknown Artist, (19th century) / Bridgeman Images

Nicolas Grollier de Serviere (1596-1689), French inventor, has his work desk. (Fac simile of an old engraving). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 16 October 1880.
Nicolas Grollier de Serviere (1596-1689), French inventor, has his work desk. (Fac simile of an old engraving). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 16 October 1880.

XEE4134673: Nicolas Grollier de Serviere (1596-1689), French inventor, has his work desk. (Fac simile of an old engraving). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 16 October 1880., Unknown Artist, (19th century) / Bridgeman Images

Pope Leon XIII consecrated the protectorate of France in the Holy Land when Germany wanted to replace it -
Pope Leon XIII consecrated the protectorate of France in the Holy Land when Germany wanted to replace it -

XEE4135303: Pope Leon XIII consecrated the protectorate of France in the Holy Land when Germany wanted to replace it - "Le Pelerin" October 23, 1898 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for 'Ernani' for the Opera by Giuseppe Verdi, late 19th century (chromo)
Illustration for 'Ernani' for the Opera by Giuseppe Verdi, late 19th century (chromo)

XEE4135367: Illustration for 'Ernani' for the Opera by Giuseppe Verdi, late 19th century (chromo), Unknown Artist, (19th century) / Bridgeman Images

Portrait of King Sepopo of Zambeze (present-day South Africa), dressed in a European style, engraving by P, 19th century (engraving)
Portrait of King Sepopo of Zambeze (present-day South Africa), dressed in a European style, engraving by P, 19th century (engraving)

LSE4333727: Portrait of King Sepopo of Zambeze (present-day South Africa), dressed in a European style, engraving by P, 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

The tomb of Fatma at Koum, etched by Taylor, after a photograph, 19th century (engraving)
The tomb of Fatma at Koum, etched by Taylor, after a photograph, 19th century (engraving)

LSE4333750: The tomb of Fatma at Koum, etched by Taylor, after a photograph, 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

The palm game has Franeker (Netherlands). Engraving to illustrate the story La Frise, based on a relationship of a Dutch newspaper, in le tour du monde 1886, directed by Edouard Charton (1807-1890), Hachette, Paris.
The palm game has Franeker (Netherlands). Engraving to illustrate the story La Frise, based on a relationship of a Dutch newspaper, in le tour du monde 1886, directed by Edouard Charton (1807-1890), Hachette, Paris.

LSE4334229: The palm game has Franeker (Netherlands). Engraving to illustrate the story La Frise, based on a relationship of a Dutch newspaper, in le tour du monde 1886, directed by Edouard Charton (1807-1890), Hachette, Paris., Unknown Artist, (19th century) / Bridgeman Images

View of the island of Philae in Egypt, 19th century (lithograph)
View of the island of Philae in Egypt, 19th century (lithograph)

JLJ4658246: View of the island of Philae in Egypt, 19th century (lithograph), Unknown Artist, (19th century) / Bridgeman Images

Livestock walking in Leeuwarden (Netherlands). Engraving to illustrate the story La Frise, based on a relationship of a Dutch newspaper, in le tour du monde 1886, directed by Edouard Charton (1807-1890), Hachette, Paris.
Livestock walking in Leeuwarden (Netherlands). Engraving to illustrate the story La Frise, based on a relationship of a Dutch newspaper, in le tour du monde 1886, directed by Edouard Charton (1807-1890), Hachette, Paris.

LSE4334230: Livestock walking in Leeuwarden (Netherlands). Engraving to illustrate the story La Frise, based on a relationship of a Dutch newspaper, in le tour du monde 1886, directed by Edouard Charton (1807-1890), Hachette, Paris., Unknown Artist, (19th century) / Bridgeman Images

French President Felix Faure (1841-1899) delivered a speech at the dinner in honour of General Duchesne, 19th century (engraving)
French President Felix Faure (1841-1899) delivered a speech at the dinner in honour of General Duchesne, 19th century (engraving)

JLJ4661276: French President Felix Faure (1841-1899) delivered a speech at the dinner in honour of General Duchesne, 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

Slavery and fish farming in Rome: the freed Pollion having a slave thrown at the morays of his ponds - engraving, 19th century
Slavery and fish farming in Rome: the freed Pollion having a slave thrown at the morays of his ponds - engraving, 19th century

LSE4401699: Slavery and fish farming in Rome: the freed Pollion having a slave thrown at the morays of his ponds - engraving, 19th century, Unknown Artist, (19th century) / Bridgeman Images

Transformations of Paris under the Second Empire, Haussmann Paris: destruction of small Poland for the construction of Boulevard Malesherbes, Bibl. historical city of Paris, 1861.
Transformations of Paris under the Second Empire, Haussmann Paris: destruction of small Poland for the construction of Boulevard Malesherbes, Bibl. historical city of Paris, 1861.

LSE4401797: Transformations of Paris under the Second Empire, Haussmann Paris: destruction of small Poland for the construction of Boulevard Malesherbes, Bibl. historical city of Paris, 1861., Unknown Artist, (19th century) / Bridgeman Images

USA: The oil country in Pensylvania, Oil Creek Valley.
USA: The oil country in Pensylvania, Oil Creek Valley.

LSE4402840: USA: The oil country in Pensylvania, Oil Creek Valley., Unknown Artist, (19th century) / Bridgeman Images

Charles Fourier (1772-1837), French philosopher and economist.
Charles Fourier (1772-1837), French philosopher and economist.

GIA4698237: Charles Fourier (1772-1837), French philosopher and economist., Unknown Artist, (19th century) / Bridgeman Images

Hunting for pheasants in England, 19th century (engraving)
Hunting for pheasants in England, 19th century (engraving)

JLJ4579816: Hunting for pheasants in England, 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

Portrait of Rodolphe Kreutzer, French violinist and composer, 19th century (engraving)
Portrait of Rodolphe Kreutzer, French violinist and composer, 19th century (engraving)

JLJ4580018: Portrait of Rodolphe Kreutzer, French violinist and composer, 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

The beginning for hunting, 19th century (litho)
The beginning for hunting, 19th century (litho)

JLJ4580100: The beginning for hunting, 19th century (litho), Unknown Artist, (19th century) / Bridgeman Images

Carnival, Fetards disguises on a carriage, 1846 (engraving)
Carnival, Fetards disguises on a carriage, 1846 (engraving)

JLJ4583153: Carnival, Fetards disguises on a carriage, 1846 (engraving), Unknown Artist, (19th century) / Bridgeman Images


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