Unknown Artist, (19th century) Assets (17751 in total)

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Berlin, Germany: statue of Frederic II the Great (Frederic the Great). in “” The world illustrates 168 views”” Undated (late 19th century)
Berlin, Germany: statue of Frederic II the Great (Frederic the Great). in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184328: Berlin, Germany: statue of Frederic II the Great (Frederic the Great). in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Saint Petersburg, Russia: view of the Grand Theatre in Saint Petersburg in “” The world illustrates 168 views”” Undated (late 19th century)
Saint Petersburg, Russia: view of the Grand Theatre in Saint Petersburg in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184392: Saint Petersburg, Russia: view of the Grand Theatre in Saint Petersburg in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Stockholm, Sweden: view of the royal castle (Royal Castle). in “” The world illustrates 168 views”” Undated (late 19th century)
Stockholm, Sweden: view of the royal castle (Royal Castle). in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184438: Stockholm, Sweden: view of the royal castle (Royal Castle). in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Stuttgart, Germany: view of Wilhelma. in “” The world illustrates 168 views”” Undated (late 19th century)
Stuttgart, Germany: view of Wilhelma. in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184585: Stuttgart, Germany: view of Wilhelma. in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Portrait of Don Eugenio de Ochoa (1833-1889) Spanish man of letter and politician.
Portrait of Don Eugenio de Ochoa (1833-1889) Spanish man of letter and politician.

XEE4403817: Portrait of Don Eugenio de Ochoa (1833-1889) Spanish man of letter and politician., Unknown Artist, (19th century) / Bridgeman Images

Monsignor Georges Darboy (1813-1871) archheveque of Paris taking an oath in the hands of Napoleon III at the chapel of the Tuileries in 1863.
Monsignor Georges Darboy (1813-1871) archheveque of Paris taking an oath in the hands of Napoleon III at the chapel of the Tuileries in 1863.

XEE4403857: Monsignor Georges Darboy (1813-1871) archheveque of Paris taking an oath in the hands of Napoleon III at the chapel of the Tuileries in 1863., Unknown Artist, (19th century) / Bridgeman Images

The French commander and explorer Jean Baptiste Marchand returned from Fachoda (Sudan), 1899 (print)
The French commander and explorer Jean Baptiste Marchand returned from Fachoda (Sudan), 1899 (print)

XEE4404071: The French commander and explorer Jean Baptiste Marchand returned from Fachoda (Sudan), 1899 (print), Unknown Artist, (19th century) / Bridgeman Images

Merchant Mission. The steam
Merchant Mission. The steam

XEE4404083: Merchant Mission. The steam " Faidherbe” carries in pieces detached between the Congo and the Nile. Drawing by Henri Meyer. “Le Petit Journal”, May 28, 1899 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Portrait of Guillaume Lejean, French explorer 1828 -1871.
Portrait of Guillaume Lejean, French explorer 1828 -1871.

XEE4404091: Portrait of Guillaume Lejean, French explorer 1828 -1871., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Berthold Auerbach (1812-1882), German writer.
Portrait of Berthold Auerbach (1812-1882), German writer.

XEE4404198: Portrait of Berthold Auerbach (1812-1882), German writer., Unknown Artist, (19th century) / Bridgeman Images

Herault publishes the edit. Anonymous illustration for “” Donkey Skin”” tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).
Herault publishes the edit. Anonymous illustration for “” Donkey Skin”” tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).

XEE4404240: Herault publishes the edit. Anonymous illustration for “” Donkey Skin”” tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images

The king's son saw the princess. Illustration for “” Donkey Skin”” tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).
The king's son saw the princess. Illustration for “” Donkey Skin”” tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).

XEE4404259: The king's son saw the princess. Illustration for “” Donkey Skin”” tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images

Trout changed to a sow. Anonymous illustration for the tale “L'oiseau Bleu”, tale by Madame d'Aulnoy (1650-1705), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).
Trout changed to a sow. Anonymous illustration for the tale “L'oiseau Bleu”, tale by Madame d'Aulnoy (1650-1705), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).

XEE4404285: Trout changed to a sow. Anonymous illustration for the tale “L'oiseau Bleu”, tale by Madame d'Aulnoy (1650-1705), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images

The loggers abandon their children, Illustration for “” Le Pepetit poucet””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).
The loggers abandon their children, Illustration for “” Le Pepetit poucet””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).

XEE4404314: The loggers abandon their children, Illustration for “” Le Pepetit poucet””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images

Engagement of the Marquis of Carabas and the King's daughter. Illustration for “” Le chat Botte””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).
Engagement of the Marquis of Carabas and the King's daughter. Illustration for “” Le chat Botte””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).

XEE4404325: Engagement of the Marquis of Carabas and the King's daughter. Illustration for “” Le chat Botte””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images

The godmother (the right fee) turns lezards into lackey. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The godmother (the right fee) turns lezards into lackey. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404550: The godmother (the right fee) turns lezards into lackey. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Cinderella frees the mice that trash as horses and a rat as coachers. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Cinderella frees the mice that trash as horses and a rat as coachers. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404559: Cinderella frees the mice that trash as horses and a rat as coachers. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The children of the handler, who just died, share his property: donkey, mill and cat. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The children of the handler, who just died, share his property: donkey, mill and cat. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404582: The children of the handler, who just died, share his property: donkey, mill and cat. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Cat traps a rabbit. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Cat traps a rabbit. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404599: Cat traps a rabbit. Illustration of the tale “The cat botte” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404617: Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Little Red Riding Hood puts food for his grandmother on the huche. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Little Red Riding Hood puts food for his grandmother on the huche. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404729: Little Red Riding Hood puts food for his grandmother on the huche. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Wissembourg, Alsace, France 1869: laying the first stone of the Israeli temple.
Wissembourg, Alsace, France 1869: laying the first stone of the Israeli temple.

XEE4404779: Wissembourg, Alsace, France 1869: laying the first stone of the Israeli temple., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Pascal (Pasquale) Paoli (1725-1807), Patriote Corsica
Portrait of Pascal (Pasquale) Paoli (1725-1807), Patriote Corsica

XEE4404891: Portrait of Pascal (Pasquale) Paoli (1725-1807), Patriote Corsica, Unknown Artist, (19th century) / Bridgeman Images

Algerian musicians. in” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color.
Algerian musicians. in” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color.

XEE4405154: Algerian musicians. in” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color., Unknown Artist, (19th century) / Bridgeman Images

Conquest of Algeria. Death of General Danrémont during the capture of Constantine. 13 October 1837. in” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color.
Conquest of Algeria. Death of General Danrémont during the capture of Constantine. 13 October 1837. in” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color.

XEE4405169: Conquest of Algeria. Death of General Danrémont during the capture of Constantine. 13 October 1837. in” L'Algerie ancienne et moderne”” by Léon Galibert. Italian edition in 1846 color., Unknown Artist, (19th century) / Bridgeman Images

Old custom celebrated in the Ile de France region: the Rosière de Nanterre. Chromolithography of the late 19th century.
Old custom celebrated in the Ile de France region: the Rosière de Nanterre. Chromolithography of the late 19th century.

XEE4405242: Old custom celebrated in the Ile de France region: the Rosière de Nanterre. Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

The profession of manufacturer of windmills at the beginning of the 18th century.
The profession of manufacturer of windmills at the beginning of the 18th century.

XEE4405289: The profession of manufacturer of windmills at the beginning of the 18th century., Unknown Artist, (19th century) / Bridgeman Images

The craft of cooper in 1500.
The craft of cooper in 1500.

XEE4405311: The craft of cooper in 1500., Unknown Artist, (19th century) / Bridgeman Images

Joseph Alexandre Colonna (1810-1868), Count Walewski, son of Napoleon I and Marie Walewska, French politician
Joseph Alexandre Colonna (1810-1868), Count Walewski, son of Napoleon I and Marie Walewska, French politician

XEE4405480: Joseph Alexandre Colonna (1810-1868), Count Walewski, son of Napoleon I and Marie Walewska, French politician, Unknown Artist, (19th century) / Bridgeman Images

London, construction of docks on the south bank of the Thames, opposite the administrative city of Westminster on the north shore. In “” L'univers illustré””, on 20/10/1866.
London, construction of docks on the south bank of the Thames, opposite the administrative city of Westminster on the north shore. In “” L'univers illustré””, on 20/10/1866.

XEE4405702: London, construction of docks on the south bank of the Thames, opposite the administrative city of Westminster on the north shore. In “” L'univers illustré””, on 20/10/1866., Unknown Artist, (19th century) / Bridgeman Images

General view of Algiers in the 19th century, in “” Algerie ancienne et moderne”” by Leon Galibert, 1844.
General view of Algiers in the 19th century, in “” Algerie ancienne et moderne”” by Leon Galibert, 1844.

XEE4405734: General view of Algiers in the 19th century, in “” Algerie ancienne et moderne”” by Leon Galibert, 1844., Unknown Artist, (19th century) / Bridgeman Images

Porte Bab-Azoun in Algiers, a fort occupied by the division of Escars during the conquest of the Agery by France in 1830, in “L'Algerie ancienne et moderne”” by Leon Galibert, 1844.
Porte Bab-Azoun in Algiers, a fort occupied by the division of Escars during the conquest of the Agery by France in 1830, in “L'Algerie ancienne et moderne”” by Leon Galibert, 1844.

XEE4405751: Porte Bab-Azoun in Algiers, a fort occupied by the division of Escars during the conquest of the Agery by France in 1830, in “L'Algerie ancienne et moderne”” by Leon Galibert, 1844., Unknown Artist, (19th century) / Bridgeman Images

The light infantry of the French army during the expedition of Algiers in 1830, In “” L'Algerie ancienne et moderne”” by Leon Galibert, 1844.
The light infantry of the French army during the expedition of Algiers in 1830, In “” L'Algerie ancienne et moderne”” by Leon Galibert, 1844.

XEE4405772: The light infantry of the French army during the expedition of Algiers in 1830, In “” L'Algerie ancienne et moderne”” by Leon Galibert, 1844., Unknown Artist, (19th century) / Bridgeman Images

View of Constantine in the 19th century, in” L'Algerie ancienne et moderne”” by Leon Galibert, 1844
View of Constantine in the 19th century, in” L'Algerie ancienne et moderne”” by Leon Galibert, 1844

XEE4405785: View of Constantine in the 19th century, in” L'Algerie ancienne et moderne”” by Leon Galibert, 1844, Unknown Artist, (19th century) / Bridgeman Images

Carabiniers of the Orléans hunters of the French army, created in 1840 and sent to Algeria in 1841. In “” Storia d'Algeri””, Leone Galibert, vol. 2, 1847.
Carabiniers of the Orléans hunters of the French army, created in 1840 and sent to Algeria in 1841. In “” Storia d'Algeri””, Leone Galibert, vol. 2, 1847.

XEE4405808: Carabiniers of the Orléans hunters of the French army, created in 1840 and sent to Algeria in 1841. In “” Storia d'Algeri””, Leone Galibert, vol. 2, 1847., Unknown Artist, (19th century) / Bridgeman Images

Red horsemen of Emir Abd-el-Kader fleeing in front of the hunters of the French army of Africa in Oran in 1841. In “” Storia d'Algeri””, Leone Galibert, volume 2, 1847.
Red horsemen of Emir Abd-el-Kader fleeing in front of the hunters of the French army of Africa in Oran in 1841. In “” Storia d'Algeri””, Leone Galibert, volume 2, 1847.

XEE4405821: Red horsemen of Emir Abd-el-Kader fleeing in front of the hunters of the French army of Africa in Oran in 1841. In “” Storia d'Algeri””, Leone Galibert, volume 2, 1847., Unknown Artist, (19th century) / Bridgeman Images


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