Unknown Artist, (19th century) Assets (17900 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Commemorative funeral procession of the martyrdom of Hossein, in Schusha (Transcaucasia, Russia), the men move in line, inflicting torture and beating their head with a sword. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
Commemorative funeral procession of the martyrdom of Hossein, in Schusha (Transcaucasia, Russia), the men move in line, inflicting torture and beating their head with a sword. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328588: Commemorative funeral procession of the martyrdom of Hossein, in Schusha (Transcaucasia, Russia), the men move in line, inflicting torture and beating their head with a sword. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The fanatical Muslim scars during the dramatic performance that takes place after Hossein's martyrdom feast, each of them is covered with a white sheet, to collect the blood flowing from the wounds they inflicted upon themselves by beating themselves with a sword, during their journey through the streets of the city. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
The fanatical Muslim scars during the dramatic performance that takes place after Hossein's martyrdom feast, each of them is covered with a white sheet, to collect the blood flowing from the wounds they inflicted upon themselves by beating themselves with a sword, during their journey through the streets of the city. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328598: The fanatical Muslim scars during the dramatic performance that takes place after Hossein's martyrdom feast, each of them is covered with a white sheet, to collect the blood flowing from the wounds they inflicted upon themselves by beating themselves with a sword, during their journey through the streets of the city. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A walking rag, using long chopsticks he grabs the rags he stores in his basket before selling them to a wholesaler. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
A walking rag, using long chopsticks he grabs the rags he stores in his basket before selling them to a wholesaler. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328640: A walking rag, using long chopsticks he grabs the rags he stores in his basket before selling them to a wholesaler. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Coulies (servants) cleaning a large house, for the New Year's preparatives, this menage ends with joyful and grotesque manifestations: removal of the one who has misperformed his task. Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Coulies (servants) cleaning a large house, for the New Year's preparatives, this menage ends with joyful and grotesque manifestations: removal of the one who has misperformed his task. Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4328805: Coulies (servants) cleaning a large house, for the New Year's preparatives, this menage ends with joyful and grotesque manifestations: removal of the one who has misperformed his task. Engraving to illustrate the voyage to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Hunting for the giraffe, the narrator shoots his game and his guides complete a first shot giraffe. Engraving to illustrate the exploration of the Abyssinian tributaries of the Nile, by Sir Samuel W.Baker, in 1861-62, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Hunting for the giraffe, the narrator shoots his game and his guides complete a first shot giraffe. Engraving to illustrate the exploration of the Abyssinian tributaries of the Nile, by Sir Samuel W.Baker, in 1861-62, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328937: Hunting for the giraffe, the narrator shoots his game and his guides complete a first shot giraffe. Engraving to illustrate the exploration of the Abyssinian tributaries of the Nile, by Sir Samuel W.Baker, in 1861-62, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The market in Phnom Penh, where Malaysian shopkeepers and Chinese traders offer a wide range of consumer and manufacturing products. Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant de Vaissseau, in 1866-1868, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The market in Phnom Penh, where Malaysian shopkeepers and Chinese traders offer a wide range of consumer and manufacturing products. Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant de Vaissseau, in 1866-1868, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329060: The market in Phnom Penh, where Malaysian shopkeepers and Chinese traders offer a wide range of consumer and manufacturing products. Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant de Vaissseau, in 1866-1868, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The annamites of Garnier's escort give an improvised representation to their compatriots in Lakon (Laos), after having set up a small puppet theatre at the foot of a banian with a huge trunk. Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant de Vaissseau, in 1866-1868, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The annamites of Garnier's escort give an improvised representation to their compatriots in Lakon (Laos), after having set up a small puppet theatre at the foot of a banian with a huge trunk. Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant de Vaissseau, in 1866-1868, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329127: The annamites of Garnier's escort give an improvised representation to their compatriots in Lakon (Laos), after having set up a small puppet theatre at the foot of a banian with a huge trunk. Engraving to illustrate the voyage of exploration in Indochina, by Francis Garnier, lieutenant de Vaissseau, in 1866-1868, published in “” Le tour du monde””” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The Chunchos Indians assaulted the team of Marcoy, in the Caravaya valley (Andes cordilliere), but the latter had nothing to fly, the Indians had fun undressing the explorers and making them up with rockoo seeds. Engravure pour illustrrer le voyage dans les vallees de Quinquinas (Peru), by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The Chunchos Indians assaulted the team of Marcoy, in the Caravaya valley (Andes cordilliere), but the latter had nothing to fly, the Indians had fun undressing the explorers and making them up with rockoo seeds. Engravure pour illustrrer le voyage dans les vallees de Quinquinas (Peru), by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329172: The Chunchos Indians assaulted the team of Marcoy, in the Caravaya valley (Andes cordilliere), but the latter had nothing to fly, the Indians had fun undressing the explorers and making them up with rockoo seeds. Engravure pour illustrrer le voyage dans les vallees de Quinquinas (Peru), by Paul Marcoy, in 1849-1861, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A water merchant in Cartagena (Colombia), water is scarce and his trade is lucrative, the seller still owns a mullet, fills bamboo trunks with liquid, which he sells at random from the streets. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
A water merchant in Cartagena (Colombia), water is scarce and his trade is lucrative, the seller still owns a mullet, fills bamboo trunks with liquid, which he sells at random from the streets. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329238: A water merchant in Cartagena (Colombia), water is scarce and his trade is lucrative, the seller still owns a mullet, fills bamboo trunks with liquid, which he sells at random from the streets. Engraving to illustrate the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1872, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Photography and Samoiedes of the Caborova region (Sweden), drawing by Riou, to illustrate the story of Professor Nils Adolf Erik (Eric) Baron Nordenskjold (Nordenskiold) (1832-1901): Swedish Polar Expedition, 1875. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.
Photography and Samoiedes of the Caborova region (Sweden), drawing by Riou, to illustrate the story of Professor Nils Adolf Erik (Eric) Baron Nordenskjold (Nordenskiold) (1832-1901): Swedish Polar Expedition, 1875. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection.

LSE4330985: Photography and Samoiedes of the Caborova region (Sweden), drawing by Riou, to illustrate the story of Professor Nils Adolf Erik (Eric) Baron Nordenskjold (Nordenskiold) (1832-1901): Swedish Polar Expedition, 1875. Engraving in Le tour du monde, 1877, directed by Edouard Charton, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Hydraulic invention: Hydraulico-pneumatic machine (pneumatic hydraulico). Engraving in “” La Nature””, 1878. Private collection.
Hydraulic invention: Hydraulico-pneumatic machine (pneumatic hydraulico). Engraving in “” La Nature””, 1878. Private collection.

XEE4174392: Hydraulic invention: Hydraulico-pneumatic machine (pneumatic hydraulico). Engraving in “” La Nature””, 1878. Private collection., Unknown Artist, (19th century) / Bridgeman Images

L'arbre a Quinquina (Cinchona officinalis). Engraving in “” La Nature”, 1878.
L'arbre a Quinquina (Cinchona officinalis). Engraving in “” La Nature”, 1878.

XEE4174423: L'arbre a Quinquina (Cinchona officinalis). Engraving in “” La Nature”, 1878., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Mikhail Dmitrievich Skobeleff (General Skobeleff or Skobelev) (1843-1882), Russian military. Engraving In “” Le Monde Illustré”” n°1301 of March 4, 1882.
Portrait of Mikhail Dmitrievich Skobeleff (General Skobeleff or Skobelev) (1843-1882), Russian military. Engraving In “” Le Monde Illustré”” n°1301 of March 4, 1882.

XEE4176036: Portrait of Mikhail Dmitrievich Skobeleff (General Skobeleff or Skobelev) (1843-1882), Russian military. Engraving In “” Le Monde Illustré”” n°1301 of March 4, 1882., Unknown Artist, (19th century) / Bridgeman Images

Representation of an opera: 'Francoise de Rimini' after the story of Dante Alighieri in Hell (Divine comedie or Divina commedia). Music by Ambroise Thomas (1811-1896) and libretto by Jules Barbier (1825-1901) and Michel Carre (1822-1872). Prologue: Dante and Virgil meeting Francesca and Paolo in Hell. Paris, Opera Garnier, 1882. Engraving In “” The Illustrous World”” n°1308 of 22 April 1882.
Representation of an opera: 'Francoise de Rimini' after the story of Dante Alighieri in Hell (Divine comedie or Divina commedia). Music by Ambroise Thomas (1811-1896) and libretto by Jules Barbier (1825-1901) and Michel Carre (1822-1872). Prologue: Dante and Virgil meeting Francesca and Paolo in Hell. Paris, Opera Garnier, 1882. Engraving In “” The Illustrous World”” n°1308 of 22 April 1882.

XEE4176079: Representation of an opera: 'Francoise de Rimini' after the story of Dante Alighieri in Hell (Divine comedie or Divina commedia). Music by Ambroise Thomas (1811-1896) and libretto by Jules Barbier (1825-1901) and Michel Carre (1822-1872). Prologue: Dante and Virgil meeting Francesca and Paolo in Hell. Paris, Opera Garnier, 1882. Engraving In “” The Illustrous World”” n°1308 of 22 April 1882., Unknown Artist, (19th century) / Bridgeman Images

Duo of the third act with singer Marie van Zandt of the opera “Lakme” by Leo Delibes, Edmond Gondinet and Philippe Gille performed for the first time on 14 April 1883 at the Opera Comique in Paris. Engraving in “” Le Monde illustrious”” 1883. Private collection.
Duo of the third act with singer Marie van Zandt of the opera “Lakme” by Leo Delibes, Edmond Gondinet and Philippe Gille performed for the first time on 14 April 1883 at the Opera Comique in Paris. Engraving in “” Le Monde illustrious”” 1883. Private collection.

XEE4177516: Duo of the third act with singer Marie van Zandt of the opera “Lakme” by Leo Delibes, Edmond Gondinet and Philippe Gille performed for the first time on 14 April 1883 at the Opera Comique in Paris. Engraving in “” Le Monde illustrious”” 1883. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Auguste Clesinger (1814-1883), French sculptor and painter. Engraving in “” Le Monde illustrious”” 1883. Private collection.
Portrait of Auguste Clesinger (1814-1883), French sculptor and painter. Engraving in “” Le Monde illustrious”” 1883. Private collection.

XEE4177530: Portrait of Auguste Clesinger (1814-1883), French sculptor and painter. Engraving in “” Le Monde illustrious”” 1883. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Coronation celebrations: grand ball or kourka at the Kremlin. Polish walk of Emperor Alexander III of Russia (1845-1894) and Impress Dagmar of Denmark (1847-1928) in St. George's Hall, May 27, 1883. Engraving in “” Le Monde illustrious”” 1883. Private collection.
Coronation celebrations: grand ball or kourka at the Kremlin. Polish walk of Emperor Alexander III of Russia (1845-1894) and Impress Dagmar of Denmark (1847-1928) in St. George's Hall, May 27, 1883. Engraving in “” Le Monde illustrious”” 1883. Private collection.

XEE4177544: Coronation celebrations: grand ball or kourka at the Kremlin. Polish walk of Emperor Alexander III of Russia (1845-1894) and Impress Dagmar of Denmark (1847-1928) in St. George's Hall, May 27, 1883. Engraving in “” Le Monde illustrious”” 1883. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Mathematics and Geometry: Scientific researcher of the quadrature of the circle in the 16th century. Engraving in “” La Nature”” 1890. Private collection.
Mathematics and Geometry: Scientific researcher of the quadrature of the circle in the 16th century. Engraving in “” La Nature”” 1890. Private collection.

XEE4177788: Mathematics and Geometry: Scientific researcher of the quadrature of the circle in the 16th century. Engraving in “” La Nature”” 1890. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Workers in France: Coke sorters (Variete of coal resulting from the distillation of coal, used in heating) in a gas factory in Paris Engraving in “Le Monde Illustré””, 1884. Private Collection
Workers in France: Coke sorters (Variete of coal resulting from the distillation of coal, used in heating) in a gas factory in Paris Engraving in “Le Monde Illustré””, 1884. Private Collection

XEE4178227: Workers in France: Coke sorters (Variete of coal resulting from the distillation of coal, used in heating) in a gas factory in Paris Engraving in “Le Monde Illustré””, 1884. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Portrait published at the death of Marie Taglioni (1804-1884) French romantic ballerina represented here in the role of the fee Sylphide in “Zephire et Flore” by Charles Louis Didelot. Engraving in “” Le Monde Illustré””, 1884. Private Collection
Portrait published at the death of Marie Taglioni (1804-1884) French romantic ballerina represented here in the role of the fee Sylphide in “Zephire et Flore” by Charles Louis Didelot. Engraving in “” Le Monde Illustré””, 1884. Private Collection

XEE4178255: Portrait published at the death of Marie Taglioni (1804-1884) French romantic ballerina represented here in the role of the fee Sylphide in “Zephire et Flore” by Charles Louis Didelot. Engraving in “” Le Monde Illustré””, 1884. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Fair in Brittany on the square of a village. Engraving in “” Le Monde Illustré””, 1884. Private Collection
Fair in Brittany on the square of a village. Engraving in “” Le Monde Illustré””, 1884. Private Collection

XEE4178523: Fair in Brittany on the square of a village. Engraving in “” Le Monde Illustré””, 1884. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Grands boulevards et immeubles haussmaniens a Paris : Hotel de la Compagnie
Grands boulevards et immeubles haussmaniens a Paris : Hotel de la Compagnie

XEE4178536: Grands boulevards et immeubles haussmaniens a Paris : Hotel de la Compagnie ""La New York"" boulevard des Italiens. Gravure in ""Le Monde Illustre"", 1884. Collection privee, Unknown Artist, (19th century) / Bridgeman Images

Omnibus steam boats from Paris, France. Engraving in “” L'univers illustrious””, 1867. Private Collection
Omnibus steam boats from Paris, France. Engraving in “” L'univers illustrious””, 1867. Private Collection

XEE4178657: Omnibus steam boats from Paris, France. Engraving in “” L'univers illustrious””, 1867. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Brokers near the small Bourse du Boulevard des Italians in Paris, France. Engraving in “The Illustrous Universe”, 1867. Private Collection
Brokers near the small Bourse du Boulevard des Italians in Paris, France. Engraving in “The Illustrous Universe”, 1867. Private Collection

XEE4178671: Brokers near the small Bourse du Boulevard des Italians in Paris, France. Engraving in “The Illustrous Universe”, 1867. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Port of New York (New York), United States. Engraving in “The Illustrous Universe”, 1867. Private collection.
Port of New York (New York), United States. Engraving in “The Illustrous Universe”, 1867. Private collection.

XEE4178727: Port of New York (New York), United States. Engraving in “The Illustrous Universe”, 1867. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Medicinal and food botanical plants: Iceland lichen. Engraving in “” La medication naturelle””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection
Medicinal and food botanical plants: Iceland lichen. Engraving in “” La medication naturelle””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection

XEE4179046: Medicinal and food botanical plants: Iceland lichen. Engraving in “” La medication naturelle””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Medicinal and food botanical plants: sorrel. Engraving in “” La medication naturelle””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection
Medicinal and food botanical plants: sorrel. Engraving in “” La medication naturelle””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection

XEE4179098: Medicinal and food botanical plants: sorrel. Engraving in “” La medication naturelle””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Venenous botanical plants: large, officinal, stain and cocuasse. Engraving in “” La medication naturelle””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection
Venenous botanical plants: large, officinal, stain and cocuasse. Engraving in “” La medication naturelle””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection

XEE4179137: Venenous botanical plants: large, officinal, stain and cocuasse. Engraving in “” La medication naturelle””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

The battle of confetti on the Parisian boulevard during Mardi Gras (Mardi-Gras). Illustration in
The battle of confetti on the Parisian boulevard during Mardi Gras (Mardi-Gras). Illustration in

XEE4179299: The battle of confetti on the Parisian boulevard during Mardi Gras (Mardi-Gras). Illustration in " Le petit Parisien", 1896. ., Unknown Artist, (19th century) / Bridgeman Images

Pair of gloves of Napoleon II King of Rome (1811-1832), son of Emperor Napoleon I (1769-1821), 19th century (object)
Pair of gloves of Napoleon II King of Rome (1811-1832), son of Emperor Napoleon I (1769-1821), 19th century (object)

JLJ4607514: Pair of gloves of Napoleon II King of Rome (1811-1832), son of Emperor Napoleon I (1769-1821), 19th century (object), Unknown Artist, (19th century) / Bridgeman Images

View of New York: Wall Street view of William Street. Lithograph sd. around the middle of the 19th century.
View of New York: Wall Street view of William Street. Lithograph sd. around the middle of the 19th century.

GIA4769311: View of New York: Wall Street view of William Street. Lithograph sd. around the middle of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Raspberry and fruit: 19th century botanical board.
Raspberry and fruit: 19th century botanical board.

GIA4769998: Raspberry and fruit: 19th century botanical board., Unknown Artist, (19th century) / Bridgeman Images

The hand of a young worker is caught in a millstone.
The hand of a young worker is caught in a millstone.

GIA4774514: The hand of a young worker is caught in a millstone., Unknown Artist, (19th century) / Bridgeman Images

Brazil, traveller crossing a river, 1814.
Brazil, traveller crossing a river, 1814.

GIA4775549: Brazil, traveller crossing a river, 1814., Unknown Artist, (19th century) / Bridgeman Images

Brazil, San Sebastian, 1814. Young woman of the bourgeoisie from moving in chair to porters in the street - in “” The old and modern costume”” by Ferrario, ed. Milan, 1819 - 1820.
Brazil, San Sebastian, 1814. Young woman of the bourgeoisie from moving in chair to porters in the street - in “” The old and modern costume”” by Ferrario, ed. Milan, 1819 - 1820.

GIA4775621: Brazil, San Sebastian, 1814. Young woman of the bourgeoisie from moving in chair to porters in the street - in “” The old and modern costume”” by Ferrario, ed. Milan, 1819 - 1820., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Marie Jean Antoine Nicolas de Caritat, Marquis de Condorcet (1743-1793), 19th century (engraving)
Portrait of Marie Jean Antoine Nicolas de Caritat, Marquis de Condorcet (1743-1793), 19th century (engraving)

JLJ4616434: Portrait of Marie Jean Antoine Nicolas de Caritat, Marquis de Condorcet (1743-1793), 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images


Back to top