Unknown Artist, (19th century) Assets (17899 in total)

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Portrait of BENITO PABLO JUAREZ (1806-1872) Mexican statesman and revolutionary - Portrait of Mexican politician Benito Pablo Juarez (1806-1872) Anonymous painting, 19th century Mexico City, National Historical Museum, Chateau de Chapultepec
Portrait of BENITO PABLO JUAREZ (1806-1872) Mexican statesman and revolutionary - Portrait of Mexican politician Benito Pablo Juarez (1806-1872) Anonymous painting, 19th century Mexico City, National Historical Museum, Chateau de Chapultepec

LRI4668802: Portrait of BENITO PABLO JUAREZ (1806-1872) Mexican statesman and revolutionary - Portrait of Mexican politician Benito Pablo Juarez (1806-1872) Anonymous painting, 19th century Mexico City, National Historical Museum, Chateau de Chapultepec, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Charles XII (1682 - 1718), King of Sweden.
Portrait of Charles XII (1682 - 1718), King of Sweden.

XEE4406935: Portrait of Charles XII (1682 - 1718), King of Sweden., Unknown Artist, (19th century) / Bridgeman Images

Lapons at the Jardin d'acclimation in Paris in 1879.
Lapons at the Jardin d'acclimation in Paris in 1879.

XEE4407633: Lapons at the Jardin d'acclimation in Paris in 1879., Unknown Artist, (19th century) / Bridgeman Images

Robert-Houdin's automaton (Jean-Eugene Robert Houdin, 1805-1871) French magician. Engraving from 1883.
Robert-Houdin's automaton (Jean-Eugene Robert Houdin, 1805-1871) French magician. Engraving from 1883.

XEE4407649: Robert-Houdin's automaton (Jean-Eugene Robert Houdin, 1805-1871) French magician. Engraving from 1883., Unknown Artist, (19th century) / Bridgeman Images

Construction of Brooklyn Bridge in New York: Machine used to cover the 19 secondary cables with helice steel wire into a single cable. Engraving from 1883.
Construction of Brooklyn Bridge in New York: Machine used to cover the 19 secondary cables with helice steel wire into a single cable. Engraving from 1883.

XEE4407669: Construction of Brooklyn Bridge in New York: Machine used to cover the 19 secondary cables with helice steel wire into a single cable. Engraving from 1883., Unknown Artist, (19th century) / Bridgeman Images

Raphael (Raffaello Sanzio) working on the portrait of Pope Leon X (leone 10) surrounds Cardinals Jules de Medicis (Giulio) (Pope Clement VII, 1478-1534) and De Rossi. Chromolithography of the late 19th century.
Raphael (Raffaello Sanzio) working on the portrait of Pope Leon X (leone 10) surrounds Cardinals Jules de Medicis (Giulio) (Pope Clement VII, 1478-1534) and De Rossi. Chromolithography of the late 19th century.

XEE4408924: Raphael (Raffaello Sanzio) working on the portrait of Pope Leon X (leone 10) surrounds Cardinals Jules de Medicis (Giulio) (Pope Clement VII, 1478-1534) and De Rossi. Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Coloured cotton in Florida (USA). Chromolitography of the late 19th century.
Coloured cotton in Florida (USA). Chromolitography of the late 19th century.

XEE4409046: Coloured cotton in Florida (USA). Chromolitography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Study of human intestine (bowel), duodenum and small intestine (engraving, 1870)
Study of human intestine (bowel), duodenum and small intestine (engraving, 1870)

LRI4672486: Study of human intestine (bowel), duodenum and small intestine (engraving, 1870), Unknown Artist, (19th century) / Bridgeman Images

View of the gallery of Orleans at the Palais Royal de Paris in 1835.
View of the gallery of Orleans at the Palais Royal de Paris in 1835.

XEE4409263: View of the gallery of Orleans at the Palais Royal de Paris in 1835., Unknown Artist, (19th century) / Bridgeman Images

Fencing: patent of Cont pointe of April 1826.
Fencing: patent of Cont pointe of April 1826.

XEE4409281: Fencing: patent of Cont pointe of April 1826., Unknown Artist, (19th century) / Bridgeman Images

Detail of the key of Chambellan, Mexico, 19th century (metal)
Detail of the key of Chambellan, Mexico, 19th century (metal)

XEE4409471: Detail of the key of Chambellan, Mexico, 19th century (metal), Unknown Artist, (19th century) / Bridgeman Images

Ulrich or Huldrych Zwingli (1484-1531), Swiss religious reformer.
Ulrich or Huldrych Zwingli (1484-1531), Swiss religious reformer.

XEE4409716: Ulrich or Huldrych Zwingli (1484-1531), Swiss religious reformer., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Friedrich Wilhelm Joseph von Shelling
Portrait of Friedrich Wilhelm Joseph von Shelling

XEE4409830: Portrait of Friedrich Wilhelm Joseph von Shelling, Unknown Artist, (19th century) / Bridgeman Images

A man who kills himself by throwing himself into the water, a stone around his neck, to drown himself - engraving, 19th century
A man who kills himself by throwing himself into the water, a stone around his neck, to drown himself - engraving, 19th century

XEE4409950: A man who kills himself by throwing himself into the water, a stone around his neck, to drown himself - engraving, 19th century, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Mrs. Malibran Garcia - singer mezzo soprano
Portrait of Mrs. Malibran Garcia - singer mezzo soprano

XEE4409960: Portrait of Mrs. Malibran Garcia - singer mezzo soprano, Unknown Artist, (19th century) / Bridgeman Images

Old custom celebrated in the region of Flanders: Flemish Fair. Chromolithography of the late 19th century.
Old custom celebrated in the region of Flanders: Flemish Fair. Chromolithography of the late 19th century.

XEE4405260: Old custom celebrated in the region of Flanders: Flemish Fair. Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Louis XVIII (1755 - 1824), King of France
Portrait of Louis XVIII (1755 - 1824), King of France

XEE4405500: Portrait of Louis XVIII (1755 - 1824), King of France, Unknown Artist, (19th century) / Bridgeman Images

Pierre André Latreille (1762-1833), French priest and naturalist.
Pierre André Latreille (1762-1833), French priest and naturalist.

XEE4405522: Pierre André Latreille (1762-1833), French priest and naturalist., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Alcide Dessalines d'Orbigny (1802-1857), French naturalist.
Portrait of Alcide Dessalines d'Orbigny (1802-1857), French naturalist.

XEE4405606: Portrait of Alcide Dessalines d'Orbigny (1802-1857), French naturalist., Unknown Artist, (19th century) / Bridgeman Images

Shop in Algiers, 19th century, in” L'Algerie ancienne et moderne”” by Leon Galibert, 1844.
Shop in Algiers, 19th century, in” L'Algerie ancienne et moderne”” by Leon Galibert, 1844.

XEE4405723: Shop in Algiers, 19th century, in” L'Algerie ancienne et moderne”” by Leon Galibert, 1844., Unknown Artist, (19th century) / Bridgeman Images

During the siege of Algiers by Charles V in October 1541, the French Sir Pons de Balaguer, knight of Malta, planted his dagger in the gate Bab-Azoun, saying: “We will return”. In “” L'Algerie ancienne et moderne”” by Leon Galibert, 1844.
During the siege of Algiers by Charles V in October 1541, the French Sir Pons de Balaguer, knight of Malta, planted his dagger in the gate Bab-Azoun, saying: “We will return”. In “” L'Algerie ancienne et moderne”” by Leon Galibert, 1844.

XEE4405730: During the siege of Algiers by Charles V in October 1541, the French Sir Pons de Balaguer, knight of Malta, planted his dagger in the gate Bab-Azoun, saying: “We will return”. In “” L'Algerie ancienne et moderne”” by Leon Galibert, 1844., Unknown Artist, (19th century) / Bridgeman Images

View of the teniah of Mouzaìa, the pass of Mount Atlas crossed by the French army in 1830, in Algerie in the 19th century, in “L'Algerie ancienne et moderne”” by Leon Galibert, 1844.
View of the teniah of Mouzaìa, the pass of Mount Atlas crossed by the French army in 1830, in Algerie in the 19th century, in “L'Algerie ancienne et moderne”” by Leon Galibert, 1844.

XEE4405740: View of the teniah of Mouzaìa, the pass of Mount Atlas crossed by the French army in 1830, in Algerie in the 19th century, in “L'Algerie ancienne et moderne”” by Leon Galibert, 1844., Unknown Artist, (19th century) / Bridgeman Images

Red horsemen of Emir Abd-el-Kader fled by hunters on horseback of the French army at Oran in 1841, in “L'Algerie ancienne et moderne”” by Leon Galibert, 1844.
Red horsemen of Emir Abd-el-Kader fled by hunters on horseback of the French army at Oran in 1841, in “L'Algerie ancienne et moderne”” by Leon Galibert, 1844.

XEE4405762: Red horsemen of Emir Abd-el-Kader fled by hunters on horseback of the French army at Oran in 1841, in “L'Algerie ancienne et moderne”” by Leon Galibert, 1844., Unknown Artist, (19th century) / Bridgeman Images

The infantry of Emir Abd-el-Kader resisting the French army during the Algiers expedition of 1830. In “” L'Algerie ancienne et moderne”” by Leon Galibert, 1844.
The infantry of Emir Abd-el-Kader resisting the French army during the Algiers expedition of 1830. In “” L'Algerie ancienne et moderne”” by Leon Galibert, 1844.

XEE4405769: The infantry of Emir Abd-el-Kader resisting the French army during the Algiers expedition of 1830. In “” L'Algerie ancienne et moderne”” by Leon Galibert, 1844., Unknown Artist, (19th century) / Bridgeman Images

Zouaves, indigenous tirailleurs of the French army of Africa, trained in 1830. In “” Storia d'Algeri””, Leone Galibert, vol. 2, 1847.
Zouaves, indigenous tirailleurs of the French army of Africa, trained in 1830. In “” Storia d'Algeri””, Leone Galibert, vol. 2, 1847.

XEE4405832: Zouaves, indigenous tirailleurs of the French army of Africa, trained in 1830. In “” Storia d'Algeri””, Leone Galibert, vol. 2, 1847., Unknown Artist, (19th century) / Bridgeman Images

The Paris Commune in 1871. Barricades and artillery park of the Federes (Communards), Place de l'Hotel de Ville.
The Paris Commune in 1871. Barricades and artillery park of the Federes (Communards), Place de l'Hotel de Ville.

XEE4406276: The Paris Commune in 1871. Barricades and artillery park of the Federes (Communards), Place de l'Hotel de Ville., Unknown Artist, (19th century) / Bridgeman Images

Discovered the colossal statue of Rhamses II. Hieroglyphs are calculated using a mirror reflection. Engraving from 1886.
Discovered the colossal statue of Rhamses II. Hieroglyphs are calculated using a mirror reflection. Engraving from 1886.

XEE4406373: Discovered the colossal statue of Rhamses II. Hieroglyphs are calculated using a mirror reflection. Engraving from 1886., Unknown Artist, (19th century) / Bridgeman Images

Down production in New Zemble, Russia: men charged with collecting eggs and feathers must climb the rocks to reach the nests. Chromolithography of the 19th century
Down production in New Zemble, Russia: men charged with collecting eggs and feathers must climb the rocks to reach the nests. Chromolithography of the 19th century

XEE4407120: Down production in New Zemble, Russia: men charged with collecting eggs and feathers must climb the rocks to reach the nests. Chromolithography of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

A parroute manufacturer in 1575.
A parroute manufacturer in 1575.

XEE4407417: A parroute manufacturer in 1575., Unknown Artist, (19th century) / Bridgeman Images

Commedia dell'arte: portrait of Carlo Goldoni (1707-1793), Italian theatre man. Coloree engraving of the 19th century
Commedia dell'arte: portrait of Carlo Goldoni (1707-1793), Italian theatre man. Coloree engraving of the 19th century

XEE4407458: Commedia dell'arte: portrait of Carlo Goldoni (1707-1793), Italian theatre man. Coloree engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

France, 1719: Inside a cafe. Engraving of the 19th century. In “Histoire de France” by Jules Michelet, 1870.
France, 1719: Inside a cafe. Engraving of the 19th century. In “Histoire de France” by Jules Michelet, 1870.

XEE4407496: France, 1719: Inside a cafe. Engraving of the 19th century. In “Histoire de France” by Jules Michelet, 1870., Unknown Artist, (19th century) / Bridgeman Images

Chateau de Versailles, 1719: watchmakers at work. Engraving of the 19th century. In “Histoire de France” by Jules Michelet, 1870.
Chateau de Versailles, 1719: watchmakers at work. Engraving of the 19th century. In “Histoire de France” by Jules Michelet, 1870.

XEE4407513: Chateau de Versailles, 1719: watchmakers at work. Engraving of the 19th century. In “Histoire de France” by Jules Michelet, 1870., Unknown Artist, (19th century) / Bridgeman Images

Dijon (Cote d'Or, 21), 1668: King of France Louis XIV (1638-1715), on his horse, being handed over the keys of the city of Besancon (Doubs, 25). Engraving of the 19th century. In “Histoire de France” by Jules Michelet, 1870.
Dijon (Cote d'Or, 21), 1668: King of France Louis XIV (1638-1715), on his horse, being handed over the keys of the city of Besancon (Doubs, 25). Engraving of the 19th century. In “Histoire de France” by Jules Michelet, 1870.

XEE4407536: Dijon (Cote d'Or, 21), 1668: King of France Louis XIV (1638-1715), on his horse, being handed over the keys of the city of Besancon (Doubs, 25). Engraving of the 19th century. In “Histoire de France” by Jules Michelet, 1870., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Baldwin IX (Baudouin IX of Flanders) or (Baudouin VI of Hainaut) known as Baudouin of Constantinople, Emperor of Constantinople from 1204 to 1205 under the name of Baudouin I. Chromo of the late 19th century.
Portrait of Baldwin IX (Baudouin IX of Flanders) or (Baudouin VI of Hainaut) known as Baudouin of Constantinople, Emperor of Constantinople from 1204 to 1205 under the name of Baudouin I. Chromo of the late 19th century.

XEE4407572: Portrait of Baldwin IX (Baudouin IX of Flanders) or (Baudouin VI of Hainaut) known as Baudouin of Constantinople, Emperor of Constantinople from 1204 to 1205 under the name of Baudouin I. Chromo of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

View taken at the bottom of the Kimberley diamond mine in South Africa.
View taken at the bottom of the Kimberley diamond mine in South Africa.

XEE4407668: View taken at the bottom of the Kimberley diamond mine in South Africa., Unknown Artist, (19th century) / Bridgeman Images

David playing the cithar in front of King Saul to appease him.
David playing the cithar in front of King Saul to appease him.

XEE4407964: David playing the cithar in front of King Saul to appease him., Unknown Artist, (19th century) / Bridgeman Images


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