Unknown Artist, (19th century) Assets (17900 in total)

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Portrait of Gioacchino PECCI, Leo XIII (1810 - 1903), 254th Pope (1878 - 1903)
Portrait of Gioacchino PECCI, Leo XIII (1810 - 1903), 254th Pope (1878 - 1903)

GIA4750298: Portrait of Gioacchino PECCI, Leo XIII (1810 - 1903), 254th Pope (1878 - 1903), Unknown Artist, (19th century) / Bridgeman Images

Transport of the ashes of Napoleon I (1769-1821), to Courbevoie (Hauts-de-Seine), December 15, 1840 engraving 19th century  Milan
Transport of the ashes of Napoleon I (1769-1821), to Courbevoie (Hauts-de-Seine), December 15, 1840 engraving 19th century  Milan

GIA4752069: Transport of the ashes of Napoleon I (1769-1821), to Courbevoie (Hauts-de-Seine), December 15, 1840 engraving 19th century Milan, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Marie Alexandrine Henriette Dumas Davy de la Pailleterie (1860-1907), 19th century (pencil)
Portrait of Marie Alexandrine Henriette Dumas Davy de la Pailleterie (1860-1907), 19th century (pencil)

JLJ4607779: Portrait of Marie Alexandrine Henriette Dumas Davy de la Pailleterie (1860-1907), 19th century (pencil), Unknown Artist, (19th century) / Bridgeman Images

Procession of Corpus Domini to Barcelona, 1894
Procession of Corpus Domini to Barcelona, 1894

GIA4753984: Procession of Corpus Domini to Barcelona, 1894, Unknown Artist, (19th century) / Bridgeman Images

Abd El Kader (Abd El-Kader) (1807 - 1883), Arab emir of Algeria. 19th century lithography.
Abd El Kader (Abd El-Kader) (1807 - 1883), Arab emir of Algeria. 19th century lithography.

GIA4754240: Abd El Kader (Abd El-Kader) (1807 - 1883), Arab emir of Algeria. 19th century lithography., Unknown Artist, (19th century) / Bridgeman Images

portrait of Bedrich Smetana (1824-1884), Czech composer and pianist.
portrait of Bedrich Smetana (1824-1884), Czech composer and pianist.

GIA4755068: portrait of Bedrich Smetana (1824-1884), Czech composer and pianist., Unknown Artist, (19th century) / Bridgeman Images

Krishnah stealing the dresses of two gopi. L. M. Langlès: “” Ancient and Modern Monuments of Hindustan” Paris, 1821
Krishnah stealing the dresses of two gopi. L. M. Langlès: “” Ancient and Modern Monuments of Hindustan” Paris, 1821

GIA4755797: Krishnah stealing the dresses of two gopi. L. M. Langlès: “” Ancient and Modern Monuments of Hindustan” Paris, 1821, Unknown Artist, (19th century) / Bridgeman Images

Portrait of the dramatic author Alfred Hennequin (1842-1887).
Portrait of the dramatic author Alfred Hennequin (1842-1887).

XEE4132693: Portrait of the dramatic author Alfred Hennequin (1842-1887)., Unknown Artist, (19th century) / Bridgeman Images

Engraving representing the Bastille district, with the prison, in 1788.
Engraving representing the Bastille district, with the prison, in 1788.

XEE4132799: Engraving representing the Bastille district, with the prison, in 1788., Unknown Artist, (19th century) / Bridgeman Images

The Gate of China on the Tonkin border. Engraving in “The Illustrous World”” 1885.
The Gate of China on the Tonkin border. Engraving in “The Illustrous World”” 1885.

XEE4132988: The Gate of China on the Tonkin border. Engraving in “The Illustrous World”” 1885., Unknown Artist, (19th century) / Bridgeman Images

Reconstruction of the lighthouse of Alexandria after Ebers Egypt.
Reconstruction of the lighthouse of Alexandria after Ebers Egypt.

GIA4756342: Reconstruction of the lighthouse of Alexandria after Ebers Egypt., Unknown Artist, (19th century) / Bridgeman Images

The Roman Emperor Augustus (Octavian or Octavian) (63 BC - 14), Engraving of the 19th century.
The Roman Emperor Augustus (Octavian or Octavian) (63 BC - 14), Engraving of the 19th century.

GIA4757886: The Roman Emperor Augustus (Octavian or Octavian) (63 BC - 14), Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Religious of the Visitation, an order founded by Saint François de Sales and Saint Jeanne de Chantal in 1610. Engraving of the 19th century.
Religious of the Visitation, an order founded by Saint François de Sales and Saint Jeanne de Chantal in 1610. Engraving of the 19th century.

GIA4758127: Religious of the Visitation, an order founded by Saint François de Sales and Saint Jeanne de Chantal in 1610. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Marguerite de Sassenage, Lady of Beaumont (1449 ca - 1491). Maitress of Louis XI. Engraving from 1830.
Portrait of Marguerite de Sassenage, Lady of Beaumont (1449 ca - 1491). Maitress of Louis XI. Engraving from 1830.

GIA4758428: Portrait of Marguerite de Sassenage, Lady of Beaumont (1449 ca - 1491). Maitress of Louis XI. Engraving from 1830., Unknown Artist, (19th century) / Bridgeman Images

Philip II, Duke of Orléans, Chartres, Valois, Nemours and Montpensier (1674-1723). Regent of France from 1715 to 1723. Engraving from 1830.
Philip II, Duke of Orléans, Chartres, Valois, Nemours and Montpensier (1674-1723). Regent of France from 1715 to 1723. Engraving from 1830.

GIA4758615: Philip II, Duke of Orléans, Chartres, Valois, Nemours and Montpensier (1674-1723). Regent of France from 1715 to 1723. Engraving from 1830., Unknown Artist, (19th century) / Bridgeman Images

Salon leading to the private lodges of the theater of Covent Garden, 1809, 19th century (engraving)
Salon leading to the private lodges of the theater of Covent Garden, 1809, 19th century (engraving)

JLJ4610172: Salon leading to the private lodges of the theater of Covent Garden, 1809, 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

Engraving representing the Gibbons Hoolock of India.
Engraving representing the Gibbons Hoolock of India.

XEE4133290: Engraving representing the Gibbons Hoolock of India., Unknown Artist, (19th century) / Bridgeman Images

A bourgeois wedding, engraving from 1860.
A bourgeois wedding, engraving from 1860.

GIA4759040: A bourgeois wedding, engraving from 1860., Unknown Artist, (19th century) / Bridgeman Images

A giraffe and her trainer at the circus. Lithography, 1830
A giraffe and her trainer at the circus. Lithography, 1830

GIA4760229: A giraffe and her trainer at the circus. Lithography, 1830, Unknown Artist, (19th century) / Bridgeman Images

Andrea Nozzari (1775-1832) in the role of Polifegonte in “” Il sogno di Partenope”” by Giovanni Simone Mayr (Johann Simon Mayr) (1763-1845) - Naples, Teatro San Carlo, 1817
Andrea Nozzari (1775-1832) in the role of Polifegonte in “” Il sogno di Partenope”” by Giovanni Simone Mayr (Johann Simon Mayr) (1763-1845) - Naples, Teatro San Carlo, 1817

GIA4761170: Andrea Nozzari (1775-1832) in the role of Polifegonte in “” Il sogno di Partenope”” by Giovanni Simone Mayr (Johann Simon Mayr) (1763-1845) - Naples, Teatro San Carlo, 1817, Unknown Artist, (19th century) / Bridgeman Images

France in Indochina: French military post inside the citadel of Hue, capital of Indochina. Engraving in “Le journal de la jeunesse””, 1885.
France in Indochina: French military post inside the citadel of Hue, capital of Indochina. Engraving in “Le journal de la jeunesse””, 1885.

XEE4134072: France in Indochina: French military post inside the citadel of Hue, capital of Indochina. Engraving in “Le journal de la jeunesse””, 1885., Unknown Artist, (19th century) / Bridgeman Images

Return of the fishermen on the strike at Belle Isle (Belle-Isle) in Brittany. Engraving in “” Le Journal de la jeunesse””, 1889.
Return of the fishermen on the strike at Belle Isle (Belle-Isle) in Brittany. Engraving in “” Le Journal de la jeunesse””, 1889.

XEE4134350: Return of the fishermen on the strike at Belle Isle (Belle-Isle) in Brittany. Engraving in “” Le Journal de la jeunesse””, 1889., Unknown Artist, (19th century) / Bridgeman Images

The bay of Rio de Janeiro in Brazil. In the background, “Sugar Bread”. Engraving in “” Le Journal de la jeunesse””, 1890.
The bay of Rio de Janeiro in Brazil. In the background, “Sugar Bread”. Engraving in “” Le Journal de la jeunesse””, 1890.

XEE4134372: The bay of Rio de Janeiro in Brazil. In the background, “Sugar Bread”. Engraving in “” Le Journal de la jeunesse””, 1890., Unknown Artist, (19th century) / Bridgeman Images

View of the Louvre in the 14th century. Engraving in “Le Journal de la jeunesse””, 1890.
View of the Louvre in the 14th century. Engraving in “Le Journal de la jeunesse””, 1890.

XEE4134379: View of the Louvre in the 14th century. Engraving in “Le Journal de la jeunesse””, 1890., Unknown Artist, (19th century) / Bridgeman Images

The school regattas of Joinville le Pont (Joinville-le-Pont), Ile de France. Engraving in “” Le Journal de la jeunesse””, 1890.
The school regattas of Joinville le Pont (Joinville-le-Pont), Ile de France. Engraving in “” Le Journal de la jeunesse””, 1890.

XEE4134397: The school regattas of Joinville le Pont (Joinville-le-Pont), Ile de France. Engraving in “” Le Journal de la jeunesse””, 1890., Unknown Artist, (19th century) / Bridgeman Images

Trumbe observed at sea by Mr. Coffinieres de Nordeck. Engraving in “” Le Journal de la jeunesse””, 1890.
Trumbe observed at sea by Mr. Coffinieres de Nordeck. Engraving in “” Le Journal de la jeunesse””, 1890.

XEE4134404: Trumbe observed at sea by Mr. Coffinieres de Nordeck. Engraving in “” Le Journal de la jeunesse””, 1890., Unknown Artist, (19th century) / Bridgeman Images

The measure of the degree of Ecuador in the 18th century: pyramid of Carabourou, Peru, raised by La Condamine in 1736. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 28 February 1891.
The measure of the degree of Ecuador in the 18th century: pyramid of Carabourou, Peru, raised by La Condamine in 1736. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 28 February 1891.

XEE4134496: The measure of the degree of Ecuador in the 18th century: pyramid of Carabourou, Peru, raised by La Condamine in 1736. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 28 February 1891., Unknown Artist, (19th century) / Bridgeman Images

Metallurgy in the 18th century: a foundry train. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of August 8, 1891.
Metallurgy in the 18th century: a foundry train. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of August 8, 1891.

XEE4134503: Metallurgy in the 18th century: a foundry train. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of August 8, 1891., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Charles Marie Etienne Champion Dubois de Nansouty (1815-1895), French general, in mountain dress. (From a photograph taken in Bagneres de Bigorre in 1879). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of March 23, 1895.
Portrait of Charles Marie Etienne Champion Dubois de Nansouty (1815-1895), French general, in mountain dress. (From a photograph taken in Bagneres de Bigorre in 1879). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of March 23, 1895.

XEE4134586: Portrait of Charles Marie Etienne Champion Dubois de Nansouty (1815-1895), French general, in mountain dress. (From a photograph taken in Bagneres de Bigorre in 1879). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of March 23, 1895., Unknown Artist, (19th century) / Bridgeman Images

Endless rails adapted to a train of cars pulled by goats in the Tuileries Garden in Paris (by nature). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 15 November 1879.
Endless rails adapted to a train of cars pulled by goats in the Tuileries Garden in Paris (by nature). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 15 November 1879.

XEE4134627: Endless rails adapted to a train of cars pulled by goats in the Tuileries Garden in Paris (by nature). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 15 November 1879., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Jean Francois Pilatre de Rosier (1757-1785), French physicist and aeronaute (first balloon traveler). (From an engraving of time). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of July 25, 1885.
Portrait of Jean Francois Pilatre de Rosier (1757-1785), French physicist and aeronaute (first balloon traveler). (From an engraving of time). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of July 25, 1885.

XEE4134653: Portrait of Jean Francois Pilatre de Rosier (1757-1785), French physicist and aeronaute (first balloon traveler). (From an engraving of time). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of July 25, 1885., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Joachim Murat (1767 - 1815), Marshal of France, King of Naples
Portrait of Joachim Murat (1767 - 1815), Marshal of France, King of Naples

GIA4763168: Portrait of Joachim Murat (1767 - 1815), Marshal of France, King of Naples, Unknown Artist, (19th century) / Bridgeman Images

Portrait of the Italian castrate Luigi Marchesi (1754 - 1829) also known as Marchesini. Engraving of the 19th century.
Portrait of the Italian castrate Luigi Marchesi (1754 - 1829) also known as Marchesini. Engraving of the 19th century.

GIA4763770: Portrait of the Italian castrate Luigi Marchesi (1754 - 1829) also known as Marchesini. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Advanced tricycle model.
Advanced tricycle model.

GIA4764490: Advanced tricycle model., Unknown Artist, (19th century) / Bridgeman Images

Transport of the obelisque known as “Aiguille de Cleopatre”” from Egypt to England, 1877-1878: moving the obelisque to arrange it parallel to the shore. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 20 April 1878.
Transport of the obelisque known as “Aiguille de Cleopatre”” from Egypt to England, 1877-1878: moving the obelisque to arrange it parallel to the shore. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 20 April 1878.

XEE4134702: Transport of the obelisque known as “Aiguille de Cleopatre”” from Egypt to England, 1877-1878: moving the obelisque to arrange it parallel to the shore. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 20 April 1878., Unknown Artist, (19th century) / Bridgeman Images

Cover of the score of the Second Symphony in C minor by Anton Bruckner (1824 - 1896), an Austrian composer, completed in 1872.
Cover of the score of the Second Symphony in C minor by Anton Bruckner (1824 - 1896), an Austrian composer, completed in 1872.

GIA4766220: Cover of the score of the Second Symphony in C minor by Anton Bruckner (1824 - 1896), an Austrian composer, completed in 1872., Unknown Artist, (19th century) / Bridgeman Images


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