Unknown Artist, (19th century) Assets (17900 in total)

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Christopher Columbus arrived in San Salvador in 1492.
Christopher Columbus arrived in San Salvador in 1492.

GIA4814823: Christopher Columbus arrived in San Salvador in 1492., Unknown Artist, (19th century) / Bridgeman Images

First communion of Swiss Calvinists. 19th century.
First communion of Swiss Calvinists. 19th century.

GIA4816787: First communion of Swiss Calvinists. 19th century., Unknown Artist, (19th century) / Bridgeman Images

Melissa et la magicienne:
Melissa et la magicienne:

GIA4817128: Melissa et la magicienne: ""De la même façon que la sphère de cuivre subit l'influence de Vénus, que mon amant puisse se présenter sur le seuil de ma porte"". 1857., Unknown Artist, (19th century) / Bridgeman Images

Representation of a toucan, bird of South America. 19th century engraving.
Representation of a toucan, bird of South America. 19th century engraving.

GIA4817224: Representation of a toucan, bird of South America. 19th century engraving., Unknown Artist, (19th century) / Bridgeman Images

Caravan in the desert in Morocco during a windstorm.
Caravan in the desert in Morocco during a windstorm.

GIA4817492: Caravan in the desert in Morocco during a windstorm., Unknown Artist, (19th century) / Bridgeman Images

Indian Culture and Civilization: Widow who is buried alive on her husband's grave, India, 1808.
Indian Culture and Civilization: Widow who is buried alive on her husband's grave, India, 1808.

GIA4817933: Indian Culture and Civilization: Widow who is buried alive on her husband's grave, India, 1808., Unknown Artist, (19th century) / Bridgeman Images

Culture, civilization and Indian society: the weaver in India.
Culture, civilization and Indian society: the weaver in India.

GIA4817987: Culture, civilization and Indian society: the weaver in India., Unknown Artist, (19th century) / Bridgeman Images

Indian culture, civilization and society: musician with traditional Indian percussion (Tikora). Engraving from 1808.
Indian culture, civilization and society: musician with traditional Indian percussion (Tikora). Engraving from 1808.

GIA4818052: Indian culture, civilization and society: musician with traditional Indian percussion (Tikora). Engraving from 1808., Unknown Artist, (19th century) / Bridgeman Images

Papaver Argemone (Flower and plant of poppy argemone). 19th century herbarium.
Papaver Argemone (Flower and plant of poppy argemone). 19th century herbarium.

GIA4818111: Papaver Argemone (Flower and plant of poppy argemone). 19th century herbarium., Unknown Artist, (19th century) / Bridgeman Images

Gaetano Casati (b/w photo)
Gaetano Casati (b/w photo)

SED5655546: Gaetano Casati (b/w photo), Unknown Artist, (19th century) / Bridgeman Images

Commanders of the mobilized peacekeepers (divisional inspectors), from left to right: Mr.Foucault, Mr.Giobergia, Mr.Vassal, Mr.Archer. Eau forte en couleurs, pour illustration “” Histoire du corps des gardiens de la paix””” book published under the auspices of Louis Lepine (1846-1933) prefet de police de la Seine, by Alfred Rey (1864-?) and Louis Feron (1862-?) , edition Firmin Didot et Cie, 1896, Paris.
Commanders of the mobilized peacekeepers (divisional inspectors), from left to right: Mr.Foucault, Mr.Giobergia, Mr.Vassal, Mr.Archer. Eau forte en couleurs, pour illustration “” Histoire du corps des gardiens de la paix””” book published under the auspices of Louis Lepine (1846-1933) prefet de police de la Seine, by Alfred Rey (1864-?) and Louis Feron (1862-?) , edition Firmin Didot et Cie, 1896, Paris.

LSE4335430: Commanders of the mobilized peacekeepers (divisional inspectors), from left to right: Mr.Foucault, Mr.Giobergia, Mr.Vassal, Mr.Archer. Eau forte en couleurs, pour illustration “” Histoire du corps des gardiens de la paix””” book published under the auspices of Louis Lepine (1846-1933) prefet de police de la Seine, by Alfred Rey (1864-?) and Louis Feron (1862-?) , edition Firmin Didot et Cie, 1896, Paris., Unknown Artist, (19th century) / Bridgeman Images

Guardians of the Peace mobilizes (1870-1871). Eau forte en couleurs, pour illustration “” Histoire du corps des gardiens de la paix””” book published under the auspices of Louis Lepine (1846-1933) prefet de police de la Seine, by Alfred Rey (1864-?) and Louis Feron (1862-?) , edition Firmin Didot et Cie, 1896, Paris.
Guardians of the Peace mobilizes (1870-1871). Eau forte en couleurs, pour illustration “” Histoire du corps des gardiens de la paix””” book published under the auspices of Louis Lepine (1846-1933) prefet de police de la Seine, by Alfred Rey (1864-?) and Louis Feron (1862-?) , edition Firmin Didot et Cie, 1896, Paris.

LSE4335435: Guardians of the Peace mobilizes (1870-1871). Eau forte en couleurs, pour illustration “” Histoire du corps des gardiens de la paix””” book published under the auspices of Louis Lepine (1846-1933) prefet de police de la Seine, by Alfred Rey (1864-?) and Louis Feron (1862-?) , edition Firmin Didot et Cie, 1896, Paris., Unknown Artist, (19th century) / Bridgeman Images

Guardians of the peace during the second seat of the Paris Commune (1871). Eau forte en couleurs, pour illustration “” Histoire du corps des gardiens de la paix””” book published under the auspices of Louis Lepine (1846-1933) prefet de police de la Seine, by Alfred Rey (1864-?) and Louis Feron (1862-?) , edition Firmin Didot et Cie, 1896, Paris.
Guardians of the peace during the second seat of the Paris Commune (1871). Eau forte en couleurs, pour illustration “” Histoire du corps des gardiens de la paix””” book published under the auspices of Louis Lepine (1846-1933) prefet de police de la Seine, by Alfred Rey (1864-?) and Louis Feron (1862-?) , edition Firmin Didot et Cie, 1896, Paris.

LSE4335447: Guardians of the peace during the second seat of the Paris Commune (1871). Eau forte en couleurs, pour illustration “” Histoire du corps des gardiens de la paix””” book published under the auspices of Louis Lepine (1846-1933) prefet de police de la Seine, by Alfred Rey (1864-?) and Louis Feron (1862-?) , edition Firmin Didot et Cie, 1896, Paris., Unknown Artist, (19th century) / Bridgeman Images

Creusot strike. The workers of the adjustment shops repelling the strikers. Engraving 19th century.
Creusot strike. The workers of the adjustment shops repelling the strikers. Engraving 19th century.

GIA4695052: Creusot strike. The workers of the adjustment shops repelling the strikers. Engraving 19th century., Unknown Artist, (19th century) / Bridgeman Images

Anubis takes care of the mummy while the soul of the deceased flies for transmigration - in “” Monuments of Egypt and Upper Nubia”” by Ippolito Rosellini (Rossellini).
Anubis takes care of the mummy while the soul of the deceased flies for transmigration - in “” Monuments of Egypt and Upper Nubia”” by Ippolito Rosellini (Rossellini).

GIA4696988: Anubis takes care of the mummy while the soul of the deceased flies for transmigration - in “” Monuments of Egypt and Upper Nubia”” by Ippolito Rosellini (Rossellini)., Unknown Artist, (19th century) / Bridgeman Images

Napoleon III visited the offices of the electric telegraph at the Ministry of the Interior in 1866.
Napoleon III visited the offices of the electric telegraph at the Ministry of the Interior in 1866.

XEE4403862: Napoleon III visited the offices of the electric telegraph at the Ministry of the Interior in 1866., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Elie Berthet French writer of the 19th century.
Portrait of Elie Berthet French writer of the 19th century.

XEE4403946: Portrait of Elie Berthet French writer of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Edouard Detaille, French painter (1848-1912).
Portrait of Edouard Detaille, French painter (1848-1912).

XEE4404033: Portrait of Edouard Detaille, French painter (1848-1912)., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Daniel Dunglas Home (1833-1886) medium tartan.
Portrait of Daniel Dunglas Home (1833-1886) medium tartan.

XEE4404130: Portrait of Daniel Dunglas Home (1833-1886) medium tartan., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Henriette Sontag (1806-1854), German singer.
Portrait of Henriette Sontag (1806-1854), German singer.

XEE4404146: Portrait of Henriette Sontag (1806-1854), German singer., Unknown Artist, (19th century) / Bridgeman Images

The princess's foolishness put the courtiers away. Anonymous illustration for “Riquet à la houppe””, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).
The princess's foolishness put the courtiers away. Anonymous illustration for “Riquet à la houppe””, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).

XEE4404303: The princess's foolishness put the courtiers away. Anonymous illustration for “Riquet à la houppe””, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Edward Jenner English doctor, 19th century (engraving)
Portrait of Edward Jenner English doctor, 19th century (engraving)

XEE4404520: Portrait of Edward Jenner English doctor, 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

The prince invites Cinderella to dance. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The prince invites Cinderella to dance. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404541: The prince invites Cinderella to dance. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The good fee the pumpkin in a carriage before Cinderella's eyes. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The good fee the pumpkin in a carriage before Cinderella's eyes. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404560: The good fee the pumpkin in a carriage before Cinderella's eyes. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The fox and the wolf. Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The fox and the wolf. Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404625: The fox and the wolf. Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The disguise wolf knocks on the door of the house with the goat and the biquets. Illustration of the tale “Compere le Loup, Maitre Renard, Comere la Chevre et ses petits biquets”” after a fable by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The disguise wolf knocks on the door of the house with the goat and the biquets. Illustration of the tale “Compere le Loup, Maitre Renard, Comere la Chevre et ses petits biquets”” after a fable by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404657: The disguise wolf knocks on the door of the house with the goat and the biquets. Illustration of the tale “Compere le Loup, Maitre Renard, Comere la Chevre et ses petits biquets”” after a fable by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The wolf meets the fox again. Illustration of the tale “Compere le Loup, Maitre Renard, Comere la Chevre et ses petits biquets”” after a fable by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The wolf meets the fox again. Illustration of the tale “Compere le Loup, Maitre Renard, Comere la Chevre et ses petits biquets”” after a fable by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404666: The wolf meets the fox again. Illustration of the tale “Compere le Loup, Maitre Renard, Comere la Chevre et ses petits biquets”” after a fable by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The goat is out of the market, listening to the history of the biquets. Illustration of the tale “Compere le Loup, Maitre Renard, Comere la Chevre et ses petits biquets”” after a fable by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The goat is out of the market, listening to the history of the biquets. Illustration of the tale “Compere le Loup, Maitre Renard, Comere la Chevre et ses petits biquets”” after a fable by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404679: The goat is out of the market, listening to the history of the biquets. Illustration of the tale “Compere le Loup, Maitre Renard, Comere la Chevre et ses petits biquets”” after a fable by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The wolf knocks on the door of the biquet house. Illustration of the tale “Compere le Loup, Maitre Renard, Comere la Chevre et ses petits biquets”” after a fable by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The wolf knocks on the door of the biquet house. Illustration of the tale “Compere le Loup, Maitre Renard, Comere la Chevre et ses petits biquets”” after a fable by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404689: The wolf knocks on the door of the biquet house. Illustration of the tale “Compere le Loup, Maitre Renard, Comere la Chevre et ses petits biquets”” after a fable by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

On 26 October 1860, Giuseppe Garibaldi met King Victor Emmanuel II (Victor-Emmanuel) (Vittorio Emanuele) near Teano. Engraving of the 19th century.
On 26 October 1860, Giuseppe Garibaldi met King Victor Emmanuel II (Victor-Emmanuel) (Vittorio Emanuele) near Teano. Engraving of the 19th century.

GIA4701745: On 26 October 1860, Giuseppe Garibaldi met King Victor Emmanuel II (Victor-Emmanuel) (Vittorio Emanuele) near Teano. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Robert Fulton (1765 - 1815), American builder embarked on the Clermont, a boat he built in 1807 to provide the New York - Albany connection on the Hudson River. Engraving of the 19th century.
Robert Fulton (1765 - 1815), American builder embarked on the Clermont, a boat he built in 1807 to provide the New York - Albany connection on the Hudson River. Engraving of the 19th century.

GIA4702646: Robert Fulton (1765 - 1815), American builder embarked on the Clermont, a boat he built in 1807 to provide the New York - Albany connection on the Hudson River. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The craft of tin pot smelter in 1480.
The craft of tin pot smelter in 1480.

XEE4405310: The craft of tin pot smelter in 1480., Unknown Artist, (19th century) / Bridgeman Images

Children's diseases: Hives. In” The new natural medicine”” by F.E. Bilz.
Children's diseases: Hives. In” The new natural medicine”” by F.E. Bilz.

XEE4405318: Children's diseases: Hives. In” The new natural medicine”” by F.E. Bilz., Unknown Artist, (19th century) / Bridgeman Images

The steamboat of the Marquis Jouffroy d'Abbans (1751 - 1832) sailing for the first time in the waters of the Saone in Lyon on 15/07/1788. Engraving of the 19th century.
The steamboat of the Marquis Jouffroy d'Abbans (1751 - 1832) sailing for the first time in the waters of the Saone in Lyon on 15/07/1788. Engraving of the 19th century.

GIA4776532: The steamboat of the Marquis Jouffroy d'Abbans (1751 - 1832) sailing for the first time in the waters of the Saone in Lyon on 15/07/1788. Engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Giulia Beltramini Marcora in “La traviata”” by Giuseppe Verdi. Lithograph from the end of the 19th century.
Portrait of Giulia Beltramini Marcora in “La traviata”” by Giuseppe Verdi. Lithograph from the end of the 19th century.

GIA4776749: Portrait of Giulia Beltramini Marcora in “La traviata”” by Giuseppe Verdi. Lithograph from the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

2/05/1808: Madrid uprising against the French takeover of Spain. Lithography around 1830.
2/05/1808: Madrid uprising against the French takeover of Spain. Lithography around 1830.

GIA4777412: 2/05/1808: Madrid uprising against the French takeover of Spain. Lithography around 1830., Unknown Artist, (19th century) / Bridgeman Images


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