Unknown Artist, (19th century) Assets (17900 in total)

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First page of Oruno Lara's book Guadeloupe, 19th century
First page of Oruno Lara's book Guadeloupe, 19th century

JLJ4687907: First page of Oruno Lara's book Guadeloupe, 19th century, Unknown Artist, (19th century) / Bridgeman Images

Primitive man of the Reindeer Age (Upper Palaeolithic).
Primitive man of the Reindeer Age (Upper Palaeolithic).

GIA4763356: Primitive man of the Reindeer Age (Upper Palaeolithic)., Unknown Artist, (19th century) / Bridgeman Images

A toast scene. Illustration of the score of Brindisi polka by Rivetta
A toast scene. Illustration of the score of Brindisi polka by Rivetta

LRI4567974: A toast scene. Illustration of the score of Brindisi polka by Rivetta, Unknown Artist, (19th century) / Bridgeman Images

Page of musical score of the overture of The turk in Italy by Gioacchino Rossini, 1814
Page of musical score of the overture of The turk in Italy by Gioacchino Rossini, 1814

LRI4568206: Page of musical score of the overture of The turk in Italy by Gioacchino Rossini, 1814, Unknown Artist, (19th century) / Bridgeman Images

Drawing of a bed for the bey di Roumelie, residing in Sophia, Bulgaria. A naked woman invites her to join her. J. J. Lepreu.
Drawing of a bed for the bey di Roumelie, residing in Sophia, Bulgaria. A naked woman invites her to join her. J. J. Lepreu.

GIA4765268: Drawing of a bed for the bey di Roumelie, residing in Sophia, Bulgaria. A naked woman invites her to join her. J. J. Lepreu., Unknown Artist, (19th century) / Bridgeman Images

View of New York: Broadway. Engraving from 1840.
View of New York: Broadway. Engraving from 1840.

GIA4769312: View of New York: Broadway. Engraving from 1840., Unknown Artist, (19th century) / Bridgeman Images

Flower basket. 19th century chromolithography.
Flower basket. 19th century chromolithography.

GIA4770440: Flower basket. 19th century chromolithography., Unknown Artist, (19th century) / Bridgeman Images

Bow figure at the Amphitrite, half-19th century mast ship. Greenwich Cutty Sark.
Bow figure at the Amphitrite, half-19th century mast ship. Greenwich Cutty Sark.

GIA4770738: Bow figure at the Amphitrite, half-19th century mast ship. Greenwich Cutty Sark., Unknown Artist, (19th century) / Bridgeman Images

View of San Gerolamo canal in Milan(oil on wood, 19th century)
View of San Gerolamo canal in Milan(oil on wood, 19th century)

LRI4624242: View of San Gerolamo canal in Milan(oil on wood, 19th century), Unknown Artist, (19th century) / Bridgeman Images

Portrait of Camille Desmoulins (1760-1794), 19th century (engraving)
Portrait of Camille Desmoulins (1760-1794), 19th century (engraving)

JLJ4616411: Portrait of Camille Desmoulins (1760-1794), 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

Portrait of Jean Antoine Joseph Debry or De Bry (1760-1834), 19th century (engraving)
Portrait of Jean Antoine Joseph Debry or De Bry (1760-1834), 19th century (engraving)

JLJ4616605: Portrait of Jean Antoine Joseph Debry or De Bry (1760-1834), 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

Portrait of Barthelemy Joubert (1769-1799), 19th century (engraving)
Portrait of Barthelemy Joubert (1769-1799), 19th century (engraving)

JLJ4616682: Portrait of Barthelemy Joubert (1769-1799), 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

Giuseppe Garibaldi (1807-1882), 19th century (engraving)
Giuseppe Garibaldi (1807-1882), 19th century (engraving)

JLJ4630395: Giuseppe Garibaldi (1807-1882), 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

Triptych of the Virgin: the Virgin crosses over a miraculous fountain of water, 19th century (oil on canvas)
Triptych of the Virgin: the Virgin crosses over a miraculous fountain of water, 19th century (oil on canvas)

JLJ4685923: Triptych of the Virgin: the Virgin crosses over a miraculous fountain of water, 19th century (oil on canvas), Unknown Artist, (19th century) / Bridgeman Images

Children on Pottinger Street in Hong Kong in 1890. China, 19th century (photo)
Children on Pottinger Street in Hong Kong in 1890. China, 19th century (photo)

JLJ4685947: Children on Pottinger Street in Hong Kong in 1890. China, 19th century (photo), Unknown Artist, (19th century) / Bridgeman Images

Portrait of Don Joaquim Suares (1781-1868), 19th century (engraving)
Portrait of Don Joaquim Suares (1781-1868), 19th century (engraving)

JLJ4673484: Portrait of Don Joaquim Suares (1781-1868), 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

Costume by Lekain (1729-1778) in the role of Achilles in 1740. French comedy theatre costume, 19th century (engraving)
Costume by Lekain (1729-1778) in the role of Achilles in 1740. French comedy theatre costume, 19th century (engraving)

JLJ4674863: Costume by Lekain (1729-1778) in the role of Achilles in 1740. French comedy theatre costume, 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

American Revolutionary War: surrender of General Burgoyne in Saratoga, 17 October 1777 (engraving, 19th century)
American Revolutionary War: surrender of General Burgoyne in Saratoga, 17 October 1777 (engraving, 19th century)

LRI4675999: American Revolutionary War: surrender of General Burgoyne in Saratoga, 17 October 1777 (engraving, 19th century), Unknown Artist, (19th century) / Bridgeman Images

The milk girl, 6 am on Sunday morning, 1895 (Colour engraving)
The milk girl, 6 am on Sunday morning, 1895 (Colour engraving)

LRI4676427: The milk girl, 6 am on Sunday morning, 1895 (Colour engraving), Unknown Artist, (19th century) / Bridgeman Images

View of the island Saint Helena (engraving, 19th century)
View of the island Saint Helena (engraving, 19th century)

LRI4676551: View of the island Saint Helena (engraving, 19th century), Unknown Artist, (19th century) / Bridgeman Images

Night race of the 2 boats at dawn on the Mississippi, 1860.
Night race of the 2 boats at dawn on the Mississippi, 1860.

GIA4692757: Night race of the 2 boats at dawn on the Mississippi, 1860., Unknown Artist, (19th century) / Bridgeman Images

Country road (oil on canvas, 1860-1870)
Country road (oil on canvas, 1860-1870)

LRI4692975: Country road (oil on canvas, 1860-1870), Unknown Artist, (19th century) / Bridgeman Images

Poster of La Damnation de Faust by Hector Berlioz. sd. end 19th century (engraving)
Poster of La Damnation de Faust by Hector Berlioz. sd. end 19th century (engraving)

GIA4694026: Poster of La Damnation de Faust by Hector Berlioz. sd. end 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

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IBE5357357: “" The monument to the navigator Christopher Columbus (Cristoforo Colombo, Cristobal Colon) (1451-1506) on the Paso de la Reforma in Mexico City, Mexico. Chromolithography of 1885, Unknown Artist, (19th century) / Bridgeman Images

Interior view of the cathedral of Guadalajara in Mexico City, Mexico. Chromolithography circa 1880
Interior view of the cathedral of Guadalajara in Mexico City, Mexico. Chromolithography circa 1880

IBE5357452: Interior view of the cathedral of Guadalajara in Mexico City, Mexico. Chromolithography circa 1880, Unknown Artist, (19th century) / Bridgeman Images

Child kneeling holding a book in his arms Anonymous 19th century marble sculpture from the collection of Prince Odon di Savoia. Dim. 63x30x30 cm Genes, Galleria d'Arte Moderna, inv. 1274
Child kneeling holding a book in his arms Anonymous 19th century marble sculpture from the collection of Prince Odon di Savoia. Dim. 63x30x30 cm Genes, Galleria d'Arte Moderna, inv. 1274

LRI4692856: Child kneeling holding a book in his arms Anonymous 19th century marble sculpture from the collection of Prince Odon di Savoia. Dim. 63x30x30 cm Genes, Galleria d'Arte Moderna, inv. 1274, Unknown Artist, (19th century) / Bridgeman Images

The Orsini attack on 14 January 1858 Representation of the attack, 19th century (etching)
The Orsini attack on 14 January 1858 Representation of the attack, 19th century (etching)

JLJ4614422: The Orsini attack on 14 January 1858 Representation of the attack, 19th century (etching), Unknown Artist, (19th century) / Bridgeman Images

Portrait of Joseph Pelletier (1788-1842) French chemist, 19th century (engraving)
Portrait of Joseph Pelletier (1788-1842) French chemist, 19th century (engraving)

JLJ4614894: Portrait of Joseph Pelletier (1788-1842) French chemist, 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

Portrait of Louis Blanc (1811-1882), French politician and historian, 19th century (engraving)
Portrait of Louis Blanc (1811-1882), French politician and historian, 19th century (engraving)

JLJ4614921: Portrait of Louis Blanc (1811-1882), French politician and historian, 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

Portrait of Jean Victor Moreau (1763-1813), 19th century (engraving)
Portrait of Jean Victor Moreau (1763-1813), 19th century (engraving)

JLJ4616672: Portrait of Jean Victor Moreau (1763-1813), 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

The daughter of a marabout from Oualet (Mauritania), wearing a jatte on his head to make black soap. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The daughter of a marabout from Oualet (Mauritania), wearing a jatte on his head to make black soap. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328031: The daughter of a marabout from Oualet (Mauritania), wearing a jatte on his head to make black soap. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The colonnades of St. Peter in the Vatican, brought by the Bernini (1598-1680) of 1655, on an elliptical plane, which became a common place of Baroque and Rococo architecture. Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The colonnades of St. Peter in the Vatican, brought by the Bernini (1598-1680) of 1655, on an elliptical plane, which became a common place of Baroque and Rococo architecture. Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328199: The colonnades of St. Peter in the Vatican, brought by the Bernini (1598-1680) of 1655, on an elliptical plane, which became a common place of Baroque and Rococo architecture. Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The square of Chief Mango, a warrior's dwelling that stands out for its height, the sculpture of the taboo that surmounts the roof and the pillars of the door, as well as by the human skins fixed on long poles at the entrance of the square; this one in a state of delabrement that bears witness to the great age of Mango, because for each leader, a square is bated to his birth and must never be spotted. Engravure pour illustrrer le voyage à la Nouvelle Caledonie, by Jules Garnier, civil engineer of mines, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.
The square of Chief Mango, a warrior's dwelling that stands out for its height, the sculpture of the taboo that surmounts the roof and the pillars of the door, as well as by the human skins fixed on long poles at the entrance of the square; this one in a state of delabrement that bears witness to the great age of Mango, because for each leader, a square is bated to his birth and must never be spotted. Engravure pour illustrrer le voyage à la Nouvelle Caledonie, by Jules Garnier, civil engineer of mines, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.

LSE4328255: The square of Chief Mango, a warrior's dwelling that stands out for its height, the sculpture of the taboo that surmounts the roof and the pillars of the door, as well as by the human skins fixed on long poles at the entrance of the square; this one in a state of delabrement that bears witness to the great age of Mango, because for each leader, a square is bated to his birth and must never be spotted. Engravure pour illustrrer le voyage à la Nouvelle Caledonie, by Jules Garnier, civil engineer of mines, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The matsouri (fair, procession) of Miodjin, temple of Yedo (or Edo, present-day Tokyo), a great biennial procession, with the presentation of great historical figures and the invitation by priests of many courtesans in palanquin, in the cortege; the ugly and colossal head of the demon defeated by the saint, as well as the axe with which he summer terrace are shown to the crowd, while the priests blow into the conches. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The matsouri (fair, procession) of Miodjin, temple of Yedo (or Edo, present-day Tokyo), a great biennial procession, with the presentation of great historical figures and the invitation by priests of many courtesans in palanquin, in the cortege; the ugly and colossal head of the demon defeated by the saint, as well as the axe with which he summer terrace are shown to the crowd, while the priests blow into the conches. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328352: The matsouri (fair, procession) of Miodjin, temple of Yedo (or Edo, present-day Tokyo), a great biennial procession, with the presentation of great historical figures and the invitation by priests of many courtesans in palanquin, in the cortege; the ugly and colossal head of the demon defeated by the saint, as well as the axe with which he summer terrace are shown to the crowd, while the priests blow into the conches. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Romans playing the mora, (or die) ancestral game, which consists in guessing the sum obtained by adding the fingers of the hands of the two opponents, the game is practiced hand stretched and has a signal given, players indicate a number with their fingers and at the same time pronounce a number between 2 and 10; the particularity of the Italian mora remains in the fact that both players are intimidating themselves by screaming. Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Romans playing the mora, (or die) ancestral game, which consists in guessing the sum obtained by adding the fingers of the hands of the two opponents, the game is practiced hand stretched and has a signal given, players indicate a number with their fingers and at the same time pronounce a number between 2 and 10; the particularity of the Italian mora remains in the fact that both players are intimidating themselves by screaming. Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328473: Romans playing the mora, (or die) ancestral game, which consists in guessing the sum obtained by adding the fingers of the hands of the two opponents, the game is practiced hand stretched and has a signal given, players indicate a number with their fingers and at the same time pronounce a number between 2 and 10; the particularity of the Italian mora remains in the fact that both players are intimidating themselves by screaming. Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The dining room of the Yokohama Theatre is permanently filled, even during the performance. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.
The dining room of the Yokohama Theatre is permanently filled, even during the performance. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328719: The dining room of the Yokohama Theatre is permanently filled, even during the performance. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images


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