Unknown Artist, (19th century) Assets (17905 in total)

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Theatre: “” Manon””, comic opera by Henri (Henry) Meilhac (1831-1897) and Philippe Gille (1831-1901) on a music by Jules Massenet (1842-1912) represented at the Opera Comique. Engraving in “” Le Monde Illustré””, 1884. Private Collection
Theatre: “” Manon””, comic opera by Henri (Henry) Meilhac (1831-1897) and Philippe Gille (1831-1901) on a music by Jules Massenet (1842-1912) represented at the Opera Comique. Engraving in “” Le Monde Illustré””, 1884. Private Collection

XEE4178293: Theatre: “” Manon””, comic opera by Henri (Henry) Meilhac (1831-1897) and Philippe Gille (1831-1901) on a music by Jules Massenet (1842-1912) represented at the Opera Comique. Engraving in “” Le Monde Illustré””, 1884. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Commercial ship and arsenal in the port of Toulon (Var), France. Engraving in “” Le Monde Illustré””, 1884. Private Collection
Commercial ship and arsenal in the port of Toulon (Var), France. Engraving in “” Le Monde Illustré””, 1884. Private Collection

XEE4178513: Commercial ship and arsenal in the port of Toulon (Var), France. Engraving in “” Le Monde Illustré””, 1884. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Last stage of the theatre piece “” Galilee””, a three-act drama by Francois Ponsard, a French poet and playwright (1814-1867) plays at the French comedie theatre in Paris. Engraving in “” L'univers illustrious””, 1867. Private Collection
Last stage of the theatre piece “” Galilee””, a three-act drama by Francois Ponsard, a French poet and playwright (1814-1867) plays at the French comedie theatre in Paris. Engraving in “” L'univers illustrious””, 1867. Private Collection

XEE4178630: Last stage of the theatre piece “” Galilee””, a three-act drama by Francois Ponsard, a French poet and playwright (1814-1867) plays at the French comedie theatre in Paris. Engraving in “” L'univers illustrious””, 1867. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Indigenous people of New Guinea (New Guinea): inhabitant of the Arfaque Mountains. Engraving in “” L'univers illustrious””, 1867. Private Collection
Indigenous people of New Guinea (New Guinea): inhabitant of the Arfaque Mountains. Engraving in “” L'univers illustrious””, 1867. Private Collection

XEE4178702: Indigenous people of New Guinea (New Guinea): inhabitant of the Arfaque Mountains. Engraving in “” L'univers illustrious””, 1867. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Medicinal and food botanical plants: fir. Engraving in “” La medication naturelle””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection
Medicinal and food botanical plants: fir. Engraving in “” La medication naturelle””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection

XEE4179068: Medicinal and food botanical plants: fir. Engraving in “” La medication naturelle””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Portrait of the Impress Douairiere of Russia Maria Fedorovna widow of Emperor Alexander III of Russia, 1896 (print)
Portrait of the Impress Douairiere of Russia Maria Fedorovna widow of Emperor Alexander III of Russia, 1896 (print)

XEE4179176: Portrait of the Impress Douairiere of Russia Maria Fedorovna widow of Emperor Alexander III of Russia, 1896 (print), Unknown Artist, (19th century) / Bridgeman Images

Illustration of the late 19th century for the tale by Hans Christian Andersen (1805-1875) “Grand Claus and Little Claus” (Klaus).Private collection.
Illustration of the late 19th century for the tale by Hans Christian Andersen (1805-1875) “Grand Claus and Little Claus” (Klaus).Private collection.

XEE4180371: Illustration of the late 19th century for the tale by Hans Christian Andersen (1805-1875) “Grand Claus and Little Claus” (Klaus).Private collection., Unknown Artist, (19th century) / Bridgeman Images

Party in Sceaux Park in 1873.
Party in Sceaux Park in 1873.

XEE4180817: Party in Sceaux Park in 1873., Unknown Artist, (19th century) / Bridgeman Images

Ovation made to Adolphe Thiers (1797-1877), president of the French Republic by the population of Belfort in 1873.
Ovation made to Adolphe Thiers (1797-1877), president of the French Republic by the population of Belfort in 1873.

XEE4180847: Ovation made to Adolphe Thiers (1797-1877), president of the French Republic by the population of Belfort in 1873., Unknown Artist, (19th century) / Bridgeman Images

The great flooding of Toulouse on June 23, 1875, seen from the neighborhoods invaded by the Garonne.
The great flooding of Toulouse on June 23, 1875, seen from the neighborhoods invaded by the Garonne.

XEE4180927: The great flooding of Toulouse on June 23, 1875, seen from the neighborhoods invaded by the Garonne., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Albert I Grimaldi (Albert Honore Charles) (1848-1922), Prince of Monaco (1889-1922) in “The Illustrious World”, September 21, 1889.
Portrait of Albert I Grimaldi (Albert Honore Charles) (1848-1922), Prince of Monaco (1889-1922) in “The Illustrious World”, September 21, 1889.

XEE4180968: Portrait of Albert I Grimaldi (Albert Honore Charles) (1848-1922), Prince of Monaco (1889-1922) in “The Illustrious World”, September 21, 1889., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Baron Jean Nicolas Corvisart (1755-1821), French doctor, 19th century (engraving)
Portrait of Baron Jean Nicolas Corvisart (1755-1821), French doctor, 19th century (engraving)

JLJ4615008: Portrait of Baron Jean Nicolas Corvisart (1755-1821), French doctor, 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

Portrait of Felix Mendelssohn (1809-1847), 19th century (engraving)
Portrait of Felix Mendelssohn (1809-1847), 19th century (engraving)

JLJ4615031: Portrait of Felix Mendelssohn (1809-1847), 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

Portrait of Cecile-Aimee Renault, 19th century (engraving)
Portrait of Cecile-Aimee Renault, 19th century (engraving)

JLJ4616537: Portrait of Cecile-Aimee Renault, 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

Portrait of General Marceau. Engraving in
Portrait of General Marceau. Engraving in

JLJ4616673: Portrait of General Marceau. Engraving in "Complete collection of historical paintings of the French revolution", 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

Portrait of General Jean Baptiste Kleber (1753-1800), 19th century (engraving)
Portrait of General Jean Baptiste Kleber (1753-1800), 19th century (engraving)

JLJ4616691: Portrait of General Jean Baptiste Kleber (1753-1800), 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

Journey of Emperor Napoleon III (1808-1873) and his wife Eugenie de Montijo (1826-1920) to the Duke of Savoy following the annexation of the Count of Savoy (March Turin Treaty): here the imperial couple visiting Grenoble meet young girls who came to present products of local industry. Engraving from “” Le monde illustrious”” 22/09/1860 Collection privee
Journey of Emperor Napoleon III (1808-1873) and his wife Eugenie de Montijo (1826-1920) to the Duke of Savoy following the annexation of the Count of Savoy (March Turin Treaty): here the imperial couple visiting Grenoble meet young girls who came to present products of local industry. Engraving from “” Le monde illustrious”” 22/09/1860 Collection privee

XEE4190980: Journey of Emperor Napoleon III (1808-1873) and his wife Eugenie de Montijo (1826-1920) to the Duke of Savoy following the annexation of the Count of Savoy (March Turin Treaty): here the imperial couple visiting Grenoble meet young girls who came to present products of local industry. Engraving from “” Le monde illustrious”” 22/09/1860 Collection privee, Unknown Artist, (19th century) / Bridgeman Images

Longitudinal section of the liner “” La Normandy”” showing the interior layout of the building. The same section with the explanatory legend showing the space reserved for emigrants and that for goods and the plan of the upper deck. Engraving in “” La Nature””, 1883. Private collection.
Longitudinal section of the liner “” La Normandy”” showing the interior layout of the building. The same section with the explanatory legend showing the space reserved for emigrants and that for goods and the plan of the upper deck. Engraving in “” La Nature””, 1883. Private collection.

XEE4191324: Longitudinal section of the liner “” La Normandy”” showing the interior layout of the building. The same section with the explanatory legend showing the space reserved for emigrants and that for goods and the plan of the upper deck. Engraving in “” La Nature””, 1883. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Exploitation of United States forests. Temporary railways with wooden track. Wagons carrying tree trunks. Engraving in “” La Nature””, 1883. Private collection.
Exploitation of United States forests. Temporary railways with wooden track. Wagons carrying tree trunks. Engraving in “” La Nature””, 1883. Private collection.

XEE4191338: Exploitation of United States forests. Temporary railways with wooden track. Wagons carrying tree trunks. Engraving in “” La Nature””, 1883. Private collection., Unknown Artist, (19th century) / Bridgeman Images

View of the theatre of La Scala in Milan, Italy. (Teatro alla Scala Milano) Engraving in “” The Illustrous World””, 1887. Private collection.
View of the theatre of La Scala in Milan, Italy. (Teatro alla Scala Milano) Engraving in “” The Illustrous World””, 1887. Private collection.

XEE4191400: View of the theatre of La Scala in Milan, Italy. (Teatro alla Scala Milano) Engraving in “” The Illustrous World””, 1887. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Parisian school holidays on a trip to the countryside. Engraving in “” Le Parisien””, 1894. Private collection.
Parisian school holidays on a trip to the countryside. Engraving in “” Le Parisien””, 1894. Private collection.

XEE4191515: Parisian school holidays on a trip to the countryside. Engraving in “” Le Parisien””, 1894. Private collection., Unknown Artist, (19th century) / Bridgeman Images

The French troops of the 24th Infantry Regiment leave Frankfurt with General Augereau Engraving of 1808 Frankfurt, 19th century (engraving)
The French troops of the 24th Infantry Regiment leave Frankfurt with General Augereau Engraving of 1808 Frankfurt, 19th century (engraving)

JLJ4617445: The French troops of the 24th Infantry Regiment leave Frankfurt with General Augereau Engraving of 1808 Frankfurt, 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

Restoration works in the Tuileries Garden in Paris. Engraving in “” L'Univers illustrious””, 1872. Private collection.
Restoration works in the Tuileries Garden in Paris. Engraving in “” L'Univers illustrious””, 1872. Private collection.

XEE4192241: Restoration works in the Tuileries Garden in Paris. Engraving in “” L'Univers illustrious””, 1872. Private collection., Unknown Artist, (19th century) / Bridgeman Images

View of the city of Zanzibar in Africa. On the left, the French consulate. On the right, the sultan's palace and the arsenal. Engraving in “The Universe illustrious”, 1875.
View of the city of Zanzibar in Africa. On the left, the French consulate. On the right, the sultan's palace and the arsenal. Engraving in “The Universe illustrious”, 1875.

XEE4181140: View of the city of Zanzibar in Africa. On the left, the French consulate. On the right, the sultan's palace and the arsenal. Engraving in “The Universe illustrious”, 1875., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Greenlandic (Eskimo) of Godhaven (Lievly port) on Disco Island, 1875. Engraving in “The Universe illustrious”, 1875.
Portrait of Greenlandic (Eskimo) of Godhaven (Lievly port) on Disco Island, 1875. Engraving in “The Universe illustrious”, 1875.

XEE4181194: Portrait of Greenlandic (Eskimo) of Godhaven (Lievly port) on Disco Island, 1875. Engraving in “The Universe illustrious”, 1875., Unknown Artist, (19th century) / Bridgeman Images

Illustration for the tale of the brothers Grimm “Hansel and Gretel””: Hansel and Gretel returned to their homes, gave their parents the jewels they had had. Chromolithography of the late 19th century.
Illustration for the tale of the brothers Grimm “Hansel and Gretel””: Hansel and Gretel returned to their homes, gave their parents the jewels they had had. Chromolithography of the late 19th century.

XEE4181269: Illustration for the tale of the brothers Grimm “Hansel and Gretel””: Hansel and Gretel returned to their homes, gave their parents the jewels they had had. Chromolithography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Reception by the Vice King of Egypt Ismail Pasha (1830-1895), of the Consul General of the Confederation of Northern Germany. Engraving in “” The Illustrious Universe””, 1868. Private collection.
Reception by the Vice King of Egypt Ismail Pasha (1830-1895), of the Consul General of the Confederation of Northern Germany. Engraving in “” The Illustrious Universe””, 1868. Private collection.

XEE4182460: Reception by the Vice King of Egypt Ismail Pasha (1830-1895), of the Consul General of the Confederation of Northern Germany. Engraving in “” The Illustrious Universe””, 1868. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Friedrich Ruckert Poet and German Orientalist Translator (1788-1866).
Portrait of Friedrich Ruckert Poet and German Orientalist Translator (1788-1866).

XEE4182568: Portrait of Friedrich Ruckert Poet and German Orientalist Translator (1788-1866)., Unknown Artist, (19th century) / Bridgeman Images

Alligator in South America in the middle of the 19th century.
Alligator in South America in the middle of the 19th century.

XEE4182601: Alligator in South America in the middle of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The Royal Square in Brussels in Belgium in “The world illustrates 168 views”” Undated (late 19th century)
The Royal Square in Brussels in Belgium in “The world illustrates 168 views”” Undated (late 19th century)

XEE4183582: The Royal Square in Brussels in Belgium in “The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Ostend (Ostend), Belgium: view of the east baths and harbor (harbour, harbor). in “” The world illustrates 168 views”” Undated (end of 19th century)
Ostend (Ostend), Belgium: view of the east baths and harbor (harbour, harbor). in “” The world illustrates 168 views”” Undated (end of 19th century)

XEE4184203: Ostend (Ostend), Belgium: view of the east baths and harbor (harbour, harbor). in “” The world illustrates 168 views”” Undated (end of 19th century), Unknown Artist, (19th century) / Bridgeman Images

Dresden (Dresden), Germany: view of the Belvedere. in “” The world illustrates 168 views”” Undated (late 19th century)
Dresden (Dresden), Germany: view of the Belvedere. in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184256: Dresden (Dresden), Germany: view of the Belvedere. in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Switzerland: view of the city of Brunnen. in “” The world illustrates 168 views”” Undated (late 19th century)
Switzerland: view of the city of Brunnen. in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184497: Switzerland: view of the city of Brunnen. in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Melbourne, Australia: view of the Public Library. in “” The world illustrates 168 views”” Undated (late 19th century)
Melbourne, Australia: view of the Public Library. in “” The world illustrates 168 views”” Undated (late 19th century)

XEE4184545: Melbourne, Australia: view of the Public Library. in “” The world illustrates 168 views”” Undated (late 19th century), Unknown Artist, (19th century) / Bridgeman Images

Osmont Tapestry Crossings Projects. Plate taken from d'Hallevent and Osmont. 19th century (tapestry)
Osmont Tapestry Crossings Projects. Plate taken from d'Hallevent and Osmont. 19th century (tapestry)

JLJ4613986: Osmont Tapestry Crossings Projects. Plate taken from d'Hallevent and Osmont. 19th century (tapestry), Unknown Artist, (19th century) / Bridgeman Images

Barbarian Invasions - During the review of the troops, Duchess Hadwig receives the monks approaching in the background.
Barbarian Invasions - During the review of the troops, Duchess Hadwig receives the monks approaching in the background.

XEE4171637: Barbarian Invasions - During the review of the troops, Duchess Hadwig receives the monks approaching in the background., Unknown Artist, (19th century) / Bridgeman Images


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