Unknown Artist, (19th century) Assets (17905 in total)

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Louis VIII (1187-1226) the Lion receives an envoy from his enemy Henry III (1207-72) of England - Louis VIII dit “” Le Lion” (1187-1226), dynasty of the Capetians, responds with pride and fermete to an envoy of the King of England Henry III- Engraving of 1825 in “Histoire de France represented by synoptic paintings dediee to children from France and employee for leur education”” - Steel engraving by Ambroise Tardieu
Louis VIII (1187-1226) the Lion receives an envoy from his enemy Henry III (1207-72) of England - Louis VIII dit “” Le Lion” (1187-1226), dynasty of the Capetians, responds with pride and fermete to an envoy of the King of England Henry III- Engraving of 1825 in “Histoire de France represented by synoptic paintings dediee to children from France and employee for leur education”” - Steel engraving by Ambroise Tardieu

XEE4149553: Louis VIII (1187-1226) the Lion receives an envoy from his enemy Henry III (1207-72) of England - Louis VIII dit “” Le Lion” (1187-1226), dynasty of the Capetians, responds with pride and fermete to an envoy of the King of England Henry III- Engraving of 1825 in “Histoire de France represented by synoptic paintings dediee to children from France and employee for leur education”” - Steel engraving by Ambroise Tardieu, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Jules Ferry (1832-1893), French politician
Portrait of Jules Ferry (1832-1893), French politician

XEE4148264: Portrait of Jules Ferry (1832-1893), French politician, Unknown Artist, (19th century) / Bridgeman Images

Francois Ravaillac (1578-1610) assassin of King Henry IV flying in an inn the knife with which he must hit Henry IV - Engraving of the 19th century
Francois Ravaillac (1578-1610) assassin of King Henry IV flying in an inn the knife with which he must hit Henry IV - Engraving of the 19th century

XEE4147726: Francois Ravaillac (1578-1610) assassin of King Henry IV flying in an inn the knife with which he must hit Henry IV - Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

La maternite artificielle: une incuveuse d'enfants - Engraving In “La Science francaise””, 1892 - A newborn in an incubator - Engraving from “La Science francaise”, 1892
La maternite artificielle: une incuveuse d'enfants - Engraving In “La Science francaise””, 1892 - A newborn in an incubator - Engraving from “La Science francaise”, 1892

XEE4145776: La maternite artificielle: une incuveuse d'enfants - Engraving In “La Science francaise””, 1892 - A newborn in an incubator - Engraving from “La Science francaise”, 1892, Unknown Artist, (19th century) / Bridgeman Images

Constantine theatre in Algeria built by architect Paul Jean Gion (1838-1904) between 1877 and 1883 - the access gallery
Constantine theatre in Algeria built by architect Paul Jean Gion (1838-1904) between 1877 and 1883 - the access gallery

XEE4147914: Constantine theatre in Algeria built by architect Paul Jean Gion (1838-1904) between 1877 and 1883 - the access gallery, Unknown Artist, (19th century) / Bridgeman Images

Les Omnibus de Paris in the 19th century: la dame blanche - engraving from 1892
Les Omnibus de Paris in the 19th century: la dame blanche - engraving from 1892

XEE4147685: Les Omnibus de Paris in the 19th century: la dame blanche - engraving from 1892, Unknown Artist, (19th century) / Bridgeman Images

L'anthropometrie judiciaire ou bertillonnage, methode d'Alphonse Bertillon (1853-1914): mesure de la coudee - Engraving In “” La Science francaise””, 1892 - Alphonse Bertillon (1853-1914)'s anthropometry: measurement of the length of the “” cubit”” - Engraving from “” La Science francaise”, 1892
L'anthropometrie judiciaire ou bertillonnage, methode d'Alphonse Bertillon (1853-1914): mesure de la coudee - Engraving In “” La Science francaise””, 1892 - Alphonse Bertillon (1853-1914)'s anthropometry: measurement of the length of the “” cubit”” - Engraving from “” La Science francaise”, 1892

XEE4145807: L'anthropometrie judiciaire ou bertillonnage, methode d'Alphonse Bertillon (1853-1914): mesure de la coudee - Engraving In “” La Science francaise””, 1892 - Alphonse Bertillon (1853-1914)'s anthropometry: measurement of the length of the “” cubit”” - Engraving from “” La Science francaise”, 1892, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Charles Auguste de La Fare Comte de Laugeres (1644-1712), poet francais
Portrait of Charles Auguste de La Fare Comte de Laugeres (1644-1712), poet francais

XEE4148373: Portrait of Charles Auguste de La Fare Comte de Laugeres (1644-1712), poet francais, Unknown Artist, (19th century) / Bridgeman Images

Indian warrior of Perou (Inca) - engraving, 19th century
Indian warrior of Perou (Inca) - engraving, 19th century

LSE4108294: Indian warrior of Perou (Inca) - engraving, 19th century, Unknown Artist, (19th century) / Bridgeman Images

The game of the heroes of the French Empire, deb. 19th century
The game of the heroes of the French Empire, deb. 19th century

LSE4107233: The game of the heroes of the French Empire, deb. 19th century, Unknown Artist, (19th century) / Bridgeman Images

Facade of the new station of Orléans on rue de Bellechasse - in “” La Nature””, 1898
Facade of the new station of Orléans on rue de Bellechasse - in “” La Nature””, 1898

LSE4105462: Facade of the new station of Orléans on rue de Bellechasse - in “” La Nature””, 1898, Unknown Artist, (19th century) / Bridgeman Images

The hairdresser - lithography, deb. 19th century
The hairdresser - lithography, deb. 19th century

LSE4108144: The hairdresser - lithography, deb. 19th century, Unknown Artist, (19th century) / Bridgeman Images

Mosaic for Champagne Mumm, late 19th century
Mosaic for Champagne Mumm, late 19th century

XEE4106744: Mosaic for Champagne Mumm, late 19th century, Unknown Artist, (19th century) / Bridgeman Images

Barbarian Invasions - During the review of the troops, Duchess Hadwig receives the monks approaching in the background.
Barbarian Invasions - During the review of the troops, Duchess Hadwig receives the monks approaching in the background.

XEE4171637: Barbarian Invasions - During the review of the troops, Duchess Hadwig receives the monks approaching in the background., Unknown Artist, (19th century) / Bridgeman Images

King Charles VI of France, known as Charles the Good Aime, then Charles the Fol (1368-1422) with his mistress Odinette (Odette) de Champdivers. Engraving in “The history of prostitution and debauche among all the peoples of the world from Antiquitž to the present day” by Dr. Th. -F. Debray. 1879.
King Charles VI of France, known as Charles the Good Aime, then Charles the Fol (1368-1422) with his mistress Odinette (Odette) de Champdivers. Engraving in “The history of prostitution and debauche among all the peoples of the world from Antiquitž to the present day” by Dr. Th. -F. Debray. 1879.

XEE4171277: King Charles VI of France, known as Charles the Good Aime, then Charles the Fol (1368-1422) with his mistress Odinette (Odette) de Champdivers. Engraving in “The history of prostitution and debauche among all the peoples of the world from Antiquitž to the present day” by Dr. Th. -F. Debray. 1879., Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Tales of the Thousand and One Nights. Ali Baba (Ali-Baba) enters the rock, saying, Sesame opens you and sees gold barrels. Chromolithography around 1890.
Illustration for the Tales of the Thousand and One Nights. Ali Baba (Ali-Baba) enters the rock, saying, Sesame opens you and sees gold barrels. Chromolithography around 1890.

XEE4171658: Illustration for the Tales of the Thousand and One Nights. Ali Baba (Ali-Baba) enters the rock, saying, Sesame opens you and sees gold barrels. Chromolithography around 1890., Unknown Artist, (19th century) / Bridgeman Images

The metal industry: the Forge. The Creusot steam hammer (drummer hammer) as installed in the Schneider and Compagnie factories. Engraving in “” La Nature””, 1878. Private collection.
The metal industry: the Forge. The Creusot steam hammer (drummer hammer) as installed in the Schneider and Compagnie factories. Engraving in “” La Nature””, 1878. Private collection.

XEE4174407: The metal industry: the Forge. The Creusot steam hammer (drummer hammer) as installed in the Schneider and Compagnie factories. Engraving in “” La Nature””, 1878. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Barbarian invasions - History of Ekkehard IV of St. Gallen or Eckhard, Eckhart (980 -1057) erudit, and Latin poet. Battle of the Huns. A singular battle between Ellak and the elder of the Heidenhohle.
Barbarian invasions - History of Ekkehard IV of St. Gallen or Eckhard, Eckhart (980 -1057) erudit, and Latin poet. Battle of the Huns. A singular battle between Ellak and the elder of the Heidenhohle.

XEE4171656: Barbarian invasions - History of Ekkehard IV of St. Gallen or Eckhard, Eckhart (980 -1057) erudit, and Latin poet. Battle of the Huns. A singular battle between Ellak and the elder of the Heidenhohle., Unknown Artist, (19th century) / Bridgeman Images

Charles III, known as Charles of Duras (Durazzo) king of Naples entered Naples, with the help of the people, on July 16, 1381.
Charles III, known as Charles of Duras (Durazzo) king of Naples entered Naples, with the help of the people, on July 16, 1381.

XEE4170292: Charles III, known as Charles of Duras (Durazzo) king of Naples entered Naples, with the help of the people, on July 16, 1381., Unknown Artist, (19th century) / Bridgeman Images

The Knight Bayard (Pierre Terrail, 1476-1524) and Bellabre before the abbe of Ainay. Engraving in “Histoire du gentile seigneur de Bayard” by Loredan Larchey, 1881.
The Knight Bayard (Pierre Terrail, 1476-1524) and Bellabre before the abbe of Ainay. Engraving in “Histoire du gentile seigneur de Bayard” by Loredan Larchey, 1881.

XEE4171124: The Knight Bayard (Pierre Terrail, 1476-1524) and Bellabre before the abbe of Ainay. Engraving in “Histoire du gentile seigneur de Bayard” by Loredan Larchey, 1881., Unknown Artist, (19th century) / Bridgeman Images

Republic of Andorra and anti-French agitation: the court of Corts of the Eveque d'Urgel party (Monsignor Caixal) judging the liberals of the French party after the fixing of the elections during the vote. Engraving in “” Le Monde Illustré””, 1884. Private Collection
Republic of Andorra and anti-French agitation: the court of Corts of the Eveque d'Urgel party (Monsignor Caixal) judging the liberals of the French party after the fixing of the elections during the vote. Engraving in “” Le Monde Illustré””, 1884. Private Collection

XEE4178169: Republic of Andorra and anti-French agitation: the court of Corts of the Eveque d'Urgel party (Monsignor Caixal) judging the liberals of the French party after the fixing of the elections during the vote. Engraving in “” Le Monde Illustré””, 1884. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Carlo Goldoni (1707 - 1793) Italian comic author. Engraving 19th century by A. Locatelli
Portrait of Carlo Goldoni (1707 - 1793) Italian comic author. Engraving 19th century by A. Locatelli

XEE4113959: Portrait of Carlo Goldoni (1707 - 1793) Italian comic author. Engraving 19th century by A. Locatelli, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Guillaume Tell, (William Tell) liberator of Switzerland, 19th century engraving.
Portrait of Guillaume Tell, (William Tell) liberator of Switzerland, 19th century engraving.

XEE4113177: Portrait of Guillaume Tell, (William Tell) liberator of Switzerland, 19th century engraving., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Roederer (painting)
Portrait of Roederer (painting)

XEE4113562: Portrait of Roederer (painting), Unknown Artist, (19th century) / Bridgeman Images

Portrait of Franz de Champagny (1804 - 1882) - in “” Les Contemporains””, n.d. late 19th century.
Portrait of Franz de Champagny (1804 - 1882) - in “” Les Contemporains””, n.d. late 19th century.

XEE4114290: Portrait of Franz de Champagny (1804 - 1882) - in “” Les Contemporains””, n.d. late 19th century., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Pierre Jean de Beranger (1780 - 1857), French poet and songwriter - engraving of the 19th century
Portrait of Pierre Jean de Beranger (1780 - 1857), French poet and songwriter - engraving of the 19th century

XEE4113260: Portrait of Pierre Jean de Beranger (1780 - 1857), French poet and songwriter - engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Universal exhibition: Gypsy musicians from the Austrian section. Engraving in “The Illustrous Universe”, 1867. Private collection.
Universal exhibition: Gypsy musicians from the Austrian section. Engraving in “The Illustrous Universe”, 1867. Private collection.

XEE4178733: Universal exhibition: Gypsy musicians from the Austrian section. Engraving in “The Illustrous Universe”, 1867. Private collection., Unknown Artist, (19th century) / Bridgeman Images

Panama Canal works. Main machines: the great American dredge. Engraving in “” Le Monde Illustré””, 1884. Private Collection
Panama Canal works. Main machines: the great American dredge. Engraving in “” Le Monde Illustré””, 1884. Private Collection

XEE4178569: Panama Canal works. Main machines: the great American dredge. Engraving in “” Le Monde Illustré””, 1884. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Medicinal and food botanical plants: acore. Engraving in “” La medication naturelle””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection
Medicinal and food botanical plants: acore. Engraving in “” La medication naturelle””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection

XEE4179119: Medicinal and food botanical plants: acore. Engraving in “” La medication naturelle””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Theatrical representation: “The King has fun” by Victor Hugo (1808-1883). Act IV and V: the deserte strike next to the Tournelle. Paris, Comedie Francaise, 1882. Paris, Comedie Francaise, 1882. Engraving in “” Le Monde Illustré”” n°1339 of 25 November 1882.
Theatrical representation: “The King has fun” by Victor Hugo (1808-1883). Act IV and V: the deserte strike next to the Tournelle. Paris, Comedie Francaise, 1882. Paris, Comedie Francaise, 1882. Engraving in “” Le Monde Illustré”” n°1339 of 25 November 1882.

XEE4178829: Theatrical representation: “The King has fun” by Victor Hugo (1808-1883). Act IV and V: the deserte strike next to the Tournelle. Paris, Comedie Francaise, 1882. Paris, Comedie Francaise, 1882. Engraving in “” Le Monde Illustré”” n°1339 of 25 November 1882., Unknown Artist, (19th century) / Bridgeman Images

The Brazza Mission in West Africa (Pietro Paolo Savorgnan di Brazza or Pierre Paul Francois Camille Savorgnan de Brazza, 1852-1905): Batekes people between Franceville and Akina (Gabon). Engraving in “” Le Monde Illustré””, 1884. Private Collection
The Brazza Mission in West Africa (Pietro Paolo Savorgnan di Brazza or Pierre Paul Francois Camille Savorgnan de Brazza, 1852-1905): Batekes people between Franceville and Akina (Gabon). Engraving in “” Le Monde Illustré””, 1884. Private Collection

XEE4178223: The Brazza Mission in West Africa (Pietro Paolo Savorgnan di Brazza or Pierre Paul Francois Camille Savorgnan de Brazza, 1852-1905): Batekes people between Franceville and Akina (Gabon). Engraving in “” Le Monde Illustré””, 1884. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Theatre: “” Manon””, comic opera by Henri (Henry) Meilhac (1831-1897) and Philippe Gille (1831-1901) on a music by Jules Massenet (1842-1912) represented at the Opera Comique. Engraving in “” Le Monde Illustré””, 1884. Private Collection
Theatre: “” Manon””, comic opera by Henri (Henry) Meilhac (1831-1897) and Philippe Gille (1831-1901) on a music by Jules Massenet (1842-1912) represented at the Opera Comique. Engraving in “” Le Monde Illustré””, 1884. Private Collection

XEE4178293: Theatre: “” Manon””, comic opera by Henri (Henry) Meilhac (1831-1897) and Philippe Gille (1831-1901) on a music by Jules Massenet (1842-1912) represented at the Opera Comique. Engraving in “” Le Monde Illustré””, 1884. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Venenous botanical plants: Daphne Mezereon. Engraving in “” The natural medication””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection
Venenous botanical plants: Daphne Mezereon. Engraving in “” The natural medication””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection

XEE4179165: Venenous botanical plants: Daphne Mezereon. Engraving in “” The natural medication””, by Friedrich Eduard Bilz (1842-1922), 1898. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Panama Canal works. Main machines: the Bigue pontoon. Engraving in “” Le Monde Illustré””, 1884. Private Collection
Panama Canal works. Main machines: the Bigue pontoon. Engraving in “” Le Monde Illustré””, 1884. Private Collection

XEE4178563: Panama Canal works. Main machines: the Bigue pontoon. Engraving in “” Le Monde Illustré””, 1884. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

International Exhibition of Nice: the palace of the exhibition light with electric light. Engraving in “” Le Monde Illustré””, 1884. Private Collection
International Exhibition of Nice: the palace of the exhibition light with electric light. Engraving in “” Le Monde Illustré””, 1884. Private Collection

XEE4178211: International Exhibition of Nice: the palace of the exhibition light with electric light. Engraving in “” Le Monde Illustré””, 1884. Private Collection, Unknown Artist, (19th century) / Bridgeman Images

Universal Exhibition: interior of the large sea aquarium. Engraving in “The Illustrous Universe”, 1867. Private Collection
Universal Exhibition: interior of the large sea aquarium. Engraving in “The Illustrous Universe”, 1867. Private Collection

XEE4178679: Universal Exhibition: interior of the large sea aquarium. Engraving in “The Illustrous Universe”, 1867. Private Collection, Unknown Artist, (19th century) / Bridgeman Images


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