Unknown Artist, (19th century) Assets (17904 in total)

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Representation of Pope Pius VII (Pius or Pio) (1800-1823).
Representation of Pope Pius VII (Pius or Pio) (1800-1823).

XEE4143081: Representation of Pope Pius VII (Pius or Pio) (1800-1823)., Unknown Artist, (19th century) / Bridgeman Images

Works rue de la Montagne Sainte-Genevieve (Sainte Genevieve) in the 5th arrondissement of Paris in 1858.
Works rue de la Montagne Sainte-Genevieve (Sainte Genevieve) in the 5th arrondissement of Paris in 1858.

XEE4143124: Works rue de la Montagne Sainte-Genevieve (Sainte Genevieve) in the 5th arrondissement of Paris in 1858., Unknown Artist, (19th century) / Bridgeman Images

View of the Sutti Chowra Ghat on the Ganges, in Cawnpore (Kanpur), India in 1857.
View of the Sutti Chowra Ghat on the Ganges, in Cawnpore (Kanpur), India in 1857.

XEE4143137: View of the Sutti Chowra Ghat on the Ganges, in Cawnpore (Kanpur), India in 1857., Unknown Artist, (19th century) / Bridgeman Images

Manufacture of metal feathers: sorting and wrapping feathers in a factory in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Manufacture of metal feathers: sorting and wrapping feathers in a factory in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143593: Manufacture of metal feathers: sorting and wrapping feathers in a factory in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Preparation of lacquer in India. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.
Preparation of lacquer in India. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD.

XEE4143645: Preparation of lacquer in India. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images

Portrait of a giraffe. (After Pierre Belon, 1517-1564). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 11 February 1888.
Portrait of a giraffe. (After Pierre Belon, 1517-1564). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 11 February 1888.

XEE4134452: Portrait of a giraffe. (After Pierre Belon, 1517-1564). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 11 February 1888., Unknown Artist, (19th century) / Bridgeman Images

Greenland Exhibition at the Geography Society, Paris: Fac simile (Fac-simile) of a grave drawing by Eskimos. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 16 February 1889.
Greenland Exhibition at the Geography Society, Paris: Fac simile (Fac-simile) of a grave drawing by Eskimos. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 16 February 1889.

XEE4134535: Greenland Exhibition at the Geography Society, Paris: Fac simile (Fac-simile) of a grave drawing by Eskimos. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 16 February 1889., Unknown Artist, (19th century) / Bridgeman Images

Experience on barometric pressure by the physiologist Paul Bert (1833-1886): breathing of a suroxygenic air, dilates by decreasing pressure. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 22 December 1877.
Experience on barometric pressure by the physiologist Paul Bert (1833-1886): breathing of a suroxygenic air, dilates by decreasing pressure. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 22 December 1877.

XEE4134710: Experience on barometric pressure by the physiologist Paul Bert (1833-1886): breathing of a suroxygenic air, dilates by decreasing pressure. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 22 December 1877., Unknown Artist, (19th century) / Bridgeman Images

Hotel des Invalides - Paris - 26 June 1898 -
Hotel des Invalides - Paris - 26 June 1898 -

XEE4134877: Hotel des Invalides - Paris - 26 June 1898 - "Le Pelerin" July 10, 1898 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for 'Ernani' for the Opera by Giuseppe Verdi, late 19th century (chromo)
Illustration for 'Ernani' for the Opera by Giuseppe Verdi, late 19th century (chromo)

XEE4135356: Illustration for 'Ernani' for the Opera by Giuseppe Verdi, late 19th century (chromo), Unknown Artist, (19th century) / Bridgeman Images

Illustration for 'Ernani' for the Opera by Giuseppe Verdi, late 19th century (chromo)
Illustration for 'Ernani' for the Opera by Giuseppe Verdi, late 19th century (chromo)

XEE4135370: Illustration for 'Ernani' for the Opera by Giuseppe Verdi, late 19th century (chromo), Unknown Artist, (19th century) / Bridgeman Images

American expedition to Lady Franklin Bay: rescue of the crew, 1889 (engraving)
American expedition to Lady Franklin Bay: rescue of the crew, 1889 (engraving)

XEE4134544: American expedition to Lady Franklin Bay: rescue of the crew, 1889 (engraving), Unknown Artist, (19th century) / Bridgeman Images

View of Quebec City in Canada (late 17th century): A. Jardin du fort. B. The fort. C. Powder store. D. Les Recollets. E. Ursulines. F. The Jesuites. G. The cathedrale. H. The seminar. I. Hotel Dieu. L. General Hospital. Mr. L'Eveche. N. Our Lady of Victories. (From a handwritten map of the Marine Depot). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 3 September 1892.
View of Quebec City in Canada (late 17th century): A. Jardin du fort. B. The fort. C. Powder store. D. Les Recollets. E. Ursulines. F. The Jesuites. G. The cathedrale. H. The seminar. I. Hotel Dieu. L. General Hospital. Mr. L'Eveche. N. Our Lady of Victories. (From a handwritten map of the Marine Depot). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 3 September 1892.

XEE4134580: View of Quebec City in Canada (late 17th century): A. Jardin du fort. B. The fort. C. Powder store. D. Les Recollets. E. Ursulines. F. The Jesuites. G. The cathedrale. H. The seminar. I. Hotel Dieu. L. General Hospital. Mr. L'Eveche. N. Our Lady of Victories. (From a handwritten map of the Marine Depot). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 3 September 1892., Unknown Artist, (19th century) / Bridgeman Images

Mother of pearl culture in Tahiti: a mother of pearl harvester attacked by a shark. (According to the documents communicated by the author). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 31 January 1885.
Mother of pearl culture in Tahiti: a mother of pearl harvester attacked by a shark. (According to the documents communicated by the author). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 31 January 1885.

XEE4134643: Mother of pearl culture in Tahiti: a mother of pearl harvester attacked by a shark. (According to the documents communicated by the author). Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 31 January 1885., Unknown Artist, (19th century) / Bridgeman Images

Love and Jealousy Act I Scene 3. Illustration for the opera “” The find”” (Il trovatore) by Giuseppe Verdi (1813-1901). Chromolithography (Chromo) Liebig from the end of the 19th century.
Love and Jealousy Act I Scene 3. Illustration for the opera “” The find”” (Il trovatore) by Giuseppe Verdi (1813-1901). Chromolithography (Chromo) Liebig from the end of the 19th century.

XEE4135270: Love and Jealousy Act I Scene 3. Illustration for the opera “” The find”” (Il trovatore) by Giuseppe Verdi (1813-1901). Chromolithography (Chromo) Liebig from the end of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

View of the city of Mezieres at the end of the 19th century. Engraving in “” le journal de la Jeunesse “” of 1888.
View of the city of Mezieres at the end of the 19th century. Engraving in “” le journal de la Jeunesse “” of 1888.

XEE4133273: View of the city of Mezieres at the end of the 19th century. Engraving in “” le journal de la Jeunesse “” of 1888., Unknown Artist, (19th century) / Bridgeman Images

An Indigene Dayak resident of Saravak, Malaysia in the 19th century, 1888 (print)
An Indigene Dayak resident of Saravak, Malaysia in the 19th century, 1888 (print)

XEE4133281: An Indigene Dayak resident of Saravak, Malaysia in the 19th century, 1888 (print), Unknown Artist, (19th century) / Bridgeman Images

An orchestra of Mexican marimba (xylophone).
An orchestra of Mexican marimba (xylophone).

XEE4133327: An orchestra of Mexican marimba (xylophone)., Unknown Artist, (19th century) / Bridgeman Images

The sinner's wife. 1892 engraving.
The sinner's wife. 1892 engraving.

XEE4133857: The sinner's wife. 1892 engraving., Unknown Artist, (19th century) / Bridgeman Images

The Tuareg in 1892.
The Tuareg in 1892.

XEE4133870: The Tuareg in 1892., Unknown Artist, (19th century) / Bridgeman Images

The members of the Academy Francaise in 1895: portrait of Henri (Henry) Meilhac (1831-1897), French playwright.
The members of the Academy Francaise in 1895: portrait of Henri (Henry) Meilhac (1831-1897), French playwright.

XEE4136384: The members of the Academy Francaise in 1895: portrait of Henri (Henry) Meilhac (1831-1897), French playwright., Unknown Artist, (19th century) / Bridgeman Images

Gold Rush in Australia: sight of prospectors in the gold fields of the city of Bendigo. Engraving from 1856 in “” Le Musee Des Sciences””
Gold Rush in Australia: sight of prospectors in the gold fields of the city of Bendigo. Engraving from 1856 in “” Le Musee Des Sciences””

XEE4137043: Gold Rush in Australia: sight of prospectors in the gold fields of the city of Bendigo. Engraving from 1856 in “” Le Musee Des Sciences””, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Dr. Aristide Verneuil (1823-1895), French surgeon, member of the Academy of Sciences and the Academy of Medicine. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 22 June 1895.
Portrait of Dr. Aristide Verneuil (1823-1895), French surgeon, member of the Academy of Sciences and the Academy of Medicine. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 22 June 1895.

XEE4134592: Portrait of Dr. Aristide Verneuil (1823-1895), French surgeon, member of the Academy of Sciences and the Academy of Medicine. Engraving in “” La Nature: revue des sciences et de leurs applications aux arts et a l'industrie”” of 22 June 1895., Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4137956: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4137970: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138052: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138060: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138123: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138392: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138428: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Illustration for the Royaumont Bible, 1811 (engraving)
Illustration for the Royaumont Bible, 1811 (engraving)

XEE4138460: Illustration for the Royaumont Bible, 1811 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Gauls Aulerque: Battle of Lutece between Camulogene and Labienus in 53 BC. In General History of Coins. Chocolate-foal chromolithography of the end of the 19th century. Private collection.
Gauls Aulerque: Battle of Lutece between Camulogene and Labienus in 53 BC. In General History of Coins. Chocolate-foal chromolithography of the end of the 19th century. Private collection.

XEE4138755: Gauls Aulerque: Battle of Lutece between Camulogene and Labienus in 53 BC. In General History of Coins. Chocolate-foal chromolithography of the end of the 19th century. Private collection., Unknown Artist, (19th century) / Bridgeman Images

The staircase of greenhouses in the garden of plants in Paris in 1858.
The staircase of greenhouses in the garden of plants in Paris in 1858.

XEE4136315: The staircase of greenhouses in the garden of plants in Paris in 1858., Unknown Artist, (19th century) / Bridgeman Images

Members of the Academy Francaise in 1895: portrait of Ludovic Halevy (1834-1908), French playwright, librettist and novelist.
Members of the Academy Francaise in 1895: portrait of Ludovic Halevy (1834-1908), French playwright, librettist and novelist.

XEE4136372: Members of the Academy Francaise in 1895: portrait of Ludovic Halevy (1834-1908), French playwright, librettist and novelist., Unknown Artist, (19th century) / Bridgeman Images

Members of the Academy Francaise in 1895: portrait of 'Paul Bourget (1852-1935), French writer.
Members of the Academy Francaise in 1895: portrait of 'Paul Bourget (1852-1935), French writer.

XEE4136382: Members of the Academy Francaise in 1895: portrait of 'Paul Bourget (1852-1935), French writer., Unknown Artist, (19th century) / Bridgeman Images

Members of the Academy Francaise in 1895: portrait of Ernest Lavisse (1842-1922), French historian.
Members of the Academy Francaise in 1895: portrait of Ernest Lavisse (1842-1922), French historian.

XEE4136411: Members of the Academy Francaise in 1895: portrait of Ernest Lavisse (1842-1922), French historian., Unknown Artist, (19th century) / Bridgeman Images


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