Unknown Artist, (19th century) Assets (17905 in total)

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A wedding ball in Salers, engraving to illustrate a journey to the volcanoes of central France in 1864, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
A wedding ball in Salers, engraving to illustrate a journey to the volcanoes of central France in 1864, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325687: A wedding ball in Salers, engraving to illustrate a journey to the volcanoes of central France in 1864, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A Turcoman camp in the border area of Turkestan and Persia, each tent, made up of wooden trellis and covered with felt, houses a family. Engraving to illustrate the story of Henri de Blocqueville “14 mois de captivite chez les turcomans”” between 1860 and 1861, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
A Turcoman camp in the border area of Turkestan and Persia, each tent, made up of wooden trellis and covered with felt, houses a family. Engraving to illustrate the story of Henri de Blocqueville “14 mois de captivite chez les turcomans”” between 1860 and 1861, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325761: A Turcoman camp in the border area of Turkestan and Persia, each tent, made up of wooden trellis and covered with felt, houses a family. Engraving to illustrate the story of Henri de Blocqueville “14 mois de captivite chez les turcomans”” between 1860 and 1861, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The cultivation of rice: first stage, after irrigation of the land, the soil of the plot is returned by the plough and grind under the feet of buffalo and ploughers, who brew the silt to the middle leg and break the recalcitrant clods with a beche; then men and women advance on the dikes and proceed to the sowing. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
The cultivation of rice: first stage, after irrigation of the land, the soil of the plot is returned by the plough and grind under the feet of buffalo and ploughers, who brew the silt to the middle leg and break the recalcitrant clods with a beche; then men and women advance on the dikes and proceed to the sowing. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325838: The cultivation of rice: first stage, after irrigation of the land, the soil of the plot is returned by the plough and grind under the feet of buffalo and ploughers, who brew the silt to the middle leg and break the recalcitrant clods with a beche; then men and women advance on the dikes and proceed to the sowing. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A Japanese school, for the instruction of young boys, squatting around their teacher, they learn through recitation exercises the elements of the alphabet and grammar. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
A Japanese school, for the instruction of young boys, squatting around their teacher, they learn through recitation exercises the elements of the alphabet and grammar. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325866: A Japanese school, for the instruction of young boys, squatting around their teacher, they learn through recitation exercises the elements of the alphabet and grammar. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The rope maker. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
The rope maker. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4325923: The rope maker. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Funeral ceremonies: after incineration, collection of remains. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.
Funeral ceremonies: after incineration, collection of remains. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection.

LSE4326035: Funeral ceremonies: after incineration, collection of remains. Engraving to illustrate the voyage to Japan in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”, published under the direction of Edouard Charton, 1866, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Funerary ceremony among the Lakutas (tribe located in the Upper Nile region), drums and ritual dances in the moonlight. Engravure pour illustration le voyage au lac Albert, en 1861-1864, de Sir Samuel White Baker, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
Funerary ceremony among the Lakutas (tribe located in the Upper Nile region), drums and ritual dances in the moonlight. Engravure pour illustration le voyage au lac Albert, en 1861-1864, de Sir Samuel White Baker, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326070: Funerary ceremony among the Lakutas (tribe located in the Upper Nile region), drums and ritual dances in the moonlight. Engravure pour illustration le voyage au lac Albert, en 1861-1864, de Sir Samuel White Baker, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Breakfast in the mine, distribution and consumption of baskets meals to miners in the coal mining galleries of the Creusot. Engraving to illustrate a voyage to the Creusot and the mines of Saone and Loire, in 1865, by L. Simonin, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.
Breakfast in the mine, distribution and consumption of baskets meals to miners in the coal mining galleries of the Creusot. Engraving to illustrate a voyage to the Creusot and the mines of Saone and Loire, in 1865, by L. Simonin, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection.

LSE4326113: Breakfast in the mine, distribution and consumption of baskets meals to miners in the coal mining galleries of the Creusot. Engraving to illustrate a voyage to the Creusot and the mines of Saone and Loire, in 1865, by L. Simonin, in “” Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, 1867, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Panoramic view of Gibraltar and the Detroit. 19th century Madrid, National Library
Panoramic view of Gibraltar and the Detroit. 19th century Madrid, National Library

IBE5346919: Panoramic view of Gibraltar and the Detroit. 19th century Madrid, National Library, Unknown Artist, (19th century) / Bridgeman Images

Japanese barbers in their shop, one shaving a beard, the other styling a bare-torso man. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, Hachette, Paris, 1867. Selva Collection.
Japanese barbers in their shop, one shaving a beard, the other styling a bare-torso man. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, Hachette, Paris, 1867. Selva Collection.

LSE4326359: Japanese barbers in their shop, one shaving a beard, the other styling a bare-torso man. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, Hachette, Paris, 1867. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A singer of national legends, playing shamisen to accompany her song, sitting behind her desk. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, Hachette, Paris, 1867. Selva Collection.
A singer of national legends, playing shamisen to accompany her song, sitting behind her desk. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, Hachette, Paris, 1867. Selva Collection.

LSE4326446: A singer of national legends, playing shamisen to accompany her song, sitting behind her desk. Engraving to illustrate the voyage to Japan, in 1863-1864, by Aime Humbert, minister of the Swiss Confederation, in “Le tour du monde, nouveau journal des voyages”” published under the direction of Edouard Charton, Hachette, Paris, 1867. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Mouth of the Yang Tse Kiang, 1820.
Mouth of the Yang Tse Kiang, 1820.

GIA4692794: Mouth of the Yang Tse Kiang, 1820., Unknown Artist, (19th century) / Bridgeman Images

The Black Trade. 19th century engraving.
The Black Trade. 19th century engraving.

GIA4693525: The Black Trade. 19th century engraving., Unknown Artist, (19th century) / Bridgeman Images

Red bulbiferous lily. 19th century engraving.
Red bulbiferous lily. 19th century engraving.

GIA4694118: Red bulbiferous lily. 19th century engraving., Unknown Artist, (19th century) / Bridgeman Images

Circus: the two faces of Barbette (Vander Clyde): the real face of Barbette who is a man - in Les follies du Music Hall, by J. Damase.
Circus: the two faces of Barbette (Vander Clyde): the real face of Barbette who is a man - in Les follies du Music Hall, by J. Damase.

LSE4402705: Circus: the two faces of Barbette (Vander Clyde): the real face of Barbette who is a man - in Les follies du Music Hall, by J. Damase., Unknown Artist, (19th century) / Bridgeman Images

Scaphandre of the Carmagnolle brothers in 1882.
Scaphandre of the Carmagnolle brothers in 1882.

GIA4699945: Scaphandre of the Carmagnolle brothers in 1882., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Nicolas Lémery. French apothecary and chemist (Rouen, 1645 in Paris, 1715). Barcelona 1881
Portrait of Nicolas Lémery. French apothecary and chemist (Rouen, 1645 in Paris, 1715). Barcelona 1881

XEE4403762: Portrait of Nicolas Lémery. French apothecary and chemist (Rouen, 1645 in Paris, 1715). Barcelona 1881, Unknown Artist, (19th century) / Bridgeman Images

Carlotta Grisi (dancer, 1819-1899) in Giselle, 19th century (watercolour)
Carlotta Grisi (dancer, 1819-1899) in Giselle, 19th century (watercolour)

FIA5376854: Carlotta Grisi (dancer, 1819-1899) in Giselle, 19th century (watercolour), Unknown Artist, (19th century) / Bridgeman Images

Portrait of Alexander II Nikolayevich (1818 - 1881).
Portrait of Alexander II Nikolayevich (1818 - 1881).

GIA4700374: Portrait of Alexander II Nikolayevich (1818 - 1881)., Unknown Artist, (19th century) / Bridgeman Images

Man with Iron Mask in his tower. 19th century engraving.
Man with Iron Mask in his tower. 19th century engraving.

GIA4700495: Man with Iron Mask in his tower. 19th century engraving., Unknown Artist, (19th century) / Bridgeman Images

Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404595: Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404606: Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404619: Illustration of the tale “Good Mom Sheep””. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404632: Illustration of the tale “The terrible Raminagrobis and the mice””” character draws fables by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The wolf. Illustration of the tale “Compere le Loup, Maitre Renard, Comere la Chevre et ses petits biquets”” after a fable by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The wolf. Illustration of the tale “Compere le Loup, Maitre Renard, Comere la Chevre et ses petits biquets”” after a fable by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404685: The wolf. Illustration of the tale “Compere le Loup, Maitre Renard, Comere la Chevre et ses petits biquets”” after a fable by Jean de la Fontaine. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Little Red Riding Hood rests on the way. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Little Red Riding Hood rests on the way. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404694: Little Red Riding Hood rests on the way. Illustration of the tale “The Little Red Riding Hood” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The feres of the little Poucet hide in a hollow rock to escape the ogre. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
The feres of the little Poucet hide in a hollow rock to escape the ogre. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404739: The feres of the little Poucet hide in a hollow rock to escape the ogre. Illustration of the tale “” Le Pepetit Poucet”” by Charles Perrault, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Count Pyotr Alekseievitch Galitzine (Golitsyne), 19th century (oil on canvas)
Portrait of Count Pyotr Alekseievitch Galitzine (Golitsyne), 19th century (oil on canvas)

FIA5379879: Portrait of Count Pyotr Alekseievitch Galitzine (Golitsyne), 19th century (oil on canvas), Unknown Artist, (19th century) / Bridgeman Images

The final of the America Cup: four shots of two sailboats, the Shamrock and the Columbia - photograph in
The final of the America Cup: four shots of two sailboats, the Shamrock and the Columbia - photograph in

LSE4401871: The final of the America Cup: four shots of two sailboats, the Shamrock and the Columbia - photograph in "La Vie au Grand Air" from 12/11/1899., Unknown Artist, (19th century) / Bridgeman Images

Chocolate advertisement “” Josef Manner & Gomp, Vienna””.
Chocolate advertisement “” Josef Manner & Gomp, Vienna””.

GIA4696325: Chocolate advertisement “” Josef Manner & Gomp, Vienna””., Unknown Artist, (19th century) / Bridgeman Images

Interior view of the Deligny Baths - Carnavalet, s.d, 1850 approx.
Interior view of the Deligny Baths - Carnavalet, s.d, 1850 approx.

LSE4402320: Interior view of the Deligny Baths - Carnavalet, s.d, 1850 approx., Unknown Artist, (19th century) / Bridgeman Images

Frontispice of”” Description of Egypt”” - early 19th century
Frontispice of”” Description of Egypt”” - early 19th century

LSE4402416: Frontispice of”” Description of Egypt”” - early 19th century, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Alexis de Tocqueville (1805-1859).
Portrait of Alexis de Tocqueville (1805-1859).

LSE4403129: Portrait of Alexis de Tocqueville (1805-1859)., Unknown Artist, (19th century) / Bridgeman Images

The Baths of Caracalla in Rome. Engraving from the beginning of the 19th century.
The Baths of Caracalla in Rome. Engraving from the beginning of the 19th century.

GIA4698824: The Baths of Caracalla in Rome. Engraving from the beginning of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

portrait of Christiaan Huygens.Dutch physicist and mathematician (1629 to 1695) after “” La Ciencia y sus Hombres”” by Louis Figuier. Barcelona 1881
portrait of Christiaan Huygens.Dutch physicist and mathematician (1629 to 1695) after “” La Ciencia y sus Hombres”” by Louis Figuier. Barcelona 1881

XEE4403645: portrait of Christiaan Huygens.Dutch physicist and mathematician (1629 to 1695) after “” La Ciencia y sus Hombres”” by Louis Figuier. Barcelona 1881, Unknown Artist, (19th century) / Bridgeman Images

A Maconnic Bapteme at the lodge of the Fraternelle Amitive in 1861.
A Maconnic Bapteme at the lodge of the Fraternelle Amitive in 1861.

XEE4403850: A Maconnic Bapteme at the lodge of the Fraternelle Amitive in 1861., Unknown Artist, (19th century) / Bridgeman Images


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