Mackintosh, Charles Rennie (1868-1928) Assets (292 in total)

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Panel from the Ingram Street Tea Rooms (lead panel with aluminium finish)
Panel from the Ingram Street Tea Rooms (lead panel with aluminium finish)

GLS314103: Panel from the Ingram Street Tea Rooms (lead panel with aluminium finish), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Designs for an upholstered chair and a spindle chair shown in elevation and plans, 1909 (pen & black ink and w/c on linen)
Designs for an upholstered chair and a spindle chair shown in elevation and plans, 1909 (pen & black ink and w/c on linen)

CH378607: Designs for an upholstered chair and a spindle chair shown in elevation and plans, 1909 (pen & black ink and w/c on linen), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Fabric Design, 1916 (pencil & bodycolour on oiled tracing paper)
Fabric Design, 1916 (pencil & bodycolour on oiled tracing paper)

CH3431728: Fabric Design, 1916 (pencil & bodycolour on oiled tracing paper), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Conversazione Programme for the Glasgow Architectural Association, 1894 (linocut printed in black and green on light blue paper)
Conversazione Programme for the Glasgow Architectural Association, 1894 (linocut printed in black and green on light blue paper)

AVS3259860: Conversazione Programme for the Glasgow Architectural Association, 1894 (linocut printed in black and green on light blue paper), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Four spoons for Miss Cranston's Tearooms
Four spoons for Miss Cranston's Tearooms

CH1764747: Four spoons for Miss Cranston's Tearooms, Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Palermo Cathedral, Study of the Entrance Porch, 1891 (pencil, grey wash)
Palermo Cathedral, Study of the Entrance Porch, 1891 (pencil, grey wash)

CH991021: Palermo Cathedral, Study of the Entrance Porch, 1891 (pencil, grey wash), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Glasgow School of Art, Renfrew Street (North) entrance (photo)
Glasgow School of Art, Renfrew Street (North) entrance (photo)

MFI3038066: Glasgow School of Art, Renfrew Street (North) entrance (photo), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Glasgow School of Art, library detail (photo)
Glasgow School of Art, library detail (photo)

MFI3038088: Glasgow School of Art, library detail (photo), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Glasgow School of Art Furniture Gallery (photo)
Glasgow School of Art Furniture Gallery (photo)

MFI3038074: Glasgow School of Art Furniture Gallery (photo), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Glasgow School of Art, stained glass in studio door (photo)
Glasgow School of Art, stained glass in studio door (photo)

MFI3038107: Glasgow School of Art, stained glass in studio door (photo), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Glasgow School of Art, Dalhousie Street (West) elevation (photo)
Glasgow School of Art, Dalhousie Street (West) elevation (photo)

MFI3038068: Glasgow School of Art, Dalhousie Street (West) elevation (photo), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

High backed chair designed for Miss Cranston's Argyle Street Tea Rooms, Glasgow, 1897 (stained oak)
High backed chair designed for Miss Cranston's Argyle Street Tea Rooms, Glasgow, 1897 (stained oak)

FAS147014: High backed chair designed for Miss Cranston's Argyle Street Tea Rooms, Glasgow, 1897 (stained oak), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Chair in the Drawing Room, Hous'Hill, Glasgow, 1904 (wood stained dark, inlaid with coloured glass)
Chair in the Drawing Room, Hous'Hill, Glasgow, 1904 (wood stained dark, inlaid with coloured glass)

FAS150899: Chair in the Drawing Room, Hous'Hill, Glasgow, 1904 (wood stained dark, inlaid with coloured glass), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Bedroom suite for the guest bedroom at 78 Derngate, Northampton, manufactured by W. J. Bassett-Lowke, 1917 (mahogany wood)
Bedroom suite for the guest bedroom at 78 Derngate, Northampton, manufactured by W. J. Bassett-Lowke, 1917 (mahogany wood)

FAS84712: Bedroom suite for the guest bedroom at 78 Derngate, Northampton, manufactured by W. J. Bassett-Lowke, 1917 (mahogany wood), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

A D.W. Hislop set of four silver spoons and forks, 1902 (silver)
A D.W. Hislop set of four silver spoons and forks, 1902 (silver)

CH1764779: A D.W. Hislop set of four silver spoons and forks, 1902 (silver), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Design for a washstand, shown in side and front elevation, 1904 (pencil, watercolour)
Design for a washstand, shown in side and front elevation, 1904 (pencil, watercolour)

CH991029: Design for a washstand, shown in side and front elevation, 1904 (pencil, watercolour), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Design for the Order Desk Chair, shown in elevation and plan, 1904 (pencil, watercolour)
Design for the Order Desk Chair, shown in elevation and plan, 1904 (pencil, watercolour)

CH991027: Design for the Order Desk Chair, shown in elevation and plan, 1904 (pencil, watercolour), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Design for a clock face, for W.J. Bassett-Lowke, 1917 (pencil & watercolour)
Design for a clock face, for W.J. Bassett-Lowke, 1917 (pencil & watercolour)

CH378581: Design for a clock face, for W.J. Bassett-Lowke, 1917 (pencil & watercolour), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Wareham, Dorset, 1895 (w/c)
Wareham, Dorset, 1895 (w/c)

CH378599: Wareham, Dorset, 1895 (w/c), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Campanile Martorama, Palermo, 1891 (pencil and watercolor)
Campanile Martorama, Palermo, 1891 (pencil and watercolor)

AVS3259017: Campanile Martorama, Palermo, 1891 (pencil and watercolor), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Capitals from Bologna, 1891 (pencil on paper)
Capitals from Bologna, 1891 (pencil on paper)

AVS3259040: Capitals from Bologna, 1891 (pencil on paper), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

White cabinet designed for Mrs. Rowat, 1902 (wood, stained glass, enamel)
White cabinet designed for Mrs. Rowat, 1902 (wood, stained glass, enamel)

AVS3259136: White cabinet designed for Mrs. Rowat, 1902 (wood, stained glass, enamel), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Garden bench for Hill House, c.1912 (stained oak)
Garden bench for Hill House, c.1912 (stained oak)

CH2642018: Garden bench for Hill House, c.1912 (stained oak), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Glasgow School of Art, detail of stairwell tiles (photo)
Glasgow School of Art, detail of stairwell tiles (photo)

MFI3038097: Glasgow School of Art, detail of stairwell tiles (photo), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

View of the School of Fine Arts, 1898-1909 (photography)
View of the School of Fine Arts, 1898-1909 (photography)

LRI4654434: View of the School of Fine Arts, 1898-1909 (photography), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Certosa di S. Martino, Napoli, Well in Courtyard, 1891 (pencil on paper)
Certosa di S. Martino, Napoli, Well in Courtyard, 1891 (pencil on paper)

AVS3259026: Certosa di S. Martino, Napoli, Well in Courtyard, 1891 (pencil on paper), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Staircase, 1891 (pencil on paper)
Staircase, 1891 (pencil on paper)

AVS3259032: Staircase, 1891 (pencil on paper), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Sketch of English Village with Thatched Roof in Foreground, c.1920 (pencil on paper)
Sketch of English Village with Thatched Roof in Foreground, c.1920 (pencil on paper)

AVS3259059: Sketch of English Village with Thatched Roof in Foreground, c.1920 (pencil on paper), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Intarsia Panel, Certosa di Pavia, 1891 (pencil and watercolor on paper)
Intarsia Panel, Certosa di Pavia, 1891 (pencil and watercolor on paper)

AVS3259074: Intarsia Panel, Certosa di Pavia, 1891 (pencil and watercolor on paper), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Palazzo Pollini and Window in the Palazzo Pubblico, Siena, 1891 (pencil on paper)
Palazzo Pollini and Window in the Palazzo Pubblico, Siena, 1891 (pencil on paper)

AVS3259086: Palazzo Pollini and Window in the Palazzo Pubblico, Siena, 1891 (pencil on paper), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

White cabinet designed for Mrs. Rowat, 1902 (wood, stained glass, enamel)
White cabinet designed for Mrs. Rowat, 1902 (wood, stained glass, enamel)

AVS3259130: White cabinet designed for Mrs. Rowat, 1902 (wood, stained glass, enamel), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Line drawing of furniture (a cabinet), c.1910 (ink on paper)
Line drawing of furniture (a cabinet), c.1910 (ink on paper)

AVS3259137: Line drawing of furniture (a cabinet), c.1910 (ink on paper), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Day-bed, 1910 (stained birch)
Day-bed, 1910 (stained birch)

CH378589: Day-bed, 1910 (stained birch), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Design for an exhibition stand for Francis Smith, used at the Glasgow Exhibition, shown in elevation, 1901 (pencil, grey wash & watercolour)
Design for an exhibition stand for Francis Smith, used at the Glasgow Exhibition, shown in elevation, 1901 (pencil, grey wash & watercolour)

CH378578: Design for an exhibition stand for Francis Smith, used at the Glasgow Exhibition, shown in elevation, 1901 (pencil, grey wash & watercolour), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Ingram Chair (oak)
Ingram Chair (oak)

GLS694079: Ingram Chair (oak), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images

Some Siena Iron Work, 1891 (pencil on paper)
Some Siena Iron Work, 1891 (pencil on paper)

AVS3259024: Some Siena Iron Work, 1891 (pencil on paper), Mackintosh, Charles Rennie (1868-1928) / Bridgeman Images


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