Utamaro, Kitagawa (1753-1806) Assets (479 in total)

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Japan: Joshoku kaiko tewaza-kusa ('Women engaged in the sericulture industry'), Print No. 10, 'Stretching the Silk Floss'.  Kitagawa Utamaro (1753-1806), c. 1799
Japan: Joshoku kaiko tewaza-kusa ('Women engaged in the sericulture industry'), Print No. 10, 'Stretching the Silk Floss'.  Kitagawa Utamaro (1753-1806), c. 1799

PFH1189056: Japan: Joshoku kaiko tewaza-kusa ('Women engaged in the sericulture industry'), Print No. 10, 'Stretching the Silk Floss'. Kitagawa Utamaro (1753-1806), c. 1799, Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Japan: Joshoku kaiko tewaza-kusa ('Women engaged in the sericulture industry'), Print No. 4, 'Stirring the Silkworms'. Kitagawa Utamaro (1753-1806), c. 1799
Japan: Joshoku kaiko tewaza-kusa ('Women engaged in the sericulture industry'), Print No. 4, 'Stirring the Silkworms'. Kitagawa Utamaro (1753-1806), c. 1799

PFH1189050: Japan: Joshoku kaiko tewaza-kusa ('Women engaged in the sericulture industry'), Print No. 4, 'Stirring the Silkworms'. Kitagawa Utamaro (1753-1806), c. 1799, Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Japan: 'Hour of the Monkey' from the series 'Twelve Hours of the Green Houses' by Kitagawa Utamaro, 1794
Japan: 'Hour of the Monkey' from the series 'Twelve Hours of the Green Houses' by Kitagawa Utamaro, 1794

PFH1177215: Japan: 'Hour of the Monkey' from the series 'Twelve Hours of the Green Houses' by Kitagawa Utamaro, 1794, Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Japan: The lovers Miuraya Agemaki and Yorozuya Sukeroku from the set: Jitsu kurabe iro no minakami, 'True Feelings Compared: The Founts of Love'. Kitagawa Utamaro (1753-1806)
Japan: The lovers Miuraya Agemaki and Yorozuya Sukeroku from the set: Jitsu kurabe iro no minakami, 'True Feelings Compared: The Founts of Love'. Kitagawa Utamaro (1753-1806)

PFH1177228: Japan: The lovers Miuraya Agemaki and Yorozuya Sukeroku from the set: Jitsu kurabe iro no minakami, 'True Feelings Compared: The Founts of Love'. Kitagawa Utamaro (1753-1806), Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Japan: 'Reading the Letter Reflected in the Mirror', Kitagawa Utamaro (1753-1806)
Japan: 'Reading the Letter Reflected in the Mirror', Kitagawa Utamaro (1753-1806)

PFH1177234: Japan: 'Reading the Letter Reflected in the Mirror', Kitagawa Utamaro (1753-1806), Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Japan: Midnight - The Hour of the Rat,  Kitagawa Utamaro (1753-1806)
Japan: Midnight - The Hour of the Rat,  Kitagawa Utamaro (1753-1806)

PFH1177236: Japan: Midnight - The Hour of the Rat, Kitagawa Utamaro (1753-1806), Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Japan: Three female woodblock artists. Utamaro Kitagawa (1750-1806)
Japan: Three female woodblock artists. Utamaro Kitagawa (1750-1806)

PFH1177321: Japan: Three female woodblock artists. Utamaro Kitagawa (1750-1806), Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Japan: A beauty arranging her hair. Bijinga, studies of 'beautiful women', Kitagawa Utamaro (1753-1806)
Japan: A beauty arranging her hair. Bijinga, studies of 'beautiful women', Kitagawa Utamaro (1753-1806)

PFH1177233: Japan: A beauty arranging her hair. Bijinga, studies of 'beautiful women', Kitagawa Utamaro (1753-1806), Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Japan: The three beauties O-Hisa, O-Kita and O-Hina. Bijinga 'Beautiful women' genre.   Utamaro Kitagawa (1750-1806)
Japan: The three beauties O-Hisa, O-Kita and O-Hina. Bijinga 'Beautiful women' genre.   Utamaro Kitagawa (1750-1806)

PFH1177320: Japan: The three beauties O-Hisa, O-Kita and O-Hina. Bijinga 'Beautiful women' genre. Utamaro Kitagawa (1750-1806), Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Japan: Two dancers dressing for a festival. Utamaro Kitagawa (1750-1806)
Japan: Two dancers dressing for a festival. Utamaro Kitagawa (1750-1806)

PFH1177326: Japan: Two dancers dressing for a festival. Utamaro Kitagawa (1750-1806), Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Japan: Lovers in an Upstairs Room. From 'Uta makura', 'Poem of the Pillow. Utamaro Kitagawa (1750-1806)
Japan: Lovers in an Upstairs Room. From 'Uta makura', 'Poem of the Pillow. Utamaro Kitagawa (1750-1806)

PFH1177329: Japan: Lovers in an Upstairs Room. From 'Uta makura', 'Poem of the Pillow. Utamaro Kitagawa (1750-1806), Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Japan: Yaoya Oshichi and Kosho Kichisaburo, from the series Jitsu kurabe iro no minakami (True feelings compared: The founts of love). Kitagawa Utamaro (1753-1806)
Japan: Yaoya Oshichi and Kosho Kichisaburo, from the series Jitsu kurabe iro no minakami (True feelings compared: The founts of love). Kitagawa Utamaro (1753-1806)

PFH1182799: Japan: Yaoya Oshichi and Kosho Kichisaburo, from the series Jitsu kurabe iro no minakami (True feelings compared: The founts of love). Kitagawa Utamaro (1753-1806), Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Japan: Three beauties (bijin) lighting and putting up lanterns. Kitagawa Utamaro (1753-1806)
Japan: Three beauties (bijin) lighting and putting up lanterns. Kitagawa Utamaro (1753-1806)

PFH1182798: Japan: Three beauties (bijin) lighting and putting up lanterns. Kitagawa Utamaro (1753-1806), Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Japan: Woman breastfeeding a child. Kitagawa Utamaro (1753-1806)
Japan: Woman breastfeeding a child. Kitagawa Utamaro (1753-1806)

PFH1182797: Japan: Woman breastfeeding a child. Kitagawa Utamaro (1753-1806), Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Japan: A courtesan or oiran holding a fan while adjusting her elaborate hair ornaments. Kitagawa Utamaro (1753-1806)
Japan: A courtesan or oiran holding a fan while adjusting her elaborate hair ornaments. Kitagawa Utamaro (1753-1806)

PFH1182812: Japan: A courtesan or oiran holding a fan while adjusting her elaborate hair ornaments. Kitagawa Utamaro (1753-1806), Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Japan: A man and a woman making love (detail). Shunga 'Spring Picture' woodblock print by Kitagawa Utamaro (1750-1806), c. 1800
Japan: A man and a woman making love (detail). Shunga 'Spring Picture' woodblock print by Kitagawa Utamaro (1750-1806), c. 1800

PFH1186518: Japan: A man and a woman making love (detail). Shunga 'Spring Picture' woodblock print by Kitagawa Utamaro (1750-1806), c. 1800, Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Japan: 'The Hour of the Hare' - U no koku - (c. 6am-8am). Utamaro Kitagawa (1753-1806), c. 1794-1795
Japan: 'The Hour of the Hare' - U no koku - (c. 6am-8am). Utamaro Kitagawa (1753-1806), c. 1794-1795

PFH1188218: Japan: 'The Hour of the Hare' - U no koku - (c. 6am-8am). Utamaro Kitagawa (1753-1806), c. 1794-1795, Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Japan: 'The Hour of the Boar' - I no koku - (c. 10pm-Midnight). Utamaro Kitagawa (1753-1806), c. 1794-1795
Japan: 'The Hour of the Boar' - I no koku - (c. 10pm-Midnight). Utamaro Kitagawa (1753-1806), c. 1794-1795

PFH1188233: Japan: 'The Hour of the Boar' - I no koku - (c. 10pm-Midnight). Utamaro Kitagawa (1753-1806), c. 1794-1795, Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Japan: 'The Hour of the Snake' - Mi no koku - (c. 10am-Noon). Utamaro Kitagawa (1753-1806), c. 1794-1795
Japan: 'The Hour of the Snake' - Mi no koku - (c. 10am-Noon). Utamaro Kitagawa (1753-1806), c. 1794-1795

PFH1188223: Japan: 'The Hour of the Snake' - Mi no koku - (c. 10am-Noon). Utamaro Kitagawa (1753-1806), c. 1794-1795, Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Japan: 'The Hour of the Sheep' - Hitsuji no koku - (c. 2pm-4pm). Utamaro Kitagawa (1753-1806), c. 1794-1795
Japan: 'The Hour of the Sheep' - Hitsuji no koku - (c. 2pm-4pm). Utamaro Kitagawa (1753-1806), c. 1794-1795

PFH1188226: Japan: 'The Hour of the Sheep' - Hitsuji no koku - (c. 2pm-4pm). Utamaro Kitagawa (1753-1806), c. 1794-1795, Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Godanme, Act Five. [Between 1799 and 1801], 1 Print : Woodcut, Color ; 34.5 X 22.8 ., Print for a Scene from Act 5 of the Chushingura which Shows the Robber Sadakuro Holding a Sword at the Throat of Yoichibei, an Elderly Man, As He Robs Him and Then Kills Him. In the Background, Kampei, Holding a Rifle, Shoots at a Wild Boar, But Kills Sadakuro Instead.
Godanme, Act Five. [Between 1799 and 1801], 1 Print : Woodcut, Color ; 34.5 X 22.8 ., Print for a Scene from Act 5 of the Chushingura which Shows the Robber Sadakuro Holding a Sword at the Throat of Yoichibei, an Elderly Man, As He Robs Him and Then Kills Him. In the Background, Kampei, Holding a Rifle, Shoots at a Wild Boar, But Kills Sadakuro Instead.

LZT1111641: Godanme, Act Five. [Between 1799 and 1801], 1 Print : Woodcut, Color ; 34.5 X 22.8 ., Print for a Scene from Act 5 of the Chushingura which Shows the Robber Sadakuro Holding a Sword at the Throat of Yoichibei, an Elderly Man, As He Robs Him and Then Kills Him. In the Background, Kampei, Holding a Rifle, Shoots at a Wild Boar, But Kills Sadakuro Instead., Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Shodan, Act One [of the Chushingura]. [Between 1799 and 1801], 1 Print : Woodcut, Color ; 34 X 22.7 ., Print Shows Actors in the Roles of Morono (Kira Yoshinaka) Propositioning Lady Kaoyo, Enya's Wife, and Wakasanosuke (a Noble Offended by Morono's Behavior).
Shodan, Act One [of the Chushingura]. [Between 1799 and 1801], 1 Print : Woodcut, Color ; 34 X 22.7 ., Print Shows Actors in the Roles of Morono (Kira Yoshinaka) Propositioning Lady Kaoyo, Enya's Wife, and Wakasanosuke (a Noble Offended by Morono's Behavior).

LZT1111800: Shodan, Act One [of the Chushingura]. [Between 1799 and 1801], 1 Print : Woodcut, Color ; 34 X 22.7 ., Print Shows Actors in the Roles of Morono (Kira Yoshinaka) Propositioning Lady Kaoyo, Enya's Wife, and Wakasanosuke (a Noble Offended by Morono's Behavior)., Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Kudanme, Act Nine [of the Chushingura]. [Between 1799 and 1801], 1 Print : Woodcut, Color ; 34.2 X 23 ., Print Shows Two Women (Konami and Her Stepmother Tonase) and Another Person (Possibly Oishi, Wife of Yuranosuke) Standing behind a Screen, Listening to Them.
Kudanme, Act Nine [of the Chushingura]. [Between 1799 and 1801], 1 Print : Woodcut, Color ; 34.2 X 23 ., Print Shows Two Women (Konami and Her Stepmother Tonase) and Another Person (Possibly Oishi, Wife of Yuranosuke) Standing behind a Screen, Listening to Them.

LZT1111810: Kudanme, Act Nine [of the Chushingura]. [Between 1799 and 1801], 1 Print : Woodcut, Color ; 34.2 X 23 ., Print Shows Two Women (Konami and Her Stepmother Tonase) and Another Person (Possibly Oishi, Wife of Yuranosuke) Standing behind a Screen, Listening to Them., Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Yamauba No Chichi O Suh Kintaro, Yamauba Breast Feeding Kintaro. [Between 1801 and 1806], 1 Print : Woodcut, Color ; 36.8 X 25.1 .
Yamauba No Chichi O Suh Kintaro, Yamauba Breast Feeding Kintaro. [Between 1801 and 1806], 1 Print : Woodcut, Color ; 36.8 X 25.1 .

LZT1112045: Yamauba No Chichi O Suh Kintaro, Yamauba Breast Feeding Kintaro. [Between 1801 and 1806], 1 Print : Woodcut, Color ; 36.8 X 25.1 ., Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Uwaki No So, Flirtatious Lover. [Between 1791 and 1793], 1 Print : Woodcut, Color ; 34.2 X 22.6 ., Print Shows a Woman with Combs in Her Hair and a Shawl Draped Over Her Bare Shoulders, Exposing Her Breasts.
Uwaki No So, Flirtatious Lover. [Between 1791 and 1793], 1 Print : Woodcut, Color ; 34.2 X 22.6 ., Print Shows a Woman with Combs in Her Hair and a Shawl Draped Over Her Bare Shoulders, Exposing Her Breasts.

LZT1111669: Uwaki No So, Flirtatious Lover. [Between 1791 and 1793], 1 Print : Woodcut, Color ; 34.2 X 22.6 ., Print Shows a Woman with Combs in Her Hair and a Shawl Draped Over Her Bare Shoulders, Exposing Her Breasts., Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Nidanme, Act Two [of the Chushingura]. [Between 1799 and 1801], 1 Print : Woodcut, Color ; 4.3 X 23 ., Print Shows a Young Man (Rikiya) Speaking to a Young Woman (Konami), They Are Observed by an Older Man (Possibly Yuranosuke, Rikiya's Father, or Honzo, Konami's Father).
Nidanme, Act Two [of the Chushingura]. [Between 1799 and 1801], 1 Print : Woodcut, Color ; 4.3 X 23 ., Print Shows a Young Man (Rikiya) Speaking to a Young Woman (Konami), They Are Observed by an Older Man (Possibly Yuranosuke, Rikiya's Father, or Honzo, Konami's Father).

LZT1111805: Nidanme, Act Two [of the Chushingura]. [Between 1799 and 1801], 1 Print : Woodcut, Color ; 4.3 X 23 ., Print Shows a Young Man (Rikiya) Speaking to a Young Woman (Konami), They Are Observed by an Older Man (Possibly Yuranosuke, Rikiya's Father, or Honzo, Konami's Father)., Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Chofu No Tamagawa, Tama River in Chofu. [Between 1792 and 1795], 1 Print : Woodcut, Color ; 24.7 X 19.1 ., Print Shows Two Women Pounding Grain Outside a Building, a Child Feeding Chickens, and a Woman Sitting at a Loom While Looking Out a Window at the Two Women.
Chofu No Tamagawa, Tama River in Chofu. [Between 1792 and 1795], 1 Print : Woodcut, Color ; 24.7 X 19.1 ., Print Shows Two Women Pounding Grain Outside a Building, a Child Feeding Chickens, and a Woman Sitting at a Loom While Looking Out a Window at the Two Women.

LZT1111934: Chofu No Tamagawa, Tama River in Chofu. [Between 1792 and 1795], 1 Print : Woodcut, Color ; 24.7 X 19.1 ., Print Shows Two Women Pounding Grain Outside a Building, a Child Feeding Chickens, and a Woman Sitting at a Loom While Looking Out a Window at the Two Women., Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Ogiyauchi Tsukasa, the Courtesan Tsukasa of Ogiya. [Between 1804 and 1806], 1 Print : Woodcut, Color ; 39.2 X 26.2 ., Print Shows Tsukasa, a Courtesan at Ogiya, with a Female Attendant Bringing Her Tea.
Ogiyauchi Tsukasa, the Courtesan Tsukasa of Ogiya. [Between 1804 and 1806], 1 Print : Woodcut, Color ; 39.2 X 26.2 ., Print Shows Tsukasa, a Courtesan at Ogiya, with a Female Attendant Bringing Her Tea.

LZT1112050: Ogiyauchi Tsukasa, the Courtesan Tsukasa of Ogiya. [Between 1804 and 1806], 1 Print : Woodcut, Color ; 39.2 X 26.2 ., Print Shows Tsukasa, a Courtesan at Ogiya, with a Female Attendant Bringing Her Tea., Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Daikagura, Lion Dance of a Daikagura Performance. [Ca. 1789], 1 Print : Woodcut, Color ; 20.1 X 35.7 ., Print Shows Actors in Lion Costume Dancing in Front of Women and Children Gathered at a Window, and Children and Adults Outside the Building.
Daikagura, Lion Dance of a Daikagura Performance. [Ca. 1789], 1 Print : Woodcut, Color ; 20.1 X 35.7 ., Print Shows Actors in Lion Costume Dancing in Front of Women and Children Gathered at a Window, and Children and Adults Outside the Building.

LZT1112184: Daikagura, Lion Dance of a Daikagura Performance. [Ca. 1789], 1 Print : Woodcut, Color ; 20.1 X 35.7 ., Print Shows Actors in Lion Costume Dancing in Front of Women and Children Gathered at a Window, and Children and Adults Outside the Building., Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Yabe Masako from Mino Province, c. 1801-1804
Yabe Masako from Mino Province, c. 1801-1804

MNS882546: Yabe Masako from Mino Province, c. 1801-1804, Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Wasps and hairy caterpillar, 1788 (woodblock)
Wasps and hairy caterpillar, 1788 (woodblock)

SD873623: Wasps and hairy caterpillar, 1788 (woodblock), Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Act 1
Act 1

MNS881489: Act 1, Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Tree Sparrow and Rock Dove, c. 1790
Tree Sparrow and Rock Dove, c. 1790

MNS882074: Tree Sparrow and Rock Dove, c. 1790, Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Hour of Snake, Kept Woman, 1798-1799
Hour of Snake, Kept Woman, 1798-1799

MNS882068: Hour of Snake, Kept Woman, 1798-1799, Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Komurasaki of the Muuraya House, Shirai Gonpachi and Viperous Jihe_, 1798-1800
Komurasaki of the Muuraya House, Shirai Gonpachi and Viperous Jihe_, 1798-1800

MNS882082: Komurasaki of the Muuraya House, Shirai Gonpachi and Viperous Jihe_, 1798-1800, Utamaro, Kitagawa (1753-1806) / Bridgeman Images

Transparent Comb, 1780s (colour woodcut)
Transparent Comb, 1780s (colour woodcut)

FIA5403282: Transparent Comb, 1780s (colour woodcut), Utamaro, Kitagawa (1753-1806) / Bridgeman Images


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