Dore, Gustave (1832-83) Assets (2601 in total)

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After a  sketch of an old Spanish woman by Gustave Dore.  From Life and Reminiscences of Gustave Dore, published 1885.
After a  sketch of an old Spanish woman by Gustave Dore.  From Life and Reminiscences of Gustave Dore, published 1885.

KWE478441: After a sketch of an old Spanish woman by Gustave Dore. From Life and Reminiscences of Gustave Dore, published 1885., Dore, Gustave (1832-83) / Bridgeman Images

Amphitheatre de L'ecole de Medecine, Les différents publics de Paris, 1854 (colour litho)
Amphitheatre de L'ecole de Medecine, Les différents publics de Paris, 1854 (colour litho)

STC621354: Amphitheatre de L'ecole de Medecine, Les différents publics de Paris, 1854 (colour litho) , Dore, Gustave (1832-83) / Bridgeman Images

Brewers at Rest, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Hildibrand, pub. 1872 (engraving)
Brewers at Rest, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Hildibrand, pub. 1872 (engraving)

XJF396039: Brewers at Rest, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Hildibrand, pub. 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Large barrels in a brewery, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Pannemaker, pub. 1872 (engraving)
Large barrels in a brewery, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Pannemaker, pub. 1872 (engraving)

STC377550: Large barrels in a brewery, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Pannemaker, pub. 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Lambeth Gas Works, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) pub. 1872 (engraving)
Lambeth Gas Works, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) pub. 1872 (engraving)

STC377531: Lambeth Gas Works, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-84) pub. 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Les Adieux, 1870 (pencil with grey wash heightened with bodycolour)
Les Adieux, 1870 (pencil with grey wash heightened with bodycolour)

MAA360522: Les Adieux, 1870 (pencil with grey wash heightened with bodycolour), Dore, Gustave (1832-83) / Bridgeman Images

The sailors curse the Mariner, forced to wear the dead albatross around his neck, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Sons, New York, 1876 (wood engraving)
The sailors curse the Mariner, forced to wear the dead albatross around his neck, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Sons, New York, 1876 (wood engraving)

XJF393838: The sailors curse the Mariner, forced to wear the dead albatross around his neck, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Sons, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Organ in the Court, illustration from 'London, a Pilgrimage', 1872 (engraving)
The Organ in the Court, illustration from 'London, a Pilgrimage', 1872 (engraving)

XJF394290: The Organ in the Court, illustration from 'London, a Pilgrimage', 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Mariner up the mast during a storm, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
The Mariner up the mast during a storm, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

XJF393822: The Mariner up the mast during a storm, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

Album of the Siege of Paris, Ambulance man, the last troops at the station of Brest, 1871 (pen & brown ink wash & pencil on paper)
Album of the Siege of Paris, Ambulance man, the last troops at the station of Brest, 1871 (pen & brown ink wash & pencil on paper)

XIR414942: Album of the Siege of Paris, Ambulance man, the last troops at the station of Brest, 1871 (pen & brown ink wash & pencil on paper), Dore, Gustave (1832-83) / Bridgeman Images

Mountainous landscape with stags, 1873 (watercolour & crayon on paper)
Mountainous landscape with stags, 1873 (watercolour & crayon on paper)

XIR417056: Mountainous landscape with stags, 1873 (watercolour & crayon on paper), Dore, Gustave (1832-83) / Bridgeman Images

Album of the Siege of Paris, National Guards at the Ramparts at night (pen & brown ink wash & pencil on paper)
Album of the Siege of Paris, National Guards at the Ramparts at night (pen & brown ink wash & pencil on paper)

XIR414927: Album of the Siege of Paris, National Guards at the Ramparts at night (pen & brown ink wash & pencil on paper), Dore, Gustave (1832-83) / Bridgeman Images

Eleazar killed by the elephant, 1888 (engraving)
Eleazar killed by the elephant, 1888 (engraving)

DGC473284: Eleazar killed by the elephant, 1888 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745660: Purgatorio, Canto 7 : The spirits singing Salve Regina in the dell, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 30 : The torment of the forgers in the ninth bolgia (Gianni Schicchi), illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 30 : The torment of the forgers in the ninth bolgia (Gianni Schicchi), illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745687: Inferno, Canto 30 : The torment of the forgers in the ninth bolgia (Gianni Schicchi), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745697: Inferno, Canto 28 : Mutilated sowers of discord in the ninth bolgia, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 18 : Devils and seducers, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 18 : Devils and seducers, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745706: Inferno, Canto 18 : Devils and seducers, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 7 : Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 7 : Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745736: Inferno, Canto 7 : Virgil rebukes Plutus (Ploutos) at the entrance to the fourth circle, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Whittington at Highgate (engraving)
Whittington at Highgate (engraving)

XJF2639772: Whittington at Highgate (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote, by Miguel Cervantes (1547-1616) (colour engraving)
Don Quixote, by Miguel Cervantes (1547-1616) (colour engraving)

TRK1775287: Don Quixote, by Miguel Cervantes (1547-1616) (colour engraving), Dore, Gustave (1832-83) / Bridgeman Images

The siege of Antioch
The siege of Antioch

TRK3514692: The siege of Antioch, Dore, Gustave (1832-83) / Bridgeman Images

Crusaders receiving the blessing after the conquest of the citadel of Mosul, First Crusades (engraving)
Crusaders receiving the blessing after the conquest of the citadel of Mosul, First Crusades (engraving)

TRK3514694: Crusaders receiving the blessing after the conquest of the citadel of Mosul, First Crusades (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Entry of the Crusaders to Constantinople during the Fourth Crusade by Gustave Doré.
Entry of the Crusaders to Constantinople during the Fourth Crusade by Gustave Doré.

LSE4104988: Entry of the Crusaders to Constantinople during the Fourth Crusade by Gustave Doré., Dore, Gustave (1832-83) / Bridgeman Images

Massacres of Antioch during the first crusade - engraving by Gustave Doré, 19th century
Massacres of Antioch during the first crusade - engraving by Gustave Doré, 19th century

LSE4096536: Massacres of Antioch during the first crusade - engraving by Gustave Doré, 19th century, Dore, Gustave (1832-83) / Bridgeman Images

The Forward: Armee of Crusaders meeting the dead of the previous wave of Crusaders - engraving by Gustave Doré, 19th century
The Forward: Armee of Crusaders meeting the dead of the previous wave of Crusaders - engraving by Gustave Doré, 19th century

LSE4104419: The Forward: Armee of Crusaders meeting the dead of the previous wave of Crusaders - engraving by Gustave Doré, 19th century, Dore, Gustave (1832-83) / Bridgeman Images

Godefroi meeting the debris of Peter's Armee - engraving by Gustave Doré, 19th century
Godefroi meeting the debris of Peter's Armee - engraving by Gustave Doré, 19th century

LSE4104428: Godefroi meeting the debris of Peter's Armee - engraving by Gustave Doré, 19th century, Dore, Gustave (1832-83) / Bridgeman Images

Frontispiece of 'Les Contes de Charles Perrault', published by J. Hetzel, 1862 (etching) (b/w photo)
Frontispiece of 'Les Contes de Charles Perrault', published by J. Hetzel, 1862 (etching) (b/w photo)

CHT157402: Frontispiece of 'Les Contes de Charles Perrault', published by J. Hetzel, 1862 (etching) (b/w photo), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Don Quixote de la Mancha written by Miguel Cervantes, 19th century (engraving)
Illustration by Don Quixote de la Mancha written by Miguel Cervantes, 19th century (engraving)

XEE4156160: Illustration by Don Quixote de la Mancha written by Miguel Cervantes, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for
Illustration for

XEE4156197: Illustration for "Don Quixote de la Mancha" written by Miguel Cervantes, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for
Illustration for

XEE4156272: Illustration for "Don Quixote de la Mancha" written by Miguel Cervantes, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration for the poem
Illustration for the poem

XEE4134435: Illustration for the poem "Furious Roland" by Ludovico Ariosto, 1885 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy, Purgatorio, Canto 4: The indolent souls beside the rock - by Dante Alighieri, 1885
The Divine Comedy, Purgatorio, Canto 4: The indolent souls beside the rock - by Dante Alighieri, 1885

XEE4145545: The Divine Comedy, Purgatorio, Canto 4: The indolent souls beside the rock - by Dante Alighieri, 1885, Dore, Gustave (1832-83) / Bridgeman Images

Don Quixote and sancho Panza interrogates the criminals being led to the galleys Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection
Don Quixote and sancho Panza interrogates the criminals being led to the galleys Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection

ELD4868764: Don Quixote and sancho Panza interrogates the criminals being led to the galleys Engraving by Gustave Dore (1832-1883) for “L'Ingenieux Hidalgo Don Quixote de la Mancha (Quixotte - Quijote)” by Miguel de Cervantes (1547-1616) 1863 Private collection, Dore, Gustave (1832-83) / Bridgeman Images

King Saladin commander of the Muslim forces against the crusades, 19th century (engraving)
King Saladin commander of the Muslim forces against the crusades, 19th century (engraving)

XEE4161224: King Saladin commander of the Muslim forces against the crusades, 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Reconciliation of Jacob and Esau Genese, XXXIII, 4 , 19th century (engraving)
Reconciliation of Jacob and Esau Genese, XXXIII, 4 , 19th century (engraving)

XEE4161315: Reconciliation of Jacob and Esau Genese, XXXIII, 4 , 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Prayer of Jesus in the Garden of Olives , 19th century (engraving)
Prayer of Jesus in the Garden of Olives , 19th century (engraving)

XEE4160948: Prayer of Jesus in the Garden of Olives , 19th century (engraving), Dore, Gustave (1832-83) / Bridgeman Images


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