Dore, Gustave (1832-83) Assets (2602 in total)

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Struggle between Christianity and Muslim forces, Battle scene, Crusades (engraving)
Struggle between Christianity and Muslim forces, Battle scene, Crusades (engraving)

TRK3514696: Struggle between Christianity and Muslim forces, Battle scene, Crusades (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Little Red Riding Hood, the disguised wolf, Gustave Dore, 1862.
Little Red Riding Hood, the disguised wolf, Gustave Dore, 1862.

HLR3262671: Little Red Riding Hood, the disguised wolf, Gustave Dore, 1862., Dore, Gustave (1832-83) / Bridgeman Images

Jesus in the synagogue. Engraving. COLOURed.
Jesus in the synagogue. Engraving. COLOURed.

TRK1149821: Jesus in the synagogue. Engraving. COLOURed., Dore, Gustave (1832-83) / Bridgeman Images

The Singing of the Blessed in the Sixth Heaven, by Gustave Doré, 1832 - 1883, French. Engraving for the Divine Comedy, Divina Commedia, by Dante Alighieri. 1870, Art, Artist, Romanticism, Colour, Color Engraving
The Singing of the Blessed in the Sixth Heaven, by Gustave Doré, 1832 - 1883, French. Engraving for the Divine Comedy, Divina Commedia, by Dante Alighieri. 1870, Art, Artist, Romanticism, Colour, Color Engraving

LZT1035756: The Singing of the Blessed in the Sixth Heaven, by Gustave Doré, 1832 - 1883, French. Engraving for the Divine Comedy, Divina Commedia, by Dante Alighieri. 1870, Art, Artist, Romanticism, Colour, Color Engraving, Dore, Gustave (1832-83) / Bridgeman Images

The Toilet in the Desert, by Gustave Doré, 1832 - 1883, French. Engraving for Atala by Chateaubriand. 1870, Art, Artist, Romanticism, Colour, Color Engraving
The Toilet in the Desert, by Gustave Doré, 1832 - 1883, French. Engraving for Atala by Chateaubriand. 1870, Art, Artist, Romanticism, Colour, Color Engraving

LZT1035733: The Toilet in the Desert, by Gustave Doré, 1832 - 1883, French. Engraving for Atala by Chateaubriand. 1870, Art, Artist, Romanticism, Colour, Color Engraving, Dore, Gustave (1832-83) / Bridgeman Images

The Council Held by the Rats, by Gustave Doré, 1832 - 1883, French. Engraving for Fables by Jean De La Fontaine, Engraved by Antoine Valerie Bertrand, French, Born 1823, Art, Artist, Romanticism, Colour, Color Engraving
The Council Held by the Rats, by Gustave Doré, 1832 - 1883, French. Engraving for Fables by Jean De La Fontaine, Engraved by Antoine Valerie Bertrand, French, Born 1823, Art, Artist, Romanticism, Colour, Color Engraving

LZT1035787: The Council Held by the Rats, by Gustave Doré, 1832 - 1883, French. Engraving for Fables by Jean De La Fontaine, Engraved by Antoine Valerie Bertrand, French, Born 1823, Art, Artist, Romanticism, Colour, Color Engraving, Dore, Gustave (1832-83) / Bridgeman Images

The Eagle and the Magpie
The Eagle and the Magpie

LZT1035855: The Eagle and the Magpie, Dore, Gustave (1832-83) / Bridgeman Images

Vision of Death sitting on the globe with its fake. Illustration by Gustave Dore, 1882 (engraving)
Vision of Death sitting on the globe with its fake. Illustration by Gustave Dore, 1882 (engraving)

ELD4831268: Vision of Death sitting on the globe with its fake. Illustration by Gustave Dore, 1882 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Illustration by Gustave Dore (1832-1883) for Edgar Allan Poe's short story “” The Raven”” (The Raven). This series was completed by Dore in 1883, the year of his death and is therefore one of his most recent works -
Illustration by Gustave Dore (1832-1883) for Edgar Allan Poe's short story “” The Raven”” (The Raven). This series was completed by Dore in 1883, the year of his death and is therefore one of his most recent works -

PCT4285019: Illustration by Gustave Dore (1832-1883) for Edgar Allan Poe's short story “” The Raven”” (The Raven). This series was completed by Dore in 1883, the year of his death and is therefore one of his most recent works -, Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 1 : The panther at the beginning of the ascent, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 1 : The panther at the beginning of the ascent, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745741: Inferno, Canto 1 : The panther at the beginning of the ascent, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 29 : Charity, Hope, and Faith, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 29 : Charity, Hope, and Faith, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745643: Purgatorio, Canto 29 : Charity, Hope, and Faith, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 9 : Twilight, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 9 : Twilight, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745662: Purgatorio, Canto 9 : Twilight, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 17 : Geryon, symbol of deceit, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 17 : Geryon, symbol of deceit, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745704: Inferno, Canto 17 : Geryon, symbol of deceit, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 18 : Virgil shows Dante the shade of Thais, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 18 : Virgil shows Dante the shade of Thais, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745708: Inferno, Canto 18 : Virgil shows Dante the shade of Thais, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 1 : The she-wolf appears, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 1 : The she-wolf appears, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745743: Inferno, Canto 1 : The she-wolf appears, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 7 : The poet Sordello, astonished, kneels before Virgil, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 7 : The poet Sordello, astonished, kneels before Virgil, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745750: Purgatorio, Canto 7 : The poet Sordello, astonished, kneels before Virgil, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 23 : The hypocrites address Dante, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 23 : The hypocrites address Dante, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745691: Inferno, Canto 23 : The hypocrites address Dante, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 4 : Homer, the poets, and heroes in Limbo, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 4 : Homer, the poets, and heroes in Limbo, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745727: Inferno, Canto 4 : Homer, the poets, and heroes in Limbo, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 27 : Dante's dream of Leah in the meadow , illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 27 : Dante's dream of Leah in the meadow , illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745639: Purgatorio, Canto 27 : Dante's dream of Leah in the meadow , illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 23 : The souls of the gluttonous, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 23 : The souls of the gluttonous, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745648: Purgatorio, Canto 23 : The souls of the gluttonous, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Inferno, Canto 8 : Virgil and Dante disembark at the citadel of Dis (Dite), illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 8 : Virgil and Dante disembark at the citadel of Dis (Dite), illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745714: Inferno, Canto 8 : Virgil and Dante disembark at the citadel of Dis (Dite), illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Slums In London (engraving)
Slums In London (engraving)

LLJ585217: Slums In London (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Battle of Arsuf in 1191, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)
The Battle of Arsuf in 1191, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)

KWE219450: The Battle of Arsuf in 1191, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho), Dore, Gustave (1832-83) / Bridgeman Images

A Friendly Tournament during the Third Crusade in 1189, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)
A Friendly Tournament during the Third Crusade in 1189, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho)

KWE219417: A Friendly Tournament during the Third Crusade in 1189, illustration from 'Bibliotheque des Croisades' by J-F. Michaud, 1877 (litho), Dore, Gustave (1832-83) / Bridgeman Images

Illustration from 'Gargantua and Pantagruel', by François Rabelais (engraving)
Illustration from 'Gargantua and Pantagruel', by François Rabelais (engraving)

XIR1200182: Illustration from 'Gargantua and Pantagruel', by François Rabelais (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Dante's Inferno, engraving by Gustave Dore, 1861 Punishment of Simonists
Dante's Inferno, engraving by Gustave Dore, 1861 Punishment of Simonists

HLR3262640: Dante's Inferno, engraving by Gustave Dore, 1861 Punishment of Simonists, Dore, Gustave (1832-83) / Bridgeman Images

Flight and Pursuit in Hell Dante's Inferno, engraving by Gustave Dore, 1861
Flight and Pursuit in Hell Dante's Inferno, engraving by Gustave Dore, 1861

HLR3262635: Flight and Pursuit in Hell Dante's Inferno, engraving by Gustave Dore, 1861, Dore, Gustave (1832-83) / Bridgeman Images

Temple Reconstruction, History of the Holy Bible Mame Edition 1891. Engraving by Gustave Dore.
Temple Reconstruction, History of the Holy Bible Mame Edition 1891. Engraving by Gustave Dore.

XRH1736307: Temple Reconstruction, History of the Holy Bible Mame Edition 1891. Engraving by Gustave Dore., Dore, Gustave (1832-83) / Bridgeman Images

The first vision of his native country by the Mariner, freed from his trance and woken from sleep, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
The first vision of his native country by the Mariner, freed from his trance and woken from sleep, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

XJF393850: The first vision of his native country by the Mariner, freed from his trance and woken from sleep, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Mariner, condemned to travel unceasingly from country to country, is also condemned to relate his story to people he meets, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
The Mariner, condemned to travel unceasingly from country to country, is also condemned to relate his story to people he meets, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

XJF393858: The Mariner, condemned to travel unceasingly from country to country, is also condemned to relate his story to people he meets, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

The angelic spirits leave the dead bodies and appear in their own forms of light, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)
The angelic spirits leave the dead bodies and appear in their own forms of light, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving)

XJF393851: The angelic spirits leave the dead bodies and appear in their own forms of light, scene from 'The Rime of the Ancient Mariner' by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Finding of King Arthur, illustration from 'Idylls of the King' by Alfred Tennyson (engraving)
The Finding of King Arthur, illustration from 'Idylls of the King' by Alfred Tennyson (engraving)

XJF394287: The Finding of King Arthur, illustration from 'Idylls of the King' by Alfred Tennyson (engraving), Dore, Gustave (1832-83) / Bridgeman Images

Blondin at Shoreditch, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Gauchard, pub. 1872 (engraving)
Blondin at Shoreditch, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Gauchard, pub. 1872 (engraving)

XJF396042: Blondin at Shoreditch, from 'London, a Pilgrimage', written by William Blanchard Jerrold (1826-94) & engraved by Gauchard, pub. 1872 (engraving), Dore, Gustave (1832-83) / Bridgeman Images

The Charity of the Fishmongers, 19th century (watercolour on paper)
The Charity of the Fishmongers, 19th century (watercolour on paper)

XIR212515: The Charity of the Fishmongers, 19th century (watercolour on paper), Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy, Paradiso, Canto 26: St. John examines Dante concerning love - by Dante Alighieri, 1885
The Divine Comedy, Paradiso, Canto 26: St. John examines Dante concerning love - by Dante Alighieri, 1885

XEE4145329: The Divine Comedy, Paradiso, Canto 26: St. John examines Dante concerning love - by Dante Alighieri, 1885, Dore, Gustave (1832-83) / Bridgeman Images

The Divine Comedy, Inferno, Canto 5: Minos judges the transgressions and dispatches the souls - by Dante Alighieri, 1885
The Divine Comedy, Inferno, Canto 5: Minos judges the transgressions and dispatches the souls - by Dante Alighieri, 1885

XEE4145743: The Divine Comedy, Inferno, Canto 5: Minos judges the transgressions and dispatches the souls - by Dante Alighieri, 1885, Dore, Gustave (1832-83) / Bridgeman Images


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