Whistler, James Abbott McNeill (1834-1903) Assets (558 in total)
Results
FSG324887: Two Whistler Butterflies and a destroyed sketch, c.1890 (pencil & Chinese white on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324900: Female Figure, Seated, 1870-73 (black & white chalk on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324507: Hurlingham, 1859 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324516: The Large Pool, c.1879 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324529: Gabled Roofs, Vitre, 1893 (litho on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324542: Little Evelyn, 1896 (litho on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324597: Brasserie in Mayence, 1858 (pencil on off-white paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324628: Waiting for the clothes to dry, Cologne, 1858 (pencil on off-white wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324659: The Storm, 1861 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324684: Speke Shore, c.1875 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324690: St. James's Street, 1878 (etching on paper) (see also 324691), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324779: Pink Note: Shelling Peas, 1883/84 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324797: A Yellow Note, c.1871/74 (chalk & pastel on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324840: Study for 'The Tall Flower', c.1886 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324847: The Purple Iris, 1871-72 (chalk & pastel on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG324899: Standing Draped Figure, c.1868 (black & white chalk on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
CH378291: The Balcony, c.1888 (w/c on linen laid down on board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
CH378286: Women and Children at a Shop Door, c.1888 (w/c on linen laid down on board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
MNS488042: The Seashore, 1883-85 (oil on board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
IMA1560467: The Dancing Girl (transfer lithograph), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
IMA1562051: La Vielle Aux Loques (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
MNS880660: The Riva, No. 1 from "The First Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
MNS881608: Price's Candle Works, 1875, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
MNS881607: The Forge from "Sixteen Etchings of Scenes on the Thames and Other Subjects", 1861, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
MNS881645: Firelight -Joseph Pennell, No. 1, 1896, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
TBM695440: The Doorway, 1880 (etching & drypoint on paper) , Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
DMW937639: Gants de Suède, or Suede Gloves, 1890, published 1894 (litho), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XCC2972728: Early Morning, 1878 (lithotint in black ink, with scraping, on a prepared half-tint ground, on cream wove proofing paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
XCC2972784: Corte del Paradiso, 1880 (pastel & black chalk on brown wove paper with fibrous inclusions), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FSG3741992: Old Putney Bridge, 1879 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
IL3611039: Black Lion Wharf (colour litho), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
FIT5938044: Joanna Douglas in 'The Trial Sermon', 1862 (wood engraving, black carbon ink on machine made wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
COU5948420: Elinor Leyland, c.1873 (black & white chalk, moistened in areas, on thick brown wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images
