Whistler, James Abbott McNeill (1834-1903) Assets (557 in total)

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Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, 1894 (oil on canvas)
Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, 1894 (oil on canvas)

XCC2968006: Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, 1894 (oil on canvas), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

St. Giles-in-the-Fields, 1896 (transfer litho in black, with stumping, on cream laid paper)
St. Giles-in-the-Fields, 1896 (transfer litho in black, with stumping, on cream laid paper)

XCC2972439: St. Giles-in-the-Fields, 1896 (transfer litho in black, with stumping, on cream laid paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Study for Arrangement in Black: Lady Meux, 1881 (pen & brown ink on ivory wove paper laid down on ivory wove board)
Study for Arrangement in Black: Lady Meux, 1881 (pen & brown ink on ivory wove paper laid down on ivory wove board)

XCC2971520: Study for Arrangement in Black: Lady Meux, 1881 (pen & brown ink on ivory wove paper laid down on ivory wove board), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Sketches on the Coast Survey Plate, 1854 (etching on paper)
Sketches on the Coast Survey Plate, 1854 (etching on paper)

FSG3741960: Sketches on the Coast Survey Plate, 1854 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Kenneth and Lena Graeme, in 'The Trial Sermon', 1862 (wood engraving, black carbon ink on machine made wove paper)
Kenneth and Lena Graeme, in 'The Trial Sermon', 1862 (wood engraving, black carbon ink on machine made wove paper)

FIT5938043: Kenneth and Lena Graeme, in 'The Trial Sermon', 1862 (wood engraving, black carbon ink on machine made wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Japanese Woman Painting a Fan, c.1872 (black chalk and pastel)
Japanese Woman Painting a Fan, c.1872 (black chalk and pastel)

XCL5672881: Japanese Woman Painting a Fan, c.1872 (black chalk and pastel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Chelsea Bridge and Church, 1871 (drypoint)
Chelsea Bridge and Church, 1871 (drypoint)

DNE6200254: Chelsea Bridge and Church, 1871 (drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Soupe a Trois Sous, 1859 (etching)
Soupe a Trois Sous, 1859 (etching)

DNE6200311: Soupe a Trois Sous, 1859 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Rotherhithe from
Rotherhithe from

MNS883314: Rotherhithe from "Sixteen Etchings of Scenes on the Thames and Other Subjects", 1860, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Lime-Burner, 1859
The Lime-Burner, 1859

MNS881327: The Lime-Burner, 1859, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Archway, Brussels, 1887 (etching)
Archway, Brussels, 1887 (etching)

FSG781813: Archway, Brussels, 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Grey and Silver - North Sea, c.1884 (w/c on wove paper)
Grey and Silver - North Sea, c.1884 (w/c on wove paper)

FIT1123785: Grey and Silver - North Sea, c.1884 (w/c on wove paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Billingsgate, 1859 (etching and drypoint)
Billingsgate, 1859 (etching and drypoint)

XDM1066891: Billingsgate, 1859 (etching and drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Billingsgate, 1859 (etching with drypoint)
Billingsgate, 1859 (etching with drypoint)

DMW937861: Billingsgate, 1859 (etching with drypoint), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Venice Street, 1879/80 (coloured chalk on paper)
Venice Street, 1879/80 (coloured chalk on paper)

DMW937761: Venice Street, 1879/80 (coloured chalk on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Weary, 1863 (drypoint & roulette)
Weary, 1863 (drypoint & roulette)

HST861952: Weary, 1863 (drypoint & roulette), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Pink and Silver - Chelsea, the Embankment, c.1885 (w/c on paper)
Pink and Silver - Chelsea, the Embankment, c.1885 (w/c on paper)

XCK877065: Pink and Silver - Chelsea, the Embankment, c.1885 (w/c on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Doorway, 1879-80 (etching)
The Doorway, 1879-80 (etching)

FAS147187: The Doorway, 1879-80 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)
Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching)

XYC249728: Tilbury, from a set of twelve etchings entitled 'The Naval Review', 1887 (etching), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

PD.67-1959 A Seated Girl in a Large Skirt (A Study of Elinor Leyland) c.1870-80 (black & white chalk on brown paper)
PD.67-1959 A Seated Girl in a Large Skirt (A Study of Elinor Leyland) c.1870-80 (black & white chalk on brown paper)

FIT107399: PD.67-1959 A Seated Girl in a Large Skirt (A Study of Elinor Leyland) c.1870-80 (black & white chalk on brown paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Fire And Earth (Originally Titled War And Peace) (soft paste porcelain, polychrome enamels, gilding)
Fire And Earth (Originally Titled War And Peace) (soft paste porcelain, polychrome enamels, gilding)

IMA1560727: Fire And Earth (Originally Titled War And Peace) (soft paste porcelain, polychrome enamels, gilding), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Unsafe Tenement from
The Unsafe Tenement from

MNS881614: The Unsafe Tenement from "Twelve Etchings from Nature", 1858, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

La Vieille aux Loques from
La Vieille aux Loques from

MNS881606: La Vieille aux Loques from "Twelve Etchings from Nature", 1858, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Old Doorway from
The Old Doorway from

MNS881613: The Old Doorway from "The First Venice Set", 1879-1880, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Chelsea Bridge and Church from
Chelsea Bridge and Church from

MNS881707: Chelsea Bridge and Church from "Sixteen Etchings of Scenes on the Thames and Other Subjects", 1870-1871, Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Portrait of Ellen Sturgis Hooper, c.1890 (oil on wood panel) (see also 419723)
Portrait of Ellen Sturgis Hooper, c.1890 (oil on wood panel) (see also 419723)

PNH419724: Portrait of Ellen Sturgis Hooper, c.1890 (oil on wood panel) (see also 419723), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Nude with a Parasol, c.1868 (white & black crayon on paper)
Nude with a Parasol, c.1868 (white & black crayon on paper)

PNH419726: Nude with a Parasol, c.1868 (white & black crayon on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Little Velvet Dress, 1873 (drypoint on paper)
The Little Velvet Dress, 1873 (drypoint on paper)

FSG324673: The Little Velvet Dress, 1873 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Shipbuilder's Yard, 1875 (drypoint on paper)
Shipbuilder's Yard, 1875 (drypoint on paper)

FSG324685: Shipbuilder's Yard, 1875 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Tatting (possibly Lizzie Dawson) c.1873 (drypoint on paper)
Tatting (possibly Lizzie Dawson) c.1873 (drypoint on paper)

FSG324675: Tatting (possibly Lizzie Dawson) c.1873 (drypoint on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Vitre: The Canal, 1893 (litho on paper)
Vitre: The Canal, 1893 (litho on paper)

FSG324527: Vitre: The Canal, 1893 (litho on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Windsor, No. 2, 1887 (etching on paper)
Windsor, No. 2, 1887 (etching on paper)

FSG324502: Windsor, No. 2, 1887 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Annie, 1858-59 (pencil on grey-blue paper)
Annie, 1858-59 (pencil on grey-blue paper)

FSG324590: Annie, 1858-59 (pencil on grey-blue paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Sketches on the Coast Survey Plate, 1854-55 (etching on paper)
Sketches on the Coast Survey Plate, 1854-55 (etching on paper)

FSG324556: Sketches on the Coast Survey Plate, 1854-55 (etching on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

Portrait of Charles Lang Freer, 1902-03 (oil on wood panel)
Portrait of Charles Lang Freer, 1902-03 (oil on wood panel)

FSG324831: Portrait of Charles Lang Freer, 1902-03 (oil on wood panel), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images

The Market-place, Vitre, 1893 (litho on paper)
The Market-place, Vitre, 1893 (litho on paper)

FSG324528: The Market-place, Vitre, 1893 (litho on paper), Whistler, James Abbott McNeill (1834-1903) / Bridgeman Images


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