French School, (19th century) Assets (44107 in total)

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Religious architecture: view of the Orthodox Church of Saint Isaac (1819-1858) in Saint Petersburg (Saint Petersburg) in Russia, built according to the plans of architect Ricard de Montferrand (1786-1858). On the right is the equestrian statue of Peter the Great (Peter I of Russia, 1672-1725) made by the sculptor Etienne Maurice Falconet (1716-1791) and inaugurated in 1792. Engraving in “” Le Monde Illustré”” n°51 of 3 April 1858.
Religious architecture: view of the Orthodox Church of Saint Isaac (1819-1858) in Saint Petersburg (Saint Petersburg) in Russia, built according to the plans of architect Ricard de Montferrand (1786-1858). On the right is the equestrian statue of Peter the Great (Peter I of Russia, 1672-1725) made by the sculptor Etienne Maurice Falconet (1716-1791) and inaugurated in 1792. Engraving in “” Le Monde Illustré”” n°51 of 3 April 1858.

XEE4138296: Religious architecture: view of the Orthodox Church of Saint Isaac (1819-1858) in Saint Petersburg (Saint Petersburg) in Russia, built according to the plans of architect Ricard de Montferrand (1786-1858). On the right is the equestrian statue of Peter the Great (Peter I of Russia, 1672-1725) made by the sculptor Etienne Maurice Falconet (1716-1791) and inaugurated in 1792. Engraving in “” Le Monde Illustré”” n°51 of 3 April 1858., French School, (19th century) / Bridgeman Images

Buddhist architecture: exterior view of the Octagonal Pagoda on Whampoa Island, China, 1858. Engraving in “” Le Monde Illustré”” n°47 of 6 March 1858.
Buddhist architecture: exterior view of the Octagonal Pagoda on Whampoa Island, China, 1858. Engraving in “” Le Monde Illustré”” n°47 of 6 March 1858.

XEE4138646: Buddhist architecture: exterior view of the Octagonal Pagoda on Whampoa Island, China, 1858. Engraving in “” Le Monde Illustré”” n°47 of 6 March 1858., French School, (19th century) / Bridgeman Images

Arrival of the President of the Republic Jules Grevy (1807-1891) at the Cherbourg celebrations. A newspaper. Engraving from 1880 in “La republique illustree”” private collection.
Arrival of the President of the Republic Jules Grevy (1807-1891) at the Cherbourg celebrations. A newspaper. Engraving from 1880 in “La republique illustree”” private collection.

XEE4139417: Arrival of the President of the Republic Jules Grevy (1807-1891) at the Cherbourg celebrations. A newspaper. Engraving from 1880 in “La republique illustree”” private collection., French School, (19th century) / Bridgeman Images

Speech by Leon Gambetta (1838-1882) at the burial of depute Albert Joly (1844-1880) at the cemetery of Versailles. A newspaper. Engraving from 1880 in “La republique illustree”” private collection.
Speech by Leon Gambetta (1838-1882) at the burial of depute Albert Joly (1844-1880) at the cemetery of Versailles. A newspaper. Engraving from 1880 in “La republique illustree”” private collection.

XEE4139480: Speech by Leon Gambetta (1838-1882) at the burial of depute Albert Joly (1844-1880) at the cemetery of Versailles. A newspaper. Engraving from 1880 in “La republique illustree”” private collection., French School, (19th century) / Bridgeman Images

Portrait of Louis-Auguste Blanqui (Louis Auguste, 1805-1881), French politician. Engraving from 1880 in “La republique illustree”” private collection.
Portrait of Louis-Auguste Blanqui (Louis Auguste, 1805-1881), French politician. Engraving from 1880 in “La republique illustree”” private collection.

XEE4139486: Portrait of Louis-Auguste Blanqui (Louis Auguste, 1805-1881), French politician. Engraving from 1880 in “La republique illustree”” private collection., French School, (19th century) / Bridgeman Images

Algerian custom: Arabic dance. Drawing by Mr. Rigo, based on a sketch by Mr. Ameler, battalion leader, 1858 (engraving)
Algerian custom: Arabic dance. Drawing by Mr. Rigo, based on a sketch by Mr. Ameler, battalion leader, 1858 (engraving)

XEE4140425: Algerian custom: Arabic dance. Drawing by Mr. Rigo, based on a sketch by Mr. Ameler, battalion leader, 1858 (engraving), French School, (19th century) / Bridgeman Images

Portrait of Jean-Georges Reber (Jean Georges) (1731-1816) french industrialist, 1833 (engraving)
Portrait of Jean-Georges Reber (Jean Georges) (1731-1816) french industrialist, 1833 (engraving)

XEE4141384: Portrait of Jean-Georges Reber (Jean Georges) (1731-1816) french industrialist, 1833 (engraving), French School, (19th century) / Bridgeman Images

Your head is guilty if your heart is not guilty, Madame de Lanclos told her daughter Anne “” Ninon”” of the Enclos (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) Engraving of the 19th century in “” Confessions of Ninon de Lenclos” by Eugene Moret.
Your head is guilty if your heart is not guilty, Madame de Lanclos told her daughter Anne “” Ninon”” of the Enclos (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) Engraving of the 19th century in “” Confessions of Ninon de Lenclos” by Eugene Moret.

XEE4141548: Your head is guilty if your heart is not guilty, Madame de Lanclos told her daughter Anne “” Ninon”” of the Enclos (or Ninon de Lenclos or Ninon de Lanclos, 1620-1705) Engraving of the 19th century in “” Confessions of Ninon de Lenclos” by Eugene Moret., French School, (19th century) / Bridgeman Images

The howitzer of the Austrian army used during the Battle of the Buffalora Bridge (Italy) during the Risorgimento in 1859. Engraving in “” Le Monde Illustré”” n°114 of 18 June 1859.
The howitzer of the Austrian army used during the Battle of the Buffalora Bridge (Italy) during the Risorgimento in 1859. Engraving in “” Le Monde Illustré”” n°114 of 18 June 1859.

XEE4141958: The howitzer of the Austrian army used during the Battle of the Buffalora Bridge (Italy) during the Risorgimento in 1859. Engraving in “” Le Monde Illustré”” n°114 of 18 June 1859., French School, (19th century) / Bridgeman Images

The Sire of Beringhen and Madame du Fargis plotted against Richelieu (Armand Jean du Plessis, Cardinal of Richelieu (1585-1642), minister of Louis XIII, at the Chateau of Azay-le-Rideau (Azay le Rideau) (Indre-et-Loire). Chromolithography of the late 19th century
The Sire of Beringhen and Madame du Fargis plotted against Richelieu (Armand Jean du Plessis, Cardinal of Richelieu (1585-1642), minister of Louis XIII, at the Chateau of Azay-le-Rideau (Azay le Rideau) (Indre-et-Loire). Chromolithography of the late 19th century

XEE4143025: The Sire of Beringhen and Madame du Fargis plotted against Richelieu (Armand Jean du Plessis, Cardinal of Richelieu (1585-1642), minister of Louis XIII, at the Chateau of Azay-le-Rideau (Azay le Rideau) (Indre-et-Loire). Chromolithography of the late 19th century, French School, (19th century) / Bridgeman Images

King Alfonso V the Magnanimous (v. 1396-1458), king of Aragon, conquees the kingdom of Naples. Engraving in “” History of the Popes (...) Crimes of the Queen King and Emperors through the centuries” by Maurice Lachatre, 1863.
King Alfonso V the Magnanimous (v. 1396-1458), king of Aragon, conquees the kingdom of Naples. Engraving in “” History of the Popes (...) Crimes of the Queen King and Emperors through the centuries” by Maurice Lachatre, 1863.

XEE4143052: King Alfonso V the Magnanimous (v. 1396-1458), king of Aragon, conquees the kingdom of Naples. Engraving in “” History of the Popes (...) Crimes of the Queen King and Emperors through the centuries” by Maurice Lachatre, 1863., French School, (19th century) / Bridgeman Images

Le Ventru Chanson de Beranger in “” Works Completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter.
Le Ventru Chanson de Beranger in “” Works Completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter.

XEE4404476: Le Ventru Chanson de Beranger in “” Works Completes”” (1834) by Pierre Jean de Beranger (1780-1857), French poet and songwriter., French School, (19th century) / Bridgeman Images

Portrait of Charles (Carl) XV (1826-1872), King of Sweden and Norway. Engraving in “” le Monde Illustrous”” n°119 of 23 July 1859.
Portrait of Charles (Carl) XV (1826-1872), King of Sweden and Norway. Engraving in “” le Monde Illustrous”” n°119 of 23 July 1859.

XEE4143586: Portrait of Charles (Carl) XV (1826-1872), King of Sweden and Norway. Engraving in “” le Monde Illustrous”” n°119 of 23 July 1859., French School, (19th century) / Bridgeman Images

Portrait of Felicita Vestvali (1824-1880), Polish singer, in the role of Romeo in the first act of “Romeo and Juliet” at the Paris Opera, 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859.
Portrait of Felicita Vestvali (1824-1880), Polish singer, in the role of Romeo in the first act of “Romeo and Juliet” at the Paris Opera, 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859.

XEE4143922: Portrait of Felicita Vestvali (1824-1880), Polish singer, in the role of Romeo in the first act of “Romeo and Juliet” at the Paris Opera, 1859. Engraving in “” Le Monde Illustré”” n°127 of 17 September 1859., French School, (19th century) / Bridgeman Images

Un forest de banians, en India, 1857. Engraving in “Le Monde Illustré” n°29 of October 31, 1857.
Un forest de banians, en India, 1857. Engraving in “Le Monde Illustré” n°29 of October 31, 1857.

XEE4136495: Un forest de banians, en India, 1857. Engraving in “Le Monde Illustré” n°29 of October 31, 1857., French School, (19th century) / Bridgeman Images

Portrait of Etienne Delessert (1735 -1816) French banker and industrialist, 1833 (engraving)
Portrait of Etienne Delessert (1735 -1816) French banker and industrialist, 1833 (engraving)

XEE4136582: Portrait of Etienne Delessert (1735 -1816) French banker and industrialist, 1833 (engraving), French School, (19th century) / Bridgeman Images

Portrait of Theophile Malo Corret de La Tour (or Latour) d'Auvergne (Theophile-Malo de La Tour d'Auvergne-Corret) (1743-1800) , 1833 (engraving)
Portrait of Theophile Malo Corret de La Tour (or Latour) d'Auvergne (Theophile-Malo de La Tour d'Auvergne-Corret) (1743-1800) , 1833 (engraving)

XEE4136600: Portrait of Theophile Malo Corret de La Tour (or Latour) d'Auvergne (Theophile-Malo de La Tour d'Auvergne-Corret) (1743-1800) , 1833 (engraving), French School, (19th century) / Bridgeman Images

Portrait of Jean Antoine BEAUVISE (1786-1836) French Chemist, 1833 (engraving)
Portrait of Jean Antoine BEAUVISE (1786-1836) French Chemist, 1833 (engraving)

XEE4136606: Portrait of Jean Antoine BEAUVISE (1786-1836) French Chemist, 1833 (engraving), French School, (19th century) / Bridgeman Images

Portrait of Jules Alphonse Rene Poret Baron de Blosseville, (1802-1833), navigator and explorer, 1833 (engraving)
Portrait of Jules Alphonse Rene Poret Baron de Blosseville, (1802-1833), navigator and explorer, 1833 (engraving)

XEE4136634: Portrait of Jules Alphonse Rene Poret Baron de Blosseville, (1802-1833), navigator and explorer, 1833 (engraving), French School, (19th century) / Bridgeman Images

View of the district of the city of Kastrich, in Mainz (Germany), after the explosion of the powder keg in 1857. From a photograph. Engraving in “” Le Monde Illustré”” n°36 of 19 December 1857.
View of the district of the city of Kastrich, in Mainz (Germany), after the explosion of the powder keg in 1857. From a photograph. Engraving in “” Le Monde Illustré”” n°36 of 19 December 1857.

XEE4136877: View of the district of the city of Kastrich, in Mainz (Germany), after the explosion of the powder keg in 1857. From a photograph. Engraving in “” Le Monde Illustré”” n°36 of 19 December 1857., French School, (19th century) / Bridgeman Images

View of Fort Williams, on the banks of the Ganges. India, 1857. Engraving in “” Le Monde Illustré”” n°35 of 12 December 1857.
View of Fort Williams, on the banks of the Ganges. India, 1857. Engraving in “” Le Monde Illustré”” n°35 of 12 December 1857.

XEE4136933: View of Fort Williams, on the banks of the Ganges. India, 1857. Engraving in “” Le Monde Illustré”” n°35 of 12 December 1857., French School, (19th century) / Bridgeman Images

Christmas festival in Alsace: the Christmas Fair (of Little Jesus) in Strasbourg in 1857. Engraving in “” Le Monde Illustré”” n°38 of January 2, 1858.
Christmas festival in Alsace: the Christmas Fair (of Little Jesus) in Strasbourg in 1857. Engraving in “” Le Monde Illustré”” n°38 of January 2, 1858.

XEE4137456: Christmas festival in Alsace: the Christmas Fair (of Little Jesus) in Strasbourg in 1857. Engraving in “” Le Monde Illustré”” n°38 of January 2, 1858., French School, (19th century) / Bridgeman Images

Transformations of Paris under the Second Empire, Haussmann Paris. Construction of the Sewer Collector, 1858: the threshing. Engraving in “” Le Monde Illustré”” n°43 of 6 February 1858.
Transformations of Paris under the Second Empire, Haussmann Paris. Construction of the Sewer Collector, 1858: the threshing. Engraving in “” Le Monde Illustré”” n°43 of 6 February 1858.

XEE4137623: Transformations of Paris under the Second Empire, Haussmann Paris. Construction of the Sewer Collector, 1858: the threshing. Engraving in “” Le Monde Illustré”” n°43 of 6 February 1858., French School, (19th century) / Bridgeman Images

Filial love. A young man seductive three young women in the countryside. Engraving in “” Chants et chansons populaire de la France””, Tome 2, 1848. Private Collection
Filial love. A young man seductive three young women in the countryside. Engraving in “” Chants et chansons populaire de la France””, Tome 2, 1848. Private Collection

XEE4137658: Filial love. A young man seductive three young women in the countryside. Engraving in “” Chants et chansons populaire de la France””, Tome 2, 1848. Private Collection, French School, (19th century) / Bridgeman Images

Gallo Romaine architecture, Paris, 1858: ruins of the Palais des Thermes (2nd-3rd century). Engraving in “” Le Monde Illustré”” n°63 of 26 June 1858.
Gallo Romaine architecture, Paris, 1858: ruins of the Palais des Thermes (2nd-3rd century). Engraving in “” Le Monde Illustré”” n°63 of 26 June 1858.

XEE4137672: Gallo Romaine architecture, Paris, 1858: ruins of the Palais des Thermes (2nd-3rd century). Engraving in “” Le Monde Illustré”” n°63 of 26 June 1858., French School, (19th century) / Bridgeman Images

Explosion aboard the training ship “Suffren”, 1858: funeral convoy of gunmen. Iles d'Hyeres, Var (83). Engraving in “” Le Monde Illustré”” n°56 of 8 May 1858.
Explosion aboard the training ship “Suffren”, 1858: funeral convoy of gunmen. Iles d'Hyeres, Var (83). Engraving in “” Le Monde Illustré”” n°56 of 8 May 1858.

XEE4137875: Explosion aboard the training ship “Suffren”, 1858: funeral convoy of gunmen. Iles d'Hyeres, Var (83). Engraving in “” Le Monde Illustré”” n°56 of 8 May 1858., French School, (19th century) / Bridgeman Images

Algerian custom - wedding: torchlight walk on wedding night in the streets of Tlemcen in Algeria, 1858 (engraving)
Algerian custom - wedding: torchlight walk on wedding night in the streets of Tlemcen in Algeria, 1858 (engraving)

XEE4138669: Algerian custom - wedding: torchlight walk on wedding night in the streets of Tlemcen in Algeria, 1858 (engraving), French School, (19th century) / Bridgeman Images

The Ghat de Benares (present-day Vanarasi) (ghat designating the steps that cover the banks of the rivers and the banks of the basins and reservoirs that allow to descend in contact with water), engraved after G. Moynet's drawing, illustrating the voyage to India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “Le tour du monde” 1874, Edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
The Ghat de Benares (present-day Vanarasi) (ghat designating the steps that cover the banks of the rivers and the banks of the basins and reservoirs that allow to descend in contact with water), engraved after G. Moynet's drawing, illustrating the voyage to India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “Le tour du monde” 1874, Edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329638: The Ghat de Benares (present-day Vanarasi) (ghat designating the steps that cover the banks of the rivers and the banks of the basins and reservoirs that allow to descend in contact with water), engraved after G. Moynet's drawing, illustrating the voyage to India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “Le tour du monde” 1874, Edited by Edouard Charton, edition Hachette, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

Gracious Paraguayan women descending to the river, jug on the head and cigar on the corner of the lips, engraving after D.Maillart's drawing, illustrating the voyage to Paraguay in 1872-1873, by L.Forgues, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Gracious Paraguayan women descending to the river, jug on the head and cigar on the corner of the lips, engraving after D.Maillart's drawing, illustrating the voyage to Paraguay in 1872-1873, by L.Forgues, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329777: Gracious Paraguayan women descending to the river, jug on the head and cigar on the corner of the lips, engraving after D.Maillart's drawing, illustrating the voyage to Paraguay in 1872-1873, by L.Forgues, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

Portrait of Madeleine of France, Princess of Viane (1443-1495), regente of the Kingdom of France from 1470 to 1494. Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Portrait of Madeleine of France, Princess of Viane (1443-1495), regente of the Kingdom of France from 1470 to 1494. Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330602: Portrait of Madeleine of France, Princess of Viane (1443-1495), regente of the Kingdom of France from 1470 to 1494. Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

Hussard costume with his horse. Colour engraving after a drawing by C.Vernet, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Hussard costume with his horse. Colour engraving after a drawing by C.Vernet, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330715: Hussard costume with his horse. Colour engraving after a drawing by C.Vernet, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

Femme Okanda has her toilet, drawing by D.Maillard, to illustrate the story of a trip to Gabon and the Ogoue River, in 1875-1877, by Alfred Marche. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.
Femme Okanda has her toilet, drawing by D.Maillard, to illustrate the story of a trip to Gabon and the Ogoue River, in 1875-1877, by Alfred Marche. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection.

LSE4331268: Femme Okanda has her toilet, drawing by D.Maillard, to illustrate the story of a trip to Gabon and the Ogoue River, in 1875-1877, by Alfred Marche. Engraving in Le tour du monde, 1878, directed by Edouard Charton, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

Les Indiens Galibis (or Kalinas) making pottery, engraving by D.Maillart, to illustrate the voyage of exploration in the interior of Guiana by Dr. Jules Crevaux, doctor of the French Navy, in 1876-1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.
Les Indiens Galibis (or Kalinas) making pottery, engraving by D.Maillart, to illustrate the voyage of exploration in the interior of Guiana by Dr. Jules Crevaux, doctor of the French Navy, in 1876-1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection.

LSE4332031: Les Indiens Galibis (or Kalinas) making pottery, engraving by D.Maillart, to illustrate the voyage of exploration in the interior of Guiana by Dr. Jules Crevaux, doctor of the French Navy, in 1876-1877, published in the tour du monde, under the direction of Edouard Charton, 1879, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

Indian of the banks of the Oyapock, making fire, by means of a stem of reeds rubbed vividly into a cavite dug into a rod of redneck (or rocouyer), engraving after a drawing by D.Maillart, to illustrate the story De Cayenne aux Andes, by Jules Crevaux, doctor of the French navy, in 1878-1879, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.
Indian of the banks of the Oyapock, making fire, by means of a stem of reeds rubbed vividly into a cavite dug into a rod of redneck (or rocouyer), engraving after a drawing by D.Maillart, to illustrate the story De Cayenne aux Andes, by Jules Crevaux, doctor of the French navy, in 1878-1879, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection.

LSE4332262: Indian of the banks of the Oyapock, making fire, by means of a stem of reeds rubbed vividly into a cavite dug into a rod of redneck (or rocouyer), engraving after a drawing by D.Maillart, to illustrate the story De Cayenne aux Andes, by Jules Crevaux, doctor of the French navy, in 1878-1879, published in the tour du monde, under the direction of Edouard Charton, 1880, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

Discovered Canada: Attack of Fort Monsipi (Moose, then Saint Louis or Saint Louis) by Pierre Le Moyne d'Iberville (1661-1706) in 1686. Engraving from the end of the 19th century in “La nouvelle France” by Eugene Guenin.
Discovered Canada: Attack of Fort Monsipi (Moose, then Saint Louis or Saint Louis) by Pierre Le Moyne d'Iberville (1661-1706) in 1686. Engraving from the end of the 19th century in “La nouvelle France” by Eugene Guenin.

XEE4176955: Discovered Canada: Attack of Fort Monsipi (Moose, then Saint Louis or Saint Louis) by Pierre Le Moyne d'Iberville (1661-1706) in 1686. Engraving from the end of the 19th century in “La nouvelle France” by Eugene Guenin., French School, (19th century) / Bridgeman Images

Portrait of Mademoiselle de la Fayette (Louise de La Fayette 1618-1665) mistress in title but without functions of King Louis XIII seen the impotence of the sire”” Engraving in “Histoire des papes-kings-queens-et-empereurs a travers les centuries””” by Maurice Lachatre, 1863.
Portrait of Mademoiselle de la Fayette (Louise de La Fayette 1618-1665) mistress in title but without functions of King Louis XIII seen the impotence of the sire”” Engraving in “Histoire des papes-kings-queens-et-empereurs a travers les centuries””” by Maurice Lachatre, 1863.

XEE4177762: Portrait of Mademoiselle de la Fayette (Louise de La Fayette 1618-1665) mistress in title but without functions of King Louis XIII seen the impotence of the sire”” Engraving in “Histoire des papes-kings-queens-et-empereurs a travers les centuries””” by Maurice Lachatre, 1863., French School, (19th century) / Bridgeman Images


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