French School, (19th century) Assets (44107 in total)

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Theatrical representation: “” Claudie”” by George Sand (Aurore Dupin, Baronne Dudevant) (1804-1876). Paris, Theatre Cluny, 1879. Engraving in “” Le Monde Illustré”” n°1176 of October 11, 1879.
Theatrical representation: “” Claudie”” by George Sand (Aurore Dupin, Baronne Dudevant) (1804-1876). Paris, Theatre Cluny, 1879. Engraving in “” Le Monde Illustré”” n°1176 of October 11, 1879.

XEE4167733: Theatrical representation: “” Claudie”” by George Sand (Aurore Dupin, Baronne Dudevant) (1804-1876). Paris, Theatre Cluny, 1879. Engraving in “” Le Monde Illustré”” n°1176 of October 11, 1879., French School, (19th century) / Bridgeman Images

Portrait of Paul Henry Corintin Feval (Paul Feval pere, 1816-1887), French writer. Engraving from 1862-1863.
Portrait of Paul Henry Corintin Feval (Paul Feval pere, 1816-1887), French writer. Engraving from 1862-1863.

XEE4167802: Portrait of Paul Henry Corintin Feval (Paul Feval pere, 1816-1887), French writer. Engraving from 1862-1863., French School, (19th century) / Bridgeman Images

Portrait of Jean Auguste Pelage Brizeux (1803-1858), French poet.
Portrait of Jean Auguste Pelage Brizeux (1803-1858), French poet.

XEE4167809: Portrait of Jean Auguste Pelage Brizeux (1803-1858), French poet., French School, (19th century) / Bridgeman Images

Philippe Paul (Philip-Paul) de Segur (1780-1873), French diplomat and historian, writing the Russian campaign. Engraving from 1856.
Philippe Paul (Philip-Paul) de Segur (1780-1873), French diplomat and historian, writing the Russian campaign. Engraving from 1856.

XEE4167830: Philippe Paul (Philip-Paul) de Segur (1780-1873), French diplomat and historian, writing the Russian campaign. Engraving from 1856., French School, (19th century) / Bridgeman Images

Portrait of Charles IV of France, known as Charles the Bel (1294-1328) (dynasty of the Capetians). Illustration late 19th century.
Portrait of Charles IV of France, known as Charles the Bel (1294-1328) (dynasty of the Capetians). Illustration late 19th century.

XEE4167878: Portrait of Charles IV of France, known as Charles the Bel (1294-1328) (dynasty of the Capetians). Illustration late 19th century., French School, (19th century) / Bridgeman Images

Portrait of Charlotte de Savoie (1440-1483), wife of Louis XI of France. (Capetian dynasty). Illustration late 19th century.
Portrait of Charlotte de Savoie (1440-1483), wife of Louis XI of France. (Capetian dynasty). Illustration late 19th century.

XEE4167906: Portrait of Charlotte de Savoie (1440-1483), wife of Louis XI of France. (Capetian dynasty). Illustration late 19th century., French School, (19th century) / Bridgeman Images

Novel series: “Notre Dame de Paris” by Victor Hugo (1802-1885). The court of miracles. Engraving in “” Les bons romances””, 1860. Private collection.
Novel series: “Notre Dame de Paris” by Victor Hugo (1802-1885). The court of miracles. Engraving in “” Les bons romances””, 1860. Private collection.

XEE4168163: Novel series: “Notre Dame de Paris” by Victor Hugo (1802-1885). The court of miracles. Engraving in “” Les bons romances””, 1860. Private collection., French School, (19th century) / Bridgeman Images

Portrait of Alexander Count of Lameth (1760-1829), French general and politician during the French Revolution.
Portrait of Alexander Count of Lameth (1760-1829), French general and politician during the French Revolution.

XEE4168522: Portrait of Alexander Count of Lameth (1760-1829), French general and politician during the French Revolution., French School, (19th century) / Bridgeman Images

Portrait of Louis XIV (1638 - 1715), King of France.
Portrait of Louis XIV (1638 - 1715), King of France.

XEE4116360: Portrait of Louis XIV (1638 - 1715), King of France., French School, (19th century) / Bridgeman Images

A couple and a baby on a beach, 1861 (engraving)
A couple and a baby on a beach, 1861 (engraving)

XEE4117260: A couple and a baby on a beach, 1861 (engraving), French School, (19th century) / Bridgeman Images

Portrait of General Carré de Bellemarre.
Portrait of General Carré de Bellemarre.

XEE4117770: Portrait of General Carré de Bellemarre., French School, (19th century) / Bridgeman Images

The Diary of Margarita or the two years of preparation for the first communion by Miss V. Monniot.
The Diary of Margarita or the two years of preparation for the first communion by Miss V. Monniot.

XEE4118066: The Diary of Margarita or the two years of preparation for the first communion by Miss V. Monniot., French School, (19th century) / Bridgeman Images

The defeat of the Tuareg. French colonial troops under the command of Lieutenant-Colonel Joseph Joffre (1852-1931) - The Defeat of the Touareg. Illustration for Le Petit Journal, 30 April 1894 (engraving)
The defeat of the Tuareg. French colonial troops under the command of Lieutenant-Colonel Joseph Joffre (1852-1931) - The Defeat of the Touareg. Illustration for Le Petit Journal, 30 April 1894 (engraving)

XEE4158961: The defeat of the Tuareg. French colonial troops under the command of Lieutenant-Colonel Joseph Joffre (1852-1931) - The Defeat of the Touareg. Illustration for Le Petit Journal, 30 April 1894 (engraving), French School, (19th century) / Bridgeman Images

The Zola trial in Versailles  (Dreyfus Affair) - in “Le Petit Journal” of 31/07/1898 (lithograph)
The Zola trial in Versailles  (Dreyfus Affair) - in “Le Petit Journal” of 31/07/1898 (lithograph)

XEE4159323: The Zola trial in Versailles (Dreyfus Affair) - in “Le Petit Journal” of 31/07/1898 (lithograph), French School, (19th century) / Bridgeman Images

Saint Francois d'Assisi, engraving by Bertinot and Levasseur, according to the painting preserved at the Louvre de Benouville. Dim: 27x54cm. Arbaud Museum
Saint Francois d'Assisi, engraving by Bertinot and Levasseur, according to the painting preserved at the Louvre de Benouville. Dim: 27x54cm. Arbaud Museum

JEB4855012: Saint Francois d'Assisi, engraving by Bertinot and Levasseur, according to the painting preserved at the Louvre de Benouville. Dim: 27x54cm. Arbaud Museum, French School, (19th century) / Bridgeman Images

Charles IX and Catherine de Medicis - Caterina de 'Medici with her son Charles IX of France - engraving from “” L'histoire de France racontee a mes grandenfants”” - by Francois Guizot - 1872-1876
Charles IX and Catherine de Medicis - Caterina de 'Medici with her son Charles IX of France - engraving from “” L'histoire de France racontee a mes grandenfants”” - by Francois Guizot - 1872-1876

XEE4159616: Charles IX and Catherine de Medicis - Caterina de 'Medici with her son Charles IX of France - engraving from “” L'histoire de France racontee a mes grandenfants”” - by Francois Guizot - 1872-1876, French School, (19th century) / Bridgeman Images

Vichy salon & rotunda during a reception, 19th century (lithograph)
Vichy salon & rotunda during a reception, 19th century (lithograph)

JLJ4614743: Vichy salon & rotunda during a reception, 19th century (lithograph), French School, (19th century) / Bridgeman Images

Description of the various stages of making and uses of clay: Jesus and Samaritan carrying a clay jug in the Bible. Plate “” The clay and its products”” in “” Les Recreations instructives”” Synoptic painting by Jules DELBRUCK, engraving from 1860. Private collection.
Description of the various stages of making and uses of clay: Jesus and Samaritan carrying a clay jug in the Bible. Plate “” The clay and its products”” in “” Les Recreations instructives”” Synoptic painting by Jules DELBRUCK, engraving from 1860. Private collection.

XEE4190069: Description of the various stages of making and uses of clay: Jesus and Samaritan carrying a clay jug in the Bible. Plate “” The clay and its products”” in “” Les Recreations instructives”” Synoptic painting by Jules DELBRUCK, engraving from 1860. Private collection., French School, (19th century) / Bridgeman Images

Description of the different products and uses of paper: old paper is picked up to become rag again. Plate “” Le papier et ses produits”” in “” les Recreations instructives”” Synoptique painting by Jules Delbruck, engraving from 1860. Private collection.
Description of the different products and uses of paper: old paper is picked up to become rag again. Plate “” Le papier et ses produits”” in “” les Recreations instructives”” Synoptique painting by Jules Delbruck, engraving from 1860. Private collection.

XEE4190197: Description of the different products and uses of paper: old paper is picked up to become rag again. Plate “” Le papier et ses produits”” in “” les Recreations instructives”” Synoptique painting by Jules Delbruck, engraving from 1860. Private collection., French School, (19th century) / Bridgeman Images

Pepin the Brief crossing the Alps at the head of the Francs to rescue the pope against the Lombards.
Pepin the Brief crossing the Alps at the head of the Francs to rescue the pope against the Lombards.

XEE4191051: Pepin the Brief crossing the Alps at the head of the Francs to rescue the pope against the Lombards., French School, (19th century) / Bridgeman Images

Les travaux d'Hercule (Heracles), late 19th century (print)
Les travaux d'Hercule (Heracles), late 19th century (print)

XEE4191696: Les travaux d'Hercule (Heracles), late 19th century (print), French School, (19th century) / Bridgeman Images

Illustration of the Arabian Nights tale
Illustration of the Arabian Nights tale

XEE4191741: Illustration of the Arabian Nights tale "Aladdin and the Wonderful Lamp", late 19th century (print), French School, (19th century) / Bridgeman Images

The ragpicker. (print) in
The ragpicker. (print) in

XEE4191846: The ragpicker. (print) in "La chanson des metier", late 19th century (print), French School, (19th century) / Bridgeman Images

Overview of the swimming pool on Rue Saint Honore, in Paris. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.
Overview of the swimming pool on Rue Saint Honore, in Paris. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886.

XEE4192105: Overview of the swimming pool on Rue Saint Honore, in Paris. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886., French School, (19th century) / Bridgeman Images

The draw of financial securities (system of payment of loans by repayable bonds): an overview of the wheel of the numbers of a draw, by twelve Casanova machines operating simultaneously. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1891.
The draw of financial securities (system of payment of loans by repayable bonds): an overview of the wheel of the numbers of a draw, by twelve Casanova machines operating simultaneously. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1891.

XEE4192188: The draw of financial securities (system of payment of loans by repayable bonds): an overview of the wheel of the numbers of a draw, by twelve Casanova machines operating simultaneously. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1891., French School, (19th century) / Bridgeman Images

Portrait of Adam Philippe de Custine (1740-1793) general francais. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection
Portrait of Adam Philippe de Custine (1740-1793) general francais. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection

XEE4192395: Portrait of Adam Philippe de Custine (1740-1793) general francais. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection, French School, (19th century) / Bridgeman Images

Saturday night at the circus in Paris, 1885. A newspaper. Engraving in “” Le Monde Illustré”, 11 July 1885.
Saturday night at the circus in Paris, 1885. A newspaper. Engraving in “” Le Monde Illustré”, 11 July 1885.

XEE4192541: Saturday night at the circus in Paris, 1885. A newspaper. Engraving in “” Le Monde Illustré”, 11 July 1885., French School, (19th century) / Bridgeman Images

The Swiss philosopher Jean Jacques (Jean-Jacques) Rousseau (1712-1778) helped Mademoiselle Galley cross a stream. Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).
The Swiss philosopher Jean Jacques (Jean-Jacques) Rousseau (1712-1778) helped Mademoiselle Galley cross a stream. Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).

XEE4192560: The Swiss philosopher Jean Jacques (Jean-Jacques) Rousseau (1712-1778) helped Mademoiselle Galley cross a stream. Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892)., French School, (19th century) / Bridgeman Images

Without a guard of the king whom they happily met, it is likely that they would walk again. The Abbe of Fremicourt tried to convince the Marquise of Montespan (Francoise Athenais) by Rochechouart Mortemart (or Madame de Montespan) (1640-1707) to leave the court of Versailles, during a carriage ride in 1684. Engraving from 1871 in “Histoire Des Cocuses Celebres”” by Henry de Kock (1819-1892).
Without a guard of the king whom they happily met, it is likely that they would walk again. The Abbe of Fremicourt tried to convince the Marquise of Montespan (Francoise Athenais) by Rochechouart Mortemart (or Madame de Montespan) (1640-1707) to leave the court of Versailles, during a carriage ride in 1684. Engraving from 1871 in “Histoire Des Cocuses Celebres”” by Henry de Kock (1819-1892).

XEE4192648: Without a guard of the king whom they happily met, it is likely that they would walk again. The Abbe of Fremicourt tried to convince the Marquise of Montespan (Francoise Athenais) by Rochechouart Mortemart (or Madame de Montespan) (1640-1707) to leave the court of Versailles, during a carriage ride in 1684. Engraving from 1871 in “Histoire Des Cocuses Celebres”” by Henry de Kock (1819-1892)., French School, (19th century) / Bridgeman Images

Prince Don Carlos (1545-1568) with Melles d'Harancourt et de Limoux, bridesmaids to Queen Elisabeth (Elisabeth of France or Isabelle de Valois, 1545-1568). He asks them to let him see the queen he's in love with. Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).
Prince Don Carlos (1545-1568) with Melles d'Harancourt et de Limoux, bridesmaids to Queen Elisabeth (Elisabeth of France or Isabelle de Valois, 1545-1568). He asks them to let him see the queen he's in love with. Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).

XEE4192669: Prince Don Carlos (1545-1568) with Melles d'Harancourt et de Limoux, bridesmaids to Queen Elisabeth (Elisabeth of France or Isabelle de Valois, 1545-1568). He asks them to let him see the queen he's in love with. Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892)., French School, (19th century) / Bridgeman Images

Jean de Laval Comte de Chateaubriant (Laval-Chateaubriant) (1486-1543) fled to England after having murdered his wife Francoise de Foix, Countess of Chateaubriant (ca. 1495-1537). Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).
Jean de Laval Comte de Chateaubriant (Laval-Chateaubriant) (1486-1543) fled to England after having murdered his wife Francoise de Foix, Countess of Chateaubriant (ca. 1495-1537). Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892).

XEE4192711: Jean de Laval Comte de Chateaubriant (Laval-Chateaubriant) (1486-1543) fled to England after having murdered his wife Francoise de Foix, Countess of Chateaubriant (ca. 1495-1537). Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892)., French School, (19th century) / Bridgeman Images

Fredegonde (545-597) confides his concerns to harp player Barbantini because his lover Chilperic (then the King of the Francs Chilperic I (543-597), did not marry him. 565. Engraving from 1871 in “Histoire Des Cocuses Celebres”” by Henry de Kock (1819-1892).
Fredegonde (545-597) confides his concerns to harp player Barbantini because his lover Chilperic (then the King of the Francs Chilperic I (543-597), did not marry him. 565. Engraving from 1871 in “Histoire Des Cocuses Celebres”” by Henry de Kock (1819-1892).

XEE4192746: Fredegonde (545-597) confides his concerns to harp player Barbantini because his lover Chilperic (then the King of the Francs Chilperic I (543-597), did not marry him. 565. Engraving from 1871 in “Histoire Des Cocuses Celebres”” by Henry de Kock (1819-1892)., French School, (19th century) / Bridgeman Images

Portrait of Sebastian Julian Gayarre Garjon (1844-1890), Spanish tenor. Engraving in “” Le Monde Illustré””, March 20, 1886.
Portrait of Sebastian Julian Gayarre Garjon (1844-1890), Spanish tenor. Engraving in “” Le Monde Illustré””, March 20, 1886.

XEE4192841: Portrait of Sebastian Julian Gayarre Garjon (1844-1890), Spanish tenor. Engraving in “” Le Monde Illustré””, March 20, 1886., French School, (19th century) / Bridgeman Images

Portrait of Henri Legrand du Saulle (1830-1886), French psychiatrist. Engraving in “” Le Monde Illustré””, 15 May 1886.
Portrait of Henri Legrand du Saulle (1830-1886), French psychiatrist. Engraving in “” Le Monde Illustré””, 15 May 1886.

XEE4192851: Portrait of Henri Legrand du Saulle (1830-1886), French psychiatrist. Engraving in “” Le Monde Illustré””, 15 May 1886., French School, (19th century) / Bridgeman Images

Portrait of Karl Daubigny (1846-1886), French painter. Engraving in “” Le Monde Illustré””, June 5, 1886.
Portrait of Karl Daubigny (1846-1886), French painter. Engraving in “” Le Monde Illustré””, June 5, 1886.

XEE4192895: Portrait of Karl Daubigny (1846-1886), French painter. Engraving in “” Le Monde Illustré””, June 5, 1886., French School, (19th century) / Bridgeman Images

Portrait of Francoise Marie Amelie d'Orleans, Duchess of Chartres (1844-1925). Engraving in “” Le Monde Illustré””, 26 June 1886.
Portrait of Francoise Marie Amelie d'Orleans, Duchess of Chartres (1844-1925). Engraving in “” Le Monde Illustré””, 26 June 1886.

XEE4192910: Portrait of Francoise Marie Amelie d'Orleans, Duchess of Chartres (1844-1925). Engraving in “” Le Monde Illustré””, 26 June 1886., French School, (19th century) / Bridgeman Images


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