French School, (19th century) Assets (42261 in total)
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XEE4191736: Illustration of the Arabian Nights tale "Aladdin and the Wonderful Lamp", late 19th century (print), French School, (19th century) / Bridgeman Images
XEE4191741: Illustration of the Arabian Nights tale "Aladdin and the Wonderful Lamp", late 19th century (print), French School, (19th century) / Bridgeman Images
XEE4191844: The Blacksmith (print) in "La chanson des metier", late 19th century (print), French School, (19th century) / Bridgeman Images
XEE4191846: The ragpicker. (print) in "La chanson des metier", late 19th century (print), French School, (19th century) / Bridgeman Images
XEE4192105: Overview of the swimming pool on Rue Saint Honore, in Paris. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1886., French School, (19th century) / Bridgeman Images
XEE4192137: Trepanation of a rabbit in the laboratory of Louis Pasteur, 1886 (engraving), French School, (19th century) / Bridgeman Images
XEE4192188: The draw of financial securities (system of payment of loans by repayable bonds): an overview of the wheel of the numbers of a draw, by twelve Casanova machines operating simultaneously. Engraving in “” La Nature. Revue des sciences et de ses applications aux arts et a l'industrie”, 1891., French School, (19th century) / Bridgeman Images
XEE4192394: Portrait of Barthelemy Louis Joseph Scherer (1747-1804), Minister of War. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection, French School, (19th century) / Bridgeman Images
XEE4192395: Portrait of Adam Philippe de Custine (1740-1793) general francais. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection, French School, (19th century) / Bridgeman Images
XEE4192409: Portrait of Joseph Leopolde Sigisbert Hugo (1773-1828), General of the First Empire, father of Victor Hugo. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection, French School, (19th century) / Bridgeman Images
XEE4192436: Portrait of Georges Beuret, French Brigadier General (1803-1859), officer of the Legion of Honour. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection, French School, (19th century) / Bridgeman Images
XEE4192437: Portrait of Emile Henry Mellinet (1798-1894) general francais. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection, French School, (19th century) / Bridgeman Images
XEE4192450: Portrait of Charles Marie Napoleon de Beaufort d'Hautpoul (1804-1890) general francais. Engraving in “Les Illustrations De L'armee Francaise de 1789 a 1880””, 1881. Private Collection, French School, (19th century) / Bridgeman Images
XEE4192536: Exposition universelle d'Anvers (Belgique) en 1885 : vue des batiments de l'exposition. Gravure in ""Le Monde Illustre"", 22 aout 1885., French School, (19th century) / Bridgeman Images
XEE4192541: Saturday night at the circus in Paris, 1885. A newspaper. Engraving in “” Le Monde Illustré”, 11 July 1885., French School, (19th century) / Bridgeman Images
XEE4192544: Vue exterieure des nouveaux batiments de la Sorbonne a Paris (facade principale) realisee par Henri-Paul (Henri Paul) Nenot (1853-1934), 1er aout 1885. Gravure in ""Le Monde Illustre"", 1885., French School, (19th century) / Bridgeman Images
XEE4192560: The Swiss philosopher Jean Jacques (Jean-Jacques) Rousseau (1712-1778) helped Mademoiselle Galley cross a stream. Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892)., French School, (19th century) / Bridgeman Images
XEE4190056: Description of the various stages of manufacture and uses of clay: crushing, peeling and screening of clay. Plate “” The clay and its products”” in “” Les Recreations instructives”” Synoptic painting by Jules DELBRUCK, engraving from 1860. Private collection., French School, (19th century) / Bridgeman Images
XEE4190069: Description of the various stages of making and uses of clay: Jesus and Samaritan carrying a clay jug in the Bible. Plate “” The clay and its products”” in “” Les Recreations instructives”” Synoptic painting by Jules DELBRUCK, engraving from 1860. Private collection., French School, (19th century) / Bridgeman Images
XEE4190095: Description of the various stages of manufacture and uses of glass: view of the interior of a glass factory. Plate “” Glass and its products”” in “” Les Recreations instructives”” Synoptic painting by Jules DELBRUCK, engraving from 1860. Private collection., French School, (19th century) / Bridgeman Images
XEE4190140: Description of the five senses: detail of the taste, the tasters of fine wines at the developpe palate savour glasses in a cellar. Plate “” Les cinq sens”” in “” les Recreations instructives”” Synoptique painting by Jules Delbruck, engraving from 1860. Private collection., French School, (19th century) / Bridgeman Images
XEE4190152: Description of the five senses: detail of the hearing, the recits during the night in the cottages, an old man uses an acoustic cone. Plate “” Les cinq sens”” in “” les Recreations instructives”” Synoptique painting by Jules Delbruck, engraving from 1860. Private collection., French School, (19th century) / Bridgeman Images
XEE4190163: Description of the five senses: smell, a bourgeois clogging her nostrils so as not to smell the bad smells of manure and dung. Plate “” Les cinq sens”” in “” les Recreations instructives”” Synoptique painting by Jules Delbruck, engraving from 1860. Private collection., French School, (19th century) / Bridgeman Images
XEE4190195: Description of the various products and uses of paper: reading public papers (newspapers). Plate “” Le papier et ses produits”” in “” les Recreations instructives”” Synoptique painting by Jules Delbruck, engraving from 1860. Private collection., French School, (19th century) / Bridgeman Images
XEE4190197: Description of the different products and uses of paper: old paper is picked up to become rag again. Plate “” Le papier et ses produits”” in “” les Recreations instructives”” Synoptique painting by Jules Delbruck, engraving from 1860. Private collection., French School, (19th century) / Bridgeman Images
XEE4190199: Description of the various products and uses of paper: activities in a stationery, making paper from rags, pulp, shapes and press. Plate “” Le papier et ses produits”” in “” les Recreations instructives”” Synoptique painting by Jules Delbruck, engraving from 1860. Private collection., French School, (19th century) / Bridgeman Images
XEE4190263: Description of the various uses and products of sheep: leather working and representation of products of sheepskin, hussard jacket, bellows, gloves, bindings and parchment, wallet and accessories. Plate “” Les moutons”” in “” les Recreations instructives”” Synoptique painting by Jules DELBRUCK, engraving from 1860. Private collection., French School, (19th century) / Bridgeman Images
XEE4190277: Description of the various jobs and sheep products: young dairy farmers making butter and cheeses in a dairy. Plate “” Les moutons”” in “” les Recreations instructives”” Synoptique painting by Jules DELBRUCK, engraving from 1860. Private collection., French School, (19th century) / Bridgeman Images
XEE4190329: Description of children's leisure and play: learning adult metiers (sculptor, blacksmith and carpenter) by little boys. Plate “” les jeux de l'enfance”” in “” les Recreations instructives”” Synoptique painting by Jules DELBRUCK, engraving from 1860. Private collection., French School, (19th century) / Bridgeman Images
XEE4190404: Description of the culture and silk products: a lime in crepe de chine, a velvet coat with lace, silk sleeves and a fancy dress. Plate “” la soie”” in “” les Recreations instructives”” Synoptique painting by Jules DELBRUCK, engraving from 1860. Private collection., French School, (19th century) / Bridgeman Images
XEE4192648: Without a guard of the king whom they happily met, it is likely that they would walk again. The Abbe of Fremicourt tried to convince the Marquise of Montespan (Francoise Athenais) by Rochechouart Mortemart (or Madame de Montespan) (1640-1707) to leave the court of Versailles, during a carriage ride in 1684. Engraving from 1871 in “Histoire Des Cocuses Celebres”” by Henry de Kock (1819-1892)., French School, (19th century) / Bridgeman Images
XEE4192657: Jumping like a furious, grabbing the duke by his coat... Queen of France Anne of Austria (1601-1666) and the Duke of Buckingham (George Villiers, 1592-1628) are surprised by Madame de Lannoy, a lady of honour. Engraving from 1871 in “Histoire Des Cocuses Celebres”” by Henry de Kock (1819-1892)., French School, (19th century) / Bridgeman Images
XEE4192669: Prince Don Carlos (1545-1568) with Melles d'Harancourt et de Limoux, bridesmaids to Queen Elisabeth (Elisabeth of France or Isabelle de Valois, 1545-1568). He asks them to let him see the queen he's in love with. Engraving from 1871 in “Histoire Des Cocus Celebres”” by Henry de Kock (1819-1892)., French School, (19th century) / Bridgeman Images
XEE4192805: Engraving in “The Illustrous World”, 3 April 1886., French School, (19th century) / Bridgeman Images
XEE4192829: Portrait of Antoine Marie d'Orleans, Duke of Montpensier, infant of Spain (1824-1890). Engraving in “” Le Monde Illustré””, 26 June 1886., French School, (19th century) / Bridgeman Images
