French School, (19th century) Assets (44107 in total)

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Portrait of Nicolas Copernicus (Nicolaus Copernicus, 1473-1543), Polish astronomer. In “” Portraits of Useful Men””, 1833-1836.
Portrait of Nicolas Copernicus (Nicolaus Copernicus, 1473-1543), Polish astronomer. In “” Portraits of Useful Men””, 1833-1836.

LSE4317510: Portrait of Nicolas Copernicus (Nicolaus Copernicus, 1473-1543), Polish astronomer. In “” Portraits of Useful Men””, 1833-1836., French School, (19th century) / Bridgeman Images

Portrait of Robert Fulton (1765-1815), American engineer. In “” Portraits of Useful Men””, 1833-1836.
Portrait of Robert Fulton (1765-1815), American engineer. In “” Portraits of Useful Men””, 1833-1836.

LSE4317246: Portrait of Robert Fulton (1765-1815), American engineer. In “” Portraits of Useful Men””, 1833-1836., French School, (19th century) / Bridgeman Images

Portrait of Maximilian de Bethune, Baron de Rosny and Duke of Sully (1560-1641), French statesman, and advisor to King Henry IV. in “Portraits des Hommes Useful”, 1833-1836.
Portrait of Maximilian de Bethune, Baron de Rosny and Duke of Sully (1560-1641), French statesman, and advisor to King Henry IV. in “Portraits des Hommes Useful”, 1833-1836.

LSE4318178: Portrait of Maximilian de Bethune, Baron de Rosny and Duke of Sully (1560-1641), French statesman, and advisor to King Henry IV. in “Portraits des Hommes Useful”, 1833-1836., French School, (19th century) / Bridgeman Images

Portrait of Carl von Linne (1707-1778), Swedish doctor and botanist. in “” Portraits des Hommes Useful””, 1833-1836.
Portrait of Carl von Linne (1707-1778), Swedish doctor and botanist. in “” Portraits des Hommes Useful””, 1833-1836.

LSE4317728: Portrait of Carl von Linne (1707-1778), Swedish doctor and botanist. in “” Portraits des Hommes Useful””, 1833-1836., French School, (19th century) / Bridgeman Images

Portrait of Christoph Wilibald, knight von Gluck (1714-1787), German composer. In “” Portraits of Useful Men””, 1833-1836.
Portrait of Christoph Wilibald, knight von Gluck (1714-1787), German composer. In “” Portraits of Useful Men””, 1833-1836.

LSE4316955: Portrait of Christoph Wilibald, knight von Gluck (1714-1787), German composer. In “” Portraits of Useful Men””, 1833-1836., French School, (19th century) / Bridgeman Images

Portrait of Stanislaus I Leczinsky or Leszczynski (1677-1766), king of Poland. in “Portraits of Useful Men”, 1833-1836.
Portrait of Stanislaus I Leczinsky or Leszczynski (1677-1766), king of Poland. in “Portraits of Useful Men”, 1833-1836.

LSE4318195: Portrait of Stanislaus I Leczinsky or Leszczynski (1677-1766), king of Poland. in “Portraits of Useful Men”, 1833-1836., French School, (19th century) / Bridgeman Images

Portrait of Sir Humphry Davy (1778-1829), English chemist and physicist. in “Portraits des Hommes Useful”, 1833-1836.
Portrait of Sir Humphry Davy (1778-1829), English chemist and physicist. in “Portraits des Hommes Useful”, 1833-1836.

LSE4317301: Portrait of Sir Humphry Davy (1778-1829), English chemist and physicist. in “Portraits des Hommes Useful”, 1833-1836., French School, (19th century) / Bridgeman Images

Portrait of John Fothergill (1712-1780), English physician. in “” Portraits des Hommes Useful”, 1833-1836.
Portrait of John Fothergill (1712-1780), English physician. in “” Portraits des Hommes Useful”, 1833-1836.

LSE4317419: Portrait of John Fothergill (1712-1780), English physician. in “” Portraits des Hommes Useful”, 1833-1836., French School, (19th century) / Bridgeman Images

Portrait of Adam de Craponne (1527-1576), French mathematician and engineer. In “” Portraits of Useful Men””, 1833-1836.
Portrait of Adam de Craponne (1527-1576), French mathematician and engineer. In “” Portraits of Useful Men””, 1833-1836.

LSE4316740: Portrait of Adam de Craponne (1527-1576), French mathematician and engineer. In “” Portraits of Useful Men””, 1833-1836., French School, (19th century) / Bridgeman Images

Portrait of Pierre Paul de Riquet (1604-1680), French engineer. in “” Portraits des Hommes Useful””, 1833-1836.
Portrait of Pierre Paul de Riquet (1604-1680), French engineer. in “” Portraits des Hommes Useful””, 1833-1836.

LSE4318176: Portrait of Pierre Paul de Riquet (1604-1680), French engineer. in “” Portraits des Hommes Useful””, 1833-1836., French School, (19th century) / Bridgeman Images

The Bay of Nagasaki, drawing by French, to illustrate the voyage to China and Japan, in 1857-1858, of the Marquis de Moges. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.
The Bay of Nagasaki, drawing by French, to illustrate the voyage to China and Japan, in 1857-1858, of the Marquis de Moges. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection.

LSE4324418: The Bay of Nagasaki, drawing by French, to illustrate the voyage to China and Japan, in 1857-1858, of the Marquis de Moges. Engraving in “” Le tour du monde, nouveau journal des voyages”” Paris, 1860. Selva's collection., French School, (19th century) / Bridgeman Images

Napoleon gives his coat to a wounded soldier during the Battle of Ulm, 19th century (Epinal print)
Napoleon gives his coat to a wounded soldier during the Battle of Ulm, 19th century (Epinal print)

LSE4321023: Napoleon gives his coat to a wounded soldier during the Battle of Ulm, 19th century (Epinal print), French School, (19th century) / Bridgeman Images

Blacksmith has the work at Fouta Djalon (Senegal), drawing by Hadamard, to illustrate Lieutenant Lambert's journey to the Fouta Djalon in 1860. Engraving in “” Le tour du monde”” 1861. Selva's collection.
Blacksmith has the work at Fouta Djalon (Senegal), drawing by Hadamard, to illustrate Lieutenant Lambert's journey to the Fouta Djalon in 1860. Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324583: Blacksmith has the work at Fouta Djalon (Senegal), drawing by Hadamard, to illustrate Lieutenant Lambert's journey to the Fouta Djalon in 1860. Engraving in “” Le tour du monde”” 1861. Selva's collection., French School, (19th century) / Bridgeman Images

Napoleon at the bridge of Lodi (1796), 19th century (Epinal print)
Napoleon at the bridge of Lodi (1796), 19th century (Epinal print)

LSE4320986: Napoleon at the bridge of Lodi (1796), 19th century (Epinal print), French School, (19th century) / Bridgeman Images

Chinese server in San Francisco, USA in the 19th century. Engraving after a drawing by Maillart, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1876.
Chinese server in San Francisco, USA in the 19th century. Engraving after a drawing by Maillart, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1876.

LSE4322359: Chinese server in San Francisco, USA in the 19th century. Engraving after a drawing by Maillart, in “” Le Tour du Monde, Nouveau journal des Voyages””, edited by Edouard Charton, Paris, 1876., French School, (19th century) / Bridgeman Images

Veloce-Sport et Bicycle, in the illustrated weekly magazine of cycling, athletic sports and motorism. Publication in “Tales de Pantruche et d'ailleurs” by Tristan Bernard, Petite Collection du “” Rire”, F. Juven & Compagnie, Paris, 1897.
Veloce-Sport et Bicycle, in the illustrated weekly magazine of cycling, athletic sports and motorism. Publication in “Tales de Pantruche et d'ailleurs” by Tristan Bernard, Petite Collection du “” Rire”, F. Juven & Compagnie, Paris, 1897.

LSE4323124: Veloce-Sport et Bicycle, in the illustrated weekly magazine of cycling, athletic sports and motorism. Publication in “Tales de Pantruche et d'ailleurs” by Tristan Bernard, Petite Collection du “” Rire”, F. Juven & Compagnie, Paris, 1897., French School, (19th century) / Bridgeman Images

Apotheose of Napoleon I (Epinal print)
Apotheose of Napoleon I (Epinal print)

LSE4321025: Apotheose of Napoleon I (Epinal print), French School, (19th century) / Bridgeman Images

Reading illustrated. Publication in “Tales de Pantruche et d'ailleurs” by Tristan Bernard, Petite Collection du “” Rire”, F. Juven & Compagnie, Paris, 1897.
Reading illustrated. Publication in “Tales de Pantruche et d'ailleurs” by Tristan Bernard, Petite Collection du “” Rire”, F. Juven & Compagnie, Paris, 1897.

LSE4323117: Reading illustrated. Publication in “Tales de Pantruche et d'ailleurs” by Tristan Bernard, Petite Collection du “” Rire”, F. Juven & Compagnie, Paris, 1897., French School, (19th century) / Bridgeman Images

Napoleon greeted on his return from the island of Elba, 19th century (Epinal print)
Napoleon greeted on his return from the island of Elba, 19th century (Epinal print)

LSE4321022: Napoleon greeted on his return from the island of Elba, 19th century (Epinal print), French School, (19th century) / Bridgeman Images

Return of Napoleon from the Elba Island , 19th century (Epinal print)
Return of Napoleon from the Elba Island , 19th century (Epinal print)

LSE4321026: Return of Napoleon from the Elba Island , 19th century (Epinal print), French School, (19th century) / Bridgeman Images

La tarantella, (Tarantella napoletana) drawing by Bergue, to illustrate Naples and the Neapolitans, in 1861, by Marc Monnier (1829-1885). Engraving in “” Le tour du monde”” 1861. Selva's collection.
La tarantella, (Tarantella napoletana) drawing by Bergue, to illustrate Naples and the Neapolitans, in 1861, by Marc Monnier (1829-1885). Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324611: La tarantella, (Tarantella napoletana) drawing by Bergue, to illustrate Naples and the Neapolitans, in 1861, by Marc Monnier (1829-1885). Engraving in “” Le tour du monde”” 1861. Selva's collection., French School, (19th century) / Bridgeman Images

A shop at Para, illustration for Mr.Biard's trip to Brazil in 1858-1859. Engraving in “” Le tour du monde”” 1861. Selva's collection.
A shop at Para, illustration for Mr.Biard's trip to Brazil in 1858-1859. Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324635: A shop at Para, illustration for Mr.Biard's trip to Brazil in 1858-1859. Engraving in “” Le tour du monde”” 1861. Selva's collection., French School, (19th century) / Bridgeman Images

The Kashmirian boatmen, in the vicinity of Srinagar (Shrinagar), in full work - Engraving to illustrate the story of Pandjab and Kashmir, by Guillaume Lejean in 1866, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris - Selva Collection
The Kashmirian boatmen, in the vicinity of Srinagar (Shrinagar), in full work - Engraving to illustrate the story of Pandjab and Kashmir, by Guillaume Lejean in 1866, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris - Selva Collection

LSE4329028: The Kashmirian boatmen, in the vicinity of Srinagar (Shrinagar), in full work - Engraving to illustrate the story of Pandjab and Kashmir, by Guillaume Lejean in 1866, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris - Selva Collection, French School, (19th century) / Bridgeman Images

L'abatage des bestiaux (Argentina), engraving after D.Maillart's drawing, illustrating the voyage to Paraguay in 1872-1873, by L.Forgues, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
L'abatage des bestiaux (Argentina), engraving after D.Maillart's drawing, illustrating the voyage to Paraguay in 1872-1873, by L.Forgues, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329766: L'abatage des bestiaux (Argentina), engraving after D.Maillart's drawing, illustrating the voyage to Paraguay in 1872-1873, by L.Forgues, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., French School, (19th century) / Bridgeman Images

A bayadere or devadasi, a young girl devoted to a temple of her younger age and considered to be the wife of the deity she serves, in Srinagar (or Shrinagar, capital of the state of Kashmir, India), benefiting from an education, especially the mastery of dance, enjoying an advantageous position and certain privileges, their status evolua of the service of the divinites a servant of the Brahmans and with the degradation of morals, they became prostitutes, before being banned by the English - Engraving to illustrate the journey to Pandjab and Kashmir, recital by Guillaume Lejean, in 1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris - Selva Collection
A bayadere or devadasi, a young girl devoted to a temple of her younger age and considered to be the wife of the deity she serves, in Srinagar (or Shrinagar, capital of the state of Kashmir, India), benefiting from an education, especially the mastery of dance, enjoying an advantageous position and certain privileges, their status evolua of the service of the divinites a servant of the Brahmans and with the degradation of morals, they became prostitutes, before being banned by the English - Engraving to illustrate the journey to Pandjab and Kashmir, recital by Guillaume Lejean, in 1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris - Selva Collection

LSE4328382: A bayadere or devadasi, a young girl devoted to a temple of her younger age and considered to be the wife of the deity she serves, in Srinagar (or Shrinagar, capital of the state of Kashmir, India), benefiting from an education, especially the mastery of dance, enjoying an advantageous position and certain privileges, their status evolua of the service of the divinites a servant of the Brahmans and with the degradation of morals, they became prostitutes, before being banned by the English - Engraving to illustrate the journey to Pandjab and Kashmir, recital by Guillaume Lejean, in 1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris - Selva Collection, French School, (19th century) / Bridgeman Images

Men climbing trees for Shea butter, Senegal (coloured engraving)
Men climbing trees for Shea butter, Senegal (coloured engraving)

CHT884612: Men climbing trees for Shea butter, Senegal (coloured engraving), French School, (19th century) / Bridgeman Images

Portrait of Jan Van Eyck (1390 -1441) Flemish painter - headdress of a liripipion. Chromolithography of the 19th century.
Portrait of Jan Van Eyck (1390 -1441) Flemish painter - headdress of a liripipion. Chromolithography of the 19th century.

XEE4410964: Portrait of Jan Van Eyck (1390 -1441) Flemish painter - headdress of a liripipion. Chromolithography of the 19th century., French School, (19th century) / Bridgeman Images

Epinal print composition.
Epinal print composition.

XEE4411707: Epinal print composition., French School, (19th century) / Bridgeman Images

History of the four Aymon sons, 19th century (print)
History of the four Aymon sons, 19th century (print)

XEE4411542: History of the four Aymon sons, 19th century (print), French School, (19th century) / Bridgeman Images

Death of Turenne (Henri de la Tour d'Auvergne, Viscount de Turenne), marechal of France, fighting Montecuccoli in Sasbach (or Salzbach), Germany, 1675. Chromolithography of the 19th century.
Death of Turenne (Henri de la Tour d'Auvergne, Viscount de Turenne), marechal of France, fighting Montecuccoli in Sasbach (or Salzbach), Germany, 1675. Chromolithography of the 19th century.

XEE4415025: Death of Turenne (Henri de la Tour d'Auvergne, Viscount de Turenne), marechal of France, fighting Montecuccoli in Sasbach (or Salzbach), Germany, 1675. Chromolithography of the 19th century., French School, (19th century) / Bridgeman Images

representation of the divinite Juno, queen of gods and heaven, she is the sister and wife of Jupiter (Representation of Juno, queen of the gods, wife and sister of Jupiter). From “Mythology of Youth” by Pierre Blanchard 1803.
representation of the divinite Juno, queen of gods and heaven, she is the sister and wife of Jupiter (Representation of Juno, queen of the gods, wife and sister of Jupiter). From “Mythology of Youth” by Pierre Blanchard 1803.

XEE4417199: representation of the divinite Juno, queen of gods and heaven, she is the sister and wife of Jupiter (Representation of Juno, queen of the gods, wife and sister of Jupiter). From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images

Representation of Pain, personified as a woman dressed in black moving in the darkness, armed with a dagger. (Personification of pain, as a black dressed woman, living in darkness armed with a knife) From “Mythologie de la jeunesse” by Pierre Blanchard 1803.
Representation of Pain, personified as a woman dressed in black moving in the darkness, armed with a dagger. (Personification of pain, as a black dressed woman, living in darkness armed with a knife) From “Mythologie de la jeunesse” by Pierre Blanchard 1803.

XEE4417343: Representation of Pain, personified as a woman dressed in black moving in the darkness, armed with a dagger. (Personification of pain, as a black dressed woman, living in darkness armed with a knife) From “Mythologie de la jeunesse” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images

Representation of Old Age, old woman leaning on a stick. (Representation of the Old Age, she rests on a stick). From “Mythology of Youth” by Pierre Blanchard 1803.
Representation of Old Age, old woman leaning on a stick. (Representation of the Old Age, she rests on a stick). From “Mythology of Youth” by Pierre Blanchard 1803.

XEE4417361: Representation of Old Age, old woman leaning on a stick. (Representation of the Old Age, she rests on a stick). From “Mythology of Youth” by Pierre Blanchard 1803., French School, (19th century) / Bridgeman Images

Henri IV a Ivry, March 14, 1590. In “” Histoire Populaire de la France””, sd. circa 1885.
Henri IV a Ivry, March 14, 1590. In “” Histoire Populaire de la France””, sd. circa 1885.

XEE4415568: Henri IV a Ivry, March 14, 1590. In “” Histoire Populaire de la France””, sd. circa 1885., French School, (19th century) / Bridgeman Images

Bad boys, looters during the wars of the 16th century. In “” Histoire Populaire de la France””, sd. circa 1885. Engraving.
Bad boys, looters during the wars of the 16th century. In “” Histoire Populaire de la France””, sd. circa 1885. Engraving.

XEE4415529: Bad boys, looters during the wars of the 16th century. In “” Histoire Populaire de la France””, sd. circa 1885. Engraving., French School, (19th century) / Bridgeman Images

Portrait of Margaret of Valois known as the Queen Margot (1553-1615) Wife of Henry IV. In “” Histoire Populaire de la France””, sd. ver1885. Engraving.
Portrait of Margaret of Valois known as the Queen Margot (1553-1615) Wife of Henry IV. In “” Histoire Populaire de la France””, sd. ver1885. Engraving.

XEE4415540: Portrait of Margaret of Valois known as the Queen Margot (1553-1615) Wife of Henry IV. In “” Histoire Populaire de la France””, sd. ver1885. Engraving., French School, (19th century) / Bridgeman Images


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