French School, (19th century) Assets (44107 in total)

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Drawing from 'Dictionnaire raisonné de l'architecture française du XIe au XVIe siècle', 1861 (engraving)
Drawing from 'Dictionnaire raisonné de l'architecture française du XIe au XVIe siècle', 1861 (engraving)

CHT868458: Drawing from 'Dictionnaire raisonné de l'architecture française du XIe au XVIe siècle', 1861 (engraving), French School, (19th century) / Bridgeman Images

Le Bon Genre - Le Chapeau en Ballen, published by Pierre La Mesangere, 1812-1813 (etching)
Le Bon Genre - Le Chapeau en Ballen, published by Pierre La Mesangere, 1812-1813 (etching)

XJF869901: Le Bon Genre - Le Chapeau en Ballen, published by Pierre La Mesangere, 1812-1813 (etching), French School, (19th century) / Bridgeman Images

Early battledore racket, c.1825 (ash, calf skin & gut stringing) (see also 955230-3)
Early battledore racket, c.1825 (ash, calf skin & gut stringing) (see also 955230-3)

CH955231: Early battledore racket, c.1825 (ash, calf skin & gut stringing) (see also 955230-3), French School, (19th century) / Bridgeman Images

Printed Textile, Bolbec, c.1818 (cotton weave)
Printed Textile, Bolbec, c.1818 (cotton weave)

PHL2641453: Printed Textile, Bolbec, c.1818 (cotton weave), French School, (19th century) / Bridgeman Images

Table clock, polished wood pillars and entablature, French, First Empire period, early 19th century
Table clock, polished wood pillars and entablature, French, First Empire period, early 19th century

BAL8044: Table clock, polished wood pillars and entablature, French, First Empire period, early 19th century, French School, (19th century) / Bridgeman Images

The Prompt Arrival of Colonial Goods, 1807 (coloured engraving)
The Prompt Arrival of Colonial Goods, 1807 (coloured engraving)

XIR778871: The Prompt Arrival of Colonial Goods, 1807 (coloured engraving), French School, (19th century) / Bridgeman Images

Restoration of the Statue of Henry IV on Pont Neuf, Paris, 25 August 1818 (engraving)
Restoration of the Statue of Henry IV on Pont Neuf, Paris, 25 August 1818 (engraving)

XIR778882: Restoration of the Statue of Henry IV on Pont Neuf, Paris, 25 August 1818 (engraving), French School, (19th century) / Bridgeman Images

Puffin, marmon fratercula, c.1840 (w/c on paper)
Puffin, marmon fratercula, c.1840 (w/c on paper)

STC810262: Puffin, marmon fratercula, c.1840 (w/c on paper), French School, (19th century) / Bridgeman Images

An Interior with a Curtain Design, c.1880 (pencil and  watercolour)
An Interior with a Curtain Design, c.1880 (pencil and  watercolour)

CH824057: An Interior with a Curtain Design, c.1880 (pencil and watercolour), French School, (19th century) / Bridgeman Images

Costumes of the first kings of Valois, 1877 (engraving)
Costumes of the first kings of Valois, 1877 (engraving)

XJF867949: Costumes of the first kings of Valois, 1877 (engraving), French School, (19th century) / Bridgeman Images

Charles Cousin-Montauban (1796-1878). Engraving.
Charles Cousin-Montauban (1796-1878). Engraving.

TRK832105: Charles Cousin-Montauban (1796-1878). Engraving., French School, (19th century) / Bridgeman Images

Machine Routiere, taken from 'Science Illustré', 1891 (engraving)
Machine Routiere, taken from 'Science Illustré', 1891 (engraving)

XJF862587: Machine Routiere, taken from 'Science Illustré', 1891 (engraving), French School, (19th century) / Bridgeman Images

Kiln for baking Sevres porcelain, 1882 (engraving)
Kiln for baking Sevres porcelain, 1882 (engraving)

XJF862541: Kiln for baking Sevres porcelain, 1882 (engraving), French School, (19th century) / Bridgeman Images

Historical fete in Laval (Mayenne, 53), 1857: the tank of industry symbolizing the textile industry. Engraving by Bertrand in “” Le Monde Illustré”” n¡23 of 19 September 1857.
Historical fete in Laval (Mayenne, 53), 1857: the tank of industry symbolizing the textile industry. Engraving by Bertrand in “” Le Monde Illustré”” n¡23 of 19 September 1857.

XEE4136406: Historical fete in Laval (Mayenne, 53), 1857: the tank of industry symbolizing the textile industry. Engraving by Bertrand in “” Le Monde Illustré”” n¡23 of 19 September 1857., French School, (19th century) / Bridgeman Images

Portrait of Louis-Francois-Xavier Crespel, dit Crespel-Delisse (Louis Francois Xavier Crespel Delisse) French industrialist, 1833 (engraving)
Portrait of Louis-Francois-Xavier Crespel, dit Crespel-Delisse (Louis Francois Xavier Crespel Delisse) French industrialist, 1833 (engraving)

XEE4136595: Portrait of Louis-Francois-Xavier Crespel, dit Crespel-Delisse (Louis Francois Xavier Crespel Delisse) French industrialist, 1833 (engraving), French School, (19th century) / Bridgeman Images

Architecture: view of the facade of the Musee Bibliotheque (inaugurated in 1847) of the city of Le Havre (Seine Maritime, 76). Engraving in “” Le Monde Illustré”” n°27 of 17 October 1857.
Architecture: view of the facade of the Musee Bibliotheque (inaugurated in 1847) of the city of Le Havre (Seine Maritime, 76). Engraving in “” Le Monde Illustré”” n°27 of 17 October 1857.

XEE4136640: Architecture: view of the facade of the Musee Bibliotheque (inaugurated in 1847) of the city of Le Havre (Seine Maritime, 76). Engraving in “” Le Monde Illustré”” n°27 of 17 October 1857., French School, (19th century) / Bridgeman Images

Exterior view of the medical school in Paris under the Consulate (1799-1804)., 19th century (engraving)
Exterior view of the medical school in Paris under the Consulate (1799-1804)., 19th century (engraving)

JLJ4615084: Exterior view of the medical school in Paris under the Consulate (1799-1804)., 19th century (engraving), French School, (19th century) / Bridgeman Images

Portrait of Albert Delpit (1849-1893), novelist and playwright. Engraving in “La vie populaire””, 1890. Private Collection
Portrait of Albert Delpit (1849-1893), novelist and playwright. Engraving in “La vie populaire””, 1890. Private Collection

XEE4136865: Portrait of Albert Delpit (1849-1893), novelist and playwright. Engraving in “La vie populaire””, 1890. Private Collection, French School, (19th century) / Bridgeman Images

Religious architecture: view of the facade of the Temple for Americans living in Paris, rue de Berry, in 1857. Building built by architect Mr. Salmon. Engraving in “” Le Monde Illustré”” n°33 of 28 November 1857.
Religious architecture: view of the facade of the Temple for Americans living in Paris, rue de Berry, in 1857. Building built by architect Mr. Salmon. Engraving in “” Le Monde Illustré”” n°33 of 28 November 1857.

XEE4137064: Religious architecture: view of the facade of the Temple for Americans living in Paris, rue de Berry, in 1857. Building built by architect Mr. Salmon. Engraving in “” Le Monde Illustré”” n°33 of 28 November 1857., French School, (19th century) / Bridgeman Images

History of Gaul in the Middle Ages: Germanian saxons kneeling before King Charlemagne (742 - 814) who won the wars. Chromolithography of the late 19th century.
History of Gaul in the Middle Ages: Germanian saxons kneeling before King Charlemagne (742 - 814) who won the wars. Chromolithography of the late 19th century.

XEE4137247: History of Gaul in the Middle Ages: Germanian saxons kneeling before King Charlemagne (742 - 814) who won the wars. Chromolithography of the late 19th century., French School, (19th century) / Bridgeman Images

The Battle of Hastings on 14/10/1066 between the Saxons of Harold II and the Norman Armee (William I the Conquerant). Chromolithography of the late 19th century.
The Battle of Hastings on 14/10/1066 between the Saxons of Harold II and the Norman Armee (William I the Conquerant). Chromolithography of the late 19th century.

XEE4137255: The Battle of Hastings on 14/10/1066 between the Saxons of Harold II and the Norman Armee (William I the Conquerant). Chromolithography of the late 19th century., French School, (19th century) / Bridgeman Images

Theatrical representation by the Academy Imperiale de Musique, Paris, 1858: decor of the 4th act of the opera “La Magicienne”” (1858), on a music by Jacques Fromental Halevy (1799-1862) and a libretto by Jules Henri Vernoy de Saint Georges (1799-1875), Engraving in “Le Monde Illustré”” n°52 of 10 April 1858.
Theatrical representation by the Academy Imperiale de Musique, Paris, 1858: decor of the 4th act of the opera “La Magicienne”” (1858), on a music by Jacques Fromental Halevy (1799-1862) and a libretto by Jules Henri Vernoy de Saint Georges (1799-1875), Engraving in “Le Monde Illustré”” n°52 of 10 April 1858.

XEE4138225: Theatrical representation by the Academy Imperiale de Musique, Paris, 1858: decor of the 4th act of the opera “La Magicienne”” (1858), on a music by Jacques Fromental Halevy (1799-1862) and a libretto by Jules Henri Vernoy de Saint Georges (1799-1875), Engraving in “Le Monde Illustré”” n°52 of 10 April 1858., French School, (19th century) / Bridgeman Images

Cider Manufacturing, 1858. On the left, the liqueur is extracted from the apple marc by pressing a beech screw. On the right, the old technique of “apple mills”. Engraving in “” Le Monde Illustré”” n°40 of January 16, 1858.
Cider Manufacturing, 1858. On the left, the liqueur is extracted from the apple marc by pressing a beech screw. On the right, the old technique of “apple mills”. Engraving in “” Le Monde Illustré”” n°40 of January 16, 1858.

XEE4138918: Cider Manufacturing, 1858. On the left, the liqueur is extracted from the apple marc by pressing a beech screw. On the right, the old technique of “apple mills”. Engraving in “” Le Monde Illustré”” n°40 of January 16, 1858., French School, (19th century) / Bridgeman Images

Visit of Napoleon III (1808-1873) and the Impress Eugenie (1826-1920) to Cherbourg (Manche, 50), 1858: entrance of the Imperial Cortege into the city. Engraving in “” Le Monde Illustré”” n°70 of 14 August 1858.
Visit of Napoleon III (1808-1873) and the Impress Eugenie (1826-1920) to Cherbourg (Manche, 50), 1858: entrance of the Imperial Cortege into the city. Engraving in “” Le Monde Illustré”” n°70 of 14 August 1858.

XEE4139262: Visit of Napoleon III (1808-1873) and the Impress Eugenie (1826-1920) to Cherbourg (Manche, 50), 1858: entrance of the Imperial Cortege into the city. Engraving in “” Le Monde Illustré”” n°70 of 14 August 1858., French School, (19th century) / Bridgeman Images

Leon Gambetta (1838-1882) greets the statue on the Place de la Republique in Paris. A newspaper. Engraving from 1880 in “La republique illustree”” private collection.
Leon Gambetta (1838-1882) greets the statue on the Place de la Republique in Paris. A newspaper. Engraving from 1880 in “La republique illustree”” private collection.

XEE4139428: Leon Gambetta (1838-1882) greets the statue on the Place de la Republique in Paris. A newspaper. Engraving from 1880 in “La republique illustree”” private collection., French School, (19th century) / Bridgeman Images

Fire of the Flore Pavilion in the Tuileries in Paris. A newspaper. Engraving from 1880 in “La republique illustree”” private collection.
Fire of the Flore Pavilion in the Tuileries in Paris. A newspaper. Engraving from 1880 in “La republique illustree”” private collection.

XEE4139454: Fire of the Flore Pavilion in the Tuileries in Paris. A newspaper. Engraving from 1880 in “La republique illustree”” private collection., French School, (19th century) / Bridgeman Images

Portrait of Monsieur Claude (Antoine Francois Claude dit) (1807-1880), French policeman and writer, chief of the security police under the Second Empire. A newspaper. Engraving from 1880 in “La republique illustree”” private collection.
Portrait of Monsieur Claude (Antoine Francois Claude dit) (1807-1880), French policeman and writer, chief of the security police under the Second Empire. A newspaper. Engraving from 1880 in “La republique illustree”” private collection.

XEE4139468: Portrait of Monsieur Claude (Antoine Francois Claude dit) (1807-1880), French policeman and writer, chief of the security police under the Second Empire. A newspaper. Engraving from 1880 in “La republique illustree”” private collection., French School, (19th century) / Bridgeman Images

Gothic architecture, 1858: view of the choir stalls (15th century) of the church of Saint Genes in Flavigny sur Ozerain (Cote d'Or, 21). Engraving in “” Le Monde Illustré”” n°82 of 6 November 1858.
Gothic architecture, 1858: view of the choir stalls (15th century) of the church of Saint Genes in Flavigny sur Ozerain (Cote d'Or, 21). Engraving in “” Le Monde Illustré”” n°82 of 6 November 1858.

XEE4139807: Gothic architecture, 1858: view of the choir stalls (15th century) of the church of Saint Genes in Flavigny sur Ozerain (Cote d'Or, 21). Engraving in “” Le Monde Illustré”” n°82 of 6 November 1858., French School, (19th century) / Bridgeman Images

Portrait of Princess Caraman-Chimay (Caraman Chimay) (Clara Ward - 1873 - 1916)
Portrait of Princess Caraman-Chimay (Caraman Chimay) (Clara Ward - 1873 - 1916)

XEE4172657: Portrait of Princess Caraman-Chimay (Caraman Chimay) (Clara Ward - 1873 - 1916), French School, (19th century) / Bridgeman Images

Portrait of Admiral Avelane Commander of the Russian Squadron. One of the newspaper
Portrait of Admiral Avelane Commander of the Russian Squadron. One of the newspaper

XEE4173283: Portrait of Admiral Avelane Commander of the Russian Squadron. One of the newspaper " Le Petit Parisien”” on 1/10/1893., French School, (19th century) / Bridgeman Images

Discovered from Canada: Louis de Buade, Count of Frontenac (1622-1698) receiving the emissary of the English governor of the colony of Massachusetts (1651-1695) William Phips and answered him “” It is by the mouth of my guns that I will answer your master”” in 1690. Engraving from the end of the 19th century in “La nouvelle France” by Eugene Guenin.
Discovered from Canada: Louis de Buade, Count of Frontenac (1622-1698) receiving the emissary of the English governor of the colony of Massachusetts (1651-1695) William Phips and answered him “” It is by the mouth of my guns that I will answer your master”” in 1690. Engraving from the end of the 19th century in “La nouvelle France” by Eugene Guenin.

XEE4176976: Discovered from Canada: Louis de Buade, Count of Frontenac (1622-1698) receiving the emissary of the English governor of the colony of Massachusetts (1651-1695) William Phips and answered him “” It is by the mouth of my guns that I will answer your master”” in 1690. Engraving from the end of the 19th century in “La nouvelle France” by Eugene Guenin., French School, (19th century) / Bridgeman Images

Discovered Canada: Sport. The American Indian lacrosse game. Drawing by Gustave Dore. Engraving from the end of the 19th century in “La nouvelle France” by Eugene Guenin.
Discovered Canada: Sport. The American Indian lacrosse game. Drawing by Gustave Dore. Engraving from the end of the 19th century in “La nouvelle France” by Eugene Guenin.

XEE4177071: Discovered Canada: Sport. The American Indian lacrosse game. Drawing by Gustave Dore. Engraving from the end of the 19th century in “La nouvelle France” by Eugene Guenin., French School, (19th century) / Bridgeman Images

Illustration of the fable by Jean de la Fontaine (1621-1695): the wolf becomes a shepherd. end of 19th century (print)
Illustration of the fable by Jean de la Fontaine (1621-1695): the wolf becomes a shepherd. end of 19th century (print)

XEE4179553: Illustration of the fable by Jean de la Fontaine (1621-1695): the wolf becomes a shepherd. end of 19th century (print), French School, (19th century) / Bridgeman Images

Illustration for Daniel Defoe's
Illustration for Daniel Defoe's

XEE4179634: Illustration for Daniel Defoe's "Robinson Crusoe" .fin 19e siecle (impression), French School, (19th century) / Bridgeman Images

Portrait of Francois Antoine Charles Lallemand, (1774 -1839) French military.
Portrait of Francois Antoine Charles Lallemand, (1774 -1839) French military.

XEE4179654: Portrait of Francois Antoine Charles Lallemand, (1774 -1839) French military., French School, (19th century) / Bridgeman Images

The Acorn and the Pumpkin. Fables by Jean de La Fontaine, late 19th century (print)
The Acorn and the Pumpkin. Fables by Jean de La Fontaine, late 19th century (print)

XEE4179809: The Acorn and the Pumpkin. Fables by Jean de La Fontaine, late 19th century (print), French School, (19th century) / Bridgeman Images


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