French School, (19th century) Assets (44106 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Sta Elisabeth Hungariae (colour litho)
Sta Elisabeth Hungariae (colour litho)

LLM5210678: Sta Elisabeth Hungariae (colour litho), French School, (19th century) / Bridgeman Images

Bronze figure of Joan of Arc (engraving)
Bronze figure of Joan of Arc (engraving)

LLM5207510: Bronze figure of Joan of Arc (engraving), French School, (19th century) / Bridgeman Images

The Archangel Gabriel and the Virgin, sculpture from Amiens Cathedral, France, 13th Century (engraving)
The Archangel Gabriel and the Virgin, sculpture from Amiens Cathedral, France, 13th Century (engraving)

LLM5207540: The Archangel Gabriel and the Virgin, sculpture from Amiens Cathedral, France, 13th Century (engraving), French School, (19th century) / Bridgeman Images

Jean Goujon, French Renaissance sculptor and architect (engraving)
Jean Goujon, French Renaissance sculptor and architect (engraving)

LLM5207502: Jean Goujon, French Renaissance sculptor and architect (engraving), French School, (19th century) / Bridgeman Images

Ancient Greek bronze plaque depicting the combat of Pollux and Lynceus (engraving)
Ancient Greek bronze plaque depicting the combat of Pollux and Lynceus (engraving)

LLM5207523: Ancient Greek bronze plaque depicting the combat of Pollux and Lynceus (engraving), French School, (19th century) / Bridgeman Images

Chantilly porcelain figure of the Chinese Taoist god of longevity, Shou Lao, 18th Century (engraving)
Chantilly porcelain figure of the Chinese Taoist god of longevity, Shou Lao, 18th Century (engraving)

LLM5207497: Chantilly porcelain figure of the Chinese Taoist god of longevity, Shou Lao, 18th Century (engraving), French School, (19th century) / Bridgeman Images

Hercules firing a bow, Ancient Greek marble plaque (engraving)
Hercules firing a bow, Ancient Greek marble plaque (engraving)

LLM5207521: Hercules firing a bow, Ancient Greek marble plaque (engraving), French School, (19th century) / Bridgeman Images

Flemish heavy horse (engraving)
Flemish heavy horse (engraving)

LLM5207254: Flemish heavy horse (engraving), French School, (19th century) / Bridgeman Images

Women preparing sardines (engraving)
Women preparing sardines (engraving)

LLM5207260: Women preparing sardines (engraving), French School, (19th century) / Bridgeman Images

End paper for Vie des Saints (colour litho)
End paper for Vie des Saints (colour litho)

LLM5197786: End paper for Vie des Saints (colour litho), French School, (19th century) / Bridgeman Images

A Norman rider in the midst of a troop manoeuvre in 1066, ready to invade the Kingdom of England in the troops of William the Conquerant (1027-1087). Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
A Norman rider in the midst of a troop manoeuvre in 1066, ready to invade the Kingdom of England in the troops of William the Conquerant (1027-1087). Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330562: A Norman rider in the midst of a troop manoeuvre in 1066, ready to invade the Kingdom of England in the troops of William the Conquerant (1027-1087). Colour engraving, in “France et les francais a travers les siecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

Costume of Carolingian queen, from 7th to 10th centuries, the hair covered by a veil that acts as a coat, without removing the purple chlamyde, open on the chest, a very long tunic embroidered at the neckline and ends of the sleeves, tightened at the waist by a gold belt. Colour engraving after the sculptures of the Cathedrale de Chartres, in “France and the French through the centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Costume of Carolingian queen, from 7th to 10th centuries, the hair covered by a veil that acts as a coat, without removing the purple chlamyde, open on the chest, a very long tunic embroidered at the neckline and ends of the sleeves, tightened at the waist by a gold belt. Colour engraving after the sculptures of the Cathedrale de Chartres, in “France and the French through the centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330568: Costume of Carolingian queen, from 7th to 10th centuries, the hair covered by a veil that acts as a coat, without removing the purple chlamyde, open on the chest, a very long tunic embroidered at the neckline and ends of the sleeves, tightened at the waist by a gold belt. Colour engraving after the sculptures of the Cathedrale de Chartres, in “France and the French through the centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

Costume of a capetian queen in 1360, wearing a golden crown, on a light veil that partially hides her smooth hairstyle, wearing an open chlamyde (coat) on the chest fixed by a golden chain fibule, the very long tunic is tightened at the waist by an embroidered belt. Colour engraving after a drawing of the portal of the Cathedrale de Chartres, in “France et les francais à travers les cuecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Costume of a capetian queen in 1360, wearing a golden crown, on a light veil that partially hides her smooth hairstyle, wearing an open chlamyde (coat) on the chest fixed by a golden chain fibule, the very long tunic is tightened at the waist by an embroidered belt. Colour engraving after a drawing of the portal of the Cathedrale de Chartres, in “France et les francais à travers les cuecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330583: Costume of a capetian queen in 1360, wearing a golden crown, on a light veil that partially hides her smooth hairstyle, wearing an open chlamyde (coat) on the chest fixed by a golden chain fibule, the very long tunic is tightened at the waist by an embroidered belt. Colour engraving after a drawing of the portal of the Cathedrale de Chartres, in “France et les francais à travers les cuecles”” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

Portrait of Louis XII King of France (1462-1515), making his entrance to Genes on 26 August 1502. Colour engraving after a miniature manuscript of the national library (1515), in “France et les francais a travers les centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.
Portrait of Louis XII King of France (1462-1515), making his entrance to Genes on 26 August 1502. Colour engraving after a miniature manuscript of the national library (1515), in “France et les francais a travers les centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection.

LSE4330619: Portrait of Louis XII King of France (1462-1515), making his entrance to Genes on 26 August 1502. Colour engraving after a miniature manuscript of the national library (1515), in “France et les francais a travers les centuries” by Augustin Challamel, F.Roy editor, Paris 1882. Selva Collection., French School, (19th century) / Bridgeman Images

On New Year's Day, in a bedroom, a man, in pajamas and night cap, got up from his bed to vomit in his night vase; above his bed, a portrait of a legionary. Graffiti around 1873, on the wall of an apartment at 31 Clock Street in Sedan. Photography Leonard de Selva, France, 2008.
On New Year's Day, in a bedroom, a man, in pajamas and night cap, got up from his bed to vomit in his night vase; above his bed, a portrait of a legionary. Graffiti around 1873, on the wall of an apartment at 31 Clock Street in Sedan. Photography Leonard de Selva, France, 2008.

LSE4330733: On New Year's Day, in a bedroom, a man, in pajamas and night cap, got up from his bed to vomit in his night vase; above his bed, a portrait of a legionary. Graffiti around 1873, on the wall of an apartment at 31 Clock Street in Sedan. Photography Leonard de Selva, France, 2008., French School, (19th century) / Bridgeman Images

General view of the garden of plants in Paris - engraving, 19th century.
General view of the garden of plants in Paris - engraving, 19th century.

LSE4402198: General view of the garden of plants in Paris - engraving, 19th century., French School, (19th century) / Bridgeman Images

The bear pit of the garden of plants in Paris - engraving, 19th century.
The bear pit of the garden of plants in Paris - engraving, 19th century.

LSE4402207: The bear pit of the garden of plants in Paris - engraving, 19th century., French School, (19th century) / Bridgeman Images

A member of the Institute, an Academician in the 19th century - engraving
A member of the Institute, an Academician in the 19th century - engraving

LSE4402402: A member of the Institute, an Academician in the 19th century - engraving, French School, (19th century) / Bridgeman Images

The Medicine of Venus without the doctor or the Art of waking oneself from syphilis or secret diseases by means gentle, prompt, radical and easy to use in the greatest secret. Engraving by Alexandre Gabriel, 1830.
The Medicine of Venus without the doctor or the Art of waking oneself from syphilis or secret diseases by means gentle, prompt, radical and easy to use in the greatest secret. Engraving by Alexandre Gabriel, 1830.

LSE4402511: The Medicine of Venus without the doctor or the Art of waking oneself from syphilis or secret diseases by means gentle, prompt, radical and easy to use in the greatest secret. Engraving by Alexandre Gabriel, 1830., French School, (19th century) / Bridgeman Images

Plague: the surgeon Larray in Jaffa, Egypt, caring for the pestiferous, -in “” Collection d'illustration d'un maître d'école de Creil””.
Plague: the surgeon Larray in Jaffa, Egypt, caring for the pestiferous, -in “” Collection d'illustration d'un maître d'école de Creil””.

LSE4402574: Plague: the surgeon Larray in Jaffa, Egypt, caring for the pestiferous, -in “” Collection d'illustration d'un maître d'école de Creil””., French School, (19th century) / Bridgeman Images

A wonderful woman in 1794: woman on a horse with wheels (ancestor of the bike?) - in “Le Cycle théorique et pratique”” by Louis Baudry de Saunier, Bibl. de la ville de Paris.
A wonderful woman in 1794: woman on a horse with wheels (ancestor of the bike?) - in “Le Cycle théorique et pratique”” by Louis Baudry de Saunier, Bibl. de la ville de Paris.

LSE4401845: A wonderful woman in 1794: woman on a horse with wheels (ancestor of the bike?) - in “Le Cycle théorique et pratique”” by Louis Baudry de Saunier, Bibl. de la ville de Paris., French School, (19th century) / Bridgeman Images

French fireman circa 1866 - drawing, Bibl. des Arts deco.
French fireman circa 1866 - drawing, Bibl. des Arts deco.

LSE4402223: French fireman circa 1866 - drawing, Bibl. des Arts deco., French School, (19th century) / Bridgeman Images

California: inhabitants during a meal; Barrière Montparnasse - Carnavalet.
California: inhabitants during a meal; Barrière Montparnasse - Carnavalet.

LSE4402758: California: inhabitants during a meal; Barrière Montparnasse - Carnavalet., French School, (19th century) / Bridgeman Images

Chateau de la Loire: Vue du chateau de Valençay dans le Val-de-Loire (Val de Loire). in “France Picturesque”, A. Hugo, vol. II, 1835.
Chateau de la Loire: Vue du chateau de Valençay dans le Val-de-Loire (Val de Loire). in “France Picturesque”, A. Hugo, vol. II, 1835.

LSE4310417: Chateau de la Loire: Vue du chateau de Valençay dans le Val-de-Loire (Val de Loire). in “France Picturesque”, A. Hugo, vol. II, 1835., French School, (19th century) / Bridgeman Images

A sugar factory of Paklat, on the arm of Menam, the main river of Thailand, drawing by Sabatier, to illustrate Henri Mouhot's journey to the kingdoms of Siam, Cambodia and Laos from 1858 to 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
A sugar factory of Paklat, on the arm of Menam, the main river of Thailand, drawing by Sabatier, to illustrate Henri Mouhot's journey to the kingdoms of Siam, Cambodia and Laos from 1858 to 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325115: A sugar factory of Paklat, on the arm of Menam, the main river of Thailand, drawing by Sabatier, to illustrate Henri Mouhot's journey to the kingdoms of Siam, Cambodia and Laos from 1858 to 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., French School, (19th century) / Bridgeman Images

Bonaparte at the siege of Toulon, 19th century (Epinal print)
Bonaparte at the siege of Toulon, 19th century (Epinal print)

LSE4320980: Bonaparte at the siege of Toulon, 19th century (Epinal print), French School, (19th century) / Bridgeman Images

Le Rire, the first French comedy newspaper. Publication in “Tales de Pantruche et d'ailleurs” by Tristan Bernard, Petite Collection du “” Rire”, F. Juven & Compagnie, Paris, 1897.
Le Rire, the first French comedy newspaper. Publication in “Tales de Pantruche et d'ailleurs” by Tristan Bernard, Petite Collection du “” Rire”, F. Juven & Compagnie, Paris, 1897.

LSE4323101: Le Rire, the first French comedy newspaper. Publication in “Tales de Pantruche et d'ailleurs” by Tristan Bernard, Petite Collection du “” Rire”, F. Juven & Compagnie, Paris, 1897., French School, (19th century) / Bridgeman Images

Fontainebleau's farewell, on April 20, 1814,19th century (Epinal print)
Fontainebleau's farewell, on April 20, 1814,19th century (Epinal print)

LSE4320960: Fontainebleau's farewell, on April 20, 1814,19th century (Epinal print), French School, (19th century) / Bridgeman Images

Napoleon attended the last moments of Marechal Duroc, 19th century (Epinal print)
Napoleon attended the last moments of Marechal Duroc, 19th century (Epinal print)

LSE4320966: Napoleon attended the last moments of Marechal Duroc, 19th century (Epinal print), French School, (19th century) / Bridgeman Images

Equestrian portrait of Napoleon I, (Epinal print)
Equestrian portrait of Napoleon I, (Epinal print)

LSE4320996: Equestrian portrait of Napoleon I, (Epinal print), French School, (19th century) / Bridgeman Images

Statue of Napoleon I  on the Vendome column , 19th century (Epinal print)
Statue of Napoleon I  on the Vendome column , 19th century (Epinal print)

LSE4321035: Statue of Napoleon I on the Vendome column , 19th century (Epinal print), French School, (19th century) / Bridgeman Images

Portrait of Louis Jean Marie de Bourbon, Duke of Penthievre (1725-1793), grand admiral and mecene francais. in “Portraits des Hommes Useful”, 1833-1836.
Portrait of Louis Jean Marie de Bourbon, Duke of Penthievre (1725-1793), grand admiral and mecene francais. in “Portraits des Hommes Useful”, 1833-1836.

LSE4316976: Portrait of Louis Jean Marie de Bourbon, Duke of Penthievre (1725-1793), grand admiral and mecene francais. in “Portraits des Hommes Useful”, 1833-1836., French School, (19th century) / Bridgeman Images

Portrait of Sir Joseph Banks (1743-1820), English explorer and naturalist. in “” Portraits of Useful Men”, 1833-1836.
Portrait of Sir Joseph Banks (1743-1820), English explorer and naturalist. in “” Portraits of Useful Men”, 1833-1836.

LSE4317450: Portrait of Sir Joseph Banks (1743-1820), English explorer and naturalist. in “” Portraits of Useful Men”, 1833-1836., French School, (19th century) / Bridgeman Images

Portrait of William Hawes (1736-1808), English doctor. In “” Portraits of Useful Men””, 1833-1836.
Portrait of William Hawes (1736-1808), English doctor. In “” Portraits of Useful Men””, 1833-1836.

LSE4318191: Portrait of William Hawes (1736-1808), English doctor. In “” Portraits of Useful Men””, 1833-1836., French School, (19th century) / Bridgeman Images

Agriculture illustrates the benefits of the Third Republic on agricultural investment and its concern for peasant populations. Engraving, in “” Le Figaro, supplement””, on 30/03/1889, Paris. Coll. Selva.
Agriculture illustrates the benefits of the Third Republic on agricultural investment and its concern for peasant populations. Engraving, in “” Le Figaro, supplement””, on 30/03/1889, Paris. Coll. Selva.

LSE4312707: Agriculture illustrates the benefits of the Third Republic on agricultural investment and its concern for peasant populations. Engraving, in “” Le Figaro, supplement””, on 30/03/1889, Paris. Coll. Selva., French School, (19th century) / Bridgeman Images

Battle of Eski-Juma, 19th century (Epinal print)
Battle of Eski-Juma, 19th century (Epinal print)

LSE4314007: Battle of Eski-Juma, 19th century (Epinal print), French School, (19th century) / Bridgeman Images


Back to top