English School, (18th century) Assets (6449 in total)

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Carved armchair with guilloche moulding; Adam's design for a chair for the Bedchamber at Osterley, 1777 (gilded wood)
Carved armchair with guilloche moulding; Adam's design for a chair for the Bedchamber at Osterley, 1777 (gilded wood)

BAL6344: Carved armchair with guilloche moulding; Adam's design for a chair for the Bedchamber at Osterley, 1777 (gilded wood), English School, (18th century) / Bridgeman Images

Bleeding knife with three blades and lancing pin with ivory handle and cover, c.1790
Bleeding knife with three blades and lancing pin with ivory handle and cover, c.1790

BAL3017: Bleeding knife with three blades and lancing pin with ivory handle and cover, c.1790, English School, (18th century) / Bridgeman Images

Sir Marmaduke Langdale, 1st Lord Langdale, c.1774 (engraving)
Sir Marmaduke Langdale, 1st Lord Langdale, c.1774 (engraving)

XJF368445: Sir Marmaduke Langdale, 1st Lord Langdale, c.1774 (engraving), English School, (18th century) / Bridgeman Images

A View of the Bank of England, Threadneedle Street, London, 1797 (engraving)
A View of the Bank of England, Threadneedle Street, London, 1797 (engraving)

XJF368482: A View of the Bank of England, Threadneedle Street, London, 1797 (engraving), English School, (18th century) / Bridgeman Images

Playing Cards depicting current commercial ventures, c.1720 (print)
Playing Cards depicting current commercial ventures, c.1720 (print)

XJF392627: Playing Cards depicting current commercial ventures, c.1720 (print), English School, (18th century) / Bridgeman Images

Gulliver is discovered by a farmer in Brobdingnag, illustration from 'Gulliver's Travels' by Jonathan Swift (engraving)
Gulliver is discovered by a farmer in Brobdingnag, illustration from 'Gulliver's Travels' by Jonathan Swift (engraving)

XJF380280: Gulliver is discovered by a farmer in Brobdingnag, illustration from 'Gulliver's Travels' by Jonathan Swift (engraving), English School, (18th century) / Bridgeman Images

The Old Lyceum Theatre (w/c on paper)
The Old Lyceum Theatre (w/c on paper)

XJF441911: The Old Lyceum Theatre (w/c on paper), English School, (18th century) / Bridgeman Images

Thomas Townshend, 1st Viscount Sydney (engraving)
Thomas Townshend, 1st Viscount Sydney (engraving)

XJF380211: Thomas Townshend, 1st Viscount Sydney (engraving), English School, (18th century) / Bridgeman Images

Playing Card showing workers making stockings (print) (detail of 392627)
Playing Card showing workers making stockings (print) (detail of 392627)

XJF392628: Playing Card showing workers making stockings (print) (detail of 392627), English School, (18th century) / Bridgeman Images

The Siege of Warwick-Castle, or The Battle between the Fellows and Licenciates, 1768 (etching)
The Siege of Warwick-Castle, or The Battle between the Fellows and Licenciates, 1768 (etching)

XJF909327: The Siege of Warwick-Castle, or The Battle between the Fellows and Licenciates, 1768 (etching), English School, (18th century) / Bridgeman Images

Result of first cricket match played in Scotland, 1785
Result of first cricket match played in Scotland, 1785

XJF2653551: Result of first cricket match played in Scotland, 1785, English School, (18th century) / Bridgeman Images

A Prospect of Chatham Dock from Finsbery Windmill (engraving)
A Prospect of Chatham Dock from Finsbery Windmill (engraving)

XJF3058229: A Prospect of Chatham Dock from Finsbery Windmill (engraving), English School, (18th century) / Bridgeman Images

The East Prospect of Sheffield, in the County of York, 1745 (engraving)
The East Prospect of Sheffield, in the County of York, 1745 (engraving)

XJF447314: The East Prospect of Sheffield, in the County of York, 1745 (engraving), English School, (18th century) / Bridgeman Images

The Hottentots adore a certain insect, illustration from 'The Present State of the Cape of Good-Hope' by Peter Kolb, published 1731 (engraving)
The Hottentots adore a certain insect, illustration from 'The Present State of the Cape of Good-Hope' by Peter Kolb, published 1731 (engraving)

XJF437965: The Hottentots adore a certain insect, illustration from 'The Present State of the Cape of Good-Hope' by Peter Kolb, published 1731 (engraving), English School, (18th century) / Bridgeman Images

Frontispiece and titlepage to 'The Battle of the Books' by Jonathan Swift, published in 1710 (engraving)
Frontispiece and titlepage to 'The Battle of the Books' by Jonathan Swift, published in 1710 (engraving)

XJF438425: Frontispiece and titlepage to 'The Battle of the Books' by Jonathan Swift, published in 1710 (engraving), English School, (18th century) / Bridgeman Images

Horace (engraving)
Horace (engraving)

XJF468536: Horace (engraving), English School, (18th century) / Bridgeman Images

Guildhall, Gentleman's Magazine, 1761 (engraving)
Guildhall, Gentleman's Magazine, 1761 (engraving)

GHL293397: Guildhall, Gentleman's Magazine, 1761 (engraving), English School, (18th century) / Bridgeman Images

Pair of wall pockets, 1760-70 (tin-glazed earthenware)
Pair of wall pockets, 1760-70 (tin-glazed earthenware)

LMG3255309: Pair of wall pockets, 1760-70 (tin-glazed earthenware), English School, (18th century) / Bridgeman Images

Pieter Brueghel the Younger (engraving)
Pieter Brueghel the Younger (engraving)

LLE815478: Pieter Brueghel the Younger (engraving), English School, (18th century) / Bridgeman Images

Unknown man, called Laurence Sterne (oil on canvas)
Unknown man, called Laurence Sterne (oil on canvas)

HEH416318: Unknown man, called Laurence Sterne (oil on canvas), English School, (18th century) / Bridgeman Images

The Convocation at Oxford, illustration from David Hume's 'The History of England', pub. by R. Bowyer, London, 1812 (engraving)
The Convocation at Oxford, illustration from David Hume's 'The History of England', pub. by R. Bowyer, London, 1812 (engraving)

STC429690: The Convocation at Oxford, illustration from David Hume's 'The History of England', pub. by R. Bowyer, London, 1812 (engraving), English School, (18th century) / Bridgeman Images

Edward VI granting the Charter for Hospitals, illustration from David Hume's 'The History of England', pub. by R. Bowyer, London, 1812 (engraving) 88:
Edward VI granting the Charter for Hospitals, illustration from David Hume's 'The History of England', pub. by R. Bowyer, London, 1812 (engraving) 88:

STC429688: Edward VI granting the Charter for Hospitals, illustration from David Hume's 'The History of England', pub. by R. Bowyer, London, 1812 (engraving) 88:, English School, (18th century) / Bridgeman Images

Portrait of Benjamin Gibson (oil on canvas)
Portrait of Benjamin Gibson (oil on canvas)

TW1213024: Portrait of Benjamin Gibson (oil on canvas), English School, (18th century) / Bridgeman Images

John Pym, Esqr (engraving)
John Pym, Esqr (engraving)

LLM964815: John Pym, Esqr (engraving), English School, (18th century) / Bridgeman Images

Clock and Watch Makers, John Ellicott, trade card (engraving)
Clock and Watch Makers, John Ellicott, trade card (engraving)

LLJ984068: Clock and Watch Makers, John Ellicott, trade card (engraving), English School, (18th century) / Bridgeman Images

Marine chronometer in a brass case, with white enamel dial of three subsidiary dials for hours, minutes and seconds, with gold hands and a baize-lined travelling case, by Josiah Emery, 1792 (brass & enamel)
Marine chronometer in a brass case, with white enamel dial of three subsidiary dials for hours, minutes and seconds, with gold hands and a baize-lined travelling case, by Josiah Emery, 1792 (brass & enamel)

WCC66884: Marine chronometer in a brass case, with white enamel dial of three subsidiary dials for hours, minutes and seconds, with gold hands and a baize-lined travelling case, by Josiah Emery, 1792 (brass & enamel), English School, (18th century) / Bridgeman Images

Excise a la mode, 1763 (hand-coloured engraving)
Excise a la mode, 1763 (hand-coloured engraving)

HRP2624857: Excise a la mode, 1763 (hand-coloured engraving), English School, (18th century) / Bridgeman Images

The Button Makers Adjusting Their Differences, 1770 (engraving)
The Button Makers Adjusting Their Differences, 1770 (engraving)

HRP2624861: The Button Makers Adjusting Their Differences, 1770 (engraving), English School, (18th century) / Bridgeman Images

Map of Port Royal in 1720 (litho)
Map of Port Royal in 1720 (litho)

PNP375455: Map of Port Royal in 1720 (litho), English School, (18th century) / Bridgeman Images

Sion Arc E61.1 H18  View of the great eruption of Vesuvius from the mole of Naples in the night of 20 October 1767, Plate 6 from 'Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies' by Sir William Hamilton (1730-1803) 1776 (w/c on paper)
Sion Arc E61.1 H18  View of the great eruption of Vesuvius from the mole of Naples in the night of 20 October 1767, Plate 6 from 'Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies' by Sir William Hamilton (1730-1803) 1776 (w/c on paper)

LAM141724: Sion Arc E61.1 H18 View of the great eruption of Vesuvius from the mole of Naples in the night of 20 October 1767, Plate 6 from 'Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies' by Sir William Hamilton (1730-1803) 1776 (w/c on paper), English School, (18th century) / Bridgeman Images

Sion Arc E61.1 H18 View of the island of Ischia from the sea, Plate 30 from 'Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies' by Sir William Hamilton (1730-1803) 1776 (w/c on paper)
Sion Arc E61.1 H18 View of the island of Ischia from the sea, Plate 30 from 'Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies' by Sir William Hamilton (1730-1803) 1776 (w/c on paper)

LAM141727: Sion Arc E61.1 H18 View of the island of Ischia from the sea, Plate 30 from 'Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies' by Sir William Hamilton (1730-1803) 1776 (w/c on paper), English School, (18th century) / Bridgeman Images

The Theatre, published in 1752 (engraving)
The Theatre, published in 1752 (engraving)

USB132467: The Theatre, published in 1752 (engraving), English School, (18th century) / Bridgeman Images

John Egerton of Tatton (1710-1738) with his Wife Christian Ward (d.1777) and Daughter
John Egerton of Tatton (1710-1738) with his Wife Christian Ward (d.1777) and Daughter

USB1158645: John Egerton of Tatton (1710-1738) with his Wife Christian Ward (d.1777) and Daughter, English School, (18th century) / Bridgeman Images

Exterior view of the New Rooms, 1793 (aquatint)
Exterior view of the New Rooms, 1793 (aquatint)

VIB7135183: Exterior view of the New Rooms, 1793 (aquatint), English School, (18th century) / Bridgeman Images

Detail of The Barnard Tompion, Tompion and Banger, London, No. 460, striking bracket clock, c.1708 (brass) (see also 745882-88)
Detail of The Barnard Tompion, Tompion and Banger, London, No. 460, striking bracket clock, c.1708 (brass) (see also 745882-88)

CH745886: Detail of The Barnard Tompion, Tompion and Banger, London, No. 460, striking bracket clock, c.1708 (brass) (see also 745882-88), English School, (18th century) / Bridgeman Images

George Washington's wine cooler (sheffield-plated silver)
George Washington's wine cooler (sheffield-plated silver)

CH692771: George Washington's wine cooler (sheffield-plated silver), English School, (18th century) / Bridgeman Images


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