Ademollo, Luigi (1764-1849) Assets (90 in total)

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Arethusa into a Fountain or Alfeo Insegue Aretusa, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Arethusa into a Fountain or Alfeo Insegue Aretusa, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415858: Arethusa into a Fountain or Alfeo Insegue Aretusa, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Cyparissus into a Tree or Ciparisso, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Cyparissus into a Tree or Ciparisso, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415868: Cyparissus into a Tree or Ciparisso, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Neptune Calming the Waves or Nettuno Comanda alle Acque di Ritirarsi, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Neptune Calming the Waves or Nettuno Comanda alle Acque di Ritirarsi, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415810: Neptune Calming the Waves or Nettuno Comanda alle Acque di Ritirarsi, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Erichthonius with Dragon's Feet or Erittonio data in Guardia alle Figlie de Cecrope, Book II, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Erichthonius with Dragon's Feet or Erittonio data in Guardia alle Figlie de Cecrope, Book II, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415825: Erichthonius with Dragon's Feet or Erittonio data in Guardia alle Figlie de Cecrope, Book II, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Pyramus and Thisbe or Piramo e Tisbe, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Pyramus and Thisbe or Piramo e Tisbe, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415846: Pyramus and Thisbe or Piramo e Tisbe, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Orithyia is Raped by Boreas or Borea e Orizia, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Orithyia is Raped by Boreas or Borea e Orizia, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415864: Orithyia is Raped by Boreas or Borea e Orizia, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Restoration of the Human Race or Riproduzione del Genere Umano, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Restoration of the Human Race or Riproduzione del Genere Umano, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415811: Restoration of the Human Race or Riproduzione del Genere Umano, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Minerva visits Envy or Minerva all Grotta deli Invidia, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Minerva visits Envy or Minerva all Grotta deli Invidia, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415830: Minerva visits Envy or Minerva all Grotta deli Invidia, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Tiresias dismissed by Pentheus or Tirenia Scacciato da Penteo, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Tiresias dismissed by Pentheus or Tirenia Scacciato da Penteo, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415842: Tiresias dismissed by Pentheus or Tirenia Scacciato da Penteo, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Death of Eurydice or Morte d'Euridice, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Death of Eurydice or Morte d'Euridice, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415866: Death of Eurydice or Morte d'Euridice, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Orpheus in Hell or  Orfeo Chiede a Plutone Euridice, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Orpheus in Hell or  Orfeo Chiede a Plutone Euridice, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415867: Orpheus in Hell or Orfeo Chiede a Plutone Euridice, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Pelias with his daughters or Le Figlie di Pelia Ingannate da Medea, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Pelias with his daughters or Le Figlie di Pelia Ingannate da Medea, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415879: Pelias with his daughters or Le Figlie di Pelia Ingannate da Medea, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

The birth of Adonis or Nascita di Adone, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
The birth of Adonis or Nascita di Adone, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415870: The birth of Adonis or Nascita di Adone, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

The Iron Age or Eta del Ferro, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
The Iron Age or Eta del Ferro, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415804: The Iron Age or Eta del Ferro, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Jason puts the Dragon to sleep or Gianone Conquista il Vello d'Oro, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Jason puts the Dragon to sleep or Gianone Conquista il Vello d'Oro, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415878: Jason puts the Dragon to sleep or Gianone Conquista il Vello d'Oro, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Hercules and Achelous or Ercole e Acheloo, Book IX, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Hercules and Achelous or Ercole e Acheloo, Book IX, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415888: Hercules and Achelous or Ercole e Acheloo, Book IX, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Jove in love with Io or Giove e Io, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Jove in love with Io or Giove e Io, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415815: Jove in love with Io or Giove e Io, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Cadmus Sets Out or Partenza de Cadmo in Traccia di Europa, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Cadmus Sets Out or Partenza de Cadmo in Traccia di Europa, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415834: Cadmus Sets Out or Partenza de Cadmo in Traccia di Europa, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Pan and Apollo or Dinfida di Pane con Apollo, Book XI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Pan and Apollo or Dinfida di Pane con Apollo, Book XI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415873: Pan and Apollo or Dinfida di Pane con Apollo, Book XI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Soldiers spring from the Serpent's teeth or Cadmo getta I denti del serpente e nascono Guerrieri, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Soldiers spring from the Serpent's teeth or Cadmo getta I denti del serpente e nascono Guerrieri, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415836: Soldiers spring from the Serpent's teeth or Cadmo getta I denti del serpente e nascono Guerrieri, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

The Silver Age or Eta d'Argento, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
The Silver Age or Eta d'Argento, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415802: The Silver Age or Eta d'Argento, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Inachus bereaved or La Famiglia di Inaco, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Inachus bereaved or La Famiglia di Inaco, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415816: Inachus bereaved or La Famiglia di Inaco, Book I, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Digruntled Apollo refuses to drive or Gli Dei Pregano Apollo Perche ritorni a guidare il carro del sole, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Digruntled Apollo refuses to drive or Gli Dei Pregano Apollo Perche ritorni a guidare il carro del sole, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415822: Digruntled Apollo refuses to drive or Gli Dei Pregano Apollo Perche ritorni a guidare il carro del sole, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Bacchus' Rites or Triumph or Trionfo di Bacco, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Bacchus' Rites or Triumph or Trionfo di Bacco, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415843: Bacchus' Rites or Triumph or Trionfo di Bacco, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Theseus Recognised or Teseo Riconosciuto da Suo Padre Egeo, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Theseus Recognised or Teseo Riconosciuto da Suo Padre Egeo, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415881: Theseus Recognised or Teseo Riconosciuto da Suo Padre Egeo, Book VII, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Ocyrrhoe into a Mare or Esculapio intende da Ocira il Suo Fato, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Ocyrrhoe into a Mare or Esculapio intende da Ocira il Suo Fato, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415828: Ocyrrhoe into a Mare or Esculapio intende da Ocira il Suo Fato, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Europa or Europa Rapita da Giove, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Europa or Europa Rapita da Giove, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415833: Europa or Europa Rapita da Giove, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

The Palace of the Sun or Fetonte Chiede ad Apollo di Guidare il carro del Sole, Book II, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
The Palace of the Sun or Fetonte Chiede ad Apollo di Guidare il carro del Sole, Book II, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415819: The Palace of the Sun or Fetonte Chiede ad Apollo di Guidare il carro del Sole, Book II, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Phineus and Friends into Stone or Fineo ei suoi Compagni Transformati in Marmo, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Phineus and Friends into Stone or Fineo ei suoi Compagni Transformati in Marmo, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415854: Phineus and Friends into Stone or Fineo ei suoi Compagni Transformati in Marmo, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Lycian Rustics into Frogs or Latona transforma I Villani in Rane, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Lycian Rustics into Frogs or Latona transforma I Villani in Rane, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415861: Lycian Rustics into Frogs or Latona transforma I Villani in Rane, Book VI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Hercules saves Hesione or Ercole che Libera Enione, Book XI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Hercules saves Hesione or Ercole che Libera Enione, Book XI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415874: Hercules saves Hesione or Ercole che Libera Enione, Book XI, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Narcissus into a flower or Narciso al Fonte, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Narcissus into a flower or Narciso al Fonte, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415892: Narcissus into a flower or Narciso al Fonte, Book III, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Thetis comforting Achilles, by Luigi Ademollo, 1750 - 1799, 18th Century, oil on canvas
Thetis comforting Achilles, by Luigi Ademollo, 1750 - 1799, 18th Century, oil on canvas

MEB943393: Thetis comforting Achilles, by Luigi Ademollo, 1750 - 1799, 18th Century, oil on canvas, Ademollo, Luigi (1764-1849) / Bridgeman Images

Heliades into Trees that yield Amber or Le Sorrelle die Fetonte Cangiate in Pioppi, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Heliades into Trees that yield Amber or Le Sorrelle die Fetonte Cangiate in Pioppi, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415823: Heliades into Trees that yield Amber or Le Sorrelle die Fetonte Cangiate in Pioppi, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Cyane and the Rape of Proserpina or Ciane Transformata in Fonte, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Cyane and the Rape of Proserpina or Ciane Transformata in Fonte, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415856: Cyane and the Rape of Proserpina or Ciane Transformata in Fonte, Book V, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images

Death of Adonis or Morte di Adone, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)
Death of Adonis or Morte di Adone, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving)

STC415872: Death of Adonis or Morte di Adone, Book X, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving), Ademollo, Luigi (1764-1849) / Bridgeman Images


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