Cruikshank, George (1792-1878) Assets (915 in total)

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The origin of cockney (coloured engraving)
The origin of cockney (coloured engraving)

LLJ606999: The origin of cockney (coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Master Joey going to visit his Godpapa (engraving)
Master Joey going to visit his Godpapa (engraving)

LLJ583927: Master Joey going to visit his Godpapa (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

From The Drunkard's Children, 1848 (engraving)
From The Drunkard's Children, 1848 (engraving)

LLJ582307: From The Drunkard's Children, 1848 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

From The Drunkard's Children, 1848 (engraving)
From The Drunkard's Children, 1848 (engraving)

LLJ582308: From The Drunkard's Children, 1848 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Concord Makes Server,  (watercolour, pen and ink,, pencil)
Concord Makes Server,  (watercolour, pen and ink,, pencil)

CH985720: Concord Makes Server, (watercolour, pen and ink,, pencil), Cruikshank, George (1792-1878) / Bridgeman Images

Charles Dickens Sketches by Boz Now Anybody Who Passed Through the Dials on a Hot Summer's Evening and Saw the Different Women of the House Gossiping on the Steps Would Be Apt to Think that All  Harmony Among Them and that a More Primitive Set of People Than the Native Diallers Could Not Be Imagined.
Charles Dickens Sketches by Boz Now Anybody Who Passed Through the Dials on a Hot Summer's Evening and Saw the Different Women of the House Gossiping on the Steps Would Be Apt to Think that All  Harmony Among Them and that a More Primitive Set of People Than the Native Diallers Could Not Be Imagined.

LZT1033793: Charles Dickens Sketches by Boz Now Anybody Who Passed Through the Dials on a Hot Summer's Evening and Saw the Different Women of the House Gossiping on the Steps Would Be Apt to Think that All Harmony Among Them and that a More Primitive Set of People Than the Native Diallers Could Not Be Imagined., Cruikshank, George (1792-1878) / Bridgeman Images

Charles Dickens Sketches by Boz One Gentleman Was Observed Suddenly to Rush from the Table
Charles Dickens Sketches by Boz One Gentleman Was Observed Suddenly to Rush from the Table

LZT1033804: Charles Dickens Sketches by Boz One Gentleman Was Observed Suddenly to Rush from the Table, Cruikshank, George (1792-1878) / Bridgeman Images

Squire Western's Rage with Tom Jones, from 'Tom Jones, the History of a Foundling', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)
Squire Western's Rage with Tom Jones, from 'Tom Jones, the History of a Foundling', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving)

ABC122924: Squire Western's Rage with Tom Jones, from 'Tom Jones, the History of a Foundling', engraved by the artist, illustration from 'The Works of Henry Fielding', pub. by Henry G. Bohn, 1853 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

The Revellers, illustration from 'The Fair Maid of Perth' by Sir Walter Scott (1771-1832) published 1845 (litho)
The Revellers, illustration from 'The Fair Maid of Perth' by Sir Walter Scott (1771-1832) published 1845 (litho)

KWE284708: The Revellers, illustration from 'The Fair Maid of Perth' by Sir Walter Scott (1771-1832) published 1845 (litho), Cruikshank, George (1792-1878) / Bridgeman Images

Captain Dalgetty at Ardenvohr, illustration from 'A Legend of Montrose' by Sir Walter Scott (1771-1832) published 1843 (litho)
Captain Dalgetty at Ardenvohr, illustration from 'A Legend of Montrose' by Sir Walter Scott (1771-1832) published 1843 (litho)

KWE284706: Captain Dalgetty at Ardenvohr, illustration from 'A Legend of Montrose' by Sir Walter Scott (1771-1832) published 1843 (litho), Cruikshank, George (1792-1878) / Bridgeman Images

Jack in Newgate Ward having portraits taken by Sir James Thornhill & William Hogarth, illustration from 'Jack Sheppard: A Romance' by William Harrison Ainsworth, published 1839 (etching)
Jack in Newgate Ward having portraits taken by Sir James Thornhill & William Hogarth, illustration from 'Jack Sheppard: A Romance' by William Harrison Ainsworth, published 1839 (etching)

STC239041: Jack in Newgate Ward having portraits taken by Sir James Thornhill & William Hogarth, illustration from 'Jack Sheppard: A Romance' by William Harrison Ainsworth, published 1839 (etching), Cruikshank, George (1792-1878) / Bridgeman Images

Mr Fagin and his pupil recovering Nancy, from 'The Adventures of Oliver Twist' by Charles Dickens (1812-70) 1838, published by Chapman & Hall, 1901 (engraving)
Mr Fagin and his pupil recovering Nancy, from 'The Adventures of Oliver Twist' by Charles Dickens (1812-70) 1838, published by Chapman & Hall, 1901 (engraving)

KWE243075: Mr Fagin and his pupil recovering Nancy, from 'The Adventures of Oliver Twist' by Charles Dickens (1812-70) 1838, published by Chapman & Hall, 1901 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

The last chance, from 'The Adventures of Oliver Twist' by Charles Dickens (1812-70) 1838, published by Chapman & Hall, 1901 (engraving)
The last chance, from 'The Adventures of Oliver Twist' by Charles Dickens (1812-70) 1838, published by Chapman & Hall, 1901 (engraving)

KWE243079: The last chance, from 'The Adventures of Oliver Twist' by Charles Dickens (1812-70) 1838, published by Chapman & Hall, 1901 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Southwark Waterworks (coloured engraving)
Southwark Waterworks (coloured engraving)

LLJ560319: Southwark Waterworks (coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

The Knight and the Lady, from 'The Ingoldsby Legends' by Thomas Ingoldsby, published by Richard Bentley & Son, 1887 (litho)
The Knight and the Lady, from 'The Ingoldsby Legends' by Thomas Ingoldsby, published by Richard Bentley & Son, 1887 (litho)

KWE341499: The Knight and the Lady, from 'The Ingoldsby Legends' by Thomas Ingoldsby, published by Richard Bentley & Son, 1887 (litho), Cruikshank, George (1792-1878) / Bridgeman Images

Jerry Jarvis's Wig, from 'The Ingoldsby Legends' by Thomas Ingoldsby, published by Richard Bentley & Son, 1887 (litho)
Jerry Jarvis's Wig, from 'The Ingoldsby Legends' by Thomas Ingoldsby, published by Richard Bentley & Son, 1887 (litho)

KWE342802: Jerry Jarvis's Wig, from 'The Ingoldsby Legends' by Thomas Ingoldsby, published by Richard Bentley & Son, 1887 (litho), Cruikshank, George (1792-1878) / Bridgeman Images

John Bull's three stages, or, From Good to Bad & From Bad to Worse, 1815 (hand-coloured engraving)
John Bull's three stages, or, From Good to Bad & From Bad to Worse, 1815 (hand-coloured engraving)

JEF695585: John Bull's three stages, or, From Good to Bad & From Bad to Worse, 1815 (hand-coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Suiters of the Pig-Faced Lady of Manchester Square, London (coloured engraving)
Suiters of the Pig-Faced Lady of Manchester Square, London (coloured engraving)

LLJ585789: Suiters of the Pig-Faced Lady of Manchester Square, London (coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

The drunkard's son is sentenced to transportation for life (engraving)
The drunkard's son is sentenced to transportation for life (engraving)

LLJ610023: The drunkard's son is sentenced to transportation for life (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Masque in the Palace Garden of the Tower (engraving)
Masque in the Palace Garden of the Tower (engraving)

LLJ587884: Masque in the Palace Garden of the Tower (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Early Coaches (engraving)
Early Coaches (engraving)

LLJ602359: Early Coaches (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

A Group at Bath, 1796 (hand-coloured aquatint)
A Group at Bath, 1796 (hand-coloured aquatint)

STC1630666: A Group at Bath, 1796 (hand-coloured aquatint), Cruikshank, George (1792-1878) / Bridgeman Images

Queen Jane's Entrance into the Tower, from The Tower of London, pub. 1840 (engraving)
Queen Jane's Entrance into the Tower, from The Tower of London, pub. 1840 (engraving)

STC2909755: Queen Jane's Entrance into the Tower, from The Tower of London, pub. 1840 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Punch and Judy.  After the illustration by George Cruikshank.  From Punch and Judy, published 1828.
Punch and Judy.  After the illustration by George Cruikshank.  From Punch and Judy, published 1828.

KWE2907807: Punch and Judy. After the illustration by George Cruikshank. From Punch and Judy, published 1828., Cruikshank, George (1792-1878) / Bridgeman Images

Pit Boxes and Gallery, pub. 1836 (hand coloured engraving)
Pit Boxes and Gallery, pub. 1836 (hand coloured engraving)

STC2909750: Pit Boxes and Gallery, pub. 1836 (hand coloured engraving) , Cruikshank, George (1792-1878) / Bridgeman Images

The Logierian system, or unveiling the new light to ye musical world!!With the discovery of a general thoro base bass discord in the old school-, pub. 1818 (hand coloured engraving)
The Logierian system, or unveiling the new light to ye musical world!!With the discovery of a general thoro base bass discord in the old school-, pub. 1818 (hand coloured engraving)

STC3035648: The Logierian system, or unveiling the new light to ye musical world!!With the discovery of a general thoro base bass discord in the old school-, pub. 1818 (hand coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Tobacco Leaves No. 1, pub. 1851 (hand coloured engraving)
Tobacco Leaves No. 1, pub. 1851 (hand coloured engraving)

STC2836291: Tobacco Leaves No. 1, pub. 1851 (hand coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

The Rehearsal or the Baron and the Elephant, pub. 1812 (hand coloured engraving)
The Rehearsal or the Baron and the Elephant, pub. 1812 (hand coloured engraving)

STC2490155: The Rehearsal or the Baron and the Elephant, pub. 1812 (hand coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Jack Sheppard & Blueskin in Mr. Woods' bed-room, illustration from 'Jack Sheppard: A Romance' by William Harrison Ainsworth, published 1839 (hand coloured etching)
Jack Sheppard & Blueskin in Mr. Woods' bed-room, illustration from 'Jack Sheppard: A Romance' by William Harrison Ainsworth, published 1839 (hand coloured etching)

STC2636992: Jack Sheppard & Blueskin in Mr. Woods' bed-room, illustration from 'Jack Sheppard: A Romance' by William Harrison Ainsworth, published 1839 (hand coloured etching), Cruikshank, George (1792-1878) / Bridgeman Images

Jack Sheppard committing robbery in Willesden Church, illustration from 'Jack Sheppard: A Romance' by William Harrison Ainsworth, published 1839 (hand coloured etching)
Jack Sheppard committing robbery in Willesden Church, illustration from 'Jack Sheppard: A Romance' by William Harrison Ainsworth, published 1839 (hand coloured etching)

STC2637004: Jack Sheppard committing robbery in Willesden Church, illustration from 'Jack Sheppard: A Romance' by William Harrison Ainsworth, published 1839 (hand coloured etching), Cruikshank, George (1792-1878) / Bridgeman Images

Mr. B on the middle watch -
Mr. B on the middle watch -

STC2636969: Mr. B on the middle watch - "cold blows the wind and the rain's coming on", from The Progress of a Midshipman, pub.1835 (hand coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

The Comforts of a Cabriolet - or - The Advantages of Driving Hoodwink'd, pub. 1835 (hand coloured engraving)
The Comforts of a Cabriolet - or - The Advantages of Driving Hoodwink'd, pub. 1835 (hand coloured engraving)

STC2636979: The Comforts of a Cabriolet - or - The Advantages of Driving Hoodwink'd, pub. 1835 (hand coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Some of the Drolleries of the Great Exhibition, pub. 1851 (engraving)
Some of the Drolleries of the Great Exhibition, pub. 1851 (engraving)

STC2655413: Some of the Drolleries of the Great Exhibition, pub. 1851 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

The first Shilling-day - Going in, pub. 1851 (engraving)
The first Shilling-day - Going in, pub. 1851 (engraving)

STC2655415: The first Shilling-day - Going in, pub. 1851 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

Looking for Lodgings, pub. 1851 (engraving)
Looking for Lodgings, pub. 1851 (engraving)

STC2655414: Looking for Lodgings, pub. 1851 (engraving), Cruikshank, George (1792-1878) / Bridgeman Images

The Spirit moving the Quakers upon Worldly Vanities!!, pub. 1819 (hand coloured engraving)
The Spirit moving the Quakers upon Worldly Vanities!!, pub. 1819 (hand coloured engraving)

STC2654067: The Spirit moving the Quakers upon Worldly Vanities!!, pub. 1819 (hand coloured engraving), Cruikshank, George (1792-1878) / Bridgeman Images


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