1. Home
  2. All Artists
  3. Adam, Victor (1801-66)
  4. All Assets

Adam, Victor (1801-66) Assets (70 in total)

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

Results

Portrait of General Giacomo Medici Marchese del Vascello (Ritratto del generale Giacomo Medici Marchese del Vascello), by Jean Victor Adam, 19th Century (engraving)
Portrait of General Giacomo Medici Marchese del Vascello (Ritratto del generale Giacomo Medici Marchese del Vascello), by Jean Victor Adam, 19th Century (engraving)

MEP3612927: Portrait of General Giacomo Medici Marchese del Vascello (Ritratto del generale Giacomo Medici Marchese del Vascello), by Jean Victor Adam, 19th Century (engraving), Adam, Victor (1801-66) / Private Collection / Bridgeman Images

ID: MEP3612927

Portrait of General Giacomo Medici Marchese del Vascello (Ritratto del generale Giacomo Medici Marchese del Vascello), by Jean Victor Adam, 19th Century (engraving)

Adam, Victor (1801-66)

Frontispiece of Voyage de l'Arabie pétrée par Léon de Laborde et Linant
Frontispiece of Voyage de l'Arabie pétrée par Léon de Laborde et Linant

XOS7074206: Frontispiece of Voyage de l'Arabie pétrée par Léon de Laborde et Linant", 1830 (litho), Adam, Victor (1801-66) / Bridgeman Images

ID: XOS7074206

Frontispiece of Voyage de l'Arabie pétrée par Léon de Laborde et Linant", 1830 (litho)

Adam, Victor (1801-66)

Les Anges de la France (La Reine Hortense, L'Impératrice Joséphine, L'Impératrice Eugénie), c.1850-1870 (litho, two-toned)
Les Anges de la France (La Reine Hortense, L'Impératrice Joséphine, L'Impératrice Eugénie), c.1850-1870 (litho, two-toned)

MAM714163: Les Anges de la France (La Reine Hortense, L'Impératrice Joséphine, L'Impératrice Eugénie), c.1850-1870 (litho, two-toned), Adam, Victor (1801-66) / Mead Art Museum, Amherst College, MA, USA / Bridgeman Images

ID: MAM714163

Les Anges de la France (La Reine Hortense, L'Impératrice Joséphine, L'Impératrice Eugénie), c.1850-1870 (litho, two-toned)

Adam, Victor (1801-66)

Cars called fiacres - Lithography by Adam, v.1840
Cars called fiacres - Lithography by Adam, v.1840

LSE4099846: Cars called fiacres - Lithography by Adam, v.1840, Adam, Victor (1801-66) / Bibliotheque des Arts Decoratifs, Paris, France / Bridgeman Images

ID: LSE4099846

Cars called fiacres - Lithography by Adam, v.1840

Adam, Victor (1801-66)

Martin, the ball player. In “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850.
Martin, the ball player. In “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850.

LSE4313137: Martin, the ball player. In “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850., Adam, Victor (1801-66) / Private Collection / Bridgeman Images

ID: LSE4313137

Martin, the ball player. In “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850.

Adam, Victor (1801-66)

La Lionne, scene de chasse. in “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850.
La Lionne, scene de chasse. in “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850.

LSE4313401: La Lionne, scene de chasse. in “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850., Adam, Victor (1801-66) / Private Collection / Bridgeman Images

ID: LSE4313401

La Lionne, scene de chasse. in “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850.

Adam, Victor (1801-66)

The Viscount of Sommiere, Languedoc gentleman and country lord. In “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850.
The Viscount of Sommiere, Languedoc gentleman and country lord. In “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850.

LSE4313412: The Viscount of Sommiere, Languedoc gentleman and country lord. In “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850., Adam, Victor (1801-66) / Private Collection / Bridgeman Images

ID: LSE4313412

The Viscount of Sommiere, Languedoc gentleman and country lord. In “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850.

Adam, Victor (1801-66)

Charles 2 the Bald (823-877) King of Aquitaine (838), King of the West Francia (840), King of Lorraine and Burgundy (869), Emperor of the West (875). Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.
Charles 2 the Bald (823-877) King of Aquitaine (838), King of the West Francia (840), King of Lorraine and Burgundy (869), Emperor of the West (875). Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.

PCT4264687: Charles 2 the Bald (823-877) King of Aquitaine (838), King of the West Francia (840), King of Lorraine and Burgundy (869), Emperor of the West (875). Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century., Adam, Victor (1801-66) / Bridgeman Images

ID: PCT4264687

Charles 2 the Bald (823-877) King of Aquitaine (838), King of the West Francia (840), King of Lorraine and Burgundy (869), Emperor of the West (875). Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.

Adam, Victor (1801-66)

The Gauls took Rome after the Battle of Allia in 390. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.
The Gauls took Rome after the Battle of Allia in 390. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.

PCT4264781: The Gauls took Rome after the Battle of Allia in 390. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century., Adam, Victor (1801-66) / Bridgeman Images

ID: PCT4264781

The Gauls took Rome after the Battle of Allia in 390. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.

Adam, Victor (1801-66)

Saint Eloi (v.588-660) goldsmithing and tresorier of the king of the Franks Dagobert 1st, then eveque of Noyon from 641 to his death. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.
Saint Eloi (v.588-660) goldsmithing and tresorier of the king of the Franks Dagobert 1st, then eveque of Noyon from 641 to his death. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.

PCT4264783: Saint Eloi (v.588-660) goldsmithing and tresorier of the king of the Franks Dagobert 1st, then eveque of Noyon from 641 to his death. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century., Adam, Victor (1801-66) / Bridgeman Images

ID: PCT4264783

Saint Eloi (v.588-660) goldsmithing and tresorier of the king of the Franks Dagobert 1st, then eveque of Noyon from 641 to his death. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.

Adam, Victor (1801-66)

Views Of Venice. The Palazzo Giovanelli, 19th century (painting)
Views Of Venice. The Palazzo Giovanelli, 19th century (painting)

FIA5358321: Views Of Venice. The Palazzo Giovanelli, 19th century (painting), Adam, Victor (1801-66) / Museum of Art, Tula, Russia / Bridgeman Images

ID: FIA5358321

Views Of Venice. The Palazzo Giovanelli, 19th century (painting)

Adam, Victor (1801-66)

Views of Venice. The Palazzo Bernardo, 19th century (painting)
Views of Venice. The Palazzo Bernardo, 19th century (painting)

FIA5358328: Views of Venice. The Palazzo Bernardo, 19th century (painting), Adam, Victor (1801-66) / Museum of Art, Tula, Russia / Bridgeman Images

ID: FIA5358328

Views of Venice. The Palazzo Bernardo, 19th century (painting)

Adam, Victor (1801-66)

The Mail Coach (colour litho)
The Mail Coach (colour litho)

XIR212504: The Mail Coach (colour litho), Adam, Victor (1801-66) / Musee de la Ville de Paris, Musee Carnavalet, Paris, France / Bridgeman Images

ID: XIR212504

The Mail Coach (colour litho)

Adam, Victor (1801-66)

'Local fetes around Paris', series, 1830, Vincennes (colour litho)
'Local fetes around Paris', series, 1830, Vincennes (colour litho)

PER267205: 'Local fetes around Paris', series, 1830, Vincennes (colour litho), Adam, Victor (1801-66) / Bibliotheque Historique de la Ville de Paris, Paris, France / Bridgeman Images

ID: PER267205

'Local fetes around Paris', series, 1830, Vincennes (colour litho)

Adam, Victor (1801-66)

'Local fetes around Paris', series, 1830, Chatenay (colour litho)
'Local fetes around Paris', series, 1830, Chatenay (colour litho)

PER267208: 'Local fetes around Paris', series, 1830, Chatenay (colour litho), Adam, Victor (1801-66) / Bibliotheque Historique de la Ville de Paris, Paris, France / Bridgeman Images

ID: PER267208

'Local fetes around Paris', series, 1830, Chatenay (colour litho)

Adam, Victor (1801-66)

A rider falls after the rush of his horse. In “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850.
A rider falls after the rush of his horse. In “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850.

LSE4313129: A rider falls after the rush of his horse. In “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850., Adam, Victor (1801-66) / Private Collection / Bridgeman Images

ID: LSE4313129

A rider falls after the rush of his horse. In “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850.

Adam, Victor (1801-66)

Two blind led by dogs and a beggar child. In “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850.
Two blind led by dogs and a beggar child. In “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850.

LSE4313151: Two blind led by dogs and a beggar child. In “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850., Adam, Victor (1801-66) / Private Collection / Bridgeman Images

ID: LSE4313151

Two blind led by dogs and a beggar child. In “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850.

Adam, Victor (1801-66)

The beef merchant trotting by calculating his profit. In “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850.
The beef merchant trotting by calculating his profit. In “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850.

LSE4313159: The beef merchant trotting by calculating his profit. In “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850., Adam, Victor (1801-66) / Private Collection / Bridgeman Images

ID: LSE4313159

The beef merchant trotting by calculating his profit. In “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850.

Adam, Victor (1801-66)

La Peche. in “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850.
La Peche. in “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850.

LSE4313278: La Peche. in “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850., Adam, Victor (1801-66) / Private Collection / Bridgeman Images

ID: LSE4313278

La Peche. in “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850.

Adam, Victor (1801-66)

The French Colonel in Egypt. in “” Album Grotesque, Choices of Remarkable Types”, illustrations by Victor Adam, Paris, circa 1850.
The French Colonel in Egypt. in “” Album Grotesque, Choices of Remarkable Types”, illustrations by Victor Adam, Paris, circa 1850.

LSE4313408: The French Colonel in Egypt. in “” Album Grotesque, Choices of Remarkable Types”, illustrations by Victor Adam, Paris, circa 1850., Adam, Victor (1801-66) / Private Collection / Bridgeman Images

ID: LSE4313408

The French Colonel in Egypt. in “” Album Grotesque, Choices of Remarkable Types”, illustrations by Victor Adam, Paris, circa 1850.

Adam, Victor (1801-66)

Philip 6 of Valois (1293-1350), king of France from 1328 to 1350, first king of the Valois dynasty, riding at the head of his troops when he took power in 1328, despite the pretentions of Edward 3 of England. This quarrel opened the 100-year war. Philippe 6 created a tax on salt: the gabelle. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.
Philip 6 of Valois (1293-1350), king of France from 1328 to 1350, first king of the Valois dynasty, riding at the head of his troops when he took power in 1328, despite the pretentions of Edward 3 of England. This quarrel opened the 100-year war. Philippe 6 created a tax on salt: the gabelle. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.

PCT4264757: Philip 6 of Valois (1293-1350), king of France from 1328 to 1350, first king of the Valois dynasty, riding at the head of his troops when he took power in 1328, despite the pretentions of Edward 3 of England. This quarrel opened the 100-year war. Philippe 6 created a tax on salt: the gabelle. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century., Adam, Victor (1801-66) / Bridgeman Images

ID: PCT4264757

Philip 6 of Valois (1293-1350), king of France from 1328 to 1350, first king of the Valois dynasty, riding at the head of his troops when he took power in 1328, despite the pretentions of Edward 3 of England. This quarrel opened the 100-year war. Philippe 6 created a tax on salt: the gabelle. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.

Adam, Victor (1801-66)

Views of Venice. The Santi Giovanni e Paolo (San Zanipolo) Church, 1801-1899 (paint)
Views of Venice. The Santi Giovanni e Paolo (San Zanipolo) Church, 1801-1899 (paint)

FIA5358320: Views of Venice. The Santi Giovanni e Paolo (San Zanipolo) Church, 1801-1899 (paint), Adam, Victor (1801-66) / Museum of Art, Tula, Russia / Bridgeman Images

ID: FIA5358320

Views of Venice. The Santi Giovanni e Paolo (San Zanipolo) Church, 1801-1899 (paint)

Adam, Victor (1801-66)

'Local fetes around Paris', series, 1830, Fontenay-aux-roses (colour litho)
'Local fetes around Paris', series, 1830, Fontenay-aux-roses (colour litho)

PER267204: 'Local fetes around Paris', series, 1830, Fontenay-aux-roses (colour litho), Adam, Victor (1801-66) / Bibliotheque Historique de la Ville de Paris, Paris, France / Bridgeman Images

ID: PER267204

'Local fetes around Paris', series, 1830, Fontenay-aux-roses (colour litho)

Adam, Victor (1801-66)

'Local fetes around Paris', series, 1830, The Saint Jean at Sceaux (colour litho)
'Local fetes around Paris', series, 1830, The Saint Jean at Sceaux (colour litho)

PER267214: 'Local fetes around Paris', series, 1830, The Saint Jean at Sceaux (colour litho), Adam, Victor (1801-66) / Bibliotheque Historique de la Ville de Paris, Paris, France / Bridgeman Images

ID: PER267214

'Local fetes around Paris', series, 1830, The Saint Jean at Sceaux (colour litho)

Adam, Victor (1801-66)

Interview in 1023 of Henri 2 (known as the lame and the saint, 973-1024), German Emperor (Duke of Baviere and King of Germania) and Robert 2 the Pieux (970-1031), King of France from 996 to his death. Robert was the son of Hugues Capet, whose coronation in 987 marked the beginning of the Capetian dynasty, which returned to France, in direct or indirect succession, for 8 years. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.
Interview in 1023 of Henri 2 (known as the lame and the saint, 973-1024), German Emperor (Duke of Baviere and King of Germania) and Robert 2 the Pieux (970-1031), King of France from 996 to his death. Robert was the son of Hugues Capet, whose coronation in 987 marked the beginning of the Capetian dynasty, which returned to France, in direct or indirect succession, for 8 years. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.

PCT4264735: Interview in 1023 of Henri 2 (known as the lame and the saint, 973-1024), German Emperor (Duke of Baviere and King of Germania) and Robert 2 the Pieux (970-1031), King of France from 996 to his death. Robert was the son of Hugues Capet, whose coronation in 987 marked the beginning of the Capetian dynasty, which returned to France, in direct or indirect succession, for 8 years. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century., Adam, Victor (1801-66) / Bridgeman Images

ID: PCT4264735

Interview in 1023 of Henri 2 (known as the lame and the saint, 973-1024), German Emperor (Duke of Baviere and King of Germania) and Robert 2 the Pieux (970-1031), King of France from 996 to his death. Robert was the son of Hugues Capet, whose coronation in 987 marked the beginning of the Capetian dynasty, which returned to France, in direct or indirect succession, for 8 years. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.

Adam, Victor (1801-66)

Coronation of Hugues Capet (941-996) in Noyon in 987. This coronation marked the beginning of the Capetians dynasty, kings of France who regained, in direct or indirect sucession, for 8 years. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.
Coronation of Hugues Capet (941-996) in Noyon in 987. This coronation marked the beginning of the Capetians dynasty, kings of France who regained, in direct or indirect sucession, for 8 years. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.

PCT4264746: Coronation of Hugues Capet (941-996) in Noyon in 987. This coronation marked the beginning of the Capetians dynasty, kings of France who regained, in direct or indirect sucession, for 8 years. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century., Adam, Victor (1801-66) / Bridgeman Images

ID: PCT4264746

Coronation of Hugues Capet (941-996) in Noyon in 987. This coronation marked the beginning of the Capetians dynasty, kings of France who regained, in direct or indirect sucession, for 8 years. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.

Adam, Victor (1801-66)

Philippe Auguste (Philip 2, 1165-1223, king of France from 1180 until his death), victory over the English at Mantis in 1188. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.
Philippe Auguste (Philip 2, 1165-1223, king of France from 1180 until his death), victory over the English at Mantis in 1188. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.

PCT4264765: Philippe Auguste (Philip 2, 1165-1223, king of France from 1180 until his death), victory over the English at Mantis in 1188. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century., Adam, Victor (1801-66) / Bridgeman Images

ID: PCT4264765

Philippe Auguste (Philip 2, 1165-1223, king of France from 1180 until his death), victory over the English at Mantis in 1188. Engraving by Victor Adam (1801-1866) in the book “France in the Middle Ages” published by the Ardant brothers in the middle of the 19th century.

Adam, Victor (1801-66)

Le Paysan Russe. in “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850.
Le Paysan Russe. in “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850.

LSE4313377: Le Paysan Russe. in “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850., Adam, Victor (1801-66) / Private Collection / Bridgeman Images

ID: LSE4313377

Le Paysan Russe. in “” Album Grotesque, Choices of Outstanding Types”, illustrations by Victor Adam, Paris, circa 1850.

Adam, Victor (1801-66)

Le defi, entre 2 gentilhommes. in Album Grotesque, Choix de Types Remarkable”, illustrations by Victor Adam, Paris, circa 1850.
Le defi, entre 2 gentilhommes. in Album Grotesque, Choix de Types Remarkable”, illustrations by Victor Adam, Paris, circa 1850.

LSE4313420: Le defi, entre 2 gentilhommes. in Album Grotesque, Choix de Types Remarkable”, illustrations by Victor Adam, Paris, circa 1850., Adam, Victor (1801-66) / Private Collection / Bridgeman Images

ID: LSE4313420

Le defi, entre 2 gentilhommes. in Album Grotesque, Choix de Types Remarkable”, illustrations by Victor Adam, Paris, circa 1850.

Adam, Victor (1801-66)

Views Of Venice. The Santa Maria Della Salute Church, 19th century (painting)
Views Of Venice. The Santa Maria Della Salute Church, 19th century (painting)

FIA5358322: Views Of Venice. The Santa Maria Della Salute Church, 19th century (painting), Adam, Victor (1801-66) / Museum of Art, Tula, Russia / Bridgeman Images

ID: FIA5358322

Views Of Venice. The Santa Maria Della Salute Church, 19th century (painting)

Adam, Victor (1801-66)

Conquete and Civilization: Allegory of Colonialism - by Adam, 1830
Conquete and Civilization: Allegory of Colonialism - by Adam, 1830

LSE4098713: Conquete and Civilization: Allegory of Colonialism - by Adam, 1830, Adam, Victor (1801-66) / Bibliotheque des Arts Decoratifs, Paris, France / Bridgeman Images

ID: LSE4098713

Conquete and Civilization: Allegory of Colonialism - by Adam, 1830

Adam, Victor (1801-66)

Paris omnibus car - Lithography by Adam, ca. 1840
Paris omnibus car - Lithography by Adam, ca. 1840

LSE4099817: Paris omnibus car - Lithography by Adam, ca. 1840, Adam, Victor (1801-66) / Bibliotheque des Arts Decoratifs, Paris, France / Bridgeman Images

ID: LSE4099817

Paris omnibus car - Lithography by Adam, ca. 1840

Adam, Victor (1801-66)

Cafe merchant on the street - by Adam, v.1850
Cafe merchant on the street - by Adam, v.1850

LSE4076431: Cafe merchant on the street - by Adam, v.1850, Adam, Victor (1801-66) / Musee de la Ville de Paris, Musee Carnavalet, Paris, France / Bridgeman Images

ID: LSE4076431

Cafe merchant on the street - by Adam, v.1850

Adam, Victor (1801-66)

Giuseppe Garibaldi and the Thousand Embarking for Sicily (Partenza di Giuseppe Garibaldi con i Mille per la Sicilia), by Jean Victor Adam, 19th Century (engraving)
Giuseppe Garibaldi and the Thousand Embarking for Sicily (Partenza di Giuseppe Garibaldi con i Mille per la Sicilia), by Jean Victor Adam, 19th Century (engraving)

MEP3613026: Giuseppe Garibaldi and the Thousand Embarking for Sicily (Partenza di Giuseppe Garibaldi con i Mille per la Sicilia), by Jean Victor Adam, 19th Century (engraving), Adam, Victor (1801-66) / Private Collection / Bridgeman Images

ID: MEP3613026

Giuseppe Garibaldi and the Thousand Embarking for Sicily (Partenza di Giuseppe Garibaldi con i Mille per la Sicilia), by Jean Victor Adam, 19th Century (engraving)

Adam, Victor (1801-66)


Back to top