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16746 Search Results for still life

Landscape with a pond and water lilies, c.1915 (oil on canvas) (reverse of 209330)
Landscape with a pond and water lilies, c.1915 (oil on canvas) (reverse of 209330)

CHE209331: Landscape with a pond and water lilies, c.1915 (oil on canvas) (reverse of 209330), Bell, Vanessa (1879-1961) / Bridgeman Images

Blue Iris, 1663-64 (opaque w/c and ink on paper)
Blue Iris, 1663-64 (opaque w/c and ink on paper)

TBM168025: Blue Iris, 1663-64 (opaque w/c and ink on paper), Zaman, Muhammad (17th century) / Bridgeman Images

Small American Library, 1985 (oil on panel)
Small American Library, 1985 (oil on panel)

TSC878367: Small American Library, 1985 (oil on panel), Scales, Terry / Bridgeman Images

Bottle and Fruits, c.1890 (oil on canvas)
Bottle and Fruits, c.1890 (oil on canvas)

BRN147199: Bottle and Fruits, c.1890 (oil on canvas), Cezanne, Paul (1839-1906) / Bridgeman Images

Annunciation, 1422 (tempera on panel)
Annunciation, 1422 (tempera on panel)

MEP2627459: Annunciation, 1422 (tempera on panel), Lorenzo Monaco, (Piero di Giovanni) (c.1370-1425) / Bridgeman Images

A Quiet Afternoon,  (watercolour and gouache)
A Quiet Afternoon,  (watercolour and gouache)

CH827347: A Quiet Afternoon, (watercolour and gouache), Blommers or Bloomers, Bernardus Johannes (1845-1914) / Bridgeman Images

Three White Roses, 2002 (cyanotype print)
Three White Roses, 2002 (cyanotype print)

IMJ406943: Three White Roses, 2002 (cyanotype print), Dugdale, John (b.1960) / Bridgeman Images

The Sculptor's Model (oil on canvas)
The Sculptor's Model (oil on canvas)

CH1769870: The Sculptor's Model (oil on canvas), Courten, Angelo (1848-1925) / Bridgeman Images

Dora Maar leaning on her painting , Paris, c.1947 (b/w photo)
Dora Maar leaning on her painting , Paris, c.1947 (b/w photo)

SMH6376788: Dora Maar leaning on her painting , Paris, c.1947 (b/w photo), Maar, Dora (1907-97) / Bridgeman Images

Shanghai, China (photo)
Shanghai, China (photo)

SRB3036715: Shanghai, China (photo) / Bridgeman Images

Healing of the Crippled Man and Raising of Tabitha, 1424-1425 (fresco)
Healing of the Crippled Man and Raising of Tabitha, 1424-1425 (fresco)

MEP2627790: Healing of the Crippled Man and Raising of Tabitha, 1424-1425 (fresco), Masolino da Panicale, Tommaso (1383-c.1447) / Bridgeman Images

Duo for flute (Duo pour flûte), by Georges Braque, 1911, 20th Century, 55 x 46 cm
Duo for flute (Duo pour flûte), by Georges Braque, 1911, 20th Century, 55 x 46 cm

MEP847924: Duo for flute (Duo pour flûte), by Georges Braque, 1911, 20th Century, 55 x 46 cm, Braque, Georges (1882-1963) / Bridgeman Images

The five senses and the four elements some objects carry the weapons of the Richelieu family, 1627 (oil on canvas)
The five senses and the four elements some objects carry the weapons of the Richelieu family, 1627 (oil on canvas)

JLJ4575828: The five senses and the four elements some objects carry the weapons of the Richelieu family, 1627 (oil on canvas), Linard, Jacques (1600-45) / Bridgeman Images

In the artist's studio, 1881 (oil on canvas)
In the artist's studio, 1881 (oil on canvas)

FIA5341012: In the artist's studio, 1881 (oil on canvas), Makovsky, Konstantin Egorovich (1839-1915) / Bridgeman Images

Two women in a kitchen
Two women in a kitchen

FAF3573740: Two women in a kitchen, Flemish School, (16th century) / Bridgeman Images

Small reptiles and butterflies in a corner of the woods
Small reptiles and butterflies in a corner of the woods

FAF3573686: Small reptiles and butterflies in a corner of the woods, Schrieck, Otto Marseus van (1619-78) / Bridgeman Images

Underbrush with animals
Underbrush with animals

FAF3573684: Underbrush with animals, Schrieck, Otto Marseus van (1619-78) / Bridgeman Images

A view of two sculpted figures on pediments in the Italian styled gardens of Yew Tree Farm at Reagill, which was known locally as 'The Image Garden', 1930s-60s (b/w photo)
A view of two sculpted figures on pediments in the Italian styled gardens of Yew Tree Farm at Reagill, which was known locally as 'The Image Garden', 1930s-60s (b/w photo)

ABT1207495: A view of two sculpted figures on pediments in the Italian styled gardens of Yew Tree Farm at Reagill, which was known locally as 'The Image Garden', 1930s-60s (b/w photo), Hardman, Joseph (1893-1972) / Bridgeman Images

Buttercup plant with two almonds and an hymenopter (w/c)
Buttercup plant with two almonds and an hymenopter (w/c)

FAF3573682: Buttercup plant with two almonds and an hymenopter (w/c), Garzoni, Giovanna (1600-70) / Bridgeman Images

Ilissos from the Parthenon; L'Ilyssus du Parthenon, 1908 (oil on canvas)
Ilissos from the Parthenon; L'Ilyssus du Parthenon, 1908 (oil on canvas)

CH1767820: Ilissos from the Parthenon; L'Ilyssus du Parthenon, 1908 (oil on canvas), Matisse, Henri (1869-1954) / Bridgeman Images

Pears
Pears

FAF3573714: Pears, Bimbi, Bartolomeo (1648-1725) / Bridgeman Images

Plums
Plums

FAF3573713: Plums, Bimbi, Bartolomeo (1648-1725) / Bridgeman Images

Italian “Gastarbeiter” in Wolfsburg, 1966 (b/w photo)
Italian “Gastarbeiter” in Wolfsburg, 1966 (b/w photo)

SZT3518585: Italian “Gastarbeiter” in Wolfsburg, 1966 (b/w photo) / Bridgeman Images

British Prime Minister Winston Churchill leaving Number 10 Downing Street to make a statement in the House of Commons on the capitulation of France during World War Two. His statement went on to be known as the Finest Hour Speech
British Prime Minister Winston Churchill leaving Number 10 Downing Street to make a statement in the House of Commons on the capitulation of France during World War Two. His statement went on to be known as the Finest Hour Speech

MPX5123898: British Prime Minister Winston Churchill leaving Number 10 Downing Street to make a statement in the House of Commons on the capitulation of France during World War Two. His statement went on to be known as the Finest Hour Speech "What General Weygand has called the Battle of France is over. I expect that the Battle of Britain is about to begin. Upon this battle depends the survival of Christian civilisation. Upon it depends our own British life, and the long continuity of our institutions and our Empire. The whole fury and might of the enemy must very soon be turned on us. Hitler knows that he will have to break us in this island or lose the war. If we can stand up to him, all Europe may be freed and the life of the world may move forward into broad, sunlit uplands. But if we fail, then the whole world, including the United States, including all that we have known and cared for, will sink into the abyss of a new dark age made more sinister, and perhaps more protracted, by the lights of perverted science. Let us therefore brace ourselves to our duties, and so bear ourselves, that if the British Empire and its Commonwealth last for a thousand years, men will still say, This was their finest hour. Standing behind Churchill is Irish politician Brendan Bracken 18th June 1940 (b/w photo) / Bridgeman Images

Georgia O'Keeffe Neck, 1921 (palladium print)
Georgia O'Keeffe Neck, 1921 (palladium print)

XOS3492958: Georgia O'Keeffe Neck, 1921 (palladium print), Stieglitz, Alfred (1864-1946) / Bridgeman Images

Naxos 1962 (oil on canvas)
Naxos 1962 (oil on canvas)

TW427296: Naxos 1962 (oil on canvas), Brooker, William (1918-88) / Bridgeman Images

Four canopic jars of Maiherperi, from the Valley of the Kings, New Kingdom (alabaster)
Four canopic jars of Maiherperi, from the Valley of the Kings, New Kingdom (alabaster)

SVA660155: Four canopic jars of Maiherperi, from the Valley of the Kings, New Kingdom (alabaster), Egyptian 18th Dynasty (c.1567-1320 BC) / Bridgeman Images

The Nelson Bullet, 1805 (lead, silk, silver, glass & gilt metal)
The Nelson Bullet, 1805 (lead, silk, silver, glass & gilt metal)

ROC1546903: The Nelson Bullet, 1805 (lead, silk, silver, glass & gilt metal) / Bridgeman Images

Roses, Peony, Auricula and Fritillary in a Vase
Roses, Peony, Auricula and Fritillary in a Vase

USB1162493: Roses, Peony, Auricula and Fritillary in a Vase, Os, Jan van (1744-1808) / Bridgeman Images

US Forces at Panama Canal 1950s 3/3 Panama canal, construction, protection by US troops, shipping, Malaria prevention, training
US Forces at Panama Canal 1950s 3/3 Panama canal, construction, protection by US troops, shipping, Malaria prevention, training

BOF3664217: US Forces at Panama Canal 1950s 3/3 Panama canal, construction, protection by US troops, shipping, Malaria prevention, training / Bridgeman Images

China: Zhao Yun (- 229 CE), from a Qing Dynasty edition of 'Romance of the Three Kingdoms', released as 'Zengxiang quantu Sanguo yanyi'
China: Zhao Yun (- 229 CE), from a Qing Dynasty edition of 'Romance of the Three Kingdoms', released as 'Zengxiang quantu Sanguo yanyi'

PFH3277597: China: Zhao Yun (- 229 CE), from a Qing Dynasty edition of 'Romance of the Three Kingdoms', released as 'Zengxiang quantu Sanguo yanyi' / Bridgeman Images

Plum, Narcissus and Rock, 1679 (ink on paper)
Plum, Narcissus and Rock, 1679 (ink on paper)

MNS6125006: Plum, Narcissus and Rock, 1679 (ink on paper), Wang Wu (1632-90) / Bridgeman Images

Prince Albert, 1839-40 (w/c on ivory laid on card)
Prince Albert, 1839-40 (w/c on ivory laid on card)

ROC5891820: Prince Albert, 1839-40 (w/c on ivory laid on card), Ross, William Charles (1794-1860) / Bridgeman Images

A Paschal Lamb and Easter Table with Flying Angels, 1900s (oil on oilcloth)
A Paschal Lamb and Easter Table with Flying Angels, 1900s (oil on oilcloth)

FIA5405540: A Paschal Lamb and Easter Table with Flying Angels, 1900s (oil on oilcloth), Pirosmani, Niko (1862-1918) / Bridgeman Images

Company Making Music (oil on oak)
Company Making Music (oil on oak)

XOS3930925: Company Making Music (oil on oak), Codde, Pieter (1599-1678) / Bridgeman Images

Evening at Home, 1867 (oil on canvas)
Evening at Home, 1867 (oil on canvas)

NUM396498: Evening at Home, 1867 (oil on canvas), Culverhouse, Johann Mongels (1820-91) / Bridgeman Images


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