1. Home
  2. Search "medieval or gothic or late medieval"

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

42068 Search Results for medieval or gothic or late medieval

Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)
Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)

SRB7204308: Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo), Reboredo, Sergi / Bridgeman Images

ID: SRB7204308

Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)

Reboredo, Sergi

Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)
Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)

SRB7204314: Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo), Reboredo, Sergi / Bridgeman Images

ID: SRB7204314

Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)

Reboredo, Sergi

Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)
Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)

SRB7204311: Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo), Reboredo, Sergi / Bridgeman Images

ID: SRB7204311

Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)

Reboredo, Sergi

Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)
Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)

SRB7204319: Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo), Reboredo, Sergi / Bridgeman Images

ID: SRB7204319

Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)

Reboredo, Sergi

Japan / Ryukyu Islands: Tomari Bridge and Port, Okinawa, 1816
Japan / Ryukyu Islands: Tomari Bridge and Port, Okinawa, 1816

PFH2642305: Japan / Ryukyu Islands: Tomari Bridge and Port, Okinawa, 1816 / Bridgeman Images

ID: PFH2642305

Japan / Ryukyu Islands: Tomari Bridge and Port, Okinawa, 1816

Japan / Ryukyu Islands: 'Bridge and Causeway at Ma-Chi-Na-Too' (Makiminato), Okinawa, Perry Expedition, 1853
Japan / Ryukyu Islands: 'Bridge and Causeway at Ma-Chi-Na-Too' (Makiminato), Okinawa, Perry Expedition, 1853

PFH2642298: Japan / Ryukyu Islands: 'Bridge and Causeway at Ma-Chi-Na-Too' (Makiminato), Okinawa, Perry Expedition, 1853 / Bridgeman Images

ID: PFH2642298

Japan / Ryukyu Islands: 'Bridge and Causeway at Ma-Chi-Na-Too' (Makiminato), Okinawa, Perry Expedition, 1853

Japan / Ryukyu Islands: Qing Dynasty Seal of the Ryukyu Kingdom (1429-1879) in Mongolian and Chinese
Japan / Ryukyu Islands: Qing Dynasty Seal of the Ryukyu Kingdom (1429-1879) in Mongolian and Chinese

PFH2641772: Japan / Ryukyu Islands: Qing Dynasty Seal of the Ryukyu Kingdom (1429-1879) in Mongolian and Chinese / Bridgeman Images

ID: PFH2641772

Japan / Ryukyu Islands: Qing Dynasty Seal of the Ryukyu Kingdom (1429-1879) in Mongolian and Chinese

Japan / Ryukyu Islands: Children at a mission school, Okinawa, c. 1910 (photo)
Japan / Ryukyu Islands: Children at a mission school, Okinawa, c. 1910 (photo)

PFH2642316: Japan / Ryukyu Islands: Children at a mission school, Okinawa, c. 1910 (photo) / Bridgeman Images

ID: PFH2642316

Japan / Ryukyu Islands: Children at a mission school, Okinawa, c. 1910 (photo)

Japan / Ryukyu Islands: Detail of a scroll painting depicting the Kingdom of Ryukyu's embassy to the Japanese Court at Edo in 1710 during the reign of King Sho Eki (1710-1712), 18th ruler of the Ryukyu Second Sho Dynasty
Japan / Ryukyu Islands: Detail of a scroll painting depicting the Kingdom of Ryukyu's embassy to the Japanese Court at Edo in 1710 during the reign of King Sho Eki (1710-1712), 18th ruler of the Ryukyu Second Sho Dynasty

PFH2641769: Japan / Ryukyu Islands: Detail of a scroll painting depicting the Kingdom of Ryukyu's embassy to the Japanese Court at Edo in 1710 during the reign of King Sho Eki (1710-1712), 18th ruler of the Ryukyu Second Sho Dynasty / Bridgeman Images

ID: PFH2641769

Japan / Ryukyu Islands: Detail of a scroll painting depicting the Kingdom of Ryukyu's embassy to the Japanese Court at Edo in 1710 during the reign of King Sho Eki (1710-1712), 18th ruler of the Ryukyu Second Sho Dynasty

Fragments of the Victory Stele of Sargon II, King of Assyria, Ashdod (basalt)
Fragments of the Victory Stele of Sargon II, King of Assyria, Ashdod (basalt)

IMJ2632325: Fragments of the Victory Stele of Sargon II, King of Assyria, Ashdod (basalt), Assyrian, (8th century BC) / Bridgeman Images

ID: IMJ2632325

Fragments of the Victory Stele of Sargon II, King of Assyria, Ashdod (basalt)

Assyrian, (8th century BC)

The Jerusalem Chamber, Westminster Abbey, 1937 (colour litho)
The Jerusalem Chamber, Westminster Abbey, 1937 (colour litho)

KDC469632: The Jerusalem Chamber, Westminster Abbey, 1937 (colour litho) / Bridgeman Images

ID: KDC469632

The Jerusalem Chamber, Westminster Abbey, 1937 (colour litho)

Italy: Guido Aretino (Guido of Arezzo, 991/992 - 1033), Italian musical theorist and the inventor of modern musical notation. 19th century statue outside the Uffizi Gallery, Florence, Italy. Sculpted by Lorenzo Nencini. (2016)
Italy: Guido Aretino (Guido of Arezzo, 991/992 - 1033), Italian musical theorist and the inventor of modern musical notation. 19th century statue outside the Uffizi Gallery, Florence, Italy. Sculpted by Lorenzo Nencini. (2016)

PFH3432171: Italy: Guido Aretino (Guido of Arezzo, 991/992 - 1033), Italian musical theorist and the inventor of modern musical notation. 19th century statue outside the Uffizi Gallery, Florence, Italy. Sculpted by Lorenzo Nencini. (2016) / Bridgeman Images

ID: PFH3432171

Italy: Guido Aretino (Guido of Arezzo, 991/992 - 1033), Italian musical theorist and the inventor of modern musical notation. 19th century statue outside the Uffizi Gallery, Florence, Italy. Sculpted by Lorenzo Nencini. (2016)

May 05, 1953 - Famous Nuremberg Chime for Ascension Day. On Ascension Day, the world -famous Nuremberg Chime will aging be tendered to the always interested public and to many European tourists who come to see the Francois capital. Commonly Known as” Maennlein” (Literally little men), this wonderful clockwork indeed represents the finest medicinal clock - building art. The story dates back to the High Renissance (1500) when well - to -do Nuremberg merchants go ~ ~ the order the most famous English, Italian and German clock builders to” create the world's most unique chime”, thus commermorating the” glory days” when Charles IV. (1347 - 1378) a German Emperor, favored the prosperous and wealthy city, the hube ~ German trade. Each of the sewen” Maennelin” represents a medieval Elector, i.e. those who had been legally authorized by cahrles IV to elect the German Emperors. When the Chime operates, the seven” Electors” skip around the Emperor. In 1944, this priceless work was fortunately not damaged bu shells or bombs, but it took Herr Riedl, one f the many Nurremberg Chime Masters, a lot of work and all technical skill, to complete the inal repair- works.
May 05, 1953 - Famous Nuremberg Chime for Ascension Day. On Ascension Day, the world -famous Nuremberg Chime will aging be tendered to the always interested public and to many European tourists who come to see the Francois capital. Commonly Known as” Maennlein” (Literally little men), this wonderful clockwork indeed represents the finest medicinal clock - building art. The story dates back to the High Renissance (1500) when well - to -do Nuremberg merchants go ~ ~ the order the most famous English, Italian and German clock builders to” create the world's most unique chime”, thus commermorating the” glory days” when Charles IV. (1347 - 1378) a German Emperor, favored the prosperous and wealthy city, the hube ~ German trade. Each of the sewen” Maennelin” represents a medieval Elector, i.e. those who had been legally authorized by cahrles IV to elect the German Emperors. When the Chime operates, the seven” Electors” skip around the Emperor. In 1944, this priceless work was fortunately not damaged bu shells or bombs, but it took Herr Riedl, one f the many Nurremberg Chime Masters, a lot of work and all technical skill, to complete the inal repair- works.

ZUM4842960: May 05, 1953 - Famous Nuremberg Chime for Ascension Day. On Ascension Day, the world -famous Nuremberg Chime will aging be tendered to the always interested public and to many European tourists who come to see the Francois capital. Commonly Known as” Maennlein” (Literally little men), this wonderful clockwork indeed represents the finest medicinal clock - building art. The story dates back to the High Renissance (1500) when well - to -do Nuremberg merchants go ~ ~ the order the most famous English, Italian and German clock builders to” create the world's most unique chime”, thus commermorating the” glory days” when Charles IV. (1347 - 1378) a German Emperor, favored the prosperous and wealthy city, the hube ~ German trade. Each of the sewen” Maennelin” represents a medieval Elector, i.e. those who had been legally authorized by cahrles IV to elect the German Emperors. When the Chime operates, the seven” Electors” skip around the Emperor. In 1944, this priceless work was fortunately not damaged bu shells or bombs, but it took Herr Riedl, one f the many Nurremberg Chime Masters, a lot of work and all technical skill, to complete the inal repair- works. / Bridgeman Images

ID: ZUM4842960

May 05, 1953 - Famous Nuremberg Chime for Ascension Day. On Ascension Day, the world -famous Nuremberg Chime will aging be tendered to the always interested public and to many European tourists who come to see the Francois capital. Commonly Known as” Maennlein” (Literally little men), this wonderful clockwork indeed represents the finest medicinal clock - building art. The story dates back to the High Renissance (1500) when well - to -do Nuremberg merchants go ~ ~ the order the most famous English, Italian and German clock builders to” create the world's most unique chime”, thus commermorating the” glory days” when Charles IV. (1347 - 1378) a German Emperor, favored the prosperous and wealthy city, the hube ~ German trade. Each of the sewen” Maennelin” represents a medieval Elector, i.e. those who had been legally authorized by cahrles IV to elect the German Emperors. When the Chime operates, the seven” Electors” skip around the Emperor. In 1944, this priceless work was fortunately not

Lalibela, Amhara region, Ethiopia (photo)
Lalibela, Amhara region, Ethiopia (photo)

SRB3584940: Lalibela, Amhara region, Ethiopia (photo), Reboredo, Sergi / Bridgeman Images

ID: SRB3584940

Lalibela, Amhara region, Ethiopia (photo)

Reboredo, Sergi

Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)
Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)

SRB7204322: Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo), Reboredo, Sergi / Bridgeman Images

ID: SRB7204322

Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)

Reboredo, Sergi

Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)
Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)

SRB7204324: Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo), Reboredo, Sergi / Bridgeman Images

ID: SRB7204324

Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)

Reboredo, Sergi

Japan / Ryukyu Islands: Pipe Smoking Inhabitants, 'Scene After the Prince of Loo Choo's Feast', from 'Account of a Voyage of Discovery to the West Coast of Corea, and the Great Loo-Choo Island', Basil Hall, London, 1818 (litho)
Japan / Ryukyu Islands: Pipe Smoking Inhabitants, 'Scene After the Prince of Loo Choo's Feast', from 'Account of a Voyage of Discovery to the West Coast of Corea, and the Great Loo-Choo Island', Basil Hall, London, 1818 (litho)

PFH2641783: Japan / Ryukyu Islands: Pipe Smoking Inhabitants, 'Scene After the Prince of Loo Choo's Feast', from 'Account of a Voyage of Discovery to the West Coast of Corea, and the Great Loo-Choo Island', Basil Hall, London, 1818 (litho) / Bridgeman Images

ID: PFH2641783

Japan / Ryukyu Islands: Pipe Smoking Inhabitants, 'Scene After the Prince of Loo Choo's Feast', from 'Account of a Voyage of Discovery to the West Coast of Corea, and the Great Loo-Choo Island', Basil Hall, London, 1818 (litho)

Japan / Ryukyu Islands: Photographer shooting Daguerrotypes on Okinawa, Perry Expedition, 1853
Japan / Ryukyu Islands: Photographer shooting Daguerrotypes on Okinawa, Perry Expedition, 1853

PFH2642296: Japan / Ryukyu Islands: Photographer shooting Daguerrotypes on Okinawa, Perry Expedition, 1853 / Bridgeman Images

ID: PFH2642296

Japan / Ryukyu Islands: Photographer shooting Daguerrotypes on Okinawa, Perry Expedition, 1853

Japan / Ryukyu Islands: 'The Prince of Loo Choo' (King Sho Ko, r. 1804-1828)), from 'Account of a Voyage of Discovery to the West Coast of Corea, and the Great Loo-Choo Island', Basil Hall, London, 1818 (litho)
Japan / Ryukyu Islands: 'The Prince of Loo Choo' (King Sho Ko, r. 1804-1828)), from 'Account of a Voyage of Discovery to the West Coast of Corea, and the Great Loo-Choo Island', Basil Hall, London, 1818 (litho)

PFH2642283: Japan / Ryukyu Islands: 'The Prince of Loo Choo' (King Sho Ko, r. 1804-1828)), from 'Account of a Voyage of Discovery to the West Coast of Corea, and the Great Loo-Choo Island', Basil Hall, London, 1818 (litho) / Bridgeman Images

ID: PFH2642283

Japan / Ryukyu Islands: 'The Prince of Loo Choo' (King Sho Ko, r. 1804-1828)), from 'Account of a Voyage of Discovery to the West Coast of Corea, and the Great Loo-Choo Island', Basil Hall, London, 1818 (litho)

India: Thillai Nataraja Temple, Chidambaram, Tamil Nadu
India: Thillai Nataraja Temple, Chidambaram, Tamil Nadu

PFH1188568: India: Thillai Nataraja Temple, Chidambaram, Tamil Nadu / Bridgeman Images

ID: PFH1188568

India: Thillai Nataraja Temple, Chidambaram, Tamil Nadu

Porte de Narbonne of the cite of Carcassonne, with the bust of Dame Carcas. (photograph)
Porte de Narbonne of the cite of Carcassonne, with the bust of Dame Carcas. (photograph)

PCT6646935: Porte de Narbonne of the cite of Carcassonne, with the bust of Dame Carcas. (photograph), Cartier, Patrice / Bridgeman Images

ID: PCT6646935

Porte de Narbonne of the cite of Carcassonne, with the bust of Dame Carcas. (photograph)

Cartier, Patrice

islamic art-kohl container-rock crystal-inv.n.15448-Fatimid 12th century-MIA - 08 07 09 047
islamic art-kohl container-rock crystal-inv.n.15448-Fatimid 12th century-MIA - 08 07 09 047

VIS693479: islamic art-kohl container-rock crystal-inv.n.15448-Fatimid 12th century-MIA - 08 07 09 047 / Bridgeman Images

ID: VIS693479

islamic art-kohl container-rock crystal-inv.n.15448-Fatimid 12th century-MIA - 08 07 09 047

Master Carpenter, Mr Puffett puts the finishing touches to a skirting, using a 400 year old carving as his model, for one of the restored Manchester Regiment chapel screens at Manchester Cathedral, 12th April 1951 (b/w photo)
Master Carpenter, Mr Puffett puts the finishing touches to a skirting, using a 400 year old carving as his model, for one of the restored Manchester Regiment chapel screens at Manchester Cathedral, 12th April 1951 (b/w photo)

MPX5156171: Master Carpenter, Mr Puffett puts the finishing touches to a skirting, using a 400 year old carving as his model, for one of the restored Manchester Regiment chapel screens at Manchester Cathedral, 12th April 1951 (b/w photo) / Bridgeman Images

ID: MPX5156171

Master Carpenter, Mr Puffett puts the finishing touches to a skirting, using a 400 year old carving as his model, for one of the restored Manchester Regiment chapel screens at Manchester Cathedral, 12th April 1951 (b/w photo)

The Old Fish Market, Sandhill, Newcastle upon Tyne (oil on canvas)
The Old Fish Market, Sandhill, Newcastle upon Tyne (oil on canvas)

TW1212941: The Old Fish Market, Sandhill, Newcastle upon Tyne (oil on canvas), Parker, Henry Perlee (1795-1873) / Bridgeman Images

ID: TW1212941

The Old Fish Market, Sandhill, Newcastle upon Tyne (oil on canvas)

Parker, Henry Perlee (1795-1873)

Targone for the 'Giuoco del Ponte', 1776 (wood, paint & iron)
Targone for the 'Giuoco del Ponte', 1776 (wood, paint & iron)

WAM2652227: Targone for the 'Giuoco del Ponte', 1776 (wood, paint & iron), Italian School, (18th century) / Bridgeman Images

ID: WAM2652227

Targone for the 'Giuoco del Ponte', 1776 (wood, paint & iron)

Italian School, (18th century)

Uzbekistan: Detail from the mural called 'The Chinese Boat', from the hall of the ruin of an aristocratic house in Afrasiab near Samarkand, c. 650 CE
Uzbekistan: Detail from the mural called 'The Chinese Boat', from the hall of the ruin of an aristocratic house in Afrasiab near Samarkand, c. 650 CE

PFH1185103: Uzbekistan: Detail from the mural called 'The Chinese Boat', from the hall of the ruin of an aristocratic house in Afrasiab near Samarkand, c. 650 CE / Bridgeman Images

ID: PFH1185103

Uzbekistan: Detail from the mural called 'The Chinese Boat', from the hall of the ruin of an aristocratic house in Afrasiab near Samarkand, c. 650 CE

Design for the Mechanics Institute, Newcastle upon Tyne, 1863 (ink & w/c on paper on card)
Design for the Mechanics Institute, Newcastle upon Tyne, 1863 (ink & w/c on paper on card)

TW1214465: Design for the Mechanics Institute, Newcastle upon Tyne, 1863 (ink & w/c on paper on card), Storey, John (1828-88) / Bridgeman Images

ID: TW1214465

Design for the Mechanics Institute, Newcastle upon Tyne, 1863 (ink & w/c on paper on card)

Storey, John (1828-88)

The Waste of Waters is their Field, early 1880s (oil on panel)
The Waste of Waters is their Field, early 1880s (oil on panel)

TBM84518: The Waste of Waters is their Field, early 1880s (oil on panel), Ryder, Albert Pinkham (1847-1917) / Bridgeman Images

ID: TBM84518

The Waste of Waters is their Field, early 1880s (oil on panel)

Ryder, Albert Pinkham (1847-1917)

Siegfried (Sigurd) and Bruennhilde (Brunehild), 1909 (oil on canvas)
Siegfried (Sigurd) and Bruennhilde (Brunehild), 1909 (oil on canvas)

FIA5404711: Siegfried (Sigurd) and Bruennhilde (Brunehild), 1909 (oil on canvas), Butler, Charles Ernest (1864-c.1918) / Bridgeman Images

ID: FIA5404711

Siegfried (Sigurd) and Bruennhilde (Brunehild), 1909 (oil on canvas)

Butler, Charles Ernest (1864-c.1918)

Closed sallet with grotesque face, or Schembart visor, Nuremberg, c.1500 (painted steel)
Closed sallet with grotesque face, or Schembart visor, Nuremberg, c.1500 (painted steel)

XCL490854: Closed sallet with grotesque face, or Schembart visor, Nuremberg, c.1500 (painted steel), German School, (16th century) / Bridgeman Images

ID: XCL490854

Closed sallet with grotesque face, or Schembart visor, Nuremberg, c.1500 (painted steel)

German School, (16th century)

Uzbekistan: Three delegates. Detail from a section of the Afrasiab Murals, c. 850 CE
Uzbekistan: Three delegates. Detail from a section of the Afrasiab Murals, c. 850 CE

PFH1179591: Uzbekistan: Three delegates. Detail from a section of the Afrasiab Murals, c. 850 CE / Bridgeman Images

ID: PFH1179591

Uzbekistan: Three delegates. Detail from a section of the Afrasiab Murals, c. 850 CE

Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)
Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)

SRB7204309: Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo), Reboredo, Sergi / Bridgeman Images

ID: SRB7204309

Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)

Reboredo, Sergi

Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)
Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)

SRB7204317: Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo), Reboredo, Sergi / Bridgeman Images

ID: SRB7204317

Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)

Reboredo, Sergi

Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)
Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)

SRB7204325: Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo), Reboredo, Sergi / Bridgeman Images

ID: SRB7204325

Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)

Reboredo, Sergi

Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)
Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)

SRB7204315: Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo), Reboredo, Sergi / Bridgeman Images

ID: SRB7204315

Aerial view of Tamarit Castle next to Altafulla beach, TARRAGONA, 2021 (photo)

Reboredo, Sergi

Japan / Ryukyu Islands: 'Scene After the Prince of Loo Choo's Feast', from 'Account of a Voyage of Discovery to the West Coast of Corea, and the Great Loo-Choo Island', Basil Hall, London, 1818 (litho)
Japan / Ryukyu Islands: 'Scene After the Prince of Loo Choo's Feast', from 'Account of a Voyage of Discovery to the West Coast of Corea, and the Great Loo-Choo Island', Basil Hall, London, 1818 (litho)

PFH2641782: Japan / Ryukyu Islands: 'Scene After the Prince of Loo Choo's Feast', from 'Account of a Voyage of Discovery to the West Coast of Corea, and the Great Loo-Choo Island', Basil Hall, London, 1818 (litho) / Bridgeman Images

ID: PFH2641782

Japan / Ryukyu Islands: 'Scene After the Prince of Loo Choo's Feast', from 'Account of a Voyage of Discovery to the West Coast of Corea, and the Great Loo-Choo Island', Basil Hall, London, 1818 (litho)


Back to top