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1145 Search Results for joseph mallord william turner

Keelmen Heaving in Coals by Moonlight (detail), 1835 (oil on canvas)
Keelmen Heaving in Coals by Moonlight (detail), 1835 (oil on canvas)

XOS4073442: Keelmen Heaving in Coals by Moonlight (detail), 1835 (oil on canvas), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Vue De Deal - View Of Deal (oil on paper)
Vue De Deal - View Of Deal (oil on paper)

FIA5407656: Vue De Deal - View Of Deal (oil on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Johnnie Armstrong's Tower as bound in Vol. II of The Poetical Works of Sir Walter Scott, 1833 (engraving on plain paper)
Johnnie Armstrong's Tower as bound in Vol. II of The Poetical Works of Sir Walter Scott, 1833 (engraving on plain paper)

IMA485093: Johnnie Armstrong's Tower as bound in Vol. II of The Poetical Works of Sir Walter Scott, 1833 (engraving on plain paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Lake of Nemi (Broadley's Poems), 1844 (engraving on India paper, chine colle)
Lake of Nemi (Broadley's Poems), 1844 (engraving on India paper, chine colle)

IMA485095: Lake of Nemi (Broadley's Poems), 1844 (engraving on India paper, chine colle), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Natal house of english painter Joseph Mallord William Turner (1775-1851) in London, engraving after drawing by Gilbert, 1852
Natal house of english painter Joseph Mallord William Turner (1775-1851) in London, engraving after drawing by Gilbert, 1852

TAD1760810: Natal house of english painter Joseph Mallord William Turner (1775-1851) in London, engraving after drawing by Gilbert, 1852 / Bridgeman Images

Boats at Margate Pier (bodycolour on buff grey paper)
Boats at Margate Pier (bodycolour on buff grey paper)

AGN264361: Boats at Margate Pier (bodycolour on buff grey paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Fort Bard, Val d'Aosta, probably 1836 (w/c over pencil on paper)
Fort Bard, Val d'Aosta, probably 1836 (w/c over pencil on paper)

WGL429866: Fort Bard, Val d'Aosta, probably 1836 (w/c over pencil on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

View of Rhodes (w/c on paper)
View of Rhodes (w/c on paper)

TOL166104: View of Rhodes (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Liber Studiorum, No 50 : Mer de Glace, 1812 (mezzotint etching in brown ink)
Liber Studiorum, No 50 : Mer de Glace, 1812 (mezzotint etching in brown ink)

WHT6432127: Liber Studiorum, No 50 : Mer de Glace, 1812 (mezzotint etching in brown ink), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Upper falls of the Reichenbach, 1802 (pencil, w/c & bodycolour, with stopping out and scratching out, on white wove paper)
Upper falls of the Reichenbach, 1802 (pencil, w/c & bodycolour, with stopping out and scratching out, on white wove paper)

COU5934435: Upper falls of the Reichenbach, 1802 (pencil, w/c & bodycolour, with stopping out and scratching out, on white wove paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Dido building Carthage, 1815 (oil on canvas)
Dido building Carthage, 1815 (oil on canvas)

BYD3892951: Dido building Carthage, 1815 (oil on canvas), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Shipping, c.1828-30 (pen, brush & brown ink, bodycolour and graphite on blue paper)
Shipping, c.1828-30 (pen, brush & brown ink, bodycolour and graphite on blue paper)

XYC185486: Shipping, c.1828-30 (pen, brush & brown ink, bodycolour and graphite on blue paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Gosport: the Entrance to Portsmouth Harbour (w/c on paper)
Gosport: the Entrance to Portsmouth Harbour (w/c on paper)

AGN342917: Gosport: the Entrance to Portsmouth Harbour (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Abingdon, Oxfordshire, c.1805 (w/c on paper)
Abingdon, Oxfordshire, c.1805 (w/c on paper)

AGN264350: Abingdon, Oxfordshire, c.1805 (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

St Agatha's Abbey, Easby (w/c on paper)
St Agatha's Abbey, Easby (w/c on paper)

WHT162098: St Agatha's Abbey, Easby (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Patterdale (w/c with pen on paper)
Patterdale (w/c with pen on paper)

AGN264349: Patterdale (w/c with pen on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

St. Michael's Mount, Shipwreck of Lycidas as bound in Vol. VI of The Poetical Works of John Milton, engraved by William Miller (1796-1882), 1835 (engraving on plain paper)
St. Michael's Mount, Shipwreck of Lycidas as bound in Vol. VI of The Poetical Works of John Milton, engraved by William Miller (1796-1882), 1835 (engraving on plain paper)

IMA485094: St. Michael's Mount, Shipwreck of Lycidas as bound in Vol. VI of The Poetical Works of John Milton, engraved by William Miller (1796-1882), 1835 (engraving on plain paper), Turner, Joseph Mallord William (1775-1851) (after) / Bridgeman Images

Returning from the Ball (St. Martino) c.1846 (oil on canvas)
Returning from the Ball (St. Martino) c.1846 (oil on canvas)

AGN95205: Returning from the Ball (St. Martino) c.1846 (oil on canvas), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Warwick Castle and Bridge (w/c on paper)
Warwick Castle and Bridge (w/c on paper)

WHT162002: Warwick Castle and Bridge (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Warwick Castle (watercolour on paper)
Warwick Castle (watercolour on paper)

WHT162006: Warwick Castle (watercolour on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Winchelsea, Sussex, from the Rye Road (w/c & bodycolour on paper)
Winchelsea, Sussex, from the Rye Road (w/c & bodycolour on paper)

AGN270953: Winchelsea, Sussex, from the Rye Road (w/c & bodycolour on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Seascape with a Squall Coming Up, c.1803 (oil on canvas)
Seascape with a Squall Coming Up, c.1803 (oil on canvas)

TFJ225951: Seascape with a Squall Coming Up, c.1803 (oil on canvas), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Aberdulais Mill, Glamorganshire, Wales, 1796-97 (pencil and watercolour)
Aberdulais Mill, Glamorganshire, Wales, 1796-97 (pencil and watercolour)

CH824107: Aberdulais Mill, Glamorganshire, Wales, 1796-97 (pencil and watercolour), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Dunstanborough Castle, Northumberland, c.1829 (w/c on paper)
Dunstanborough Castle, Northumberland, c.1829 (w/c on paper)

MAN495773: Dunstanborough Castle, Northumberland, c.1829 (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

St Anselm's Chapel, Canterbury Cathedral (w/c on paper)
St Anselm's Chapel, Canterbury Cathedral (w/c on paper)

WHT162501: St Anselm's Chapel, Canterbury Cathedral (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

An Italian Villa (w/c on paper)
An Italian Villa (w/c on paper)

AGN284342: An Italian Villa (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

A Barn, Interior of the Ruined Refectory of St. Martin's Priory, Dover, (w/c)
A Barn, Interior of the Ruined Refectory of St. Martin's Priory, Dover, (w/c)

BAL40146: A Barn, Interior of the Ruined Refectory of St. Martin's Priory, Dover, (w/c), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

San Giorgio Maggiore (oil on canvas)
San Giorgio Maggiore (oil on canvas)

AGN358244: San Giorgio Maggiore (oil on canvas), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

View of the Temple of Jupiter Panellenius, in the Island of Aegina, with the Greek National Dance of the Romaika: the Acropolis of Athens in the distance, 1816 (oil on canvas)
View of the Temple of Jupiter Panellenius, in the Island of Aegina, with the Greek National Dance of the Romaika: the Acropolis of Athens in the distance, 1816 (oil on canvas)

NTE6371398: View of the Temple of Jupiter Panellenius, in the Island of Aegina, with the Greek National Dance of the Romaika: the Acropolis of Athens in the distance, 1816 (oil on canvas), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Chillon Castle, Lac Leman, Switzerland, from Villeneuve, 1836 (pencil & w/c on paper)
Chillon Castle, Lac Leman, Switzerland, from Villeneuve, 1836 (pencil & w/c on paper)

WHT6398358: Chillon Castle, Lac Leman, Switzerland, from Villeneuve, 1836 (pencil & w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Colchester, Essex, c.1825-26 (pencil, w/c, bodycolour & scraping on wove paper, now laid down on Japanese tissue)
Colchester, Essex, c.1825-26 (pencil, w/c, bodycolour & scraping on wove paper, now laid down on Japanese tissue)

COU5934438: Colchester, Essex, c.1825-26 (pencil, w/c, bodycolour & scraping on wove paper, now laid down on Japanese tissue), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Porch of Great Malvern Abbey (w/c on paper)
Porch of Great Malvern Abbey (w/c on paper)

WHT162025: Porch of Great Malvern Abbey (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

The Domleschg Valley (w/c on paper)
The Domleschg Valley (w/c on paper)

AGN264358: The Domleschg Valley (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

A Conflagration, Lausanne (w/c on paper)
A Conflagration, Lausanne (w/c on paper)

WHT162000: A Conflagration, Lausanne (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

The Fifth Wound Of Egypt, 1800 (oil on canvas)
The Fifth Wound Of Egypt, 1800 (oil on canvas)

FIA5393196: The Fifth Wound Of Egypt, 1800 (oil on canvas), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Mainz (w/c on paper)
Mainz (w/c on paper)

AGN355025: Mainz (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images


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