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6582 Search Results for carving

Spanish soldiers blowing up fortifications with gunpowder (gouache on paper)
Spanish soldiers blowing up fortifications with gunpowder (gouache on paper)

LAL724152: Spanish soldiers blowing up fortifications with gunpowder (gouache on paper), Nicolle, Pat (Patrick) (1907-95) / Bridgeman Images

ID: LAL724152

Spanish soldiers blowing up fortifications with gunpowder (gouache on paper)

Nicolle, Pat (Patrick) (1907-95)

Apostle Simon the Zealot. 18th century (Polychrome wood sculpture)
Apostle Simon the Zealot. 18th century (Polychrome wood sculpture)

TRK7144449: Apostle Simon the Zealot. 18th century (Polychrome wood sculpture) / Bridgeman Images

ID: TRK7144449

Apostle Simon the Zealot. 18th century (Polychrome wood sculpture)

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.
Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

OMG4599702: Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09. / Bridgeman Images

ID: OMG4599702

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.
Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

OMG4599716: Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09. / Bridgeman Images

ID: OMG4599716

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.
Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

OMG4599767: Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09. / Bridgeman Images

ID: OMG4599767

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.
Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

OMG4599791: Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09. / Bridgeman Images

ID: OMG4599791

Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles.Photography 03/06/09.

Standing Virgin and Child statuette (front), early 14th century (carved ivory with traces of pigment)
Standing Virgin and Child statuette (front), early 14th century (carved ivory with traces of pigment)

COU5948463: Standing Virgin and Child statuette (front), early 14th century (carved ivory with traces of pigment), Northern French school, (14th century) / Bridgeman Images

ID: COU5948463

Standing Virgin and Child statuette (front), early 14th century (carved ivory with traces of pigment)

Northern French school, (14th century)

Doorhead of the Palazzo Contarini della Porta di Ferro (pen, ink, wash and b/c on paper)
Doorhead of the Palazzo Contarini della Porta di Ferro (pen, ink, wash and b/c on paper)

XYC291036: Doorhead of the Palazzo Contarini della Porta di Ferro (pen, ink, wash and b/c on paper), Ruskin, John (1819-1900) / Bridgeman Images

ID: XYC291036

Doorhead of the Palazzo Contarini della Porta di Ferro (pen, ink, wash and b/c on paper)

Ruskin, John (1819-1900)

Apostle saint Peter. 18th century (Polychrome wood sculpture)
Apostle saint Peter. 18th century (Polychrome wood sculpture)

TRK7144448: Apostle saint Peter. 18th century (Polychrome wood sculpture) / Bridgeman Images

ID: TRK7144448

Apostle saint Peter. 18th century (Polychrome wood sculpture)

Vice President Spiro Agnew meeting with Kenya's Revolutionary President Jomo Kenyatta, July 12, 1971
Vice President Spiro Agnew meeting with Kenya's Revolutionary President Jomo Kenyatta, July 12, 1971

EVB2922914: Vice President Spiro Agnew meeting with Kenya's Revolutionary President Jomo Kenyatta, July 12, 1971 / Bridgeman Images

ID: EVB2922914

Vice President Spiro Agnew meeting with Kenya's Revolutionary President Jomo Kenyatta, July 12, 1971

Petroglyphs of Mogor, Detail of Labyrinth stone, Metal Ages, c.3000-2000 Bc.Spain, Galicia, Marin
Petroglyphs of Mogor, Detail of Labyrinth stone, Metal Ages, c.3000-2000 Bc.Spain, Galicia, Marin

TRK6356058: Petroglyphs of Mogor, Detail of Labyrinth stone, Metal Ages, c.3000-2000 Bc.Spain, Galicia, Marin / Bridgeman Images

ID: TRK6356058

Petroglyphs of Mogor, Detail of Labyrinth stone, Metal Ages, c.3000-2000 Bc.Spain, Galicia, Marin

Monk - The Vines, Rochester - Dickens connection
Monk - The Vines, Rochester - Dickens connection

SLR3826869: Monk - The Vines, Rochester - Dickens connection / Bridgeman Images

ID: SLR3826869

Monk - The Vines, Rochester - Dickens connection

Sussex - Lewes - Glynde Place: sepia drawing, 1830 (drawing)
Sussex - Lewes - Glynde Place: sepia drawing, 1830 (drawing)

WSL5895770: Sussex - Lewes - Glynde Place: sepia drawing, 1830 (drawing), Buckler, John (1770-1851) / Bridgeman Images

ID: WSL5895770

Sussex - Lewes - Glynde Place: sepia drawing, 1830 (drawing)

Buckler, John (1770-1851)

Silver Altar, 1367 - 1483 (embossed and partially gilded silver, enamel)
Silver Altar, 1367 - 1483 (embossed and partially gilded silver, enamel)

ELC853621: Silver Altar, 1367 - 1483 (embossed and partially gilded silver, enamel), Italian School, (14th century) / Bridgeman Images

ID: ELC853621

Silver Altar, 1367 - 1483 (embossed and partially gilded silver, enamel)

Italian School, (14th century)

St Cassian, (wood carved and polychrome)
St Cassian, (wood carved and polychrome)

ELC856388: St Cassian, (wood carved and polychrome), Valdambrino, Francesco di (d.1435) / Bridgeman Images

ID: ELC856388

St Cassian, (wood carved and polychrome)

Valdambrino, Francesco di (d.1435)

islamic art-doorway-marble-inv.n.8114-Mughal 18th century-MIA - 20 07 10 017
islamic art-doorway-marble-inv.n.8114-Mughal 18th century-MIA - 20 07 10 017

VIS693633: islamic art-doorway-marble-inv.n.8114-Mughal 18th century-MIA - 20 07 10 017 / Bridgeman Images

ID: VIS693633

islamic art-doorway-marble-inv.n.8114-Mughal 18th century-MIA - 20 07 10 017

Luna
Luna

XLF3780642: Luna / Bridgeman Images

ID: XLF3780642

Luna

Anna Maria van Schurman, 1657 (oil on panel)
Anna Maria van Schurman, 1657 (oil on panel)

XOS1765917: Anna Maria van Schurman, 1657 (oil on panel) , Janssen van Ceulen, Cornelius (1593-1661) / Bridgeman Images

ID: XOS1765917

Anna Maria van Schurman, 1657 (oil on panel)

Janssen van Ceulen, Cornelius (1593-1661)

Detail from the King's Library, Kew Palace, London, UK (wall painting)
Detail from the King's Library, Kew Palace, London, UK (wall painting)

HRP2624705: Detail from the King's Library, Kew Palace, London, UK (wall painting), English School, (17th century) / Bridgeman Images

ID: HRP2624705

Detail from the King's Library, Kew Palace, London, UK (wall painting)

English School, (17th century)

Detail of the nebula Omega (M17) by HST - This Hubble photograph captures a small region within Messier 17 (M17), a hotbed of star formation. M17, also known as the Omega or Swan Nebula, is located about 5500 light - years away in the Sagittarius constellation. The wave - like patterns of gas have been sculpted and illuminated by a torrent of ultraviolet radiation from young, massive stars (which lie outside the picture to the upper left). The glow of these patterns highlights the 3D structure of the gases. The ultraviolet radiation is carving and heating the surfaces of cold hydrogen gas clouds. The image, roughly 3 light - years across, was taken on 29 - 30 May 1999, with Hubble's Wide Field Planetary Camera 2. The colours in the image represent various gases. Red represents sulphur; green, hydrogen; and blue, oxygen
Detail of the nebula Omega (M17) by HST - This Hubble photograph captures a small region within Messier 17 (M17), a hotbed of star formation. M17, also known as the Omega or Swan Nebula, is located about 5500 light - years away in the Sagittarius constellation. The wave - like patterns of gas have been sculpted and illuminated by a torrent of ultraviolet radiation from young, massive stars (which lie outside the picture to the upper left). The glow of these patterns highlights the 3D structure of the gases. The ultraviolet radiation is carving and heating the surfaces of cold hydrogen gas clouds. The image, roughly 3 light - years across, was taken on 29 - 30 May 1999, with Hubble's Wide Field Planetary Camera 2. The colours in the image represent various gases. Red represents sulphur; green, hydrogen; and blue, oxygen

PIX4620187: Detail of the nebula Omega (M17) by HST - This Hubble photograph captures a small region within Messier 17 (M17), a hotbed of star formation. M17, also known as the Omega or Swan Nebula, is located about 5500 light - years away in the Sagittarius constellation. The wave - like patterns of gas have been sculpted and illuminated by a torrent of ultraviolet radiation from young, massive stars (which lie outside the picture to the upper left). The glow of these patterns highlights the 3D structure of the gases. The ultraviolet radiation is carving and heating the surfaces of cold hydrogen gas clouds. The image, roughly 3 light - years across, was taken on 29 - 30 May 1999, with Hubble's Wide Field Planetary Camera 2. The colours in the image represent various gases. Red represents sulphur; green, hydrogen; and blue, oxygen / Bridgeman Images

ID: PIX4620187

Detail of the nebula Omega (M17) by HST - This Hubble photograph captures a small region within Messier 17 (M17), a hotbed of star formation. M17, also known as the Omega or Swan Nebula, is located about 5500 light - years away in the Sagittarius constellation. The wave - like patterns of gas have been sculpted and illuminated by a torrent of ultraviolet radiation from young, massive stars (which lie outside the picture to the upper left). The glow of these patterns highlights the 3D structure of the gases. The ultraviolet radiation is carving and heating the surfaces of cold hydrogen gas clouds. The image, roughly 3 light - years across, was taken on 29 - 30 May 1999, with Hubble's Wide Field Planetary Camera 2. The colours in the image represent various gases. Red represents sulphur; green, hydrogen; and blue, oxygen

Sts Cecilia and Catherine, 1556 (oil on canvas)
Sts Cecilia and Catherine, 1556 (oil on canvas)

ELC857431: Sts Cecilia and Catherine, 1556 (oil on canvas), Campi, Bernardino (1522-c.1590) / Bridgeman Images

ID: ELC857431

Sts Cecilia and Catherine, 1556 (oil on canvas)

Campi, Bernardino (1522-c.1590)

Iroquois Indian Exhibit, State Museum, Albany
Iroquois Indian Exhibit, State Museum, Albany

XLF3788784: Iroquois Indian Exhibit, State Museum, Albany, Russell, Charles Marion (1865-1926) / Bridgeman Images

ID: XLF3788784

Iroquois Indian Exhibit, State Museum, Albany

Russell, Charles Marion (1865-1926)

Medieval knight (engraving)
Medieval knight (engraving)

LLM972974: Medieval knight (engraving), English School, (19th century) / Bridgeman Images

ID: LLM972974

Medieval knight (engraving)

English School, (19th century)

Saint James the Great. 18th century (Polychrome wood sculpture)
Saint James the Great. 18th century (Polychrome wood sculpture)

TRK7144450: Saint James the Great. 18th century (Polychrome wood sculpture) / Bridgeman Images

ID: TRK7144450

Saint James the Great. 18th century (Polychrome wood sculpture)

Rock drawings in the Valley of Wonders Vallee des Merveilles France Alpes Maritimes Mercantour Na
Rock drawings in the Valley of Wonders Vallee des Merveilles France Alpes Maritimes Mercantour Na

IMO2720191: Rock drawings in the Valley of Wonders Vallee des Merveilles France Alpes Maritimes Mercantour Na / Bridgeman Images

ID: IMO2720191

Rock drawings in the Valley of Wonders Vallee des Merveilles France Alpes Maritimes Mercantour Na

An Ottoman sofa for a gallery
An Ottoman sofa for a gallery

FLO6339801: An Ottoman sofa for a gallery, British School, (18th-19th century) / Bridgeman Images

ID: FLO6339801

An Ottoman sofa for a gallery

British School, (18th-19th century)

Oxfordshire - Oxford - St. Peter in the East Church, 1803 (w/c on paper)
Oxfordshire - Oxford - St. Peter in the East Church, 1803 (w/c on paper)

WSL5895727: Oxfordshire - Oxford - St. Peter in the East Church, 1803 (w/c on paper), Buckler, John (1770-1851) / Bridgeman Images

ID: WSL5895727

Oxfordshire - Oxford - St. Peter in the East Church, 1803 (w/c on paper)

Buckler, John (1770-1851)

The Plum Pudding in Danger, 1805 (engraving)
The Plum Pudding in Danger, 1805 (engraving)

XLA3775153: The Plum Pudding in Danger, 1805 (engraving), Gillray, James (1757-1815) / Bridgeman Images

ID: XLA3775153

The Plum Pudding in Danger, 1805 (engraving)

Gillray, James (1757-1815)

Leek - 'Antique Pillars': woodcut engraving, nd [c 1779] (print)
Leek - 'Antique Pillars': woodcut engraving, nd [c 1779] (print)

WSL5897562: Leek - 'Antique Pillars': woodcut engraving, nd [c 1779] (print), English School / Bridgeman Images

ID: WSL5897562

Leek - 'Antique Pillars': woodcut engraving, nd [c 1779] (print)

English School

Madonna of the Clouds, c.1425-35 (marble)
Madonna of the Clouds, c.1425-35 (marble)

BST3518765: Madonna of the Clouds, c.1425-35 (marble), Donatello, (c.1386-1466) / Bridgeman Images

ID: BST3518765

Madonna of the Clouds, c.1425-35 (marble)

Donatello, (c.1386-1466)

Monk - The Vines, Rochester - Dickens connection
Monk - The Vines, Rochester - Dickens connection

SLR3826868: Monk - The Vines, Rochester - Dickens connection / Bridgeman Images

ID: SLR3826868

Monk - The Vines, Rochester - Dickens connection

Detail of capitals (photo)
Detail of capitals (photo)

MAE340567: Detail of capitals (photo) / Bridgeman Images

ID: MAE340567

Detail of capitals (photo)

Trophy of Augustus
Trophy of Augustus

ODN3876348: Trophy of Augustus, Noel, Odile / Bridgeman Images

ID: ODN3876348

Trophy of Augustus

Noel, Odile

The Sailor's Wedding for
The Sailor's Wedding for

DAM184847: The Sailor's Wedding for "By Land and Sea," by Howard Pyle, in Harper's New Monthly Magazine, December 1895 (oil on illustration board), Pyle, Howard (1853-1911) / Bridgeman Images

ID: DAM184847

The Sailor's Wedding for "By Land and Sea," by Howard Pyle, in Harper's New Monthly Magazine, December 1895 (oil on illustration board)

Pyle, Howard (1853-1911)

Door with Apollo, Pallas and views using perspective (The Angels' Hall), 1474 (inlaid woods)
Door with Apollo, Pallas and views using perspective (The Angels' Hall), 1474 (inlaid woods)

MEB854381: Door with Apollo, Pallas and views using perspective (The Angels' Hall), 1474 (inlaid woods), Italian School, (15th century) / Bridgeman Images

ID: MEB854381

Door with Apollo, Pallas and views using perspective (The Angels' Hall), 1474 (inlaid woods)

Italian School, (15th century)

Oud on display
Oud on display

SLR3829843: Oud on display / Bridgeman Images

ID: SLR3829843

Oud on display


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