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8192 Search Results for abstract

Mouth (Bocca), by Gianni Dova, 1954, 20th Century, oil and enamel on canvas, 60 x 70 cm
Mouth (Bocca), by Gianni Dova, 1954, 20th Century, oil and enamel on canvas, 60 x 70 cm

MEP850005: Mouth (Bocca), by Gianni Dova, 1954, 20th Century, oil and enamel on canvas, 60 x 70 cm, Dova, Gianni (b. 1925) / Museo del Novecento, Milan, Italy / Bridgeman Images

Self-isolation blues (2020)
Self-isolation blues (2020)

WOL6219404: Self-isolation blues (2020) / Bridgeman Images

Composition III, 1926 (oil on canvas)
Composition III, 1926 (oil on canvas)

XOS3367007: Composition III, 1926 (oil on canvas), Keyser, Ragnhild (1889-1943) / Yale University Art Gallery, New Haven, CT, USA / Bridgeman Images

Sculpture, 1940-43 (painted wood)
Sculpture, 1940-43 (painted wood)

MEP850124: Sculpture, 1940-43 (painted wood), Galli, Aldo (1906-81) / Museo del Novecento, Milan, Italy / Bridgeman Images

Sculpture, 1940-43 (painted wood)
Sculpture, 1940-43 (painted wood)

MEP850125: Sculpture, 1940-43 (painted wood), Galli, Aldo (1906-81) / Museo del Novecento, Milan, Italy / Bridgeman Images

Woman's brogue shoe design in brown leather with snakeskin panel within an art deco abstract border. Chromolithograph from Andre Camy's La Chausage d'Art, The Art Shoe, August-September, Paris, 1930.
Woman's brogue shoe design in brown leather with snakeskin panel within an art deco abstract border. Chromolithograph from Andre Camy's La Chausage d'Art, The Art Shoe, August-September, Paris, 1930.

FLO4603084: Woman's brogue shoe design in brown leather with snakeskin panel within an art deco abstract border. Chromolithograph from Andre Camy's La Chausage d'Art, The Art Shoe, August-September, Paris, 1930. / Bridgeman Images

Cream silk net evening dress embroidered with cream silk floss in an abstract swirling design outlined in gold metal thread, c.1931 (silk)
Cream silk net evening dress embroidered with cream silk floss in an abstract swirling design outlined in gold metal thread, c.1931 (silk)

FMB2597360: Cream silk net evening dress embroidered with cream silk floss in an abstract swirling design outlined in gold metal thread, c.1931 (silk), Vionnet, Madeleine (1876-1975) / Fashion Museum Bath / Bridgeman Images

Muscles humains - - engraving in “Abstract Anatomy, accommodated to the arts of painting and sculpture” - “” Abrege d'anatomy, accommode aux arts de peinture et sculpture, et mis en un ordre nouveau par Francois Tortebat (1610-1690)”” - 1760
Muscles humains - - engraving in “Abstract Anatomy, accommodated to the arts of painting and sculpture” - “” Abrege d'anatomy, accommode aux arts de peinture et sculpture, et mis en un ordre nouveau par Francois Tortebat (1610-1690)”” - 1760

XEE4161684: Muscles humains - - engraving in “Abstract Anatomy, accommodated to the arts of painting and sculpture” - “” Abrege d'anatomy, accommode aux arts de peinture et sculpture, et mis en un ordre nouveau par Francois Tortebat (1610-1690)”” - 1760, French School, (18th century) / Private Collection / Bridgeman Images

'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper)
'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper)

XYC220132: 'The Human Abstract', plate 44 (Bentley 47) from 'Songs of Innocence and of Experience' (Bentley Copy L) 1789-94 (relief etching with pen & w/c on paper), Blake, William (1757-1827) / Yale Center for British Art, Paul Mellon Collection, USA / Bridgeman Images

Three Female Nudes with a Black Woman and Watermelon from the Room of Mannequins (Tre nudi femminili con negra e cocomero dalla Stanza dei Manichini), by Ardengo Soffici, 1914, 20th Century, tempera on wall reported on fiber glass 250 x 212 cm
Three Female Nudes with a Black Woman and Watermelon from the Room of Mannequins (Tre nudi femminili con negra e cocomero dalla Stanza dei Manichini), by Ardengo Soffici, 1914, 20th Century, tempera on wall reported on fiber glass 250 x 212 cm

MEP849464: Three Female Nudes with a Black Woman and Watermelon from the Room of Mannequins (Tre nudi femminili con negra e cocomero dalla Stanza dei Manichini), by Ardengo Soffici, 1914, 20th Century, tempera on wall reported on fiber glass 250 x 212 cm, Soffici, Ardengo (1879-1964) / Private Collection / Bridgeman Images

Dress, Bendel, Spring 1917 (pencil & w/c on paper)
Dress, Bendel, Spring 1917 (pencil & w/c on paper)

TBM2632221: Dress, Bendel, Spring 1917 (pencil & w/c on paper), American School, (20th century) / Brooklyn Museum, New York, USA / Bridgeman Images

Engraving in “” Abstract Anatomy, accommodated to the arts of painting and sculpture”” - “” Abrege d'anatomy, accommode aux arts de peinture et sculpture, et mis en un ordre nouveau par Francois Tortebat (1610-1690) “” - 1760
Engraving in “” Abstract Anatomy, accommodated to the arts of painting and sculpture”” - “” Abrege d'anatomy, accommode aux arts de peinture et sculpture, et mis en un ordre nouveau par Francois Tortebat (1610-1690) “” - 1760

XEE4163522: Engraving in “” Abstract Anatomy, accommodated to the arts of painting and sculpture”” - “” Abrege d'anatomy, accommode aux arts de peinture et sculpture, et mis en un ordre nouveau par Francois Tortebat (1610-1690) “” - 1760, Tortebat, Francois (1616-1690) / Private Collection / Bridgeman Images

Engraving in “” Abstract Anatomy, accommodated to the arts of painting and sculpture”” - “” Abrege d'anatomy, accommode aux arts de peinture et sculpture, et mis en un ordre nouveau par Francois Tortebat (1610-1690) “” - 1760
Engraving in “” Abstract Anatomy, accommodated to the arts of painting and sculpture”” - “” Abrege d'anatomy, accommode aux arts de peinture et sculpture, et mis en un ordre nouveau par Francois Tortebat (1610-1690) “” - 1760

XEE4163524: Engraving in “” Abstract Anatomy, accommodated to the arts of painting and sculpture”” - “” Abrege d'anatomy, accommode aux arts de peinture et sculpture, et mis en un ordre nouveau par Francois Tortebat (1610-1690) “” - 1760, Tortebat, Francois (1616-1690) / Private Collection / Bridgeman Images

Painting, 1926 (oil on canvas)
Painting, 1926 (oil on canvas)

MAN5669051: Painting, 1926 (oil on canvas), Leger, Fernand (1881-1955) / Manchester Art Gallery, UK / Bridgeman Images

The Bridge of Saint Paul, or Puente de San Pablo crossing the Huecar Ravine, and Las Casas Colgadas, or The Hanging Houses, which now house the Museum of Spanish Abstract Art.
The Bridge of Saint Paul, or Puente de San Pablo crossing the Huecar Ravine, and Las Casas Colgadas, or The Hanging Houses, which now house the Museum of Spanish Abstract Art.

KW482139: The Bridge of Saint Paul, or Puente de San Pablo crossing the Huecar Ravine, and Las Casas Colgadas, or The Hanging Houses, which now house the Museum of Spanish Abstract Art. / Bridgeman Images

Woman's shoe design in salmon pink leather with buckle from the Maison Jean Peraro within abstract art deco border. Chromolithograph from Andre Camy's La Chausage d'Art, The Art Shoe, August-September, Paris, 1930.
Woman's shoe design in salmon pink leather with buckle from the Maison Jean Peraro within abstract art deco border. Chromolithograph from Andre Camy's La Chausage d'Art, The Art Shoe, August-September, Paris, 1930.

FLO4603112: Woman's shoe design in salmon pink leather with buckle from the Maison Jean Peraro within abstract art deco border. Chromolithograph from Andre Camy's La Chausage d'Art, The Art Shoe, August-September, Paris, 1930. / Bridgeman Images

Cabinet, c.1910 (wood marquetry with metal mounts)
Cabinet, c.1910 (wood marquetry with metal mounts)

XCL499894: Cabinet, c.1910 (wood marquetry with metal mounts) , Majorelle, Louis (1859-1926) / Cleveland Museum of Art, OH, USA / Bridgeman Images

Field with Young Trees in the Foreground, c.1907 (oil on paper laid on board)
Field with Young Trees in the Foreground, c.1907 (oil on paper laid on board)

XCL499790: Field with Young Trees in the Foreground, c.1907 (oil on paper laid on board), Mondrian, Piet (1872-1944) / Cleveland Museum of Art, OH, USA / Bridgeman Images

Evening dress, Callot, 'Bacchate', 1913 (pencil & w/c on paper)
Evening dress, Callot, 'Bacchate', 1913 (pencil & w/c on paper)

TBM2632156: Evening dress, Callot, 'Bacchate', 1913 (pencil & w/c on paper), American School, (20th century) / Brooklyn Museum, New York, USA / Bridgeman Images

The oddities of modern art (colour litho)
The oddities of modern art (colour litho)

LLM2778823: The oddities of modern art (colour litho), Molino, Walter (1915-1997) / Private Collection / Bridgeman Images

Baroness Hilla Rebay, an abstract painter and key advisor Solomon R. Guggenheim, as he built the modern art collection to be housed in the Solomon R. Guggenheim Museum. She advocated the selection of Frank Lloyd Wright to design the new museum. 1931
Baroness Hilla Rebay, an abstract painter and key advisor Solomon R. Guggenheim, as he built the modern art collection to be housed in the Solomon R. Guggenheim Museum. She advocated the selection of Frank Lloyd Wright to design the new museum. 1931

EVB2943989: Baroness Hilla Rebay, an abstract painter and key advisor Solomon R. Guggenheim, as he built the modern art collection to be housed in the Solomon R. Guggenheim Museum. She advocated the selection of Frank Lloyd Wright to design the new museum. 1931 / Bridgeman Images

Coverage of Bruno Hat in The Evening Standard, 24th July, 1929 (print)
Coverage of Bruno Hat in The Evening Standard, 24th July, 1929 (print)

JSC393443: Coverage of Bruno Hat in The Evening Standard, 24th July, 1929 (print), English School, (20th century) / The Sherwin Collection, Leeds, UK / Bridgeman Images

The Control-room at South West Regional Headquarters, Bristol, 1940 (oil on panel)
The Control-room at South West Regional Headquarters, Bristol, 1940 (oil on panel)

IWM3737714: The Control-room at South West Regional Headquarters, Bristol, 1940 (oil on panel), Piper, John (1903-92) / Imperial War Museum, London, UK / Bridgeman Images

Three Holes, 1963-64 (canvas)
Three Holes, 1963-64 (canvas)

FER6439476: Three Holes, 1963-64 (canvas), Newsome, Victor (b.1935) / Ferens Art Gallery, Hull Museums, UK / Bridgeman Images

A new ballet is rehearsed at the Jeanetta Cochrane, 07/05/1971 (b/w photo)
A new ballet is rehearsed at the Jeanetta Cochrane, 07/05/1971 (b/w photo)

MPX5118166: A new ballet is rehearsed at the Jeanetta Cochrane, 07/05/1971 (b/w photo) / Bridgeman Images

Sky Ride Stand At The Century Of Progress
Sky Ride Stand At The Century Of Progress

SIC744246: Sky Ride Stand At The Century Of Progress / Museum of Science and Industry, Chicago, USA / Bridgeman Images

Gloxinia (plaster)
Gloxinia (plaster)

PRK6201239: Gloxinia (plaster), Fergusson, John Duncan (1874-1961) / The Fergusson Gallery, Culture Perth and Kinross, Scotland / Bridgeman Images

'Symphony in C' -
'Symphony in C' -

LEL3885507: 'Symphony in C' - / Bridgeman Images

Revolt (Rivolta), by Giulio Turcato, 1948-1949, 20th century (oil on canvassed paper) 90 x 115 cm
Revolt (Rivolta), by Giulio Turcato, 1948-1949, 20th century (oil on canvassed paper) 90 x 115 cm

MEB1266594: Revolt (Rivolta), by Giulio Turcato, 1948-1949, 20th century (oil on canvassed paper) 90 x 115 cm, Turcato, Giulio (1912-95) / Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Lazio, Italy / Bridgeman Images

Spring Woodland, 1925-44 (oil on canvas)
Spring Woodland, 1925-44 (oil on canvas)

MAN5673826: Spring Woodland, 1925-44 (oil on canvas), Hitchens, Ivon (1893-1979) / Manchester Art Gallery, UK / Bridgeman Images

Woman's high-heel shoe design in purple leather with red lace-up panel and snakeskin toe within abstract art deco shooting star border. Chromolithograph from Andre Camy's La Chausage d'Art, The Art Shoe, August-September, Paris, 1930.
Woman's high-heel shoe design in purple leather with red lace-up panel and snakeskin toe within abstract art deco shooting star border. Chromolithograph from Andre Camy's La Chausage d'Art, The Art Shoe, August-September, Paris, 1930.

FLO4603099: Woman's high-heel shoe design in purple leather with red lace-up panel and snakeskin toe within abstract art deco shooting star border. Chromolithograph from Andre Camy's La Chausage d'Art, The Art Shoe, August-September, Paris, 1930. / Bridgeman Images

Figure Number 4 (Figura numero 4), by Ennio Morlotti, 20th century (oil on canvas)
Figure Number 4 (Figura numero 4), by Ennio Morlotti, 20th century (oil on canvas)

MEB1266542: Figure Number 4 (Figura numero 4), by Ennio Morlotti, 20th century (oil on canvas), Morlotti, Ennio (1910-93) / Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Lazio, Italy / Bridgeman Images

Visvakarman (bronze)
Visvakarman (bronze)

MAM3061977: Visvakarman (bronze), Cambodian, (13th Century) / Mead Art Museum, Amherst College, MA, USA / Bridgeman Images

Unknown artist, Treasures of Ancient Persia #1
Unknown artist, Treasures of Ancient Persia #1

IKN943002: Unknown artist, Treasures of Ancient Persia #1 / Bridgeman Images

Composition (Composizione), by Giulio Turcato, 20th century
Composition (Composizione), by Giulio Turcato, 20th century

MEB1266668: Composition (Composizione), by Giulio Turcato, 20th century, Turcato, Giulio (1912-95) / Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Lazio, Italy / Bridgeman Images

The Riverside, 1959 (oil on board)
The Riverside, 1959 (oil on board)

TW427119: The Riverside, 1959 (oil on board), Gillie, Ann (1906-95) / Laing Art Gallery, Newcastle-upon-Tyne, UK / Bridgeman Images


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