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4369 Search Results for Da Vinci

Recto: The fetus in the womb, c.1511 (red chalk and traces of black chalk, pen and ink, wash on paper)
Recto: The fetus in the womb, c.1511 (red chalk and traces of black chalk, pen and ink, wash on paper)

ROC5892761: Recto: The fetus in the womb, c.1511 (red chalk and traces of black chalk, pen and ink, wash on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC5892761

Recto: The fetus in the womb, c.1511 (red chalk and traces of black chalk, pen and ink, wash on paper)

Vinci, Leonardo da (1452-1519)

Sketches of dragons, c.1478-80 (pen & ink, chalk and stylus on paper)
Sketches of dragons, c.1478-80 (pen & ink, chalk and stylus on paper)

ROC399232: Sketches of dragons, c.1478-80 (pen & ink, chalk and stylus on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC399232

Sketches of dragons, c.1478-80 (pen & ink, chalk and stylus on paper)

Vinci, Leonardo da (1452-1519)

The bones and muscles of the shoulder, c.1511 (pen & ink with wash over black chalk on paper)
The bones and muscles of the shoulder, c.1511 (pen & ink with wash over black chalk on paper)

ROC478429: The bones and muscles of the shoulder, c.1511 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC478429

The bones and muscles of the shoulder, c.1511 (pen & ink with wash over black chalk on paper)

Vinci, Leonardo da (1452-1519)

Leda and the swan, c.1507 (pen & ink over black chalk on paper)
Leda and the swan, c.1507 (pen & ink over black chalk on paper)

ROC399256: Leda and the swan, c.1507 (pen & ink over black chalk on paper), Raphael (Raffaello Sanzio of Urbino) (1483-1520) / Royal Collection Trust / Bridgeman Images

ID: ROC399256

Leda and the swan, c.1507 (pen & ink over black chalk on paper)

Raphael (Raffaello Sanzio of Urbino) (1483-1520)

A sheet of pictographs drawn over an architectural plan, c.1487 (pen & ink on paper)
A sheet of pictographs drawn over an architectural plan, c.1487 (pen & ink on paper)

ROC478426: A sheet of pictographs drawn over an architectural plan, c.1487 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC478426

A sheet of pictographs drawn over an architectural plan, c.1487 (pen & ink on paper)

Vinci, Leonardo da (1452-1519)

Mona Lisa, 1503-19 (oil on panel)
Mona Lisa, 1503-19 (oil on panel)

XOS3247715: Mona Lisa, 1503-19 (oil on panel), Vinci, Leonardo da (1452-1519) (circle of) / Prado, Madrid, Spain / Bridgeman Images

ID: XOS3247715

Mona Lisa, 1503-19 (oil on panel)

Vinci, Leonardo da (1452-1519) (circle of)

Detail of fol. 2r, from the Codex Leicester, showing the outer luminosity of the moon (lumen cinerum), 1508-1512 (pen & ink on paper)
Detail of fol. 2r, from the Codex Leicester, showing the outer luminosity of the moon (lumen cinerum), 1508-1512 (pen & ink on paper)

CH15826: Detail of fol. 2r, from the Codex Leicester, showing the outer luminosity of the moon (lumen cinerum), 1508-1512 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Private Collection / Bridgeman Images

ID: CH15826

Detail of fol. 2r, from the Codex Leicester, showing the outer luminosity of the moon (lumen cinerum), 1508-1512 (pen & ink on paper)

Vinci, Leonardo da (1452-1519)

Horses, machinery and an angel, c.1503-04 (pen & ink and chalk on paper)
Horses, machinery and an angel, c.1503-04 (pen & ink and chalk on paper)

ROC399223: Horses, machinery and an angel, c.1503-04 (pen & ink and chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC399223

Horses, machinery and an angel, c.1503-04 (pen & ink and chalk on paper)

Vinci, Leonardo da (1452-1519)

Battle of Anghiari, c.1560 (oil on canvas)
Battle of Anghiari, c.1560 (oil on canvas)

FAF286168: Battle of Anghiari, c.1560 (oil on canvas), Vinci, Leonardo da (1452-1519) (after) / Palazzo Vecchio (Cappella dei Priori) Florence, Italy / Bridgeman Images

ID: FAF286168

Battle of Anghiari, c.1560 (oil on canvas)

Vinci, Leonardo da (1452-1519) (after)

Presumed Self-portrait (Lucan portrait of de Vinci), 1490-1500 (tempera on panel)
Presumed Self-portrait (Lucan portrait of de Vinci), 1490-1500 (tempera on panel)

XOT362330: Presumed Self-portrait (Lucan portrait of de Vinci), 1490-1500 (tempera on panel), Vinci, Leonardo da (1452-1519) / Galleria degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images

ID: XOT362330

Presumed Self-portrait (Lucan portrait of de Vinci), 1490-1500 (tempera on panel)

Vinci, Leonardo da (1452-1519)

The bust of a man and the head of a lion, c.1505-10 (chalk on paper)
The bust of a man and the head of a lion, c.1505-10 (chalk on paper)

ROC399244: The bust of a man and the head of a lion, c.1505-10 (chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC399244

The bust of a man and the head of a lion, c.1505-10 (chalk on paper)

Vinci, Leonardo da (1452-1519)

Studies of flowing water, with notes (red chalk with pen & ink on paper)
Studies of flowing water, with notes (red chalk with pen & ink on paper)

ROC478424: Studies of flowing water, with notes (red chalk with pen & ink on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC478424

Studies of flowing water, with notes (red chalk with pen & ink on paper)

Vinci, Leonardo da (1452-1519)

The bones of the foot, and the muscles of the neck, c.1510 (pen & ink with wash over black chalk on paper) (verso of 5321249)
The bones of the foot, and the muscles of the neck, c.1510 (pen & ink with wash over black chalk on paper) (verso of 5321249)

ROC399265: The bones of the foot, and the muscles of the neck, c.1510 (pen & ink with wash over black chalk on paper) (verso of 5321249), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC399265

The bones of the foot, and the muscles of the neck, c.1510 (pen & ink with wash over black chalk on paper) (verso of 5321249)

Vinci, Leonardo da (1452-1519)

The Madonna of the Carnation, 1478-80 (oil on panel)
The Madonna of the Carnation, 1478-80 (oil on panel)

TRK879702: The Madonna of the Carnation, 1478-80 (oil on panel), Vinci, Leonardo da (1452-1519) / Alte Pinakothek, Munich, Germany / Bridgeman Images

ID: TRK879702

The Madonna of the Carnation, 1478-80 (oil on panel)

Vinci, Leonardo da (1452-1519)

Apotheosis of the Renaissance, 1888 (fresco) (detail) (for study see 70757)
Apotheosis of the Renaissance, 1888 (fresco) (detail) (for study see 70757)

XAM70759: Apotheosis of the Renaissance, 1888 (fresco) (detail) (for study see 70757), Munkacsy, Mihaly (1844-1900) / Kunsthistorisches Museum, Vienna, Austria / Bridgeman Images

ID: XAM70759

Apotheosis of the Renaissance, 1888 (fresco) (detail) (for study see 70757)

Munkacsy, Mihaly (1844-1900)

Five grotesque heads, and three heads of men in profile, c.1510-20 (pen & ink over red chalk on paper)
Five grotesque heads, and three heads of men in profile, c.1510-20 (pen & ink over red chalk on paper)

ROC483497: Five grotesque heads, and three heads of men in profile, c.1510-20 (pen & ink over red chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC483497

Five grotesque heads, and three heads of men in profile, c.1510-20 (pen & ink over red chalk on paper)

Vinci, Leonardo da (1452-1519)

Centralised church, and maritime engineering, Fol. 5v from Codex Ashburnham (formerly part of Manuscript B (2184), c.1488 (pen & ink on paper)
Centralised church, and maritime engineering, Fol. 5v from Codex Ashburnham (formerly part of Manuscript B (2184), c.1488 (pen & ink on paper)

XJF308751: Centralised church, and maritime engineering, Fol. 5v from Codex Ashburnham (formerly part of Manuscript B (2184), c.1488 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Institut de France, Paris, France / Bridgeman Images

ID: XJF308751

Centralised church, and maritime engineering, Fol. 5v from Codex Ashburnham (formerly part of Manuscript B (2184), c.1488 (pen & ink on paper)

Vinci, Leonardo da (1452-1519)

A lily (lilium candidium), c.1475 (pen & ink, wash. chalk and white heightening on paper)
A lily (lilium candidium), c.1475 (pen & ink, wash. chalk and white heightening on paper)

ROC399238: A lily (lilium candidium), c.1475 (pen & ink, wash. chalk and white heightening on paper), Vinci, Leonardo da (1452-1519) (attr.to) / Royal Collection Trust / Bridgeman Images

ID: ROC399238

A lily (lilium candidium), c.1475 (pen & ink, wash. chalk and white heightening on paper)

Vinci, Leonardo da (1452-1519) (attr.to)

A branch of blackberry (Rubus fruticosus), c.1505-10 (chalk & white heightening on paper)
A branch of blackberry (Rubus fruticosus), c.1505-10 (chalk & white heightening on paper)

ROC399239: A branch of blackberry (Rubus fruticosus), c.1505-10 (chalk & white heightening on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC399239

A branch of blackberry (Rubus fruticosus), c.1505-10 (chalk & white heightening on paper)

Vinci, Leonardo da (1452-1519)

Portrait of a Man Shouting (charcoal on paper) (b/w photo)
Portrait of a Man Shouting (charcoal on paper) (b/w photo)

XIR161929: Portrait of a Man Shouting (charcoal on paper) (b/w photo), Vinci, Leonardo da (1452-1519) / Louvre, Paris, France / Bridgeman Images

ID: XIR161929

Portrait of a Man Shouting (charcoal on paper) (b/w photo)

Vinci, Leonardo da (1452-1519)

Studies for an equestrian monument, c.1517 (pen & ink over chalk on paper)
Studies for an equestrian monument, c.1517 (pen & ink over chalk on paper)

ROC487770: Studies for an equestrian monument, c.1517 (pen & ink over chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC487770

Studies for an equestrian monument, c.1517 (pen & ink over chalk on paper)

Vinci, Leonardo da (1452-1519)

A Political Allegory, c.1495 (red chalk on paper)
A Political Allegory, c.1495 (red chalk on paper)

ROC1111538: A Political Allegory, c.1495 (red chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC1111538

A Political Allegory, c.1495 (red chalk on paper)

Vinci, Leonardo da (1452-1519)

The Last Supper, 1495-97 (fresco) (post restoration) (detail of 161739)
The Last Supper, 1495-97 (fresco) (post restoration) (detail of 161739)

BAL285758: The Last Supper, 1495-97 (fresco) (post restoration) (detail of 161739), Vinci, Leonardo da (1452-1519) / Museo del Cenacolo Vinciano,Santa Maria delle Grazie (Museum of the Last Supper), Milan, Italy / Bridgeman Images

ID: BAL285758

The Last Supper, 1495-97 (fresco) (post restoration) (detail of 161739)

Vinci, Leonardo da (1452-1519)

The Last Supper, 1495-97 (fresco) (post restoration)
The Last Supper, 1495-97 (fresco) (post restoration)

BAL230517: The Last Supper, 1495-97 (fresco) (post restoration), Vinci, Leonardo da (1452-1519) / Museo del Cenacolo Vinciano,Santa Maria delle Grazie (Museum of the Last Supper), Milan, Italy / Bridgeman Images

ID: BAL230517

The Last Supper, 1495-97 (fresco) (post restoration)

Vinci, Leonardo da (1452-1519)

Studies for the Last Supper and architectural geometric sketches, c.1494 (pen & ink on paper)
Studies for the Last Supper and architectural geometric sketches, c.1494 (pen & ink on paper)

ROC409850: Studies for the Last Supper and architectural geometric sketches, c.1494 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC409850

Studies for the Last Supper and architectural geometric sketches, c.1494 (pen & ink on paper)

Vinci, Leonardo da (1452-1519)

Geometry: “” An Icosahedron”” Page taken from the manuscript “” De divina proportione”” (On divine proportions) by mathematician Fra Luca Pacioli dit Luca di Borgo (1445-1517) illustrated by Leonardo da Vinci (1452-1519).1509.
Geometry: “” An Icosahedron”” Page taken from the manuscript “” De divina proportione”” (On divine proportions) by mathematician Fra Luca Pacioli dit Luca di Borgo (1445-1517) illustrated by Leonardo da Vinci (1452-1519).1509.

LRI4635241: Geometry: “” An Icosahedron”” Page taken from the manuscript “” De divina proportione”” (On divine proportions) by mathematician Fra Luca Pacioli dit Luca di Borgo (1445-1517) illustrated by Leonardo da Vinci (1452-1519).1509., Vinci, Leonardo da (1452-1519) / Private Collection / Bridgeman Images

ID: LRI4635241

Geometry: “” An Icosahedron”” Page taken from the manuscript “” De divina proportione”” (On divine proportions) by mathematician Fra Luca Pacioli dit Luca di Borgo (1445-1517) illustrated by Leonardo da Vinci (1452-1519).1509.

Vinci, Leonardo da (1452-1519)

Notes on optics, c.1508 (pen & ink with red and black chalk on paper)
Notes on optics, c.1508 (pen & ink with red and black chalk on paper)

ROC478433: Notes on optics, c.1508 (pen & ink with red and black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC478433

Notes on optics, c.1508 (pen & ink with red and black chalk on paper)

Vinci, Leonardo da (1452-1519)

A study for an equestrian monument, c.1517-18 (pen & ink and chalk on paper)
A study for an equestrian monument, c.1517-18 (pen & ink and chalk on paper)

ROC399228: A study for an equestrian monument, c.1517-18 (pen & ink and chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC399228

A study for an equestrian monument, c.1517-18 (pen & ink and chalk on paper)

Vinci, Leonardo da (1452-1519)

The uterus of a gravid cow, c.1508-09 (pen & ink over chalk on paper)
The uterus of a gravid cow, c.1508-09 (pen & ink over chalk on paper)

ROC427466: The uterus of a gravid cow, c.1508-09 (pen & ink over chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC427466

The uterus of a gravid cow, c.1508-09 (pen & ink over chalk on paper)

Vinci, Leonardo da (1452-1519)

Leonardo da Vinci painting the portrait of the Mona Lisa
Leonardo da Vinci painting the portrait of the Mona Lisa

LAL453584: Leonardo da Vinci painting the portrait of the Mona Lisa, Jackson, Peter (1922-2003) / Private Collection / Bridgeman Images

ID: LAL453584

Leonardo da Vinci painting the portrait of the Mona Lisa

Jackson, Peter (1922-2003)

A study for an equestrian monument, c.1485-90 (metalpoint on blue paper)
A study for an equestrian monument, c.1485-90 (metalpoint on blue paper)

ROC3469472: A study for an equestrian monument, c.1485-90 (metalpoint on blue paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC3469472

A study for an equestrian monument, c.1485-90 (metalpoint on blue paper)

Vinci, Leonardo da (1452-1519)

The bust of the Madonna, c.1500 (red chalk over metalpoint on red paper)
The bust of the Madonna, c.1500 (red chalk over metalpoint on red paper)

ROC478419: The bust of the Madonna, c.1500 (red chalk over metalpoint on red paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC478419

The bust of the Madonna, c.1500 (red chalk over metalpoint on red paper)

Vinci, Leonardo da (1452-1519)

Codex Atlanticus, sheet 846 verso,1478-1518 (pen & ink)
Codex Atlanticus, sheet 846 verso,1478-1518 (pen & ink)

MEV5046885: Codex Atlanticus, sheet 846 verso,1478-1518 (pen & ink), Vinci, Leonardo da (1452-1519) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

ID: MEV5046885

Codex Atlanticus, sheet 846 verso,1478-1518 (pen & ink)

Vinci, Leonardo da (1452-1519)

erso: The muscles of the face and arm, and the nerves and veins of the hand, c.1510-11 (black chalk, pen & ink and wash on paper)
erso: The muscles of the face and arm, and the nerves and veins of the hand, c.1510-11 (black chalk, pen & ink and wash on paper)

ROC5674269: erso: The muscles of the face and arm, and the nerves and veins of the hand, c.1510-11 (black chalk, pen & ink and wash on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC5674269

erso: The muscles of the face and arm, and the nerves and veins of the hand, c.1510-11 (black chalk, pen & ink and wash on paper)

Vinci, Leonardo da (1452-1519)

Scenes of the Apocalypse, with notes, c.1517-18 (pen & ink, wash and chalk on paper)
Scenes of the Apocalypse, with notes, c.1517-18 (pen & ink, wash and chalk on paper)

ROC399236: Scenes of the Apocalypse, with notes, c.1517-18 (pen & ink, wash and chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC399236

Scenes of the Apocalypse, with notes, c.1517-18 (pen & ink, wash and chalk on paper)

Vinci, Leonardo da (1452-1519)

Rider on Rearing Horse, c.1481-82 (silverpoint, pen & brown ink on prepared paper)
Rider on Rearing Horse, c.1481-82 (silverpoint, pen & brown ink on prepared paper)

FIT156935: Rider on Rearing Horse, c.1481-82 (silverpoint, pen & brown ink on prepared paper), Vinci, Leonardo da (1452-1519) / Fitzwilliam Museum, University of Cambridge, UK / Bridgeman Images

ID: FIT156935

Rider on Rearing Horse, c.1481-82 (silverpoint, pen & brown ink on prepared paper)

Vinci, Leonardo da (1452-1519)


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