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4379 Search Results for Da Vinci

Horse and Rider, c.1480 (silverpoint on prepared paper)
Horse and Rider, c.1480 (silverpoint on prepared paper)

CH445117: Horse and Rider, c.1480 (silverpoint on prepared paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

The superficial anatomy of the shoulder and neck, c.1510 (pen & ink with wash over black chalk on paper)
The superficial anatomy of the shoulder and neck, c.1510 (pen & ink with wash over black chalk on paper)

ROC399264: The superficial anatomy of the shoulder and neck, c.1510 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Presumed Self-portrait of Leonardo da Vinci (Lucan portrait) - tempera on panel, 1490-1500
Presumed Self-portrait of Leonardo da Vinci (Lucan portrait) - tempera on panel, 1490-1500

LRI4575875: Presumed Self-portrait of Leonardo da Vinci (Lucan portrait) - tempera on panel, 1490-1500, Vinci, Leonardo da (1452-1519) / Bridgeman Images

Study of Horsemen in Combat and Foot Soldiers, 1503 (pen & ink on paper)
Study of Horsemen in Combat and Foot Soldiers, 1503 (pen & ink on paper)

FTB60399: Study of Horsemen in Combat and Foot Soldiers, 1503 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

De divina proportione, Figure XL, sheet 111 recto: Empty body with seventy-two bases, Septvaginta dvarvm basivm vacvvm
De divina proportione, Figure XL, sheet 111 recto: Empty body with seventy-two bases, Septvaginta dvarvm basivm vacvvm

MEV5047609: De divina proportione, Figure XL, sheet 111 recto: Empty body with seventy-two bases, Septvaginta dvarvm basivm vacvvm, Vinci, Leonardo da (1452-1519) (attr.to) / Bridgeman Images

The muscles of the shoulder and arm, c.1510 (pen & ink with wash over black chalk on paper)
The muscles of the shoulder and arm, c.1510 (pen & ink with wash over black chalk on paper)

ROC399269: The muscles of the shoulder and arm, c.1510 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Bust of a man in profile with proportions, study of a horse and riders, c. 1503-04 (pencil & ink on paper)
Bust of a man in profile with proportions, study of a horse and riders, c. 1503-04 (pencil & ink on paper)

FAF3565993: Bust of a man in profile with proportions, study of a horse and riders, c. 1503-04 (pencil & ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Portrait of Leonardo da Vinci (Leonardo da Vinci) (1452 - 1519).
Portrait of Leonardo da Vinci (Leonardo da Vinci) (1452 - 1519).

XEE4414777: Portrait of Leonardo da Vinci (Leonardo da Vinci) (1452 - 1519)., Unknown Artist, (19th century) / Bridgeman Images

Leonardo da Vinci (Leonardo da Vinci) (1452 - 1519): Portrait of a girl with closed eyes and head down with her hair adorned with a band enriched with jewellery (Immagina)
Leonardo da Vinci (Leonardo da Vinci) (1452 - 1519): Portrait of a girl with closed eyes and head down with her hair adorned with a band enriched with jewellery (Immagina)

GIM5037950: Leonardo da Vinci (Leonardo da Vinci) (1452 - 1519): Portrait of a girl with closed eyes and head down with her hair adorned with a band enriched with jewellery (Immagina), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Birds Flight Code, c. 1505-06, paper manuscript, cc. 18, sheet 7 recto
Birds Flight Code, c. 1505-06, paper manuscript, cc. 18, sheet 7 recto

RTR5315910: Birds Flight Code, c. 1505-06, paper manuscript, cc. 18, sheet 7 recto, Vinci, Leonardo da (1452-1519) / Bridgeman Images

Portrait of Leonardo da Vinci, copy of Selfportrait of Leonardo da Vinci, sanguigna, Accademia Gallery, Venice
Portrait of Leonardo da Vinci, copy of Selfportrait of Leonardo da Vinci, sanguigna, Accademia Gallery, Venice

FAF3565982: Portrait of Leonardo da Vinci, copy of Selfportrait of Leonardo da Vinci, sanguigna, Accademia Gallery, Venice, Vinci, Leonardo da (1452-1519) (after) / Bridgeman Images

The Life of Leonardo da Vinci
The Life of Leonardo da Vinci

XLF3787493: The Life of Leonardo da Vinci / Bridgeman Images

A standing masquerader, c.1517-18 (chalk, pen & ink and wash on paper)
A standing masquerader, c.1517-18 (chalk, pen & ink and wash on paper)

ROC427442: A standing masquerader, c.1517-18 (chalk, pen & ink and wash on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Maiden's face (study for the face of the angel of the “Virgin of the Rocks”, c. 1483-1485 (metal tip and lumeggiature of whitewash on prepared paper)
Maiden's face (study for the face of the angel of the “Virgin of the Rocks”, c. 1483-1485 (metal tip and lumeggiature of whitewash on prepared paper)

RTR5315954: Maiden's face (study for the face of the angel of the “Virgin of the Rocks”, c. 1483-1485 (metal tip and lumeggiature of whitewash on prepared paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Composition with the Mona Lisa, 1914 (oil on canvas)
Composition with the Mona Lisa, 1914 (oil on canvas)

NUM445554: Composition with the Mona Lisa, 1914 (oil on canvas), Malevich, Kazimir Severinovich (1878-1935) / Bridgeman Images

Portrait of Isabella d'Este, 1500 (black and red chalk, yellow pastel chalk on paper)
Portrait of Isabella d'Este, 1500 (black and red chalk, yellow pastel chalk on paper)

XIR77991: Portrait of Isabella d'Este, 1500 (black and red chalk, yellow pastel chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

A study for an equestrian monument, c.1517-18 (pen & ink and chalk on paper)
A study for an equestrian monument, c.1517-18 (pen & ink and chalk on paper)

ROC399228: A study for an equestrian monument, c.1517-18 (pen & ink and chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Anatomical drawing of hearts and blood vessels, 1499 (pen & ink on paper)
Anatomical drawing of hearts and blood vessels, 1499 (pen & ink on paper)

FAB32564: Anatomical drawing of hearts and blood vessels, 1499 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Flying machine drawing, 16th century (manuscript)
Flying machine drawing, 16th century (manuscript)

JLJ4687564: Flying machine drawing, 16th century (manuscript), Vinci, Leonardo da (1452-1519) / Bridgeman Images

The layers of the scalp compared to an onion and other studies, c.1490-93 (pen & ink and chalk on paper)
The layers of the scalp compared to an onion and other studies, c.1490-93 (pen & ink and chalk on paper)

ROC399252: The layers of the scalp compared to an onion and other studies, c.1490-93 (pen & ink and chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Studies of Violas (Viola odorata and Viola canina), fol. 14r from Manuscript B, c.1487-90 (pen and ink on paper)
Studies of Violas (Viola odorata and Viola canina), fol. 14r from Manuscript B, c.1487-90 (pen and ink on paper)

XJF311632: Studies of Violas (Viola odorata and Viola canina), fol. 14r from Manuscript B, c.1487-90 (pen and ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

A branch of blackberry (Rubus fruticosus), c.1505-10 (chalk & white heightening on paper)
A branch of blackberry (Rubus fruticosus), c.1505-10 (chalk & white heightening on paper)

ROC399239: A branch of blackberry (Rubus fruticosus), c.1505-10 (chalk & white heightening on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Bust of a young woman called Flora (Flora) among the flowers The model would be the Mona Lisa (Mona or Monna Lisa) Painting after a drawing by Leonardo da Vinci (Leonard de Vinci) (1452-1519) 17th century Bergamo, accademia Carrara
Bust of a young woman called Flora (Flora) among the flowers The model would be the Mona Lisa (Mona or Monna Lisa) Painting after a drawing by Leonardo da Vinci (Leonard de Vinci) (1452-1519) 17th century Bergamo, accademia Carrara

LRI4572929: Bust of a young woman called Flora (Flora) among the flowers The model would be the Mona Lisa (Mona or Monna Lisa) Painting after a drawing by Leonardo da Vinci (Leonard de Vinci) (1452-1519) 17th century Bergamo, accademia Carrara, Vinci, Leonardo da (1452-1519) (after) / Bridgeman Images

Drawing of the Ironwork Casting Mould for the Head of the Sforza Horse, Fol. 57 (recto), from the Codex Madrid I, c.1491-93 (pen & brown ink on paper)
Drawing of the Ironwork Casting Mould for the Head of the Sforza Horse, Fol. 57 (recto), from the Codex Madrid I, c.1491-93 (pen & brown ink on paper)

XIR157774: Drawing of the Ironwork Casting Mould for the Head of the Sforza Horse, Fol. 57 (recto), from the Codex Madrid I, c.1491-93 (pen & brown ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Leonardo da Vinci (engraving)
Leonardo da Vinci (engraving)

LLM666589: Leonardo da Vinci (engraving), English School, (19th century) / Bridgeman Images

Studies of flowing water, with notes (red chalk with pen & ink on paper)
Studies of flowing water, with notes (red chalk with pen & ink on paper)

ROC478424: Studies of flowing water, with notes (red chalk with pen & ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

The bones and muscles of the leg, c.1510-11 (pen & ink with wash over black chalk on paper)
The bones and muscles of the leg, c.1510-11 (pen & ink with wash over black chalk on paper)

ROC3740757: The bones and muscles of the leg, c.1510-11 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

L.H.O.O.Q., 1919 (colour litho)
L.H.O.O.Q., 1919 (colour litho)

XBP344386: L.H.O.O.Q., 1919 (colour litho), Duchamp, Marcel (1887-1968) / Bridgeman Images

The bones, muscles and tendons of the hand, c.1510 (pen & ink with wash over black chalk on paper)
The bones, muscles and tendons of the hand, c.1510 (pen & ink with wash over black chalk on paper)

ROC478430: The bones, muscles and tendons of the hand, c.1510 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

L.H.O.O.Q, shaved, 1965 (colour litho)
L.H.O.O.Q, shaved, 1965 (colour litho)

IMJ249537: L.H.O.O.Q, shaved, 1965 (colour litho), Duchamp, Marcel (1887-1968) / Bridgeman Images

UV image of studies of hands, c.1480 (metalpoint, much faded, on pink prepared paper) (see also 3899938)
UV image of studies of hands, c.1480 (metalpoint, much faded, on pink prepared paper) (see also 3899938)

ROC3899937: UV image of studies of hands, c.1480 (metalpoint, much faded, on pink prepared paper) (see also 3899938), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Virile head of profile crowned with laurel, c. 1506-10 (blood with contours recrossed in pen on white paper)
Virile head of profile crowned with laurel, c. 1506-10 (blood with contours recrossed in pen on white paper)

RTR5315959: Virile head of profile crowned with laurel, c. 1506-10 (blood with contours recrossed in pen on white paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

A Deluge, c.1517-18 (pen & ink with wash on paper)
A Deluge, c.1517-18 (pen & ink with wash on paper)

ROC427433: A Deluge, c.1517-18 (pen & ink with wash on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Vertically Standing Bird's-winged Flying Machine, fol. 80r from Paris Manuscript B, 1488-90 (pen and ink on paper)
Vertically Standing Bird's-winged Flying Machine, fol. 80r from Paris Manuscript B, 1488-90 (pen and ink on paper)

BIF39645: Vertically Standing Bird's-winged Flying Machine, fol. 80r from Paris Manuscript B, 1488-90 (pen and ink on paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images

The veins of the arm, c.1508 (pen and ink over traces of black chalk)
The veins of the arm, c.1508 (pen and ink over traces of black chalk)

ROC3956005: The veins of the arm, c.1508 (pen and ink over traces of black chalk), Vinci, Leonardo da (1452-1519) / Bridgeman Images

The arm of the Virgin, c.1508-10 (black & red chalks, pen, brush and ink heightened with white on red paper)
The arm of the Virgin, c.1508-10 (black & red chalks, pen, brush and ink heightened with white on red paper)

ROC409849: The arm of the Virgin, c.1508-10 (black & red chalks, pen, brush and ink heightened with white on red paper), Vinci, Leonardo da (1452-1519) / Bridgeman Images


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