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4452 Search Results for Da Vinci

Presumed Self-portrait (Lucan portrait of de Vinci), 1490-1500 (tempera on panel)
Presumed Self-portrait (Lucan portrait of de Vinci), 1490-1500 (tempera on panel)

XOT362330: Presumed Self-portrait (Lucan portrait of de Vinci), 1490-1500 (tempera on panel), Vinci, Leonardo da (1452-1519) / Galleria degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images

The Heart, facsimile of the Windsor book (pen and ink on paper)
The Heart, facsimile of the Windsor book (pen and ink on paper)

CHT164556: The Heart, facsimile of the Windsor book (pen and ink on paper), Vinci, Leonardo da (1452-1519) (after) / Bibliotheque des Arts Decoratifs, Paris, France / Bridgeman Images

Codex Atlanticus, sheet 5 recto
Codex Atlanticus, sheet 5 recto

MEV5045175: Codex Atlanticus, sheet 5 recto, Vinci, Leonardo da (1452-1519) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

Geometry: “” An Icosahedron”” Page taken from the manuscript “” De divina proportione”” (On divine proportions) by mathematician Fra Luca Pacioli dit Luca di Borgo (1445-1517) illustrated by Leonardo da Vinci (1452-1519).1509.
Geometry: “” An Icosahedron”” Page taken from the manuscript “” De divina proportione”” (On divine proportions) by mathematician Fra Luca Pacioli dit Luca di Borgo (1445-1517) illustrated by Leonardo da Vinci (1452-1519).1509.

LRI4635228: Geometry: “” An Icosahedron”” Page taken from the manuscript “” De divina proportione”” (On divine proportions) by mathematician Fra Luca Pacioli dit Luca di Borgo (1445-1517) illustrated by Leonardo da Vinci (1452-1519).1509., Vinci, Leonardo da (1452-1519) / Private Collection / Bridgeman Images

Study for the exploitation of water force in hydraulic machines (noria) by Leonard de Vinci (Leonardo da Vinci) (1452-1519). Drawing with pen and ink.
Study for the exploitation of water force in hydraulic machines (noria) by Leonard de Vinci (Leonardo da Vinci) (1452-1519). Drawing with pen and ink.

GIA4794261: Study for the exploitation of water force in hydraulic machines (noria) by Leonard de Vinci (Leonardo da Vinci) (1452-1519). Drawing with pen and ink., Vinci, Leonardo da (1452-1519) / Museo Nazionale della Scienza e della Tecnologia 'Leonardo Da Vinci', Milan, Italy / Bridgeman Images

Three dancing figures and a study of a head (sepia & black ink on linen paper)
Three dancing figures and a study of a head (sepia & black ink on linen paper)

CPH256965: Three dancing figures and a study of a head (sepia & black ink on linen paper), Vinci, Leonardo da (1452-1519) / Gallerie dell'Accademia, Venice, Italy / Bridgeman Images

The palm and the buoy, c. 1487-89 (drawing)
The palm and the buoy, c. 1487-89 (drawing)

GIA5036017: The palm and the buoy, c. 1487-89 (drawing), Vinci, Leonardo da (1452-1519) / Bibliotheque de l'Institut de France, Paris, France / Bridgeman Images

Two man profiles, an old man and a young man. The young man represents Gian Giacomo Caprotti, known as Andrea Salai or Salaij (circa 1480-1524), Leonard's pupil and lover. Drawing a la sanguine by Leonardo da Vinci (Leonard de Vinci) (1452-1519) Florence, Galleria degli Uffizi (Offices)
Two man profiles, an old man and a young man. The young man represents Gian Giacomo Caprotti, known as Andrea Salai or Salaij (circa 1480-1524), Leonard's pupil and lover. Drawing a la sanguine by Leonardo da Vinci (Leonard de Vinci) (1452-1519) Florence, Galleria degli Uffizi (Offices)

GIM5037941: Two man profiles, an old man and a young man. The young man represents Gian Giacomo Caprotti, known as Andrea Salai or Salaij (circa 1480-1524), Leonard's pupil and lover. Drawing a la sanguine by Leonardo da Vinci (Leonard de Vinci) (1452-1519) Florence, Galleria degli Uffizi (Offices), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Study of the Wooden Framework with Casting Mould for the Sforza Horse, fol. 154v from the Codex Madrid II, c.1491-93 (pen & brown ink on paper)
Study of the Wooden Framework with Casting Mould for the Sforza Horse, fol. 154v from the Codex Madrid II, c.1491-93 (pen & brown ink on paper)

XJL186977: Study of the Wooden Framework with Casting Mould for the Sforza Horse, fol. 154v from the Codex Madrid II, c.1491-93 (pen & brown ink on paper), Vinci, Leonardo da (1452-1519) / Biblioteca Nacional, Madrid, Spain / Bridgeman Images

Study of a hand (red chalk on paper)
Study of a hand (red chalk on paper)

FTB165452: Study of a hand (red chalk on paper), Vinci, Leonardo da (1452-1519) / Gallerie dell'Accademia, Venice, Italy / Bridgeman Images

The Last Supper, 1495-97 (tempera and oil on plaster)
The Last Supper, 1495-97 (tempera and oil on plaster)

MRZ5035836: The Last Supper, 1495-97 (tempera and oil on plaster), Vinci, Leonardo da (1452-1519) / Santa Maria delle Grazie, Milan, Italy / Bridgeman Images

The Baptism of Christ by John the Baptist, c.1475 (oil on panel)
The Baptism of Christ by John the Baptist, c.1475 (oil on panel)

XOT362326: The Baptism of Christ by John the Baptist, c.1475 (oil on panel), Verrocchio, Andrea (1435-88) & Vinci, Leonardo da(1452-1519) / Galleria degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images

Studies of military tank-like machines; including one at the top with horses pulling a contraption with revolving scythes, c.1485 (pen & ink and brown wash on paper)
Studies of military tank-like machines; including one at the top with horses pulling a contraption with revolving scythes, c.1485 (pen & ink and brown wash on paper)

XJF311683: Studies of military tank-like machines; including one at the top with horses pulling a contraption with revolving scythes, c.1485 (pen & ink and brown wash on paper), Vinci, Leonardo da (1452-1519) / British Museum, London, UK / Bridgeman Images

Angel Gabriel, from the Annunciation, 1472-75 (oil on panel) (detail) (post-restoration)
Angel Gabriel, from the Annunciation, 1472-75 (oil on panel) (detail) (post-restoration)

BEN140571: Angel Gabriel, from the Annunciation, 1472-75 (oil on panel) (detail) (post-restoration), Vinci, Leonardo da (1452-1519) / Galleria degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images

The Litta Madonna, c.1490 (tempera on canvas transferred from panel)
The Litta Madonna, c.1490 (tempera on canvas transferred from panel)

XIR899447: The Litta Madonna, c.1490 (tempera on canvas transferred from panel), Vinci, Leonardo da (1452-1519) / State Hermitage Museum, St. Petersburg, Russia / Bridgeman Images

Sketch of the Casting Pit for the Sforza Horse seen from above and the side, fol. 149r from the Codex Madrid I, c.1493 (pen & ink on paper)
Sketch of the Casting Pit for the Sforza Horse seen from above and the side, fol. 149r from the Codex Madrid I, c.1493 (pen & ink on paper)

XJL62083: Sketch of the Casting Pit for the Sforza Horse seen from above and the side, fol. 149r from the Codex Madrid I, c.1493 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Biblioteca Nacional, Madrid, Spain / Bridgeman Images

Two Heads in Profile, c.1500 (red chalk on paper)
Two Heads in Profile, c.1500 (red chalk on paper)

XAL152183: Two Heads in Profile, c.1500 (red chalk on paper), Vinci, Leonardo da (1452-1519) / Galleria degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images

Codex Atlanticus, sheet 855 recto
Codex Atlanticus, sheet 855 recto

MEV5046902: Codex Atlanticus, sheet 855 recto, Vinci, Leonardo da (1452-1519) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

Studies of the Proportions of the Face and Eye, 1489-90 (pen & ink over metalpoint on paper)
Studies of the Proportions of the Face and Eye, 1489-90 (pen & ink over metalpoint on paper)

FAB32565: Studies of the Proportions of the Face and Eye, 1489-90 (pen & ink over metalpoint on paper), Vinci, Leonardo da (1452-1519) / Biblioteca Nazionale, Turin, Italy / Bridgeman Images

Study of Horsemen in Combat and Foot Soldiers, 1503 (pen & ink on paper)
Study of Horsemen in Combat and Foot Soldiers, 1503 (pen & ink on paper)

FTB60399: Study of Horsemen in Combat and Foot Soldiers, 1503 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Gallerie dell'Accademia, Venice, Italy / Bridgeman Images

De divina proportione, Figure XL, sheet 111 recto: Empty body with seventy-two bases, Septvaginta dvarvm basivm vacvvm
De divina proportione, Figure XL, sheet 111 recto: Empty body with seventy-two bases, Septvaginta dvarvm basivm vacvvm

MEV5047609: De divina proportione, Figure XL, sheet 111 recto: Empty body with seventy-two bases, Septvaginta dvarvm basivm vacvvm, Vinci, Leonardo da (1452-1519) (attr.to) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

Presumed Self-portrait (Lucan portrait of de Vinci), 1490-1500 (tempera on panel)
Presumed Self-portrait (Lucan portrait of de Vinci), 1490-1500 (tempera on panel)

LRI4575795: Presumed Self-portrait (Lucan portrait of de Vinci), 1490-1500 (tempera on panel), Vinci, Leonardo da (1452-1519) / Galleria degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images

The Virgin, the Child Jesus, Saint John the Baptist and an Angel or “The Virgin with the Rocks”” painting by Leonard de Vinci (Leonardo da Vinci) (1452-1519) 16th century Sun. 1,99x1,22 m
The Virgin, the Child Jesus, Saint John the Baptist and an Angel or “The Virgin with the Rocks”” painting by Leonard de Vinci (Leonardo da Vinci) (1452-1519) 16th century Sun. 1,99x1,22 m

JLJ4668126: The Virgin, the Child Jesus, Saint John the Baptist and an Angel or “The Virgin with the Rocks”” painting by Leonard de Vinci (Leonardo da Vinci) (1452-1519) 16th century Sun. 1,99x1,22 m, Vinci, Leonardo da (1452-1519) / Louvre, Paris, France / Bridgeman Images

De divina proportione. Figure XXXVI, sheet 109 recto: Perpendicular empty body with twenty-six bases, rhombicuboctahedron, Vigintisex basivm planvs vacvvs
De divina proportione. Figure XXXVI, sheet 109 recto: Perpendicular empty body with twenty-six bases, rhombicuboctahedron, Vigintisex basivm planvs vacvvs

MEV5047605: De divina proportione. Figure XXXVI, sheet 109 recto: Perpendicular empty body with twenty-six bases, rhombicuboctahedron, Vigintisex basivm planvs vacvvs, Vinci, Leonardo da (1452-1519) (attr.to) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

Codex Atlanticus, sheet 30 verso
Codex Atlanticus, sheet 30 verso

MEV5045229: Codex Atlanticus, sheet 30 verso, Vinci, Leonardo da (1452-1519) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

Christ as Salvator Mundi
Christ as Salvator Mundi

FIA5385563: Christ as Salvator Mundi, Vinci, Leonardo da (1452-1519) / Private Collection / Bridgeman Images

Codex Atlanticus, sheet 1097 recto
Codex Atlanticus, sheet 1097 recto

MEV5047387: Codex Atlanticus, sheet 1097 recto, Vinci, Leonardo da (1452-1519) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

Leda and the swan (pen & brown ink over black chalk on paper)
Leda and the swan (pen & brown ink over black chalk on paper)

CTS366722: Leda and the swan (pen & brown ink over black chalk on paper), Vinci, Leonardo da (1452-1519) / The Devonshire Collections, Chatsworth / Bridgeman Images

Codex Atlanticus, sheet 4 recto
Codex Atlanticus, sheet 4 recto

MEV5045173: Codex Atlanticus, sheet 4 recto, Vinci, Leonardo da (1452-1519) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

Leonardo da Vinci assault machine (Leonardo da Vinci) - Museum of Science and Techniques of Leonardo da Vinci, in Milan
Leonardo da Vinci assault machine (Leonardo da Vinci) - Museum of Science and Techniques of Leonardo da Vinci, in Milan

GIA4811164: Leonardo da Vinci assault machine (Leonardo da Vinci) - Museum of Science and Techniques of Leonardo da Vinci, in Milan, Vinci, Leonardo da (1452-1519) (after) / Museo Nazionale della Scienza e della Tecnologia 'Leonardo Da Vinci', Milan, Italy / Bridgeman Images

A page from the Codex Leicester, 1508-12 (sepia ink on linen paper)
A page from the Codex Leicester, 1508-12 (sepia ink on linen paper)

XBP340118: A page from the Codex Leicester, 1508-12 (sepia ink on linen paper), Vinci, Leonardo da (1452-1519) / Private Collection / Bridgeman Images

The Madonna of the Carnation,  1478-80 (oil on panel)
The Madonna of the Carnation,  1478-80 (oil on panel)

TRK879702: The Madonna of the Carnation, 1478-80 (oil on panel), Vinci, Leonardo da (1452-1519) / Alte Pinakothek, Munich, Germany / Bridgeman Images

The Proportions of the human figure (after Vitruvius), c.1492 (facsimile)
The Proportions of the human figure (after Vitruvius), c.1492 (facsimile)

STC1275156: The Proportions of the human figure (after Vitruvius), c.1492 (facsimile), Vinci, Leonardo da (1452-1519) (after) / Private Collection / Bridgeman Images

Leonardo da Vinci
Leonardo da Vinci

LAL304591: Leonardo da Vinci, English School, (20th century) / Private Collection / Bridgeman Images

The Last Supper, 1495-97 (tempera and oil on plaster)
The Last Supper, 1495-97 (tempera and oil on plaster)

MRZ5035823: The Last Supper, 1495-97 (tempera and oil on plaster), Vinci, Leonardo da (1452-1519) / Santa Maria delle Grazie, Milan, Italy / Bridgeman Images

Leonardo da Vinci (Leonardo da Vinci) (1452 - 1519): Portrait of a girl with closed eyes and head down with her hair adorned with a band enriched with jewellery (Immagina)
Leonardo da Vinci (Leonardo da Vinci) (1452 - 1519): Portrait of a girl with closed eyes and head down with her hair adorned with a band enriched with jewellery (Immagina)

GIM5037950: Leonardo da Vinci (Leonardo da Vinci) (1452 - 1519): Portrait of a girl with closed eyes and head down with her hair adorned with a band enriched with jewellery (Immagina), Vinci, Leonardo da (1452-1519) / Bridgeman Images


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