1. Home
  2. Search "Da Vinci"

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

4369 Search Results for Da Vinci

The baptism of Christ - oil and tempera on panel, 1472-1475
The baptism of Christ - oil and tempera on panel, 1472-1475

LRI4576226: The baptism of Christ - oil and tempera on panel, 1472-1475, Verrocchio, Andrea del (1435-88) / Galleria degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images

ID: LRI4576226

The baptism of Christ - oil and tempera on panel, 1472-1475

Verrocchio, Andrea del (1435-88)

Composition sketch for The Adoration of the Magi, 1481 (pen and ink on paper)
Composition sketch for The Adoration of the Magi, 1481 (pen and ink on paper)

XAL152901: Composition sketch for The Adoration of the Magi, 1481 (pen and ink on paper), Vinci, Leonardo da (1452-1519) / Galleria degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images

ID: XAL152901

Composition sketch for The Adoration of the Magi, 1481 (pen and ink on paper)

Vinci, Leonardo da (1452-1519)

The Tavola Strozzi, 1472-3 (tempera on panel)
The Tavola Strozzi, 1472-3 (tempera on panel)

XIR349728: The Tavola Strozzi, 1472-3 (tempera on panel), Rosselli, Francesco (1445-c.1513) (attr.) / Museo Nazionale di San Martino & Certosa, Naples, Campania, Italy / Bridgeman Images

ID: XIR349728

The Tavola Strozzi, 1472-3 (tempera on panel)

Rosselli, Francesco (1445-c.1513) (attr.)

A design for a costume of an imaginary beast, c.1517-18 (black chalk with pen & ink on paper)
A design for a costume of an imaginary beast, c.1517-18 (black chalk with pen & ink on paper)

ROC412168: A design for a costume of an imaginary beast, c.1517-18 (black chalk with pen & ink on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC412168

A design for a costume of an imaginary beast, c.1517-18 (black chalk with pen & ink on paper)

Vinci, Leonardo da (1452-1519)

Studies of military tank-like machines; including one at the top with horses pulling a contraption with revolving scythes, c.1485 (pen & ink and brown wash on paper)
Studies of military tank-like machines; including one at the top with horses pulling a contraption with revolving scythes, c.1485 (pen & ink and brown wash on paper)

XJF311683: Studies of military tank-like machines; including one at the top with horses pulling a contraption with revolving scythes, c.1485 (pen & ink and brown wash on paper), Vinci, Leonardo da (1452-1519) / British Museum, London, UK / Bridgeman Images

ID: XJF311683

Studies of military tank-like machines; including one at the top with horses pulling a contraption with revolving scythes, c.1485 (pen & ink and brown wash on paper)

Vinci, Leonardo da (1452-1519)

Bacchus, c.1695 (oil on canvas)
Bacchus, c.1695 (oil on canvas)

PWI108519: Bacchus, c.1695 (oil on canvas), Vinci, Leonardo da (1452-1519) (studio of) / Louvre, Paris, France / Bridgeman Images

ID: PWI108519

Bacchus, c.1695 (oil on canvas)

Vinci, Leonardo da (1452-1519) (studio of)

Two male profiles, an old man and a young man - The young man represents Gian Giacomo Caprotti dit Andrea Salai or Salaij (circa 1480-1524), Leonard's pupil and lover - Drawing a la sanguine by Leonardo da Vinci (Leonard de Vinci) (1452-1519) - Florence, Galleria degli Uffizi (Offices) - Two male profiles, old man and a young man - The young one is Gian Giacomo Caprotti da Oreno, better known as Andrea Salai (c. 1480-1524), pupil and lover of Leonardo - Red chalk on paper by Leonardo Da Vinci (1452-1519) - Galleria degli Uffizi, Florence (Italy)
Two male profiles, an old man and a young man - The young man represents Gian Giacomo Caprotti dit Andrea Salai or Salaij (circa 1480-1524), Leonard's pupil and lover - Drawing a la sanguine by Leonardo da Vinci (Leonard de Vinci) (1452-1519) - Florence, Galleria degli Uffizi (Offices) - Two male profiles, old man and a young man - The young one is Gian Giacomo Caprotti da Oreno, better known as Andrea Salai (c. 1480-1524), pupil and lover of Leonardo - Red chalk on paper by Leonardo Da Vinci (1452-1519) - Galleria degli Uffizi, Florence (Italy)

LRI4615986: Two male profiles, an old man and a young man - The young man represents Gian Giacomo Caprotti dit Andrea Salai or Salaij (circa 1480-1524), Leonard's pupil and lover - Drawing a la sanguine by Leonardo da Vinci (Leonard de Vinci) (1452-1519) - Florence, Galleria degli Uffizi (Offices) - Two male profiles, old man and a young man - The young one is Gian Giacomo Caprotti da Oreno, better known as Andrea Salai (c. 1480-1524), pupil and lover of Leonardo - Red chalk on paper by Leonardo Da Vinci (1452-1519) - Galleria degli Uffizi, Florence (Italy), Vinci, Leonardo da (1452-1519) / Galleria degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images

ID: LRI4615986

Two male profiles, an old man and a young man - The young man represents Gian Giacomo Caprotti dit Andrea Salai or Salaij (circa 1480-1524), Leonard's pupil and lover - Drawing a la sanguine by Leonardo da Vinci (Leonard de Vinci) (1452-1519) - Florence, Galleria degli Uffizi (Offices) - Two male profiles, old man and a young man - The young one is Gian Giacomo Caprotti da Oreno, better known as Andrea Salai (c. 1480-1524), pupil and lover of Leonardo - Red chalk on paper by Leonardo Da Vinci (1452-1519) - Galleria degli Uffizi, Florence (Italy)

Vinci, Leonardo da (1452-1519)

The head of Judas in the Last Supper, c.1495 (red chalk on pale red prepared paper)
The head of Judas in the Last Supper, c.1495 (red chalk on pale red prepared paper)

ROC409851: The head of Judas in the Last Supper, c.1495 (red chalk on pale red prepared paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC409851

The head of Judas in the Last Supper, c.1495 (red chalk on pale red prepared paper)

Vinci, Leonardo da (1452-1519)

Leonardo da Vinci (1452-1519) engraving)
Leonardo da Vinci (1452-1519) engraving)

KWE166431: Leonardo da Vinci (1452-1519) engraving), English School, (19th century) / Private Collection / Bridgeman Images

ID: KWE166431

Leonardo da Vinci (1452-1519) engraving)

English School, (19th century)

The anatomy of the neck, c.1512-13 (pen & ink on blue paper)
The anatomy of the neck, c.1512-13 (pen & ink on blue paper)

ROC427467: The anatomy of the neck, c.1512-13 (pen & ink on blue paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC427467

The anatomy of the neck, c.1512-13 (pen & ink on blue paper)

Vinci, Leonardo da (1452-1519)

Map of the Valdichiana, c.1503-04 (pen & ink, w/c, bodycolour and chalk on paper)
Map of the Valdichiana, c.1503-04 (pen & ink, w/c, bodycolour and chalk on paper)

ROC399218: Map of the Valdichiana, c.1503-04 (pen & ink, w/c, bodycolour and chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC399218

Map of the Valdichiana, c.1503-04 (pen & ink, w/c, bodycolour and chalk on paper)

Vinci, Leonardo da (1452-1519)

Codex Atlanticus, sheet 26 verso, 1478-1518 (pen & ink)
Codex Atlanticus, sheet 26 verso, 1478-1518 (pen & ink)

MEV5045218: Codex Atlanticus, sheet 26 verso, 1478-1518 (pen & ink), Vinci, Leonardo da (1452-1519) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

ID: MEV5045218

Codex Atlanticus, sheet 26 verso, 1478-1518 (pen & ink)

Vinci, Leonardo da (1452-1519)

The bones, muscles and tendons of the hand, c.1510 (pen & ink with wash over black chalk on paper)
The bones, muscles and tendons of the hand, c.1510 (pen & ink with wash over black chalk on paper)

ROC399273: The bones, muscles and tendons of the hand, c.1510 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC399273

The bones, muscles and tendons of the hand, c.1510 (pen & ink with wash over black chalk on paper)

Vinci, Leonardo da (1452-1519)

A horse in profile, and from the front (metalpoint on paper)
A horse in profile, and from the front (metalpoint on paper)

ROC399220: A horse in profile, and from the front (metalpoint on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC399220

A horse in profile, and from the front (metalpoint on paper)

Vinci, Leonardo da (1452-1519)

Self-portrait, c.1515-16 (red chalk on white paper)
Self-portrait, c.1515-16 (red chalk on white paper)

RTR5315970: Self-portrait, c.1515-16 (red chalk on white paper), Vinci, Leonardo da (1452-1519) / Biblioteca Reale, Musei Reali, Turin, Piedmont, Italy / Bridgeman Images

ID: RTR5315970

Self-portrait, c.1515-16 (red chalk on white paper)

Vinci, Leonardo da (1452-1519)

A bird's-eye view of western Tuscany, c.1503-34 (pen & ink with wash and gouache over chalk on paper)
A bird's-eye view of western Tuscany, c.1503-34 (pen & ink with wash and gouache over chalk on paper)

ROC480619: A bird's-eye view of western Tuscany, c.1503-34 (pen & ink with wash and gouache over chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC480619

A bird's-eye view of western Tuscany, c.1503-34 (pen & ink with wash and gouache over chalk on paper)

Vinci, Leonardo da (1452-1519)

Portrait of Leonard de Vinci (Leonardo da Vinci) (1452-1519). engraving of 1859 in “” the galleries of Europe - Italy”” by Armandaud (engraving)
Portrait of Leonard de Vinci (Leonardo da Vinci) (1452-1519). engraving of 1859 in “” the galleries of Europe - Italy”” by Armandaud (engraving)

XEE4191949: Portrait of Leonard de Vinci (Leonardo da Vinci) (1452-1519). engraving of 1859 in “” the galleries of Europe - Italy”” by Armandaud (engraving), Anonymous / Private Collection / Bridgeman Images

ID: XEE4191949

Portrait of Leonard de Vinci (Leonardo da Vinci) (1452-1519). engraving of 1859 in “” the galleries of Europe - Italy”” by Armandaud (engraving)

Anonymous

Diagram of a mechanical wing, manuscript B, 1488-89 (pen & ink on paper) (b/w photo)
Diagram of a mechanical wing, manuscript B, 1488-89 (pen & ink on paper) (b/w photo)

XJF308792: Diagram of a mechanical wing, manuscript B, 1488-89 (pen & ink on paper) (b/w photo), Vinci, Leonardo da (1452-1519) / Bibliotheque de l'Institut de France, Paris, France / Bridgeman Images

ID: XJF308792

Diagram of a mechanical wing, manuscript B, 1488-89 (pen & ink on paper) (b/w photo)

Vinci, Leonardo da (1452-1519)

Seven Studies of Grotesque Faces (red chalk on paper)
Seven Studies of Grotesque Faces (red chalk on paper)

FTB104422: Seven Studies of Grotesque Faces (red chalk on paper), Vinci, Leonardo da (1452-1519) (attr.to) / Gallerie dell'Accademia, Venice, Italy / Bridgeman Images

ID: FTB104422

Seven Studies of Grotesque Faces (red chalk on paper)

Vinci, Leonardo da (1452-1519) (attr.to)

Head of St. James in the Last Supper and architectural sketches, c.1495 (red chalk, pen & ink on paper)
Head of St. James in the Last Supper and architectural sketches, c.1495 (red chalk, pen & ink on paper)

ROC427439: Head of St. James in the Last Supper and architectural sketches, c.1495 (red chalk, pen & ink on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC427439

Head of St. James in the Last Supper and architectural sketches, c.1495 (red chalk, pen & ink on paper)

Vinci, Leonardo da (1452-1519)

L.H.O.O.Q, Mona Lisa with moustache, 1930 (colour litho)
L.H.O.O.Q, Mona Lisa with moustache, 1930 (colour litho)

CPH230083: L.H.O.O.Q, Mona Lisa with moustache, 1930 (colour litho), Duchamp, Marcel (1887-1968) / Private Collection / Bridgeman Images

ID: CPH230083

L.H.O.O.Q, Mona Lisa with moustache, 1930 (colour litho)

Duchamp, Marcel (1887-1968)

Reconstruction of da Vinci's design for a bicycle (wood)
Reconstruction of da Vinci's design for a bicycle (wood)

XOT366466: Reconstruction of da Vinci's design for a bicycle (wood), Vinci, Leonardo da (1452-1519) (after) / Private Collection / Bridgeman Images

ID: XOT366466

Reconstruction of da Vinci's design for a bicycle (wood)

Vinci, Leonardo da (1452-1519) (after)

The muscles of the shoulder and arm, c.1510 (pen & ink with wash over black chalk on paper)
The muscles of the shoulder and arm, c.1510 (pen & ink with wash over black chalk on paper)

ROC399269: The muscles of the shoulder and arm, c.1510 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC399269

The muscles of the shoulder and arm, c.1510 (pen & ink with wash over black chalk on paper)

Vinci, Leonardo da (1452-1519)

Portrait of a Musician, 1485-90 (tempera & oil on panel)
Portrait of a Musician, 1485-90 (tempera & oil on panel)

MEV5044343: Portrait of a Musician, 1485-90 (tempera & oil on panel), Vinci, Leonardo da (1452-1519) / Pinacoteca Ambrosiana, Milan, Italy / Bridgeman Images

ID: MEV5044343

Portrait of a Musician, 1485-90 (tempera & oil on panel)

Vinci, Leonardo da (1452-1519)

The vertebral column, c.1510 (pen & ink with wash, over traces of black chalk on paper)
The vertebral column, c.1510 (pen & ink with wash, over traces of black chalk on paper)

ROC409853: The vertebral column, c.1510 (pen & ink with wash, over traces of black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC409853

The vertebral column, c.1510 (pen & ink with wash, over traces of black chalk on paper)

Vinci, Leonardo da (1452-1519)

Wing. Flying machine drawing, 16th century (manuscript)
Wing. Flying machine drawing, 16th century (manuscript)

JLJ4687554: Wing. Flying machine drawing, 16th century (manuscript), Vinci, Leonardo da (1452-1519) / Bibliotheque de l'Institut de France, Paris, France / Bridgeman Images

ID: JLJ4687554

Wing. Flying machine drawing, 16th century (manuscript)

Vinci, Leonardo da (1452-1519)

Francois I (1494-1547) with Leonardo da Vinci (1452-1519) (oil on canvas)
Francois I (1494-1547) with Leonardo da Vinci (1452-1519) (oil on canvas)

XIR198845: Francois I (1494-1547) with Leonardo da Vinci (1452-1519) (oil on canvas), Fragonard, Alexandre Evariste (1780-1850) / Musee Jourdain, Morez, France / Bridgeman Images

ID: XIR198845

Francois I (1494-1547) with Leonardo da Vinci (1452-1519) (oil on canvas)

Fragonard, Alexandre Evariste (1780-1850)

The muscles of the shoulder and arm, and the bones of the foot, c.1510 (pen & ink with wash over black chalk on paper)
The muscles of the shoulder and arm, and the bones of the foot, c.1510 (pen & ink with wash over black chalk on paper)

ROC399277: The muscles of the shoulder and arm, and the bones of the foot, c.1510 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC399277

The muscles of the shoulder and arm, and the bones of the foot, c.1510 (pen & ink with wash over black chalk on paper)

Vinci, Leonardo da (1452-1519)

Instant Result, 1980 (acrylic on canvas)
Instant Result, 1980 (acrylic on canvas)

GDE213325: Instant Result, 1980 (acrylic on canvas), Dean, Graham (b.1951) / Private Collection / Bridgeman Images

ID: GDE213325

Instant Result, 1980 (acrylic on canvas)

Dean, Graham (b.1951)

The King of France Francois I receives the last sighs of Leonard de Vinci at clos Luce, 1824 (oil on canvas)
The King of France Francois I receives the last sighs of Leonard de Vinci at clos Luce, 1824 (oil on canvas)

JLJ4569494: The King of France Francois I receives the last sighs of Leonard de Vinci at clos Luce, 1824 (oil on canvas), Ingres, Jean Auguste Dominique (1780-1867) / Musee du Petit Palais, Paris, France / Bridgeman Images

ID: JLJ4569494

The King of France Francois I receives the last sighs of Leonard de Vinci at clos Luce, 1824 (oil on canvas)

Ingres, Jean Auguste Dominique (1780-1867)

Head of a Young Woman or Head of the Virgin, c.1490 (silverpoint on paper)
Head of a Young Woman or Head of the Virgin, c.1490 (silverpoint on paper)

XIR192492: Head of a Young Woman or Head of the Virgin, c.1490 (silverpoint on paper), Vinci, Leonardo da (1452-1519) / Louvre, Paris, France / Bridgeman Images

ID: XIR192492

Head of a Young Woman or Head of the Virgin, c.1490 (silverpoint on paper)

Vinci, Leonardo da (1452-1519)

Two Heads in Profile, c.1500 (red chalk on paper)
Two Heads in Profile, c.1500 (red chalk on paper)

XAL152183: Two Heads in Profile, c.1500 (red chalk on paper), Vinci, Leonardo da (1452-1519) / Galleria degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images

ID: XAL152183

Two Heads in Profile, c.1500 (red chalk on paper)

Vinci, Leonardo da (1452-1519)

Three dancing figures and a study of a head (sepia & black ink on linen paper)
Three dancing figures and a study of a head (sepia & black ink on linen paper)

CPH256965: Three dancing figures and a study of a head (sepia & black ink on linen paper), Vinci, Leonardo da (1452-1519) / Gallerie dell'Accademia, Venice, Italy / Bridgeman Images

ID: CPH256965

Three dancing figures and a study of a head (sepia & black ink on linen paper)

Vinci, Leonardo da (1452-1519)

Studies of geometry, clouds, plants, engineering, c.1490 (pen & ink on paper)
Studies of geometry, clouds, plants, engineering, c.1490 (pen & ink on paper)

ROC478414: Studies of geometry, clouds, plants, engineering, c.1490 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC478414

Studies of geometry, clouds, plants, engineering, c.1490 (pen & ink on paper)

Vinci, Leonardo da (1452-1519)

The muscles and veins of the arm and torso, c.1510 (pen & ink with wash over black chalk on paper)
The muscles and veins of the arm and torso, c.1510 (pen & ink with wash over black chalk on paper)

ROC399268: The muscles and veins of the arm and torso, c.1510 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC399268

The muscles and veins of the arm and torso, c.1510 (pen & ink with wash over black chalk on paper)

Vinci, Leonardo da (1452-1519)

A male anatomical figure showing the viscera and principal vessels, c.1490 (pen & ink with wash over black chalk on paper)
A male anatomical figure showing the viscera and principal vessels, c.1490 (pen & ink with wash over black chalk on paper)

ROC405158: A male anatomical figure showing the viscera and principal vessels, c.1490 (pen & ink with wash over black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC405158

A male anatomical figure showing the viscera and principal vessels, c.1490 (pen & ink with wash over black chalk on paper)

Vinci, Leonardo da (1452-1519)


Back to top