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4389 Search Results for Da Vinci

Reconstruction of da Vinci's design for an automobile (wood)
Reconstruction of da Vinci's design for an automobile (wood)

OLA235960: Reconstruction of da Vinci's design for an automobile (wood), Vinci, Leonardo da (1452-1519) (after) / Bridgeman Images

Wooden model (model) of the “” Battiloro””, a drumhammer used to beat precious metals by Leonardo da Vinci (Leonard de Vinci) (1452-1519) Musee des Sciences et des Techniques, Milan.
Wooden model (model) of the “” Battiloro””, a drumhammer used to beat precious metals by Leonardo da Vinci (Leonard de Vinci) (1452-1519) Musee des Sciences et des Techniques, Milan.

GIA4799533: Wooden model (model) of the “” Battiloro””, a drumhammer used to beat precious metals by Leonardo da Vinci (Leonard de Vinci) (1452-1519) Musee des Sciences et des Techniques, Milan., Vinci, Leonardo da (1452-1519) (after) / Bridgeman Images

The Story of the Parachute: The Sky-Divers
The Story of the Parachute: The Sky-Divers

LAL303513: The Story of the Parachute: The Sky-Divers, Tacconi, Ferdinando (1922-2006) / Bridgeman Images

Study the air screw by Leonardo da Vinci. Manuscript B, sheet, 83 V, 1483-1486.
Study the air screw by Leonardo da Vinci. Manuscript B, sheet, 83 V, 1483-1486.

TRK879431: Study the air screw by Leonardo da Vinci. Manuscript B, sheet, 83 V, 1483-1486. / Bridgeman Images

Leonardo da Vinci (1452-1519) in the Company of Lodovico Sforza (1452-1508), from the Galileo Gallery (fresco) (b/w photo)
Leonardo da Vinci (1452-1519) in the Company of Lodovico Sforza (1452-1508), from the Galileo Gallery (fresco) (b/w photo)

FAF167630: Leonardo da Vinci (1452-1519) in the Company of Lodovico Sforza (1452-1508), from the Galileo Gallery (fresco) (b/w photo), Cianfanelli, Nicola (1793-1848) / Bridgeman Images

Head of the Virgin
Head of the Virgin

MEV5048475: Head of the Virgin, Vinci, Leonardo da (1452-1519) (school of) / Bridgeman Images

The Virgin of the Rocks, after Leonardo da Vinci (1452-1519), c.1611-18 (oil on panel)
The Virgin of the Rocks, after Leonardo da Vinci (1452-1519), c.1611-18 (oil on panel)

MEV5044386: The Virgin of the Rocks, after Leonardo da Vinci (1452-1519), c.1611-18 (oil on panel), Bianchi, Andrea Il Vespino (fl.1612-1640) / Bridgeman Images

Computer. MAC model. Early 80's. 20th century. National Museum of Science and Technology Leonardo Da Vinci. Milan. Italy.
Computer. MAC model. Early 80's. 20th century. National Museum of Science and Technology Leonardo Da Vinci. Milan. Italy.

TRK831758: Computer. MAC model. Early 80's. 20th century. National Museum of Science and Technology Leonardo Da Vinci. Milan. Italy. / Bridgeman Images

Madonna with the Carnation c.1478 (oil on wood panel)
Madonna with the Carnation c.1478 (oil on wood panel)

TRK879703: Madonna with the Carnation c.1478 (oil on wood panel), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Milan: Monument to Leonard de Vinci, 1885
Milan: Monument to Leonard de Vinci, 1885

LUX4712534: Milan: Monument to Leonard de Vinci, 1885 / Bridgeman Images

Leonardo da Vinci Park - Chateau du Clos Luce - Translucent canvas in the park: The Lady has l'ermine
Leonardo da Vinci Park - Chateau du Clos Luce - Translucent canvas in the park: The Lady has l'ermine

PIX4668090: Leonardo da Vinci Park - Chateau du Clos Luce - Translucent canvas in the park: The Lady has l'ermine / Bridgeman Images

Leonardo da Vinci Park - Chateau du Clos Luce - Translucent canvas in the park: The Lady has l'ermine
Leonardo da Vinci Park - Chateau du Clos Luce - Translucent canvas in the park: The Lady has l'ermine

PIX4668103: Leonardo da Vinci Park - Chateau du Clos Luce - Translucent canvas in the park: The Lady has l'ermine / Bridgeman Images

Carborundum radio-receiver. 1917.
Carborundum radio-receiver. 1917.

TRK831759: Carborundum radio-receiver. 1917. / Bridgeman Images

Portrait of Leonardo da Vinci, from
Portrait of Leonardo da Vinci, from

TRK3514543: Portrait of Leonardo da Vinci, from "La Ilustracion Espan?ola y Americana", 1872 (engraving) / Bridgeman Images

Virgin and Child, after Leonardo da Vinci (1452-1519), before 1614 (oil on canvas on panel)
Virgin and Child, after Leonardo da Vinci (1452-1519), before 1614 (oil on canvas on panel)

COU5892196: Virgin and Child, after Leonardo da Vinci (1452-1519), before 1614 (oil on canvas on panel), Konig, Johann or Hans (1586-1642) / Bridgeman Images

The main facade and current entrance to the Biblioteca Ambrosiana on Piazza Pio XI, Milan (photo)
The main facade and current entrance to the Biblioteca Ambrosiana on Piazza Pio XI, Milan (photo)

MEV5049601: The main facade and current entrance to the Biblioteca Ambrosiana on Piazza Pio XI, Milan (photo) / Bridgeman Images

The main facade and current entrance to the Biblioteca Ambrosiana on Piazza Pio XI, Milan (photo)
The main facade and current entrance to the Biblioteca Ambrosiana on Piazza Pio XI, Milan (photo)

MEV5049604: The main facade and current entrance to the Biblioteca Ambrosiana on Piazza Pio XI, Milan (photo) / Bridgeman Images

The main facade and current entrance to the Biblioteca Ambrosiana on Piazza Pio XI, Milan (photo)
The main facade and current entrance to the Biblioteca Ambrosiana on Piazza Pio XI, Milan (photo)

MEV5049602: The main facade and current entrance to the Biblioteca Ambrosiana on Piazza Pio XI, Milan (photo) / Bridgeman Images

The main facade and current entrance to the Biblioteca Ambrosiana on Piazza Pio XI, Milan (photo)
The main facade and current entrance to the Biblioteca Ambrosiana on Piazza Pio XI, Milan (photo)

MEV5049605: The main facade and current entrance to the Biblioteca Ambrosiana on Piazza Pio XI, Milan (photo) / Bridgeman Images

Time: weight clock invented by Leonard de Vinci in 1490. It replaces the leaflet with a vertical balance. 1925 (print)
Time: weight clock invented by Leonard de Vinci in 1490. It replaces the leaflet with a vertical balance. 1925 (print)

XEE4140915: Time: weight clock invented by Leonard de Vinci in 1490. It replaces the leaflet with a vertical balance. 1925 (print), Anonymous / Bridgeman Images

The main facade and current entrance to the Biblioteca Ambrosiana on Piazza Pio XI, Milan (photo)
The main facade and current entrance to the Biblioteca Ambrosiana on Piazza Pio XI, Milan (photo)

MEV5049268: The main facade and current entrance to the Biblioteca Ambrosiana on Piazza Pio XI, Milan (photo) / Bridgeman Images

Old man with gaps between his teeth, caricatures and deformities after Leonardo, 1645 (etching)
Old man with gaps between his teeth, caricatures and deformities after Leonardo, 1645 (etching)

TEP445778: Old man with gaps between his teeth, caricatures and deformities after Leonardo, 1645 (etching), Hollar, Wenceslaus (1607-77) / Bridgeman Images

The main facade and current entrance to the Biblioteca Ambrosiana on Piazza Pio XI, Milan (photo)
The main facade and current entrance to the Biblioteca Ambrosiana on Piazza Pio XI, Milan (photo)

MEV5049267: The main facade and current entrance to the Biblioteca Ambrosiana on Piazza Pio XI, Milan (photo) / Bridgeman Images

The main facade and current entrance to the Biblioteca Ambrosiana on Piazza Pio XI, Milan (photo)
The main facade and current entrance to the Biblioteca Ambrosiana on Piazza Pio XI, Milan (photo)

MEV5049603: The main facade and current entrance to the Biblioteca Ambrosiana on Piazza Pio XI, Milan (photo) / Bridgeman Images

Leonard de Vinci (1452 - 1519) (Leonardo da Vinci) showing his fresco
Leonard de Vinci (1452 - 1519) (Leonardo da Vinci) showing his fresco

LSE4088163: Leonard de Vinci (1452 - 1519) (Leonardo da Vinci) showing his fresco "The Holy Cene" by Ludovic Sforza dit The More, Duke of Milan - chromo., v.1900, Unknown Artist, (20th century) / Bridgeman Images

Leonardo frightens his father with the monster painted on his shield (colour litho)
Leonardo frightens his father with the monster painted on his shield (colour litho)

LLM2792503: Leonardo frightens his father with the monster painted on his shield (colour litho), Ford, Henry Justice (1860-1941) / Bridgeman Images

Page from the notebooks of Leonardo da Vinci (1452-1519) showing geared device assembled. c. 1500
Page from the notebooks of Leonardo da Vinci (1452-1519) showing geared device assembled. c. 1500

EVB2934414: Page from the notebooks of Leonardo da Vinci (1452-1519) showing geared device assembled. c. 1500 / Bridgeman Images

The adoration of the Magi, 1481 (oil on panel)
The adoration of the Magi, 1481 (oil on panel)

SBL7146910: The adoration of the Magi, 1481 (oil on panel), Vinci, Leonardo da (1452-1519) / Bridgeman Images

Second World War: Bombardment of Milan in 1943. The Church of Santa Maria delle Grazie after the Bombardements. The cene of Leonardo da Vinci preserved in the refectory will not be destroyed.
Second World War: Bombardment of Milan in 1943. The Church of Santa Maria delle Grazie after the Bombardements. The cene of Leonardo da Vinci preserved in the refectory will not be destroyed.

GIA4794291: Second World War: Bombardment of Milan in 1943. The Church of Santa Maria delle Grazie after the Bombardements. The cene of Leonardo da Vinci preserved in the refectory will not be destroyed., Unknown photographer, (20th century) / Bridgeman Images

Chateau du Clos Luce - Clos Luce - Amboise - The Chateau du Clos Luce is located in the heart of the Loire Valley, in the city center of Amboise. Once called the Chateau du Cloux and summer residence of the kings of France until 1516, Francois I put it at the disposal of Leonard de Vinci, who lived there for three years, until his death on 2 May 1519
Chateau du Clos Luce - Clos Luce - Amboise - The Chateau du Clos Luce is located in the heart of the Loire Valley, in the city center of Amboise. Once called the Chateau du Cloux and summer residence of the kings of France until 1516, Francois I put it at the disposal of Leonard de Vinci, who lived there for three years, until his death on 2 May 1519

PIX4668073: Chateau du Clos Luce - Clos Luce - Amboise - The Chateau du Clos Luce is located in the heart of the Loire Valley, in the city center of Amboise. Once called the Chateau du Cloux and summer residence of the kings of France until 1516, Francois I put it at the disposal of Leonard de Vinci, who lived there for three years, until his death on 2 May 1519 / Bridgeman Images

Theft of Mona Lisa, 1911 (engraving)
Theft of Mona Lisa, 1911 (engraving)

GEG6428465: Theft of Mona Lisa, 1911 (engraving), Roubille, Auguste (1872-1955) / Bridgeman Images

The ideal city of Leonardo Da Vinci (1452-1519). Model of 1956, which provides an interpretation of  drawings of Leonardo.
The ideal city of Leonardo Da Vinci (1452-1519). Model of 1956, which provides an interpretation of  drawings of Leonardo.

TRK831765: The ideal city of Leonardo Da Vinci (1452-1519). Model of 1956, which provides an interpretation of drawings of Leonardo. / Bridgeman Images

Statue of Leonardo da Vinci (Leonardo da Vinci) (1452-1519), painter, sculptor, architect, philosopher, engineer, Italian scientist, often described as a symbol of the man of the universal rebirth spirit, Sculpture by Luigi Pampaloni (1791-1847), installed in the Piazzale des Uffizi (piazzale degli Uffizi) in Florence. Photography, KIM Youngtae, Florence, Tuscany, Italy.
Statue of Leonardo da Vinci (Leonardo da Vinci) (1452-1519), painter, sculptor, architect, philosopher, engineer, Italian scientist, often described as a symbol of the man of the universal rebirth spirit, Sculpture by Luigi Pampaloni (1791-1847), installed in the Piazzale des Uffizi (piazzale degli Uffizi) in Florence. Photography, KIM Youngtae, Florence, Tuscany, Italy.

YOU4419707: Statue of Leonardo da Vinci (Leonardo da Vinci) (1452-1519), painter, sculptor, architect, philosopher, engineer, Italian scientist, often described as a symbol of the man of the universal rebirth spirit, Sculpture by Luigi Pampaloni (1791-1847), installed in the Piazzale des Uffizi (piazzale degli Uffizi) in Florence. Photography, KIM Youngtae, Florence, Tuscany, Italy., Pampaloni, Luigi (1791-1847) / Bridgeman Images

The ideal city of Leonardo Da Vinci (1452-1519). Model of 1956, which provides an interpretation of  drawings of Leonardo.
The ideal city of Leonardo Da Vinci (1452-1519). Model of 1956, which provides an interpretation of  drawings of Leonardo.

TRK831766: The ideal city of Leonardo Da Vinci (1452-1519). Model of 1956, which provides an interpretation of drawings of Leonardo. / Bridgeman Images

Leonardesque model. Wagon axle. Codex Atlanticus by Leonardo da Vinci, shett 1049v, 1480. Model (19th century).
Leonardesque model. Wagon axle. Codex Atlanticus by Leonardo da Vinci, shett 1049v, 1480. Model (19th century).

TRK879449: Leonardesque model. Wagon axle. Codex Atlanticus by Leonardo da Vinci, shett 1049v, 1480. Model (19th century). / Bridgeman Images

Two-valve radio-receiver. 1917.
Two-valve radio-receiver. 1917.

TRK831760: Two-valve radio-receiver. 1917. / Bridgeman Images


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