ID: CCI1764306

Leonard de Vinci offering his painting La Joconde to Francois 1er c. 1517, illustration

Robida, Albert (1848-1926)

ID: QGA936094

Leonardo da Vinci (1452 – 1519), Italian polymath: painter, sculptor, architect, musician, scientist, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist and writer

ID: PIX4668129

Leonardo da Vinci Park - Chateau du Clos Luce - Paddle Boats

ID: PIX4668098

Leonardo da Vinci Park - Chateau du Clos Luce - Le Polyhedron

ID: XIR897969

The Annunciation (detail of the Virgin), c.1472-1475 (oil and tempera on wood)

Vinci, Leonardo da (1452-1519)

ID: BAT5471150

Adoration of the Magi

Vinci, Leonardo da (1452-1519)

ID: ROC3619114

Miscellaneous studies, including a nymph, a wolf, a flying putto, machines, and drapery, c.1490 (pen & ink on paper)

Vinci, Leonardo da (1452-1519)

ID: MAJ5032223

Perspective studies. Per mostrare a che distanza sono gli edifici posti sopra una linea, il pittore fiorentino suggeriva di dipingerli di un'intensita d'azzurro, come l'aria, sempre maggiore in proporzione alla loro lontananza. Engraving from “” Treat de la peinture”” by Leonard de Vinci (1452-1519). “Trattato della pittura di Lionardo da Vinci”, Milano, Societa tipografica, 1804.

ID: GRC2622542

The Last Supper After Leonardo, 1915 (screen print)

American School, (20th century)

ID: TEP445775

Old man with curly hair, caricatures and deformities after Leonardo, 1645 (etching)

Hollar, Wenceslaus (1607-77)

ID: EVB2937284

Cartoon of police guarding the Mona Lisa as the painting returns to France. More than two years after its theft by Vincenzo Peruggia, Leonardo painting was recovered and returned to the Louvre, in Paris. 1913

ID: MEV5045410

Codex Atlanticus, sheet 114 recto, 1478-1518 (pen & ink)

Vinci, Leonardo da (1452-1519)

ID: MEV5047116

Codex Atlanticus, sheet 962 recto, 1478-1518 (pen & ink)

Vinci, Leonardo da (1452-1519)

ID: MEV5046888

Codex Atlanticus, sheet 848 recto, 1478-1518 (pen & ink)

Vinci, Leonardo da (1452-1519)

ID: MEV5046906

Codex Atlanticus, sheet 857 recto, 1478-1518 (pen & ink)

Vinci, Leonardo da (1452-1519)

ID: MEV5046910

Codex Atlanticus, sheet 859 recto, 1478-1518 (pen & ink)

Vinci, Leonardo da (1452-1519)

ID: MEV5046577

Codex Atlanticus, sheet 693 recto, 1478-1518 (pen & ink)

Vinci, Leonardo da (1452-1519)

ID: MEV5046683

Codex Atlanticus, sheet 746 recto, 1478-1518 (pen & ink)

Vinci, Leonardo da (1452-1519)

ID: MEV5047294

Codex Atlanticus, sheet 1051 recto, 1478-1518 (pen & ink)

Vinci, Leonardo da (1452-1519)

ID: MEV5046842

Codex Atlanticus, sheet 825 recto, 1478-1518 (pen & ink)

Vinci, Leonardo da (1452-1519)

ID: MEV5045264

Codex Atlanticus, sheet 48 recto, 1478-1518 (pen & ink)

Vinci, Leonardo da (1452-1519)

ID: MEV5045514

Codex Atlanticus, sheet 166 recto, 1478-1518 (pen & ink)

Vinci, Leonardo da (1452-1519)

ID: MEV5046874

Codex Atlanticus, sheet 841 recto, 1478-1518 (pen & ink)

Vinci, Leonardo da (1452-1519)

ID: TRK879429

Study the air screw by Leonardo da Vinci. Manuscript B, sheet, 83 V, 1483-1486.

ID: MEV5047147

Codex Atlanticus, sheet 977 verso, 1478-1518 (pen & ink)

Vinci, Leonardo da (1452-1519)

ID: MEV5047174

Codex Atlanticus, sheet 991 recto, 1478-1518 (pen & ink)

Vinci, Leonardo da (1452-1519)

ID: MEV5047252

Codex Atlanticus, sheet 1030 recto, 1478-1518 (pen & ink)

Vinci, Leonardo da (1452-1519)

ID: MEV5046914

Codex Atlanticus, sheet 861 recto, 1478-1518 (pen & ink)

Vinci, Leonardo da (1452-1519)

ID: TAD1750527

Leonardo da Vinci (1452-1519) italian architect engineer and artist, engraving

ID: FAF3565995

Study for the Last Supper: sanguine drawing by Leonardo da Vinci. Gallerie dell'Accademia, Venice

Vinci, Leonardo da (1452-1519)

ID: LRI4607423

Adoration of the magi. Detail of the Virgin Mary. (oil on wood, 1481-1482)

Vinci, Leonardo da (1452-1519)

ID: XJF103757

Portrait of Leonardo da Vinci (1452-1519), engraved by Francesco Bartolozzi (c.1727-1815) (engraving)

Italian School, (18th century)

ID: MAJ5032218

Studies on gli sfondi, ombre e luci. “” Conviene aver le parti alluminate nei campi oscuri, e le parti oscure nei campi chiari, siccome per la figura viene dimostrato.”” Engraving from “” Treat de la peinture””” by Leonardo da Vinci (Leonard de Vinci) (1452-1519).Trattato della pittura di Lionardo da Vinci. Milano, Societa tipografica, 1804.

ID: TRK879430

Leonardo Gallery. The science and Technology Museum Leonardo da Vinci. Milan. Italy.

ID: MAJ5032222

Studies on quale parte del corpo di un disegno sara piu illuminata rispetto alla distanza dalla fonte luminosa. Engraving from “” Treat of Painting”” by Leonardo da Vinci (Leonard de Vinci) (1452-1519). “” Trattato della pittura di Lionardo da Vinci,””” Milano, Societa tipografica, 1804.

ID: LLM5217425

Theft of the Mona Lisa: the return of the painting to Paris, 1913 (litho)

French School, (20th century)