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4162 Search Results for #39 or #33 or #36 or #38 or #37 or impressionis* or Monet or Pissarro

Transporting the Statue of Henri IV (1553-1610) in Front of the Flora Pavilion of the Louvre, 1818 (oil on panel)
Transporting the Statue of Henri IV (1553-1610) in Front of the Flora Pavilion of the Louvre, 1818 (oil on panel)

XIR161798: Transporting the Statue of Henri IV (1553-1610) in Front of the Flora Pavilion of the Louvre, 1818 (oil on panel), Roehn, Adolphe (1780-1867) / Bridgeman Images

ID: XIR161798

Transporting the Statue of Henri IV (1553-1610) in Front of the Flora Pavilion of the Louvre, 1818 (oil on panel)

Roehn, Adolphe (1780-1867)

The Hermitage and the Old Castle in the Park at Le Raincy, 1754-93 (gouache on paper)
The Hermitage and the Old Castle in the Park at Le Raincy, 1754-93 (gouache on paper)

XIR161082: The Hermitage and the Old Castle in the Park at Le Raincy, 1754-93 (gouache on paper), Carmontelle, Louis Carrogis (1717-1806) / Bridgeman Images

ID: XIR161082

The Hermitage and the Old Castle in the Park at Le Raincy, 1754-93 (gouache on paper)

Carmontelle, Louis Carrogis (1717-1806)

Julie Manet (1878-1966) reading, 2nd March 1893 (black lead on paper)
Julie Manet (1878-1966) reading, 2nd March 1893 (black lead on paper)

XIR164374: Julie Manet (1878-1966) reading, 2nd March 1893 (black lead on paper), Morisot, Berthe (1841-95) / Bridgeman Images

ID: XIR164374

Julie Manet (1878-1966) reading, 2nd March 1893 (black lead on paper)

Morisot, Berthe (1841-95)

St. Cecilia surrounded by St. Paul, St. John the Evangelist, St. Augustine and Mary Magdalene, (gouache on vellum) (see 182507 and 228955)
St. Cecilia surrounded by St. Paul, St. John the Evangelist, St. Augustine and Mary Magdalene, (gouache on vellum) (see 182507 and 228955)

XIR349832: St. Cecilia surrounded by St. Paul, St. John the Evangelist, St. Augustine and Mary Magdalene, (gouache on vellum) (see 182507 and 228955), Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after) / Bridgeman Images

ID: XIR349832

St. Cecilia surrounded by St. Paul, St. John the Evangelist, St. Augustine and Mary Magdalene, (gouache on vellum) (see 182507 and 228955)

Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after)

Terrace of the Saint-Simeon restaurant in Honfleur, 1905 (postcard)
Terrace of the Saint-Simeon restaurant in Honfleur, 1905 (postcard)

PCT11668580: Terrace of the Saint-Simeon restaurant in Honfleur, 1905 (postcard) / Bridgeman Images

ID: PCT11668580

Terrace of the Saint-Simeon restaurant in Honfleur, 1905 (postcard)

A corner of the Saint-Simeon farm, near Honfleur, 1904 (postcard)
A corner of the Saint-Simeon farm, near Honfleur, 1904 (postcard)

PCT11668578: A corner of the Saint-Simeon farm, near Honfleur, 1904 (postcard) / Bridgeman Images

ID: PCT11668578

A corner of the Saint-Simeon farm, near Honfleur, 1904 (postcard)

La Grenouillère, Bougival, Banks of the Seine, 1909 (postcard)
La Grenouillère, Bougival, Banks of the Seine, 1909 (postcard)

PCT7211824: La Grenouillère, Bougival, Banks of the Seine, 1909 (postcard) / Bridgeman Images

ID: PCT7211824

La Grenouillère, Bougival, Banks of the Seine, 1909 (postcard)

Antoine Laurent Lavoisier (1743-94) explaining his analysis of air to his colleagues (bronze) (b/w photo)
Antoine Laurent Lavoisier (1743-94) explaining his analysis of air to his colleagues (bronze) (b/w photo)

XIR169101: Antoine Laurent Lavoisier (1743-94) explaining his analysis of air to his colleagues (bronze) (b/w photo), Barrias, Louis Ernest (1841-1905) / Bridgeman Images

ID: XIR169101

Antoine Laurent Lavoisier (1743-94) explaining his analysis of air to his colleagues (bronze) (b/w photo)

Barrias, Louis Ernest (1841-1905)

The Seine estuary from the Saint-Simeon farm, near Honfleur, early 20th century (postcard)
The Seine estuary from the Saint-Simeon farm, near Honfleur, early 20th century (postcard)

PCT11668579: The Seine estuary from the Saint-Simeon farm, near Honfleur, early 20th century (postcard) / Bridgeman Images

ID: PCT11668579

The Seine estuary from the Saint-Simeon farm, near Honfleur, early 20th century (postcard)

First public clock in Paris - Paris oldest public clock - First public clock in Paris, commissioned in 1371 by Charles V, it was made by watchmaker Henri de Vic. In 1418, the clock is equipped with an external dial “” so that the inhabitants of the city can settle their affairs day and night.” The clock was redesigned in 1472 by Philippe Brille and decoree under Henri III (1551 - 1589) by the sculptor Germain Pillon. Motto: “Who dedit ante duas, triplicen dabit ille coronan” (Whoever already gives him two crowns will give him a third) refers to the crowns of Poland and France. “” Machina quae bis sex tam juste dividit boras Justitiam servare monet legesque tueri”” (This machine that makes twelve parts so rightly teous at hours teaches to protect justice and defend the laws). The clock is located on the Clock Tower, at the corner of Boulevard du Palais and Quai de l'Horloge. Renovee in September 2012. Paris 'first clock is on the wall of the Concierge and was built in 1370
First public clock in Paris - Paris oldest public clock - First public clock in Paris, commissioned in 1371 by Charles V, it was made by watchmaker Henri de Vic. In 1418, the clock is equipped with an external dial “” so that the inhabitants of the city can settle their affairs day and night.” The clock was redesigned in 1472 by Philippe Brille and decoree under Henri III (1551 - 1589) by the sculptor Germain Pillon. Motto: “Who dedit ante duas, triplicen dabit ille coronan” (Whoever already gives him two crowns will give him a third) refers to the crowns of Poland and France. “” Machina quae bis sex tam juste dividit boras Justitiam servare monet legesque tueri”” (This machine that makes twelve parts so rightly teous at hours teaches to protect justice and defend the laws). The clock is located on the Clock Tower, at the corner of Boulevard du Palais and Quai de l'Horloge. Renovee in September 2012. Paris 'first clock is on the wall of the Concierge and was built in 1370

PIX4665823: First public clock in Paris - Paris oldest public clock - First public clock in Paris, commissioned in 1371 by Charles V, it was made by watchmaker Henri de Vic. In 1418, the clock is equipped with an external dial “” so that the inhabitants of the city can settle their affairs day and night.” The clock was redesigned in 1472 by Philippe Brille and decoree under Henri III (1551 - 1589) by the sculptor Germain Pillon. Motto: “Who dedit ante duas, triplicen dabit ille coronan” (Whoever already gives him two crowns will give him a third) refers to the crowns of Poland and France. “” Machina quae bis sex tam juste dividit boras Justitiam servare monet legesque tueri”” (This machine that makes twelve parts so rightly teous at hours teaches to protect justice and defend the laws). The clock is located on the Clock Tower, at the corner of Boulevard du Palais and Quai de l'Horloge. Renovee in September 2012. Paris 'first clock is on the wall of the Concierge and was built in 1370 / Bridgeman Images

ID: PIX4665823

First public clock in Paris - Paris oldest public clock - First public clock in Paris, commissioned in 1371 by Charles V, it was made by watchmaker Henri de Vic. In 1418, the clock is equipped with an external dial “” so that the inhabitants of the city can settle their affairs day and night.” The clock was redesigned in 1472 by Philippe Brille and decoree under Henri III (1551 - 1589) by the sculptor Germain Pillon. Motto: “Who dedit ante duas, triplicen dabit ille coronan” (Whoever already gives him two crowns will give him a third) refers to the crowns of Poland and France. “” Machina quae bis sex tam juste dividit boras Justitiam servare monet legesque tueri”” (This machine that makes twelve parts so rightly teous at hours teaches to protect justice and defend the laws). The clock is located on the Clock Tower, at the corner of Boulevard du Palais and Quai de l'Horloge. Renovee in September 2012. Paris 'first clock is on the wall of the Concierge and was built in 1370

Avant et après - text and drawing of Adam and Eve with the snake winding around the tree behind them, 1903 (pen and black ink (text), black chalk (drawing) on wove paper)
Avant et après - text and drawing of Adam and Eve with the snake winding around the tree behind them, 1903 (pen and black ink (text), black chalk (drawing) on wove paper)

COU6356590: Avant et après - text and drawing of Adam and Eve with the snake winding around the tree behind them, 1903 (pen and black ink (text), black chalk (drawing) on wove paper), Gauguin, Paul (1848-1903) / Bridgeman Images

ID: COU6356590

Avant et après - text and drawing of Adam and Eve with the snake winding around the tree behind them, 1903 (pen and black ink (text), black chalk (drawing) on wove paper)

Gauguin, Paul (1848-1903)

Avant et après - Landscape with a hut and palm trees, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, laid down horizontally on album page; white bodycolour at all corners and centre of edges to conceal brown stains caused by adhesive on the verso; unable to lift and check verso. )
Avant et après - Landscape with a hut and palm trees, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, laid down horizontally on album page; white bodycolour at all corners and centre of edges to conceal brown stains caused by adhesive on the verso; unable to lift and check verso. )

COU6356598: Avant et après - Landscape with a hut and palm trees, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, laid down horizontally on album page; white bodycolour at all corners and centre of edges to conceal brown stains caused by adhesive on the verso; unable to lift and check verso. ), Gauguin, Paul (1848-1903) / Bridgeman Images

ID: COU6356598

Avant et après - Landscape with a hut and palm trees, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, laid down horizontally on album page; white bodycolour at all corners and centre of edges to conceal brown stains caused by adhesive on the verso; unable to lift and check verso. )

Gauguin, Paul (1848-1903)

Avant et après - seated Japanese woman fanning herself from 'The Sixth Month: Summer airing of clothes', 1854 (polychrome woodblock print laid down on album page)
Avant et après - seated Japanese woman fanning herself from 'The Sixth Month: Summer airing of clothes', 1854 (polychrome woodblock print laid down on album page)

COU6356599: Avant et après - seated Japanese woman fanning herself from 'The Sixth Month: Summer airing of clothes', 1854 (polychrome woodblock print laid down on album page), Kunisada, Utagawa (Toyokuni III) (1786-1865) / Bridgeman Images

ID: COU6356599

Avant et après - seated Japanese woman fanning herself from 'The Sixth Month: Summer airing of clothes', 1854 (polychrome woodblock print laid down on album page)

Kunisada, Utagawa (Toyokuni III) (1786-1865)

Hollyhock, c.1767-70 (oil on canvas)
Hollyhock, c.1767-70 (oil on canvas)

ROC3508305: Hollyhock, c.1767-70 (oil on canvas), Stubbs, George (1724-1806) / Bridgeman Images

ID: ROC3508305

Hollyhock, c.1767-70 (oil on canvas)

Stubbs, George (1724-1806)

Louis XIII Frame, for Claude Monet's
Louis XIII Frame, for Claude Monet's

HST1271645: Louis XIII Frame, for Claude Monet's "Water Lilies (Nymphéas)", c.1630-60 (carved & gilded wood) / Bridgeman Images

ID: HST1271645

Louis XIII Frame, for Claude Monet's "Water Lilies (Nymphéas)", c.1630-60 (carved & gilded wood)

Jean Baptiste de LAMARCK, Portrait 1823 (engraving)
Jean Baptiste de LAMARCK, Portrait 1823 (engraving)

LRI9011717: Jean Baptiste de LAMARCK, Portrait 1823 (engraving) / Bridgeman Images

ID: LRI9011717

Jean Baptiste de LAMARCK, Portrait 1823 (engraving)

Landscape with Children by a Pond, 1884
Landscape with Children by a Pond, 1884

BAL49825: Landscape with Children by a Pond, 1884, Mote, George William (1832-1909) / Bridgeman Images

ID: BAL49825

Landscape with Children by a Pond, 1884

Mote, George William (1832-1909)

The Duck Pond
The Duck Pond

BAL43072: The Duck Pond, King, Henry John Yeend (1855-1924) / Bridgeman Images

ID: BAL43072

The Duck Pond

King, Henry John Yeend (1855-1924)

Sledging & Snowballing, 19th century (Oleograph)
Sledging & Snowballing, 19th century (Oleograph)

BAL28491: Sledging & Snowballing, 19th century (Oleograph), Greben, (19th century) / Bridgeman Images

ID: BAL28491

Sledging & Snowballing, 19th century (Oleograph)

Greben, (19th century)

Grosse mer a Etretat, 1868 (oil on canvas)
Grosse mer a Etretat, 1868 (oil on canvas)

JLJ4595377: Grosse mer a Etretat, 1868 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: JLJ4595377

Grosse mer a Etretat, 1868 (oil on canvas)

Monet, Claude (1840-1926)

Pale Water Lilies, c.1917-25 (oil on canvas)
Pale Water Lilies, c.1917-25 (oil on canvas)

CH376850: Pale Water Lilies, c.1917-25 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: CH376850

Pale Water Lilies, c.1917-25 (oil on canvas)

Monet, Claude (1840-1926)

The Church of Vernon, Brouillard, 1894 (oil on canvas)
The Church of Vernon, Brouillard, 1894 (oil on canvas)

NUM100757: The Church of Vernon, Brouillard, 1894 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: NUM100757

The Church of Vernon, Brouillard, 1894 (oil on canvas)

Monet, Claude (1840-1926)

Giverny (oil on canvas)
Giverny (oil on canvas)

XIR897335: Giverny (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: XIR897335

Giverny (oil on canvas)

Monet, Claude (1840-1926)

the magpie, 1868-1869 (oil on canvas)
the magpie, 1868-1869 (oil on canvas)

IBE5340613: the magpie, 1868-1869 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: IBE5340613

the magpie, 1868-1869 (oil on canvas)

Monet, Claude (1840-1926)

Vetheuil, sunset, 1901
Vetheuil, sunset, 1901

PWI82352: Vetheuil, sunset, 1901, Monet, Claude (1840-1926) / Bridgeman Images

ID: PWI82352

Vetheuil, sunset, 1901

Monet, Claude (1840-1926)

Les Tuileries, study, 1875. Oil on canvas
Les Tuileries, study, 1875. Oil on canvas

LRI4579586: Les Tuileries, study, 1875. Oil on canvas, Monet, Claude (1840-1926) / Bridgeman Images

ID: LRI4579586

Les Tuileries, study, 1875. Oil on canvas

Monet, Claude (1840-1926)

By the Sea, 1886 (pencil on buff paper laid on card)
By the Sea, 1886 (pencil on buff paper laid on card)

CH376825: By the Sea, 1886 (pencil on buff paper laid on card), Monet, Claude (1840-1926) / Bridgeman Images

ID: CH376825

By the Sea, 1886 (pencil on buff paper laid on card)

Monet, Claude (1840-1926)

Portrait Of The Artist, 1917 (oil on canvas)
Portrait Of The Artist, 1917 (oil on canvas)

JLJ4681135: Portrait Of The Artist, 1917 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: JLJ4681135

Portrait Of The Artist, 1917 (oil on canvas)

Monet, Claude (1840-1926)

Portrait of Lucien Pissarro (colour litho)
Portrait of Lucien Pissarro (colour litho)

LLM5198304: Portrait of Lucien Pissarro (colour litho), Strang, William (1859-1921) (after) / Bridgeman Images

ID: LLM5198304

Portrait of Lucien Pissarro (colour litho)

Strang, William (1859-1921) (after)

The Chantemerle Hills in near Vétheuil, 1881 (oil on canvas)
The Chantemerle Hills in near Vétheuil, 1881 (oil on canvas)

XIR902176: The Chantemerle Hills in near Vétheuil, 1881 (oil on canvas) , Monet, Claude (1840-1926) / Bridgeman Images

ID: XIR902176

The Chantemerle Hills in near Vétheuil, 1881 (oil on canvas)

Monet, Claude (1840-1926)

The Japanese Bridge at Giverny, detail, 1918-24 (oil on canvas) (see also 192358)
The Japanese Bridge at Giverny, detail, 1918-24 (oil on canvas) (see also 192358)

XIR382335: The Japanese Bridge at Giverny, detail, 1918-24 (oil on canvas) (see also 192358), Monet, Claude (1840-1926) / Bridgeman Images

ID: XIR382335

The Japanese Bridge at Giverny, detail, 1918-24 (oil on canvas) (see also 192358)

Monet, Claude (1840-1926)

Waterloo Bridge (oil on canvas)
Waterloo Bridge (oil on canvas)

CH376802: Waterloo Bridge (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: CH376802

Waterloo Bridge (oil on canvas)

Monet, Claude (1840-1926)

Two Trees in a Meadow, Giverny, 1908 (oil on canvas)
Two Trees in a Meadow, Giverny, 1908 (oil on canvas)

XMV2962766: Two Trees in a Meadow, Giverny, 1908 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: XMV2962766

Two Trees in a Meadow, Giverny, 1908 (oil on canvas)

Monet, Claude (1840-1926)

Les nympheas: matin Detail, 1914-26 (oil on canvas)
Les nympheas: matin Detail, 1914-26 (oil on canvas)

JLJ4647614: Les nympheas: matin Detail, 1914-26 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: JLJ4647614

Les nympheas: matin Detail, 1914-26 (oil on canvas)

Monet, Claude (1840-1926)

Fin d'apres midi, Vetheuil, 1880 (oil on canvas)
Fin d'apres midi, Vetheuil, 1880 (oil on canvas)

XCS3742542: Fin d'apres midi, Vetheuil, 1880 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: XCS3742542

Fin d'apres midi, Vetheuil, 1880 (oil on canvas)

Monet, Claude (1840-1926)

Les Glacons (colour litho)
Les Glacons (colour litho)

LLM3098686: Les Glacons (colour litho), Monet, Claude (1840-1926) / Bridgeman Images

ID: LLM3098686

Les Glacons (colour litho)

Monet, Claude (1840-1926)


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