1. Home
  2. Search "medieval artwork"

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

1016 Search Results for medieval artwork

Purgatory: Dante and Virgil, miniature, 14th century
Purgatory: Dante and Virgil, miniature, 14th century

IBE5388671: Purgatory: Dante and Virgil, miniature, 14th century, Alighieri, Dante (c.1265-1321) / Bridgeman Images

ID: IBE5388671

Purgatory: Dante and Virgil, miniature, 14th century

Alighieri, Dante (c.1265-1321)

Saints, by Unknown Artist, 5th - 9th Century, fresco
Saints, by Unknown Artist, 5th - 9th Century, fresco

ELC943333: Saints, by Unknown Artist, 5th - 9th Century, fresco, Unknown artist, (5th-9th century) / Bridgeman Images

ID: ELC943333

Saints, by Unknown Artist, 5th - 9th Century, fresco

Unknown artist, (5th-9th century)

Illuminated Capital P. Evangeliario, ms. 11, f.1, 12th Century (illumination)
Illuminated Capital P. Evangeliario, ms. 11, f.1, 12th Century (illumination)

MEP943436: Illuminated Capital P. Evangeliario, ms. 11, f.1, 12th Century (illumination) / Bridgeman Images

ID: MEP943436

Illuminated Capital P. Evangeliario, ms. 11, f.1, 12th Century (illumination)

The soul of Charles Martel, leaving the group of flying spirits, draws near to Dante and Beatrice. Illustration of the Canto VIII of Paradiso of The Divine Comedy of Dante Alighieri. Work of Franceso Scaramuzza dedicated to the Municipality of Florence.
The soul of Charles Martel, leaving the group of flying spirits, draws near to Dante and Beatrice. Illustration of the Canto VIII of Paradiso of The Divine Comedy of Dante Alighieri. Work of Franceso Scaramuzza dedicated to the Municipality of Florence.

FAF3561242: The soul of Charles Martel, leaving the group of flying spirits, draws near to Dante and Beatrice. Illustration of the Canto VIII of Paradiso of The Divine Comedy of Dante Alighieri. Work of Franceso Scaramuzza dedicated to the Municipality of Florence. / Bridgeman Images

ID: FAF3561242

The soul of Charles Martel, leaving the group of flying spirits, draws near to Dante and Beatrice. Illustration of the Canto VIII of Paradiso of The Divine Comedy of Dante Alighieri. Work of Franceso Scaramuzza dedicated to the Municipality of Florence.

San Zanobi raises a boy from the dead (Codice Edili 107, c. 367), for a Roman Missal
San Zanobi raises a boy from the dead (Codice Edili 107, c. 367), for a Roman Missal

FAF3565259: San Zanobi raises a boy from the dead (Codice Edili 107, c. 367), for a Roman Missal, Maestro Daddesco (fl.c.1320-40) / Bridgeman Images

ID: FAF3565259

San Zanobi raises a boy from the dead (Codice Edili 107, c. 367), for a Roman Missal

Maestro Daddesco (fl.c.1320-40)

Labyrinth and personification of the months, by Unknown Artist, 12th Century, mosaic
Labyrinth and personification of the months, by Unknown Artist, 12th Century, mosaic

MEP943427: Labyrinth and personification of the months, by Unknown Artist, 12th Century, mosaic, Unknown Artist, (12th century) / Bridgeman Images

ID: MEP943427

Labyrinth and personification of the months, by Unknown Artist, 12th Century, mosaic

Unknown Artist, (12th century)

Pattern, by Unknown Artist, 13th Century, mosaic floor
Pattern, by Unknown Artist, 13th Century, mosaic floor

MEP943236: Pattern, by Unknown Artist, 13th Century, mosaic floor, Unknown Artist, (13th century) / Bridgeman Images

ID: MEP943236

Pattern, by Unknown Artist, 13th Century, mosaic floor

Unknown Artist, (13th century)

Saints Libera and Giuliana, by Master Cicogna, 14th Century, fresco
Saints Libera and Giuliana, by Master Cicogna, 14th Century, fresco

MEP944356: Saints Libera and Giuliana, by Master Cicogna, 14th Century, fresco / Bridgeman Images

ID: MEP944356

Saints Libera and Giuliana, by Master Cicogna, 14th Century, fresco

Portrait of Galeazzo Maria Sforza
Portrait of Galeazzo Maria Sforza

FAF3567521: Portrait of Galeazzo Maria Sforza, Pollaiuolo, Piero del (1443-96) / Bridgeman Images

ID: FAF3567521

Portrait of Galeazzo Maria Sforza

Pollaiuolo, Piero del (1443-96)

Couple of tourists in front of Giotto Majesty or Madonna Saints, tempera on panel, Giotto di Bondone (1267 ca.-1337), Uffizi Gallery, Florence
Couple of tourists in front of Giotto Majesty or Madonna Saints, tempera on panel, Giotto di Bondone (1267 ca.-1337), Uffizi Gallery, Florence

FAF3575175: Couple of tourists in front of Giotto Majesty or Madonna Saints, tempera on panel, Giotto di Bondone (1267 ca.-1337), Uffizi Gallery, Florence / Bridgeman Images

ID: FAF3575175

Couple of tourists in front of Giotto Majesty or Madonna Saints, tempera on panel, Giotto di Bondone (1267 ca.-1337), Uffizi Gallery, Florence

Illuminated Capital F. Evangeliario, ms. 10, f.1, 12th Century (illumination)
Illuminated Capital F. Evangeliario, ms. 10, f.1, 12th Century (illumination)

MEP943437: Illuminated Capital F. Evangeliario, ms. 10, f.1, 12th Century (illumination) / Bridgeman Images

ID: MEP943437

Illuminated Capital F. Evangeliario, ms. 10, f.1, 12th Century (illumination)

Pattern, by Unknown Artist, 13th Century, floor mosaic
Pattern, by Unknown Artist, 13th Century, floor mosaic

MEP943205: Pattern, by Unknown Artist, 13th Century, floor mosaic, Unknown Artist, (13th century) / Bridgeman Images

ID: MEP943205

Pattern, by Unknown Artist, 13th Century, floor mosaic

Unknown Artist, (13th century)

Figures of Disciples (Figure di Apostoli), Master of the Fortress of Angera, end of the 13th century, fresco
Figures of Disciples (Figure di Apostoli), Master of the Fortress of Angera, end of the 13th century, fresco

ELC848662: Figures of Disciples (Figure di Apostoli), Master of the Fortress of Angera, end of the 13th century, fresco, Italian School, (13th century) / Bridgeman Images

ID: ELC848662

Figures of Disciples (Figure di Apostoli), Master of the Fortress of Angera, end of the 13th century, fresco

Italian School, (13th century)

St. Bernard and Dante, kneeling, facing the Virgin Mary; around them youth in prayer. Illustration of Canto XXXIII in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence.
St. Bernard and Dante, kneeling, facing the Virgin Mary; around them youth in prayer. Illustration of Canto XXXIII in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence.

FAF3561274: St. Bernard and Dante, kneeling, facing the Virgin Mary; around them youth in prayer. Illustration of Canto XXXIII in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence. / Bridgeman Images

ID: FAF3561274

St. Bernard and Dante, kneeling, facing the Virgin Mary; around them youth in prayer. Illustration of Canto XXXIII in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence.

Dante and Virgil, in Hell, see Charon advancing towards them in a boat. Charon shouts menacing words to the souls gathered on the shore. Sculpture by Mastroianni depicting an episode from Canto III in the Inferno of The Divine Comedy.
Dante and Virgil, in Hell, see Charon advancing towards them in a boat. Charon shouts menacing words to the souls gathered on the shore. Sculpture by Mastroianni depicting an episode from Canto III in the Inferno of The Divine Comedy.

FAF3561191: Dante and Virgil, in Hell, see Charon advancing towards them in a boat. Charon shouts menacing words to the souls gathered on the shore. Sculpture by Mastroianni depicting an episode from Canto III in the Inferno of The Divine Comedy., Mastroianni, Domenico (1876-1962) / Bridgeman Images

ID: FAF3561191

Dante and Virgil, in Hell, see Charon advancing towards them in a boat. Charon shouts menacing words to the souls gathered on the shore. Sculpture by Mastroianni depicting an episode from Canto III in the Inferno of The Divine Comedy.

Mastroianni, Domenico (1876-1962)

How We Are Governed: Freedom of Speech
How We Are Governed: Freedom of Speech

LAL297744: How We Are Governed: Freedom of Speech, McConnell, James Edwin (1903-95) / Bridgeman Images

ID: LAL297744

How We Are Governed: Freedom of Speech

McConnell, James Edwin (1903-95)

Painted Crucifix, by Unknown Artist, 13th Century, tempera on board
Painted Crucifix, by Unknown Artist, 13th Century, tempera on board

MEB943372: Painted Crucifix, by Unknown Artist, 13th Century, tempera on board / Bridgeman Images

ID: MEB943372

Painted Crucifix, by Unknown Artist, 13th Century, tempera on board

Rachel and Beatrice sit together in the third rank of the Rose of the blessed, surrounded by angels. Illustration of Canto XXXII in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence.
Rachel and Beatrice sit together in the third rank of the Rose of the blessed, surrounded by angels. Illustration of Canto XXXII in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence.

FAF3561263: Rachel and Beatrice sit together in the third rank of the Rose of the blessed, surrounded by angels. Illustration of Canto XXXII in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence. / Bridgeman Images

ID: FAF3561263

Rachel and Beatrice sit together in the third rank of the Rose of the blessed, surrounded by angels. Illustration of Canto XXXII in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence.

Polyptych, Madonna Enthroned with the Four Doctors of the Church, by Niccolò Gerini and Giovanni del Biondo, The Major Chapel
Polyptych, Madonna Enthroned with the Four Doctors of the Church, by Niccolò Gerini and Giovanni del Biondo, The Major Chapel

GRL6365939: Polyptych, Madonna Enthroned with the Four Doctors of the Church, by Niccolò Gerini and Giovanni del Biondo, The Major Chapel, Gerini, Niccolò (c.1340-1414) & Biondo, Giovanni del (1356-99) / Bridgeman Images

ID: GRL6365939

Polyptych, Madonna Enthroned with the Four Doctors of the Church, by Niccolò Gerini and Giovanni del Biondo, The Major Chapel

Gerini, Niccolò (c.1340-1414) & Biondo, Giovanni del (1356-99)

Allegory of Rhetoric, below his ideal representative, probably Isocrates or Demosthenes (fresco)
Allegory of Rhetoric, below his ideal representative, probably Isocrates or Demosthenes (fresco)

GRL6336435: Allegory of Rhetoric, below his ideal representative, probably Isocrates or Demosthenes (fresco), Jacopo di Cione, (fl.1368-94) / Bridgeman Images

ID: GRL6336435

Allegory of Rhetoric, below his ideal representative, probably Isocrates or Demosthenes (fresco)

Jacopo di Cione, (fl.1368-94)

Allegory of Rhetoric, below his ideal representative, probably Isocrates or Demosthenes (fresco)
Allegory of Rhetoric, below his ideal representative, probably Isocrates or Demosthenes (fresco)

GRL6336455: Allegory of Rhetoric, below his ideal representative, probably Isocrates or Demosthenes (fresco), Jacopo di Cione, (fl.1368-94) / Bridgeman Images

ID: GRL6336455

Allegory of Rhetoric, below his ideal representative, probably Isocrates or Demosthenes (fresco)

Jacopo di Cione, (fl.1368-94)

Wooden and gilded pastiglia reliquary box (mixed media)
Wooden and gilded pastiglia reliquary box (mixed media)

GRL6166399: Wooden and gilded pastiglia reliquary box (mixed media), French School, (13th century) / Bridgeman Images

ID: GRL6166399

Wooden and gilded pastiglia reliquary box (mixed media)

French School, (13th century)

Wooden and gilded pastiglia reliquary box (mixed media)
Wooden and gilded pastiglia reliquary box (mixed media)

GRL6166401: Wooden and gilded pastiglia reliquary box (mixed media), French School, (13th century) / Bridgeman Images

ID: GRL6166401

Wooden and gilded pastiglia reliquary box (mixed media)

French School, (13th century)

Apse: decoration frieze representing a palm tree, byzantine school mosaic with a golden background (mosaic)
Apse: decoration frieze representing a palm tree, byzantine school mosaic with a golden background (mosaic)

GRL6166470: Apse: decoration frieze representing a palm tree, byzantine school mosaic with a golden background (mosaic), Byzantine, (12th-13th century) / Bridgeman Images

ID: GRL6166470

Apse: decoration frieze representing a palm tree, byzantine school mosaic with a golden background (mosaic)

Byzantine, (12th-13th century)

Capture of Christ, by Master of the right apse of St Francis in Montefalco, detached fresco, end XIV century
Capture of Christ, by Master of the right apse of St Francis in Montefalco, detached fresco, end XIV century

GRL6254766: Capture of Christ, by Master of the right apse of St Francis in Montefalco, detached fresco, end XIV century, Italian School, (14th century) / Bridgeman Images

ID: GRL6254766

Capture of Christ, by Master of the right apse of St Francis in Montefalco, detached fresco, end XIV century

Italian School, (14th century)

Genoa, Duomo (St Lawrence Cathedral), inside, the nave, left matroneum, lower order:
Genoa, Duomo (St Lawrence Cathedral), inside, the nave, left matroneum, lower order:

GRL6372198: Genoa, Duomo (St Lawrence Cathedral), inside, the nave, left matroneum, lower order: "Capital with the symbols of the Evangelists - Side of St John", (1307) by Campionese sculptor known as Master of the Angels of the Cathedral, Italian School, (14th century) / Bridgeman Images

ID: GRL6372198

Genoa, Duomo (St Lawrence Cathedral), inside, the nave, left matroneum, lower order: "Capital with the symbols of the Evangelists - Side of St John", (1307) by Campionese sculptor known as Master of the Angels of the Cathedral

Italian School, (14th century)

Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Monstrous figure”, by “First Master” and “First Helper” of the doorway of St Gotthard
Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Monstrous figure”, by “First Master” and “First Helper” of the doorway of St Gotthard

GRL6372627: Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Monstrous figure”, by “First Master” and “First Helper” of the doorway of St Gotthard / Bridgeman Images

ID: GRL6372627

Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Monstrous figure”, by “First Master” and “First Helper” of the doorway of St Gotthard

Dante, assisted by St. Bernard, sees Beatrice seated on a throne amidst the blessed, in a halo of light. Illustration of Canto XXXI in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence.
Dante, assisted by St. Bernard, sees Beatrice seated on a throne amidst the blessed, in a halo of light. Illustration of Canto XXXI in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence.

FAF3561261: Dante, assisted by St. Bernard, sees Beatrice seated on a throne amidst the blessed, in a halo of light. Illustration of Canto XXXI in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence. / Bridgeman Images

ID: FAF3561261

Dante, assisted by St. Bernard, sees Beatrice seated on a throne amidst the blessed, in a halo of light. Illustration of Canto XXXI in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence.

Lucifer clutching two Giants and Antenor, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350
Lucifer clutching two Giants and Antenor, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350

GRL6365883: Lucifer clutching two Giants and Antenor, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350, Orcagna, Andrea di Cione (c.1308-68) / Bridgeman Images

ID: GRL6365883

Lucifer clutching two Giants and Antenor, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350

Orcagna, Andrea di Cione (c.1308-68)

Punishment of the Lustful, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 (detached fresco)
Punishment of the Lustful, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 (detached fresco)

GRL6365885: Punishment of the Lustful, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 (detached fresco), Orcagna, Andrea di Cione (c.1308-68) / Bridgeman Images

ID: GRL6365885

Punishment of the Lustful, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 (detached fresco)

Orcagna, Andrea di Cione (c.1308-68)

Genoa, Duomo (St Lawrence Cathedral), inside, the nave, left matroneum, lower order:
Genoa, Duomo (St Lawrence Cathedral), inside, the nave, left matroneum, lower order:

GRL6372194: Genoa, Duomo (St Lawrence Cathedral), inside, the nave, left matroneum, lower order: "Capital with the symbols of the Evangelists - Side of St Luke", (1307) by Campionese sculptor known as Master of the Angels of the Cathedral, Italian School, (14th century) / Bridgeman Images

ID: GRL6372194

Genoa, Duomo (St Lawrence Cathedral), inside, the nave, left matroneum, lower order: "Capital with the symbols of the Evangelists - Side of St Luke", (1307) by Campionese sculptor known as Master of the Angels of the Cathedral

Italian School, (14th century)

Genoa, Duomo (St Lawrence Cathedral), inside, the nave, left matroneum, lower order:
Genoa, Duomo (St Lawrence Cathedral), inside, the nave, left matroneum, lower order:

GRL6372197: Genoa, Duomo (St Lawrence Cathedral), inside, the nave, left matroneum, lower order: "Capital with the symbols of the Evangelists - Side of St Mark", (1307) by Campionese sculptor known as Master of the Angels of the Cathedral, Italian School, (14th century) / Bridgeman Images

ID: GRL6372197

Genoa, Duomo (St Lawrence Cathedral), inside, the nave, left matroneum, lower order: "Capital with the symbols of the Evangelists - Side of St Mark", (1307) by Campionese sculptor known as Master of the Angels of the Cathedral

Italian School, (14th century)

Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Monstrous figure”, by “First Master” and “First Helper” of the doorway of St Gotthard
Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Monstrous figure”, by “First Master” and “First Helper” of the doorway of St Gotthard

GRL6372626: Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Monstrous figure”, by “First Master” and “First Helper” of the doorway of St Gotthard / Bridgeman Images

ID: GRL6372626

Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), the lunette, internal fascia : “Monstrous figure”, by “First Master” and “First Helper” of the doorway of St Gotthard

The spiral staircase leading to the bell cell, Ghirlandina Tower, Modena, Italy (photo)
The spiral staircase leading to the bell cell, Ghirlandina Tower, Modena, Italy (photo)

GRL5974079: The spiral staircase leading to the bell cell, Ghirlandina Tower, Modena, Italy (photo) / Bridgeman Images

ID: GRL5974079

The spiral staircase leading to the bell cell, Ghirlandina Tower, Modena, Italy (photo)

View of the internal stairway, Ghirlandina Tower, Modena, Italy (photo)
View of the internal stairway, Ghirlandina Tower, Modena, Italy (photo)

GRL5974200: View of the internal stairway, Ghirlandina Tower, Modena, Italy (photo) / Bridgeman Images

ID: GRL5974200

View of the internal stairway, Ghirlandina Tower, Modena, Italy (photo)

Effigy of Henry IV of England on his tomb at Canterbury, 1971 (gouache on paper)
Effigy of Henry IV of England on his tomb at Canterbury, 1971 (gouache on paper)

LAL303466: Effigy of Henry IV of England on his tomb at Canterbury, 1971 (gouache on paper), Nicolle, Pat (Patrick) (1907-95) / Bridgeman Images

ID: LAL303466

Effigy of Henry IV of England on his tomb at Canterbury, 1971 (gouache on paper)

Nicolle, Pat (Patrick) (1907-95)


Back to top