GRL6166410:
View of the nave. The walls are decorated by byzantine mosaics (photo) / Bridgeman Images
ID: GRL6166410
View of the nave. The walls are decorated by byzantine mosaics (photo)
GRL6166417:
View of the transept and the Southern apse with St. Peter's stories. Byzantine mosaics, XII-XIII centuries (photo) / Bridgeman Images
ID: GRL6166417
View of the transept and the Southern apse with St. Peter's stories. Byzantine mosaics, XII-XIII centuries (photo)
GRL6166418:
View of the transept and the Northern apse with St. Paul's stories. Byzantine mosaics, XII-XIII centuries (photo) / Bridgeman Images
ID: GRL6166418
View of the transept and the Northern apse with St. Paul's stories. Byzantine mosaics, XII-XIII centuries (photo)
GRL6372613:
Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), left jamb, corbel: “Eagle, symbol of St John the Evangelist”, by “first master” of the doorway of St Gotthard / Bridgeman Images
ID: GRL6372613
Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), left jamb, corbel: “Eagle, symbol of St John the Evangelist”, by “first master” of the doorway of St Gotthard
MEB943805:
Ccrucifixion, by Master from Galzignano, 13th Century, fresco / Bridgeman Images
ID: MEB943805
Ccrucifixion, by Master from Galzignano, 13th Century, fresco
ELC943333:
Saints, by Unknown Artist, 5th - 9th Century, fresco, Unknown artist, (5th-9th century) / Bridgeman Images
ID: ELC943333
Saints, by Unknown Artist, 5th - 9th Century, fresco
Unknown artist, (5th-9th century)
FAF3561253:
Dante kneeling in prayer, with his gaze directed at a triptych. / Bridgeman Images
ID: FAF3561253
Dante kneeling in prayer, with his gaze directed at a triptych.
FAF3561251:
Dante, impelled by a simple sign from Beatrice, ascends the golden ladder after the blessed spirits. Illustration of Canto XVII in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence. / Bridgeman Images
ID: FAF3561251
Dante, impelled by a simple sign from Beatrice, ascends the golden ladder after the blessed spirits. Illustration of Canto XVII in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence.
MEP943427:
Labyrinth and personification of the months, by Unknown Artist, 12th Century, mosaic, Unknown Artist, (12th century) / Bridgeman Images
ID: MEP943427
Labyrinth and personification of the months, by Unknown Artist, 12th Century, mosaic
Unknown Artist, (12th century)
GRL6365895:
The Coronation of the Virgin, first half XIV century (detached fresco), Maso di Banco (fl.1336-46) / Bridgeman Images
ID: GRL6365895
The Coronation of the Virgin, first half XIV century (detached fresco)
Maso di Banco (fl.1336-46)
MEP2646621:
Madonna and Child with St. John the Baptist and St. Francis, 1310 (fresco), Lorenzetti, Pietro (c.1284-after 1345) / Bridgeman Images
ID: MEP2646621
Madonna and Child with St. John the Baptist and St. Francis, 1310 (fresco)
Lorenzetti, Pietro (c.1284-after 1345)
GRL6372193:
Genoa, Duomo (St Lawrence Cathedral), inside, the nave, left matroneum, upper order: "King Janus", (1307) by Campionese sculptor known as Master of Janus, Italian School, (14th century) / Bridgeman Images
ID: GRL6372193
Genoa, Duomo (St Lawrence Cathedral), inside, the nave, left matroneum, upper order: "King Janus", (1307) by Campionese sculptor known as Master of Janus
Italian School, (14th century)
GRL6166411:
View of the nave. The walls are decorated by byzantine mosaics (photo) / Bridgeman Images
ID: GRL6166411
View of the nave. The walls are decorated by byzantine mosaics (photo)
GRL6372190:
Genoa, Duomo (St Lawrence Cathedral), inside, the nave, right matroneum, upper order: "Capital with Dragons with entwined tails", (1312) by Campionese sculptor belonging to the workshop of the Master of Janus / Bridgeman Images
ID: GRL6372190
Genoa, Duomo (St Lawrence Cathedral), inside, the nave, right matroneum, upper order: "Capital with Dragons with entwined tails", (1312) by Campionese sculptor belonging to the workshop of the Master of Janus
GRL6372534:
Genoa, Duomo (St Lawrence Cathedral), West side, the façade, the main doorway: detail of the lunette with "Christ in Judgement between the symbols of the Evangelists", by Master of lunette of the Genoa Cathedral, 1225 / Bridgeman Images
ID: GRL6372534
Genoa, Duomo (St Lawrence Cathedral), West side, the façade, the main doorway: detail of the lunette with "Christ in Judgement between the symbols of the Evangelists", by Master of lunette of the Genoa Cathedral, 1225
GRL6372611:
Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), Prothyrum, right capital, dosseret: “David” (?) and “King David playing the Harp”, by Pisan - Lucchese workshop, “first master” and “first helper” of the doorway of St Gotthard / Bridgeman Images
ID: GRL6372611
Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), Prothyrum, right capital, dosseret: “David” (?) and “King David playing the Harp”, by Pisan - Lucchese workshop, “first master” and “first helper” of the doorway of St Gotthard
GRL6372615:
Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), left jamb, corbel: “Eagle, symbol of St John the Evangelist”, by “first master” of the doorway of St Gotthard / Bridgeman Images
ID: GRL6372615
Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), left jamb, corbel: “Eagle, symbol of St John the Evangelist”, by “first master” of the doorway of St Gotthard
LAF472372:
The Hermits, from the right side of the Ghent Altarpiece, 1432 (oil on panel), Eyck, Hubert (c.1370-1426) & Jan van (1390-1441) / Bridgeman Images
ID: LAF472372
The Hermits, from the right side of the Ghent Altarpiece, 1432 (oil on panel)
Eyck, Hubert (c.1370-1426) & Jan van (1390-1441)
LAL313263:
A Good Head of Hair, 1986 (gouache on paper), English School, (20th century) / Bridgeman Images
ID: LAL313263
A Good Head of Hair, 1986 (gouache on paper)
English School, (20th century)
GRL6166333:
View of the nave and the counterfaçade (mosaic) (photo), Byzantine, (12th century) / Bridgeman Images
ID: GRL6166333
View of the nave and the counterfaçade (mosaic) (photo)
Byzantine, (12th century)
GRL6166334:
View of the counterfaçade, decorated by byzantine mosaics (XII-XIII centuries) (mosaic) (photo), Byzantine, (12th century) / Bridgeman Images
ID: GRL6166334
View of the counterfaçade, decorated by byzantine mosaics (XII-XIII centuries) (mosaic) (photo)
Byzantine, (12th century)
GRL6255429:
Enthroned Madonna and Infant Jesus, 1343-68 (tempera painting on panel), Orcagna, Andrea di Cione (c.1308-68) (attr.to) / Bridgeman Images
ID: GRL6255429
Enthroned Madonna and Infant Jesus, 1343-68 (tempera painting on panel)
Orcagna, Andrea di Cione (c.1308-68) (attr.to)
GRL6372165:
Genoa, Museum of St Augustine: Grifo, by Campionese sculptor ("Master of Giano") about 1315 / Bridgeman Images
ID: GRL6372165
Genoa, Museum of St Augustine: Grifo, by Campionese sculptor ("Master of Giano") about 1315
GRL6372166:
Genoa, Museum of St Augustine: Grifo, by Campionese sculptor ("Master of Giano") about 1315 / Bridgeman Images
ID: GRL6372166
Genoa, Museum of St Augustine: Grifo, by Campionese sculptor ("Master of Giano") about 1315
GRL6372556:
Genoa, Duomo (St Lawrence Cathedral), West side, the façade, the main doorway: "Face of a bearded man", by Master of the Ark of the Baptist (about 1225), figured panel of the base decoration / Bridgeman Images
ID: GRL6372556
Genoa, Duomo (St Lawrence Cathedral), West side, the façade, the main doorway: "Face of a bearded man", by Master of the Ark of the Baptist (about 1225), figured panel of the base decoration
GRL6372559:
Genoa, Duomo (St Lawrence Cathedral), West side, the façade, the main doorway: "Lion", by Master of the Ark of the Baptist (about 1225), figured panel of the base decoration / Bridgeman Images
ID: GRL6372559
Genoa, Duomo (St Lawrence Cathedral), West side, the façade, the main doorway: "Lion", by Master of the Ark of the Baptist (about 1225), figured panel of the base decoration
GRL6372609:
Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), Prothyrum, right capital, dosseret: “Samson slaying the Lion”, by Pisan - Lucchese workshop, “first master” and “first helper” of the doorway of St Gotthard / Bridgeman Images
ID: GRL6372609
Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), Prothyrum, right capital, dosseret: “Samson slaying the Lion”, by Pisan - Lucchese workshop, “first master” and “first helper” of the doorway of St Gotthard
GRL6372612:
Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), left jamb, corbel: “Jacob blessed by the angel or The Annunciation to the shepherds”, by “first master” and “second master” of the doorway of St Gotthard / Bridgeman Images
ID: GRL6372612
Genoa, Duomo (St Lawrence Cathedral), South side, the doorway of St Gotthard (1155 - 1160), left jamb, corbel: “Jacob blessed by the angel or The Annunciation to the shepherds”, by “first master” and “second master” of the doorway of St Gotthard
MEP943298:
Presentation of Baby Jesus at the Temple, by Unknown Artist, 12th Century, ca. fresco / Bridgeman Images
ID: MEP943298
Presentation of Baby Jesus at the Temple, by Unknown Artist, 12th Century, ca. fresco
MEP943205:
Pattern, by Unknown Artist, 13th Century, floor mosaic, Unknown Artist, (13th century) / Bridgeman Images
ID: MEP943205
Pattern, by Unknown Artist, 13th Century, floor mosaic
Unknown Artist, (13th century)
FAF3561274:
St. Bernard and Dante, kneeling, facing the Virgin Mary; around them youth in prayer. Illustration of Canto XXXIII in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence. / Bridgeman Images
ID: FAF3561274
St. Bernard and Dante, kneeling, facing the Virgin Mary; around them youth in prayer. Illustration of Canto XXXIII in Paradiso of The Divine Comedy by Dante Alighieri. Work of Francesco Scaramuzza dedicated to the Municipality of Florence.
FAF3561190:
Dante and Virgil enter Hell and see these words inscribed above the gateway: "ABANDON EVERY HOPE, WHO ENTER HERE." Sculpture by Mastroianni depicting an episode from Canto III in the Inferno of The Divine Comedy., Unknown photographer, (19th century) / Bridgeman Images
ID: FAF3561190
Dante and Virgil enter Hell and see these words inscribed above the gateway: "ABANDON EVERY HOPE, WHO ENTER HERE." Sculpture by Mastroianni depicting an episode from Canto III in the Inferno of The Divine Comedy.
Unknown photographer, (19th century)
FAF3561195:
Dante, struck by the story of Paolo and Francesca, falls to the ground as if dead. Sculpture by Mastroianni depicting an episode from Canto V in the Inferno of The Divine Comedy., Mastroianni, Domenico (1876-1962) / Bridgeman Images
ID: FAF3561195
Dante, struck by the story of Paolo and Francesca, falls to the ground as if dead. Sculpture by Mastroianni depicting an episode from Canto V in the Inferno of The Divine Comedy.
Mastroianni, Domenico (1876-1962)
MEB943332:
Ordination of priests, by Unknown Artist, 10th Century, manuscript page / Bridgeman Images
ID: MEB943332
Ordination of priests, by Unknown Artist, 10th Century, manuscript page
MEP943436:
Illuminated Capital P. Evangeliario, ms. 11, f.1, 12th Century (illumination) / Bridgeman Images
ID: MEP943436
Illuminated Capital P. Evangeliario, ms. 11, f.1, 12th Century (illumination)
FAF3567304:
Plaque with the Stories of Saint Peter from the Second School of Metz (ivory), French School, (9th-10th century) / Bridgeman Images
ID: FAF3567304
Plaque with the Stories of Saint Peter from the Second School of Metz (ivory)