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Design for a church, fol. 4r (pen & ink on paper)
Design for a church, fol. 4r (pen & ink on paper)

XJF308759: Design for a church, fol. 4r (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Private Collection / Bridgeman Images

Study for the Battle of Anghiari: Fight between Foot Soldiers and Riders (Two Fights between Riders and Foot Soldiers), 1504 - 1506 (watercolor shades, ink, browned paper)
Study for the Battle of Anghiari: Fight between Foot Soldiers and Riders (Two Fights between Riders and Foot Soldiers), 1504 - 1506 (watercolor shades, ink, browned paper)

MEB857917: Study for the Battle of Anghiari: Fight between Foot Soldiers and Riders (Two Fights between Riders and Foot Soldiers), 1504 - 1506 (watercolor shades, ink, browned paper), Vinci, Leonardo da (1452-1519) / Gallerie dell'Accademia, Venice, Italy / Bridgeman Images

Three views of manly head with beard, c. 1502 (blood on paper)
Three views of manly head with beard, c. 1502 (blood on paper)

RTR5315956: Three views of manly head with beard, c. 1502 (blood on paper), Vinci, Leonardo da (1452-1519) / Biblioteca Reale, Musei Reali, Turin, Piedmont, Italy / Bridgeman Images

A pelican in piety, c.1517 (pen & ink with chalk on paper)
A pelican in piety, c.1517 (pen & ink with chalk on paper)

ROC487773: A pelican in piety, c.1517 (pen & ink with chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Codex Atlanticus, sheet 55 recto, 1478-1518 (pen & ink)
Codex Atlanticus, sheet 55 recto, 1478-1518 (pen & ink)

MEV5045278: Codex Atlanticus, sheet 55 recto, 1478-1518 (pen & ink), Vinci, Leonardo da (1452-1519) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

Codex Atlanticus, sheet 24 recto, 1478-1518 (pen & ink)
Codex Atlanticus, sheet 24 recto, 1478-1518 (pen & ink)

MEV5045213: Codex Atlanticus, sheet 24 recto, 1478-1518 (pen & ink), Vinci, Leonardo da (1452-1519) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

A mould for casting the Sforza monument, decorative knots, and a note on the production of salt, c.1492-4 (pen & ink on paper)
A mould for casting the Sforza monument, decorative knots, and a note on the production of salt, c.1492-4 (pen & ink on paper)

ROC659963: A mould for casting the Sforza monument, decorative knots, and a note on the production of salt, c.1492-4 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Verso: The surface anatomy of the shoulder, c.1510-11 (pen & ink on paper)
Verso: The surface anatomy of the shoulder, c.1510-11 (pen & ink on paper)

ROC5863688: Verso: The surface anatomy of the shoulder, c.1510-11 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

The male genito-urinary system, c.1508-10 (pen & ink on paper)
The male genito-urinary system, c.1508-10 (pen & ink on paper)

ROC5892759: The male genito-urinary system, c.1508-10 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

The thoracic and abdominal cavities of an ox, c.1512-13 (pen & ink with red chalk on paper)
The thoracic and abdominal cavities of an ox, c.1512-13 (pen & ink with red chalk on paper)

ROC5892763: The thoracic and abdominal cavities of an ox, c.1512-13 (pen & ink with red chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Miscellaneous anatomical studies, c.1485-90 (pen & ink over metalpoint, on pale blue prepared paper)
Miscellaneous anatomical studies, c.1485-90 (pen & ink over metalpoint, on pale blue prepared paper)

ROC6324016: Miscellaneous anatomical studies, c.1485-90 (pen & ink over metalpoint, on pale blue prepared paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

The leg sectioned c.1485-90 (pen & ink on paper)
The leg sectioned c.1485-90 (pen & ink on paper)

ROC6324017: The leg sectioned c.1485-90 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Res 4720 The letter 'A', illustration for 'De Divina Proportione' by Luca Pacioli (1445-1517), 1509 (lithograph)
Res 4720 The letter 'A', illustration for 'De Divina Proportione' by Luca Pacioli (1445-1517), 1509 (lithograph)

BMR214060: Res 4720 The letter 'A', illustration for 'De Divina Proportione' by Luca Pacioli (1445-1517), 1509 (lithograph), Vinci, Leonardo da (1452-1519) / Bibliotheque Mazarine, Paris, France / Bridgeman Images

A page from the Codex Leicester, 1508-12 (sepia ink on linen paper)
A page from the Codex Leicester, 1508-12 (sepia ink on linen paper)

XBP341801: A page from the Codex Leicester, 1508-12 (sepia ink on linen paper), Vinci, Leonardo da (1452-1519) / Private Collection / Bridgeman Images

Scientific diagrams, from the 'Codex Leicester', 1508-12 (sepia ink on linen paper) (detail of 227790)
Scientific diagrams, from the 'Codex Leicester', 1508-12 (sepia ink on linen paper) (detail of 227790)

XBP340125: Scientific diagrams, from the 'Codex Leicester', 1508-12 (sepia ink on linen paper) (detail of 227790), Vinci, Leonardo da (1452-1519) / Private Collection / Bridgeman Images

The Baptism of Christ around 1475 - 1478 by Andrea del Verrocchio (1436-1488) and Leonardo da Vinci (Leonard of Vinci) (1452-1516), Oil and tempera on wood, 177 x 151 cm - Uffizi Gallery, Florence Raphael
The Baptism of Christ around 1475 - 1478 by Andrea del Verrocchio (1436-1488) and Leonardo da Vinci (Leonard of Vinci) (1452-1516), Oil and tempera on wood, 177 x 151 cm - Uffizi Gallery, Florence Raphael

GIM5038421: The Baptism of Christ around 1475 - 1478 by Andrea del Verrocchio (1436-1488) and Leonardo da Vinci (Leonard of Vinci) (1452-1516), Oil and tempera on wood, 177 x 151 cm - Uffizi Gallery, Florence Raphael, Vinci, Leonardo da (1452-1519) / Gallerie degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images

A standing masquerader, c.1517-18 (chalk on paper)
A standing masquerader, c.1517-18 (chalk on paper)

ROC427443: A standing masquerader, c.1517-18 (chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

The head of an old bearded man in profile, c.1519 (chalk on paper)
The head of an old bearded man in profile, c.1519 (chalk on paper)

ROC5858103: The head of an old bearded man in profile, c.1519 (chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Designs for an equestrian monument, c.1517-18 (chalk, pen & ink on paper)
Designs for an equestrian monument, c.1517-18 (chalk, pen & ink on paper)

ROC5617348: Designs for an equestrian monument, c.1517-18 (chalk, pen & ink on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

A young woman with long wavy hair, c.1490 (metalpoint on blue prepared paper)
A young woman with long wavy hair, c.1490 (metalpoint on blue prepared paper)

ROC5617358: A young woman with long wavy hair, c.1490 (metalpoint on blue prepared paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

A deluge, c.1517-18 (chalk on paper)
A deluge, c.1517-18 (chalk on paper)

ROC5674276: A deluge, c.1517-18 (chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Codex Atlanticus, sheet 77 verso, 1478-1518 (pen & ink)
Codex Atlanticus, sheet 77 verso, 1478-1518 (pen & ink)

MEV5044311: Codex Atlanticus, sheet 77 verso, 1478-1518 (pen & ink), Vinci, Leonardo da (1452-1519) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

Codex Atlanticus, sheet 98 recto, 1478-1518 (pen & ink)
Codex Atlanticus, sheet 98 recto, 1478-1518 (pen & ink)

MEV5045378: Codex Atlanticus, sheet 98 recto, 1478-1518 (pen & ink), Vinci, Leonardo da (1452-1519) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

Codex Atlanticus, sheet 920 recto, 1478-1518 (pen & ink)
Codex Atlanticus, sheet 920 recto, 1478-1518 (pen & ink)

MEV5047032: Codex Atlanticus, sheet 920 recto, 1478-1518 (pen & ink), Vinci, Leonardo da (1452-1519) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

Codex Atlanticus, sheet 858 recto, 1478-1518 (pen & ink)
Codex Atlanticus, sheet 858 recto, 1478-1518 (pen & ink)

MEV5046908: Codex Atlanticus, sheet 858 recto, 1478-1518 (pen & ink), Vinci, Leonardo da (1452-1519) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

Codex Atlanticus, sheet 145 recto, 1478-1518 (pen & ink)
Codex Atlanticus, sheet 145 recto, 1478-1518 (pen & ink)

MEV5045472: Codex Atlanticus, sheet 145 recto, 1478-1518 (pen & ink), Vinci, Leonardo da (1452-1519) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

Codex Atlanticus, sheet 209 recto, 1478-1518 (pen & ink)
Codex Atlanticus, sheet 209 recto, 1478-1518 (pen & ink)

MEV5045600: Codex Atlanticus, sheet 209 recto, 1478-1518 (pen & ink), Vinci, Leonardo da (1452-1519) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

The drapery of St Anne's legs, c.1517-18 (black chalk, heightened with white, on dark grey prepared paper)
The drapery of St Anne's legs, c.1517-18 (black chalk, heightened with white, on dark grey prepared paper)

ROC5846281: The drapery of St Anne's legs, c.1517-18 (black chalk, heightened with white, on dark grey prepared paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Recto: Sketches of the street plan of Imola, 1502 (pen & ink on paper)
Recto: Sketches of the street plan of Imola, 1502 (pen & ink on paper)

ROC5846284: Recto: Sketches of the street plan of Imola, 1502 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

Designs for a centrally planned church, fol. 3v from Codex Ashburnham I and II (formerly part of Manuscript B (2184)), c.1492 (pen & ink on paper)
Designs for a centrally planned church, fol. 3v from Codex Ashburnham I and II (formerly part of Manuscript B (2184)), c.1492 (pen & ink on paper)

BIF210450: Designs for a centrally planned church, fol. 3v from Codex Ashburnham I and II (formerly part of Manuscript B (2184)), c.1492 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Bibliotheque de l'Institut de France, Paris, France / Bridgeman Images

Study for a Madonna with a Cat, c.1478-80 (pen & ink over stylus underdrawing on paper)
Study for a Madonna with a Cat, c.1478-80 (pen & ink over stylus underdrawing on paper)

XJF311688: Study for a Madonna with a Cat, c.1478-80 (pen & ink over stylus underdrawing on paper), Vinci, Leonardo da (1452-1519) / British Museum, London, UK / Bridgeman Images

Compositional Sketches for the Virgin Adoring the Christ Child, 1480-85 (silverpoint)
Compositional Sketches for the Virgin Adoring the Christ Child, 1480-85 (silverpoint)

XOS3432874: Compositional Sketches for the Virgin Adoring the Christ Child, 1480-85 (silverpoint), Vinci, Leonardo da (1452-1519) / Metropolitan Museum of Art, New York, USA / Bridgeman Images

Design for a Church Facade, c.1495-97 (sepia ink on linen paper)
Design for a Church Facade, c.1495-97 (sepia ink on linen paper)

CPH256971: Design for a Church Facade, c.1495-97 (sepia ink on linen paper), Vinci, Leonardo da (1452-1519) / Gallerie dell'Accademia, Venice, Italy / Bridgeman Images

The Annunciation (detail of the angel), c.1472-75 (oil on wood)
The Annunciation (detail of the angel), c.1472-75 (oil on wood)

XIR897968: The Annunciation (detail of the angel), c.1472-75 (oil on wood), Vinci, Leonardo da (1452-1519) / Gallerie degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images

Bust of a man in profile with proportions, study of a horse and riders, c. 1503-04 (pencil & ink on paper)
Bust of a man in profile with proportions, study of a horse and riders, c. 1503-04 (pencil & ink on paper)

FAF3565993: Bust of a man in profile with proportions, study of a horse and riders, c. 1503-04 (pencil & ink on paper), Vinci, Leonardo da (1452-1519) / Gallerie dell'Accademia, Venice, Italy / Bridgeman Images

A description of a deluge, with marginal sketches, c.1517-18 (pen & ink)
A description of a deluge, with marginal sketches, c.1517-18 (pen & ink)

ROC3956002: A description of a deluge, with marginal sketches, c.1517-18 (pen & ink), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images


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