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Studies of Figues and Decorations, c.1480-82 (pen & ink and metal point)
Studies of Figues and Decorations, c.1480-82 (pen & ink and metal point)

XIR161935: Studies of Figues and Decorations, c.1480-82 (pen & ink and metal point), Vinci, Leonardo da (1452-1519) / Musee Bonnat, Bayonne, France / Bridgeman Images

ID: XIR161935

Studies of Figues and Decorations, c.1480-82 (pen & ink and metal point)

Vinci, Leonardo da (1452-1519)

Storm over a hilly landscape, c.1517-18 (pen & ink over chalk on paper)
Storm over a hilly landscape, c.1517-18 (pen & ink over chalk on paper)

ROC427434: Storm over a hilly landscape, c.1517-18 (pen & ink over chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC427434

Storm over a hilly landscape, c.1517-18 (pen & ink over chalk on paper)

Vinci, Leonardo da (1452-1519)

The head and shoulders of a woman, almost in profile, c.1485 (metalpoint on pale blue paper)
The head and shoulders of a woman, almost in profile, c.1485 (metalpoint on pale blue paper)

ROC441163: The head and shoulders of a woman, almost in profile, c.1485 (metalpoint on pale blue paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC441163

The head and shoulders of a woman, almost in profile, c.1485 (metalpoint on pale blue paper)

Vinci, Leonardo da (1452-1519)

The surface anatomy of the shoulder and arm, c.1510 (pen & ink with black chalk on paper)
The surface anatomy of the shoulder and arm, c.1510 (pen & ink with black chalk on paper)

ROC399271: The surface anatomy of the shoulder and arm, c.1510 (pen & ink with black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC399271

The surface anatomy of the shoulder and arm, c.1510 (pen & ink with black chalk on paper)

Vinci, Leonardo da (1452-1519)

A rocky outcrop, c.1510-15 (black chalk)
A rocky outcrop, c.1510-15 (black chalk)

ROC3956000: A rocky outcrop, c.1510-15 (black chalk), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC3956000

A rocky outcrop, c.1510-15 (black chalk)

Vinci, Leonardo da (1452-1519)

Sketch of a church similar to St. Sepolcro in Milan, fol. 4r from Codex Ashburnham I and II (formerly part of Ms B (2184) and Ms A), c.1492 (pen & ink on paper)
Sketch of a church similar to St. Sepolcro in Milan, fol. 4r from Codex Ashburnham I and II (formerly part of Ms B (2184) and Ms A), c.1492 (pen & ink on paper)

BIF161993: Sketch of a church similar to St. Sepolcro in Milan, fol. 4r from Codex Ashburnham I and II (formerly part of Ms B (2184) and Ms A), c.1492 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Bibliotheque de l'Institut de France, Paris, France / Bridgeman Images

ID: BIF161993

Sketch of a church similar to St. Sepolcro in Milan, fol. 4r from Codex Ashburnham I and II (formerly part of Ms B (2184) and Ms A), c.1492 (pen & ink on paper)

Vinci, Leonardo da (1452-1519)

Head of an Old Man and Sketches of a Mechanical Device, 1490 - 1499 (pen and fine brush with sepia, color ink, watercolor)
Head of an Old Man and Sketches of a Mechanical Device, 1490 - 1499 (pen and fine brush with sepia, color ink, watercolor)

MEB857407: Head of an Old Man and Sketches of a Mechanical Device, 1490 - 1499 (pen and fine brush with sepia, color ink, watercolor), Vinci, Leonardo da (1452-1519) / Gallerie dell'Accademia, Venice, Italy / Bridgeman Images

ID: MEB857407

Head of an Old Man and Sketches of a Mechanical Device, 1490 - 1499 (pen and fine brush with sepia, color ink, watercolor)

Vinci, Leonardo da (1452-1519)

Two Heads (pen and ink on paper)
Two Heads (pen and ink on paper)

XIR154607: Two Heads (pen and ink on paper), Vinci, Leonardo da (1452-1519) / Louvre, Paris, France / Bridgeman Images

ID: XIR154607

Two Heads (pen and ink on paper)

Vinci, Leonardo da (1452-1519)

Two profiles of men, an old man and a young man. The young man represents Gian Giacomo Caprotti known as Andrea Salai or Salaij (around 1480-1524), Leonardo's student and lover. Chalk drawing by Leonardo da Vinci (Leonardo da Vinci) (1452-1519) Florence, Galleria degli Uffizi (Offices)
Two profiles of men, an old man and a young man. The young man represents Gian Giacomo Caprotti known as Andrea Salai or Salaij (around 1480-1524), Leonardo's student and lover. Chalk drawing by Leonardo da Vinci (Leonardo da Vinci) (1452-1519) Florence, Galleria degli Uffizi (Offices)

GIM5037941: Two profiles of men, an old man and a young man. The young man represents Gian Giacomo Caprotti known as Andrea Salai or Salaij (around 1480-1524), Leonardo's student and lover. Chalk drawing by Leonardo da Vinci (Leonardo da Vinci) (1452-1519) Florence, Galleria degli Uffizi (Offices), Vinci, Leonardo da (1452-1519) / Gallerie degli Uffizi, Florence, Tuscany, Italy / Bridgeman Images

ID: GIM5037941

Two profiles of men, an old man and a young man. The young man represents Gian Giacomo Caprotti known as Andrea Salai or Salaij (around 1480-1524), Leonardo's student and lover. Chalk drawing by Leonardo da Vinci (Leonardo da Vinci) (1452-1519) Florence, Galleria degli Uffizi (Offices)

Vinci, Leonardo da (1452-1519)

War machine: Catapult study by Leonard de Vinci (Leonardo da Vinci) (1452 - 1519).
War machine: Catapult study by Leonard de Vinci (Leonardo da Vinci) (1452 - 1519).

GIA4794210: War machine: Catapult study by Leonard de Vinci (Leonardo da Vinci) (1452 - 1519)., Vinci, Leonardo da (1452-1519) / Museo Nazionale della Scienza e della Tecnologia 'Leonardo Da Vinci', Milan, Italy / Bridgeman Images

ID: GIA4794210

War machine: Catapult study by Leonard de Vinci (Leonardo da Vinci) (1452 - 1519).

Vinci, Leonardo da (1452-1519)

A horse divided by lines, c.1490 (metalpoint on pale blue prepared paper)
A horse divided by lines, c.1490 (metalpoint on pale blue prepared paper)

ROC3703891: A horse divided by lines, c.1490 (metalpoint on pale blue prepared paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC3703891

A horse divided by lines, c.1490 (metalpoint on pale blue prepared paper)

Vinci, Leonardo da (1452-1519)

Head of a snarling lion and notes, c.1500-02 (pen & ink on paper)
Head of a snarling lion and notes, c.1500-02 (pen & ink on paper)

ROC427444: Head of a snarling lion and notes, c.1500-02 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC427444

Head of a snarling lion and notes, c.1500-02 (pen & ink on paper)

Vinci, Leonardo da (1452-1519)

Studies of gun-barrels and mortars, c.1485-90 (pen & ink on paper)
Studies of gun-barrels and mortars, c.1485-90 (pen & ink on paper)

ROC427446: Studies of gun-barrels and mortars, c.1485-90 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC427446

Studies of gun-barrels and mortars, c.1485-90 (pen & ink on paper)

Vinci, Leonardo da (1452-1519)

A seated youth, and a child with a lamb, c.1506 (black chalk on paper)
A seated youth, and a child with a lamb, c.1506 (black chalk on paper)

ROC443713: A seated youth, and a child with a lamb, c.1506 (black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC443713

A seated youth, and a child with a lamb, c.1506 (black chalk on paper)

Vinci, Leonardo da (1452-1519)

The Bust of a man, c.1505-10 (red & black chalks on paper)
The Bust of a man, c.1505-10 (red & black chalks on paper)

ROC443757: The Bust of a man, c.1505-10 (red & black chalks on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC443757

The Bust of a man, c.1505-10 (red & black chalks on paper)

Vinci, Leonardo da (1452-1519)

Recto: A study of two figures, c.1492 (chalk on paper)
Recto: A study of two figures, c.1492 (chalk on paper)

ROC5617353: Recto: A study of two figures, c.1492 (chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC5617353

Recto: A study of two figures, c.1492 (chalk on paper)

Vinci, Leonardo da (1452-1519)

The right ventricle and tricuspid valve, c.1512-13 (pen & ink on blue paper)
The right ventricle and tricuspid valve, c.1512-13 (pen & ink on blue paper)

ROC5674272: The right ventricle and tricuspid valve, c.1512-13 (pen & ink on blue paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC5674272

The right ventricle and tricuspid valve, c.1512-13 (pen & ink on blue paper)

Vinci, Leonardo da (1452-1519)

A design for an equestrian monument, c.1485-88 (metalpoint on blue-grey prepared paper)
A design for an equestrian monument, c.1485-88 (metalpoint on blue-grey prepared paper)

ROC5674274: A design for an equestrian monument, c.1485-88 (metalpoint on blue-grey prepared paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC5674274

A design for an equestrian monument, c.1485-88 (metalpoint on blue-grey prepared paper)

Vinci, Leonardo da (1452-1519)

Codex Atlanticus, sheet 1 recto, 1478-1518 (pen & ink)
Codex Atlanticus, sheet 1 recto, 1478-1518 (pen & ink)

MEV5045167: Codex Atlanticus, sheet 1 recto, 1478-1518 (pen & ink), Vinci, Leonardo da (1452-1519) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

ID: MEV5045167

Codex Atlanticus, sheet 1 recto, 1478-1518 (pen & ink)

Vinci, Leonardo da (1452-1519)

Recto: The vessels of the pelvic region, c.1508 (pen and ink over black chalk on paper)
Recto: The vessels of the pelvic region, c.1508 (pen and ink over black chalk on paper)

ROC5892742: Recto: The vessels of the pelvic region, c.1508 (pen and ink over black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC5892742

Recto: The vessels of the pelvic region, c.1508 (pen and ink over black chalk on paper)

Vinci, Leonardo da (1452-1519)

Figural Study for the Adoration of the Magi (Joseph and Two Shepherds and Sketches for the Christ Child), c.1481 (pen & ink on paper)
Figural Study for the Adoration of the Magi (Joseph and Two Shepherds and Sketches for the Christ Child), c.1481 (pen & ink on paper)

XKH179071: Figural Study for the Adoration of the Magi (Joseph and Two Shepherds and Sketches for the Christ Child), c.1481 (pen & ink on paper), Vinci, Leonardo da (1452-1519) / Hamburger Kunsthalle, Hamburg, Germany / Bridgeman Images

ID: XKH179071

Figural Study for the Adoration of the Magi (Joseph and Two Shepherds and Sketches for the Christ Child), c.1481 (pen & ink on paper)

Vinci, Leonardo da (1452-1519)

Verso: The proportions of foot in relation to the face, c.1490 (pen & ink on paper) (verso of 3823042)
Verso: The proportions of foot in relation to the face, c.1490 (pen & ink on paper) (verso of 3823042)

ROC3823043: Verso: The proportions of foot in relation to the face, c.1490 (pen & ink on paper) (verso of 3823042), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC3823043

Verso: The proportions of foot in relation to the face, c.1490 (pen & ink on paper) (verso of 3823042)

Vinci, Leonardo da (1452-1519)

Studies of flowing water, with notes, c.1510-13 (pen & ink over red chalk on paper)
Studies of flowing water, with notes, c.1510-13 (pen & ink over red chalk on paper)

ROC412171: Studies of flowing water, with notes, c.1510-13 (pen & ink over red chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC412171

Studies of flowing water, with notes, c.1510-13 (pen & ink over red chalk on paper)

Vinci, Leonardo da (1452-1519)

A caricature of a lawyer or an academic, c.1495 (chalk on paper)
A caricature of a lawyer or an academic, c.1495 (chalk on paper)

ROC5669156: A caricature of a lawyer or an academic, c.1495 (chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC5669156

A caricature of a lawyer or an academic, c.1495 (chalk on paper)

Vinci, Leonardo da (1452-1519)

Two fires set by the Swiss army outside Milan, with notes; and a
Two fires set by the Swiss army outside Milan, with notes; and a

ROC5617357: Two fires set by the Swiss army outside Milan, with notes; and a, Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC5617357

Two fires set by the Swiss army outside Milan, with notes; and a

Vinci, Leonardo da (1452-1519)

Study for the Virgin and Child, c.1478-1480 (ink and pencil on paper)
Study for the Virgin and Child, c.1478-1480 (ink and pencil on paper)

XCF282031: Study for the Virgin and Child, c.1478-1480 (ink and pencil on paper), Vinci, Leonardo da (1452-1519) / British Museum, London, UK / Bridgeman Images

ID: XCF282031

Study for the Virgin and Child, c.1478-1480 (ink and pencil on paper)

Vinci, Leonardo da (1452-1519)

Study of Horsemen in Combat, 1503-4 (pen and ink on paper)
Study of Horsemen in Combat, 1503-4 (pen and ink on paper)

XJF311218: Study of Horsemen in Combat, 1503-4 (pen and ink on paper), Vinci, Leonardo da (1452-1519) / British Museum, London, UK / Bridgeman Images

ID: XJF311218

Study of Horsemen in Combat, 1503-4 (pen and ink on paper)

Vinci, Leonardo da (1452-1519)

Stella octangula, from 'De Divina Proportione' by Luca Pacioli, published 1509, Venice (engraving) (b/w photo)
Stella octangula, from 'De Divina Proportione' by Luca Pacioli, published 1509, Venice (engraving) (b/w photo)

XIR217645: Stella octangula, from 'De Divina Proportione' by Luca Pacioli, published 1509, Venice (engraving) (b/w photo), Vinci, Leonardo da (1452-1519) / Bibliotheque Nationale, Paris, France / Bridgeman Images

ID: XIR217645

Stella octangula, from 'De Divina Proportione' by Luca Pacioli, published 1509, Venice (engraving) (b/w photo)

Vinci, Leonardo da (1452-1519)

Scientific diagrams, from the 'Codex Leicester', 1508-12 (sepia ink on linen paper) (detail of 240120)
Scientific diagrams, from the 'Codex Leicester', 1508-12 (sepia ink on linen paper) (detail of 240120)

XBP340121: Scientific diagrams, from the 'Codex Leicester', 1508-12 (sepia ink on linen paper) (detail of 240120), Vinci, Leonardo da (1452-1519) / Private Collection / Bridgeman Images

ID: XBP340121

Scientific diagrams, from the 'Codex Leicester', 1508-12 (sepia ink on linen paper) (detail of 240120)

Vinci, Leonardo da (1452-1519)

Refectory of Santa Maria delle Grazie, Milan. On the back wall The Last Supper, by Leonardo da Vinci, 15th Century, tempera and oil on two layers of plaster
Refectory of Santa Maria delle Grazie, Milan. On the back wall The Last Supper, by Leonardo da Vinci, 15th Century, tempera and oil on two layers of plaster

MEB848318: Refectory of Santa Maria delle Grazie, Milan. On the back wall The Last Supper, by Leonardo da Vinci, 15th Century, tempera and oil on two layers of plaster, Vinci, Leonardo da (1452-1519) / Museo del Cenacolo Vinciano, Santa Maria delle Grazie (Museum of the Last Supper), Milan, Italy / Bridgeman Images

ID: MEB848318

Refectory of Santa Maria delle Grazie, Milan. On the back wall The Last Supper, by Leonardo da Vinci, 15th Century, tempera and oil on two layers of plaster

Vinci, Leonardo da (1452-1519)

The Madonna of the Yarnwinder, c.1499 (X-ray)
The Madonna of the Yarnwinder, c.1499 (X-ray)

BLH7078872: The Madonna of the Yarnwinder, c.1499 (X-ray), Vinci, Leonardo da (1452-1519) / National Galleries of Scotland, Edinburgh / Bridgeman Images

ID: BLH7078872

The Madonna of the Yarnwinder, c.1499 (X-ray)

Vinci, Leonardo da (1452-1519)

Notes and sketches of botany and geometry (miniature)
Notes and sketches of botany and geometry (miniature)

JLJ4583768: Notes and sketches of botany and geometry (miniature), Vinci, Leonardo da (1452-1519) / Bibliotheque de l'Institut de France, Paris, France / Bridgeman Images

ID: JLJ4583768

Notes and sketches of botany and geometry (miniature)

Vinci, Leonardo da (1452-1519)

Three diagrams of the head showing the eyes and brain, c.1508 (pen & ink over chalk on paper)
Three diagrams of the head showing the eyes and brain, c.1508 (pen & ink over chalk on paper)

ROC443711: Three diagrams of the head showing the eyes and brain, c.1508 (pen & ink over chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC443711

Three diagrams of the head showing the eyes and brain, c.1508 (pen & ink over chalk on paper)

Vinci, Leonardo da (1452-1519)

Notes and diagrams on astronomy and geometry, and the head of a horse, c.1503 (pen & ink with black chalk on paper)
Notes and diagrams on astronomy and geometry, and the head of a horse, c.1503 (pen & ink with black chalk on paper)

ROC405160: Notes and diagrams on astronomy and geometry, and the head of a horse, c.1503 (pen & ink with black chalk on paper), Vinci, Leonardo da (1452-1519) / Royal Collection Trust / Bridgeman Images

ID: ROC405160

Notes and diagrams on astronomy and geometry, and the head of a horse, c.1503 (pen & ink with black chalk on paper)

Vinci, Leonardo da (1452-1519)

Codex Atlanticus, sheet 984 recto, 1478-1518 (pen & ink)
Codex Atlanticus, sheet 984 recto, 1478-1518 (pen & ink)

MEV5047160: Codex Atlanticus, sheet 984 recto, 1478-1518 (pen & ink), Vinci, Leonardo da (1452-1519) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

ID: MEV5047160

Codex Atlanticus, sheet 984 recto, 1478-1518 (pen & ink)

Vinci, Leonardo da (1452-1519)

Codex Atlanticus, sheet 1083 verso, 1478-1518 (pen & ink)
Codex Atlanticus, sheet 1083 verso, 1478-1518 (pen & ink)

MEV5047360: Codex Atlanticus, sheet 1083 verso, 1478-1518 (pen & ink), Vinci, Leonardo da (1452-1519) / Veneranda Biblioteca Ambrosiana, Milan, Italy / Bridgeman Images

ID: MEV5047360

Codex Atlanticus, sheet 1083 verso, 1478-1518 (pen & ink)

Vinci, Leonardo da (1452-1519)


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