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An Indian Mondurucu (or Mundurucu), tribe of the state of Para, in the region of the river Tapajos, (in the Amazon, Brazil), tattooed with geometric figures from the neck to the belt. Engraving to illustrate the voyage to Brazil, recital by M. and Mme Agassiz, in 1865-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
An Indian Mondurucu (or Mundurucu), tribe of the state of Para, in the region of the river Tapajos, (in the Amazon, Brazil), tattooed with geometric figures from the neck to the belt. Engraving to illustrate the voyage to Brazil, recital by M. and Mme Agassiz, in 1865-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328417: An Indian Mondurucu (or Mundurucu), tribe of the state of Para, in the region of the river Tapajos, (in the Amazon, Brazil), tattooed with geometric figures from the neck to the belt. Engraving to illustrate the voyage to Brazil, recital by M. and Mme Agassiz, in 1865-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328417

An Indian Mondurucu (or Mundurucu), tribe of the state of Para, in the region of the river Tapajos, (in the Amazon, Brazil), tattooed with geometric figures from the neck to the belt. Engraving to illustrate the voyage to Brazil, recital by M. and Mme Agassiz, in 1865-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

Unknown Artist, (19th century)

The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328422: The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

ID: LSE4328422

The thistles of the Channel, at the foot of the mills dear to Don Quixote, with the representation of a yeast, a dog breed very frequent in the region (the figure of the galgo corredor always starving in Don Quixote) and a crowd of beggars children, true speciality of the region, perpetually subjected to dryness. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

Dore, Gustave (1832-83)

Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328426: Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

ID: LSE4328426

Sketch taken on the live: beggars in Valpadenas (Channel). Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

Dore, Gustave (1832-83)

An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328439: An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

ID: LSE4328439

An antique cistern, still in use, in Merida. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

Dore, Gustave (1832-83)

Ball players in Rome (Italy). Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Ball players in Rome (Italy). Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328462: Ball players in Rome (Italy). Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328462

Ball players in Rome (Italy). Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

Unknown Artist, (19th century)

A beggar religious. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
A beggar religious. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328484: A beggar religious. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328484

A beggar religious. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

A fakir, snake charmer. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
A fakir, snake charmer. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328510: A fakir, snake charmer. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328510

A fakir, snake charmer. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

A band of Indian jugglers. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
A band of Indian jugglers. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328515: A band of Indian jugglers. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328515

A band of Indian jugglers. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

Milk merchants, in the streets of Madras (present-day Chennai, Tamil Nadu). Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
Milk merchants, in the streets of Madras (present-day Chennai, Tamil Nadu). Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328518: Milk merchants, in the streets of Madras (present-day Chennai, Tamil Nadu). Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328518

Milk merchants, in the streets of Madras (present-day Chennai, Tamil Nadu). Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

When the cotton is harvested, the women pick the cotton balls that they collect from wicker baskets, then, when they are filled, they pour them at the feet of the men, who beat the cotton with long sticks, in order to unleash it from all the useless dirt. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
When the cotton is harvested, the women pick the cotton balls that they collect from wicker baskets, then, when they are filled, they pour them at the feet of the men, who beat the cotton with long sticks, in order to unleash it from all the useless dirt. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328524: When the cotton is harvested, the women pick the cotton balls that they collect from wicker baskets, then, when they are filled, they pour them at the feet of the men, who beat the cotton with long sticks, in order to unleash it from all the useless dirt. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328524

When the cotton is harvested, the women pick the cotton balls that they collect from wicker baskets, then, when they are filled, they pour them at the feet of the men, who beat the cotton with long sticks, in order to unleash it from all the useless dirt. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

The eagle protecting his nest from the intruder. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
The eagle protecting his nest from the intruder. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328529: The eagle protecting his nest from the intruder. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328529

The eagle protecting his nest from the intruder. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

Job (travel companion of the redactor), attacked by vultures. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
Job (travel companion of the redactor), attacked by vultures. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328530: Job (travel companion of the redactor), attacked by vultures. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328530

Job (travel companion of the redactor), attacked by vultures. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

Chief Yellow Moccassin, of the Crow Indian tribe, living along the Lewis River. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
Chief Yellow Moccassin, of the Crow Indian tribe, living along the Lewis River. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328540: Chief Yellow Moccassin, of the Crow Indian tribe, living along the Lewis River. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328540

Chief Yellow Moccassin, of the Crow Indian tribe, living along the Lewis River. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

A warrior of the Crow Indian tribe (crows), living along the Lewis River, doing his toilet. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
A warrior of the Crow Indian tribe (crows), living along the Lewis River, doing his toilet. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328541: A warrior of the Crow Indian tribe (crows), living along the Lewis River, doing his toilet. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328541

A warrior of the Crow Indian tribe (crows), living along the Lewis River, doing his toilet. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

Inside a Tatar cafe in Schoucha (Transcaucasia, Russia), where men meet to drink tea and smoke shisha. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
Inside a Tatar cafe in Schoucha (Transcaucasia, Russia), where men meet to drink tea and smoke shisha. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328604: Inside a Tatar cafe in Schoucha (Transcaucasia, Russia), where men meet to drink tea and smoke shisha. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328604

Inside a Tatar cafe in Schoucha (Transcaucasia, Russia), where men meet to drink tea and smoke shisha. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

Tatars in prayer, in the Mosque of Schusha (Transcaucasia, Russia). Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
Tatars in prayer, in the Mosque of Schusha (Transcaucasia, Russia). Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328615: Tatars in prayer, in the Mosque of Schusha (Transcaucasia, Russia). Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328615

Tatars in prayer, in the Mosque of Schusha (Transcaucasia, Russia). Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

The doll's feast (or hinamatsuri) is held on March 3, especially for little girls, who take their dolls out of their storage boxes to expose them on an altar and offer them flowers and cakes. These dolls are the source of amulets to protect against diseases and to promote marriages. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
The doll's feast (or hinamatsuri) is held on March 3, especially for little girls, who take their dolls out of their storage boxes to expose them on an altar and offer them flowers and cakes. These dolls are the source of amulets to protect against diseases and to promote marriages. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328633: The doll's feast (or hinamatsuri) is held on March 3, especially for little girls, who take their dolls out of their storage boxes to expose them on an altar and offer them flowers and cakes. These dolls are the source of amulets to protect against diseases and to promote marriages. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328633

The doll's feast (or hinamatsuri) is held on March 3, especially for little girls, who take their dolls out of their storage boxes to expose them on an altar and offer them flowers and cakes. These dolls are the source of amulets to protect against diseases and to promote marriages. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

A fortune teller in the streets of Edo (now Tokyo). Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.
A fortune teller in the streets of Edo (now Tokyo). Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328702: A fortune teller in the streets of Edo (now Tokyo). Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328702

A fortune teller in the streets of Edo (now Tokyo). Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

A merchant of murder complaining, on the streets of Edo (present-day Tokyo), he is in charge of reading the lists of executions and selling the printed sheets of the trial records. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.
A merchant of murder complaining, on the streets of Edo (present-day Tokyo), he is in charge of reading the lists of executions and selling the printed sheets of the trial records. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328705: A merchant of murder complaining, on the streets of Edo (present-day Tokyo), he is in charge of reading the lists of executions and selling the printed sheets of the trial records. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328705

A merchant of murder complaining, on the streets of Edo (present-day Tokyo), he is in charge of reading the lists of executions and selling the printed sheets of the trial records. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

Theatre Saltimbanks: jugglers, equiibrists and acrobats, the ones, are typical of the Edo region (Tokyo), recognizable by their balancing tricks with false nose of manure, the main attribute of the divinite Tengu, patron of these saltibanks. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.
Theatre Saltimbanks: jugglers, equiibrists and acrobats, the ones, are typical of the Edo region (Tokyo), recognizable by their balancing tricks with false nose of manure, the main attribute of the divinite Tengu, patron of these saltibanks. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328723: Theatre Saltimbanks: jugglers, equiibrists and acrobats, the ones, are typical of the Edo region (Tokyo), recognizable by their balancing tricks with false nose of manure, the main attribute of the divinite Tengu, patron of these saltibanks. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328723

Theatre Saltimbanks: jugglers, equiibrists and acrobats, the ones, are typical of the Edo region (Tokyo), recognizable by their balancing tricks with false nose of manure, the main attribute of the divinite Tengu, patron of these saltibanks. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

The butterfly ballet at the Gankiro Theatre, in the Miyozaki Pleasure District in Yokohama. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.
The butterfly ballet at the Gankiro Theatre, in the Miyozaki Pleasure District in Yokohama. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328730: The butterfly ballet at the Gankiro Theatre, in the Miyozaki Pleasure District in Yokohama. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328730

The butterfly ballet at the Gankiro Theatre, in the Miyozaki Pleasure District in Yokohama. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

Les ouvriers Parsi au repos, au marche au coton de Bombay.Engraving à illustration le voyage dans les provinces meridionales de l'India, by Alfred Grandidier, in 1862-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Les ouvriers Parsi au repos, au marche au coton de Bombay.Engraving à illustration le voyage dans les provinces meridionales de l'India, by Alfred Grandidier, in 1862-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4328742: Les ouvriers Parsi au repos, au marche au coton de Bombay.Engraving à illustration le voyage dans les provinces meridionales de l'India, by Alfred Grandidier, in 1862-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328742

Les ouvriers Parsi au repos, au marche au coton de Bombay.Engraving à illustration le voyage dans les provinces meridionales de l'India, by Alfred Grandidier, in 1862-1864, published in “” Le tour du monde””” 1869, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

Unknown Artist, (19th century)

The game of the fox, is practiced accompanied by singing and beats of hands, kind of game of dying, where each player must mimic a figure with his hands, the loser is condemned to drink a cup of alcohol, sometimes when the game is too monotonous, a bowl is laid on a stool, protect by players who have the help of a rope have to catch the fox before he gets the bowl. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.
The game of the fox, is practiced accompanied by singing and beats of hands, kind of game of dying, where each player must mimic a figure with his hands, the loser is condemned to drink a cup of alcohol, sometimes when the game is too monotonous, a bowl is laid on a stool, protect by players who have the help of a rope have to catch the fox before he gets the bowl. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328747: The game of the fox, is practiced accompanied by singing and beats of hands, kind of game of dying, where each player must mimic a figure with his hands, the loser is condemned to drink a cup of alcohol, sometimes when the game is too monotonous, a bowl is laid on a stool, protect by players who have the help of a rope have to catch the fox before he gets the bowl. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328747

The game of the fox, is practiced accompanied by singing and beats of hands, kind of game of dying, where each player must mimic a figure with his hands, the loser is condemned to drink a cup of alcohol, sometimes when the game is too monotonous, a bowl is laid on a stool, protect by players who have the help of a rope have to catch the fox before he gets the bowl. Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” le tour du monde””, under the direction of Edouard Charton, Hachette, Paris 1869.Selva Collection.

Unknown Artist, (19th century)

A Bresilian scientist, Mr.Severo, and his mechanic, Mr.Sache, died in an airborne balloon accident, while trying to solve the problem of aerostats, an explosion followed by a fire destroyed the machine that crashed on Avenue du Maine after a fall of more than 500 metres. Engraving in
A Bresilian scientist, Mr.Severo, and his mechanic, Mr.Sache, died in an airborne balloon accident, while trying to solve the problem of aerostats, an explosion followed by a fire destroyed the machine that crashed on Avenue du Maine after a fall of more than 500 metres. Engraving in

LSE4327544: A Bresilian scientist, Mr.Severo, and his mechanic, Mr.Sache, died in an airborne balloon accident, while trying to solve the problem of aerostats, an explosion followed by a fire destroyed the machine that crashed on Avenue du Maine after a fall of more than 500 metres. Engraving in "Le petit journal" 25/5/1902. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327544

A Bresilian scientist, Mr.Severo, and his mechanic, Mr.Sache, died in an airborne balloon accident, while trying to solve the problem of aerostats, an explosion followed by a fire destroyed the machine that crashed on Avenue du Maine after a fall of more than 500 metres. Engraving in "Le petit journal" 25/5/1902. Selva Collection.

Unknown Artist, (20th century)

Mozaffer ed dine (Mozaffer-ed-dine, Mozzafar-al-Din, Mozzafar al Din, Mozaffaredin), Shah (or Chah) from Persia, a car enthusiast, attends a race by kilometre at the Bois de Boulogne, accompanied by the president of the Automobile-Club, in the Grandune of Longchamps. Engraving in
Mozaffer ed dine (Mozaffer-ed-dine, Mozzafar-al-Din, Mozzafar al Din, Mozaffaredin), Shah (or Chah) from Persia, a car enthusiast, attends a race by kilometre at the Bois de Boulogne, accompanied by the president of the Automobile-Club, in the Grandune of Longchamps. Engraving in

LSE4327605: Mozaffer ed dine (Mozaffer-ed-dine, Mozzafar-al-Din, Mozzafar al Din, Mozaffaredin), Shah (or Chah) from Persia, a car enthusiast, attends a race by kilometre at the Bois de Boulogne, accompanied by the president of the Automobile-Club, in the Grandune of Longchamps. Engraving in "Le petit journal" 21/9/1902. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327605

Mozaffer ed dine (Mozaffer-ed-dine, Mozzafar-al-Din, Mozzafar al Din, Mozaffaredin), Shah (or Chah) from Persia, a car enthusiast, attends a race by kilometre at the Bois de Boulogne, accompanied by the president of the Automobile-Club, in the Grandune of Longchamps. Engraving in "Le petit journal" 21/9/1902. Selva Collection.

Unknown Artist, (20th century)

The Parisian Flower Walk, on the Quai aux fleurs, with the return of spring, the merchants offer brews of colourful bouquets to the barges. Engraving in
The Parisian Flower Walk, on the Quai aux fleurs, with the return of spring, the merchants offer brews of colourful bouquets to the barges. Engraving in

LSE4327667: The Parisian Flower Walk, on the Quai aux fleurs, with the return of spring, the merchants offer brews of colourful bouquets to the barges. Engraving in "Le petit journal" 29/3/1903. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327667

The Parisian Flower Walk, on the Quai aux fleurs, with the return of spring, the merchants offer brews of colourful bouquets to the barges. Engraving in "Le petit journal" 29/3/1903. Selva Collection.

Unknown Artist, (20th century)

A fantasy of Algerian horsemen, a true tribute in bright outfits, in screams and dust, to welcome Emile Loubet (1838-1929), president of the republic on an official voyage to the colonies. Engraving in
A fantasy of Algerian horsemen, a true tribute in bright outfits, in screams and dust, to welcome Emile Loubet (1838-1929), president of the republic on an official voyage to the colonies. Engraving in

LSE4327703: A fantasy of Algerian horsemen, a true tribute in bright outfits, in screams and dust, to welcome Emile Loubet (1838-1929), president of the republic on an official voyage to the colonies. Engraving in "Le petit journal" 3/5/1903. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

ID: LSE4327703

A fantasy of Algerian horsemen, a true tribute in bright outfits, in screams and dust, to welcome Emile Loubet (1838-1929), president of the republic on an official voyage to the colonies. Engraving in "Le petit journal" 3/5/1903. Selva Collection.

Unknown Artist, (20th century)

Old Bambara, chief of tribe in Yamina (Niger) smoking the pipe and wearing the traditional chief cover of his tribe. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Old Bambara, chief of tribe in Yamina (Niger) smoking the pipe and wearing the traditional chief cover of his tribe. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328056: Old Bambara, chief of tribe in Yamina (Niger) smoking the pipe and wearing the traditional chief cover of his tribe. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328056

Old Bambara, chief of tribe in Yamina (Niger) smoking the pipe and wearing the traditional chief cover of his tribe. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

Unknown Artist, (19th century)

Talibe (a young student studying the Qur'an) from the army of King Ahmadu (Toucouleur), in a war suit. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Talibe (a young student studying the Qur'an) from the army of King Ahmadu (Toucouleur), in a war suit. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328062: Talibe (a young student studying the Qur'an) from the army of King Ahmadu (Toucouleur), in a war suit. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328062

Talibe (a young student studying the Qur'an) from the army of King Ahmadu (Toucouleur), in a war suit. Engraving to illustrate the voyage to Western Sudan of Lieutenant (Navy) M.Mage, in 1863-1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

Unknown Artist, (19th century)

A Greenland kayak, passing the wave barrier. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.
A Greenland kayak, passing the wave barrier. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.

LSE4328102: A Greenland kayak, passing the wave barrier. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328102

A Greenland kayak, passing the wave barrier. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.

Unknown Artist, (19th century)

Hans, a hunter who had accompanied Doctors Hayes and Kane on an earlier Arctic expedition, before abandoning them to settle in an Eskimau village, signals Hayes's ship in the hope of being repatriated in 1860. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.
Hans, a hunter who had accompanied Doctors Hayes and Kane on an earlier Arctic expedition, before abandoning them to settle in an Eskimau village, signals Hayes's ship in the hope of being repatriated in 1860. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.

LSE4328107: Hans, a hunter who had accompanied Doctors Hayes and Kane on an earlier Arctic expedition, before abandoning them to settle in an Eskimau village, signals Hayes's ship in the hope of being repatriated in 1860. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328107

Hans, a hunter who had accompanied Doctors Hayes and Kane on an earlier Arctic expedition, before abandoning them to settle in an Eskimau village, signals Hayes's ship in the hope of being repatriated in 1860. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.

Unknown Artist, (19th century)

Fight with a polar bear protecting her baby, the pack of dogs assaults her and the hunters, rifle weapons, wait for the right time to shoot her. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.
Fight with a polar bear protecting her baby, the pack of dogs assaults her and the hunters, rifle weapons, wait for the right time to shoot her. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.

LSE4328112: Fight with a polar bear protecting her baby, the pack of dogs assaults her and the hunters, rifle weapons, wait for the right time to shoot her. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328112

Fight with a polar bear protecting her baby, the pack of dogs assaults her and the hunters, rifle weapons, wait for the right time to shoot her. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.

Unknown Artist, (19th century)

Dr. Hayes, arrives at the free sea of the Arctic pole, the purpose of his expedition, plants the American star banner. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.
Dr. Hayes, arrives at the free sea of the Arctic pole, the purpose of his expedition, plants the American star banner. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.

LSE4328138: Dr. Hayes, arrives at the free sea of the Arctic pole, the purpose of his expedition, plants the American star banner. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328138

Dr. Hayes, arrives at the free sea of the Arctic pole, the purpose of his expedition, plants the American star banner. Engraving to illustrate the voyage to the free sea of the Arctic pole, by Doctor Hayes, surgeon of the United States Navy, in 1860-1862, published in “Le tour du monde, nouveau journal des voyages”, edited by Edouard Charton, 1868, Paris. Selva Collection.

Unknown Artist, (19th century)

Bohemian camp. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection.
Bohemian camp. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection.

LSE4328149: Bohemian camp. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328149

Bohemian camp. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection.

Unknown Artist, (19th century)

Colorado Indians attacking transcontinental diligence in the desert in July 1867. Engravure pour illustration le voyage au far west americain, by M. L. Simonin, in 1867, published in “Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection.
Colorado Indians attacking transcontinental diligence in the desert in July 1867. Engravure pour illustration le voyage au far west americain, by M. L. Simonin, in 1867, published in “Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection.

LSE4328166: Colorado Indians attacking transcontinental diligence in the desert in July 1867. Engravure pour illustration le voyage au far west americain, by M. L. Simonin, in 1867, published in “Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

ID: LSE4328166

Colorado Indians attacking transcontinental diligence in the desert in July 1867. Engravure pour illustration le voyage au far west americain, by M. L. Simonin, in 1867, published in “Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection.

Unknown Artist, (19th century)

Obstructions of the anterieties, thus immobilized, of valaque pigs, in Romania. Engraving to illustrate the voyage from Paris to Bucharest, by Lancelot, draftsman, in 1860, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Obstructions of the anterieties, thus immobilized, of valaque pigs, in Romania. Engraving to illustrate the voyage from Paris to Bucharest, by Lancelot, draftsman, in 1860, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328189: Obstructions of the anterieties, thus immobilized, of valaque pigs, in Romania. Engraving to illustrate the voyage from Paris to Bucharest, by Lancelot, draftsman, in 1860, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Lancelot, Dieudonne Auguste (1822-94) / Bridgeman Images

ID: LSE4328189

Obstructions of the anterieties, thus immobilized, of valaque pigs, in Romania. Engraving to illustrate the voyage from Paris to Bucharest, by Lancelot, draftsman, in 1860, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

Lancelot, Dieudonne Auguste (1822-94)


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