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View of the terraces of Tougourt (Oued Rir), (Algeria), drawing by A.de Bar, to illustrate Henri Duveyrier's journey to the land of Beni Mezab in 1859. Engraving in “” Le tour du monde”” 1861. Selva's collection.
View of the terraces of Tougourt (Oued Rir), (Algeria), drawing by A.de Bar, to illustrate Henri Duveyrier's journey to the land of Beni Mezab in 1859. Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324587: View of the terraces of Tougourt (Oued Rir), (Algeria), drawing by A.de Bar, to illustrate Henri Duveyrier's journey to the land of Beni Mezab in 1859. Engraving in “” Le tour du monde”” 1861. Selva's collection., Bar, Alexandre de (1821-1901) (after) / Bridgeman Images

The macaroni merchant, drawing by Bergue, to illustrate Naples and the Neapolitans, in 1861, by Marc Monnier (1829-1885). Engraving in “” Le tour du monde”” 1861. Selva's collection.
The macaroni merchant, drawing by Bergue, to illustrate Naples and the Neapolitans, in 1861, by Marc Monnier (1829-1885). Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324609: The macaroni merchant, drawing by Bergue, to illustrate Naples and the Neapolitans, in 1861, by Marc Monnier (1829-1885). Engraving in “” Le tour du monde”” 1861. Selva's collection., Bergue, Tony Francois de (1820-93) / Bridgeman Images

La tarantella, (Tarantella napoletana) drawing by Bergue, to illustrate Naples and the Neapolitans, in 1861, by Marc Monnier (1829-1885). Engraving in “” Le tour du monde”” 1861. Selva's collection.
La tarantella, (Tarantella napoletana) drawing by Bergue, to illustrate Naples and the Neapolitans, in 1861, by Marc Monnier (1829-1885). Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324611: La tarantella, (Tarantella napoletana) drawing by Bergue, to illustrate Naples and the Neapolitans, in 1861, by Marc Monnier (1829-1885). Engraving in “” Le tour du monde”” 1861. Selva's collection., French School, (19th century) / Bridgeman Images

A shop at Para, illustration for Mr.Biard's trip to Brazil in 1858-1859. Engraving in “” Le tour du monde”” 1861. Selva's collection.
A shop at Para, illustration for Mr.Biard's trip to Brazil in 1858-1859. Engraving in “” Le tour du monde”” 1861. Selva's collection.

LSE4324635: A shop at Para, illustration for Mr.Biard's trip to Brazil in 1858-1859. Engraving in “” Le tour du monde”” 1861. Selva's collection., French School, (19th century) / Bridgeman Images

The Rezonico Canal, drawing by Karl Girardet (1813-1871), to illustrate Adalbert de Beaumont's journey to Venice, circa 1850. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.
The Rezonico Canal, drawing by Karl Girardet (1813-1871), to illustrate Adalbert de Beaumont's journey to Venice, circa 1850. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

LSE4324806: The Rezonico Canal, drawing by Karl Girardet (1813-1871), to illustrate Adalbert de Beaumont's journey to Venice, circa 1850. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection., Girardet, Karl (1813-71) / Bridgeman Images

A funeral in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.
A funeral in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection.

LSE4324910: A funeral in Barcelona, drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain, with C. Davillier, in 1862. Engraving in “” Le tour du monde “”, edited by Edouard Charton, 1862. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

Panorama of the city of the great dirty lake, quoting the Saints (Utah), drawing by Ferogio, to illustrate Richard Burton's journey to the city of Saints, capital of the land of Mormons, in 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.
Panorama of the city of the great dirty lake, quoting the Saints (Utah), drawing by Ferogio, to illustrate Richard Burton's journey to the city of Saints, capital of the land of Mormons, in 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection.

LSE4324939: Panorama of the city of the great dirty lake, quoting the Saints (Utah), drawing by Ferogio, to illustrate Richard Burton's journey to the city of Saints, capital of the land of Mormons, in 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1862. Selva's collection., Ferogio, Francois Fortune Antoine (1805-88) (after) / Bridgeman Images

The camp creole, at Port Louis, drawing by Karl Girardet (1813-1871), to illustrate Alfred Verney's stay in Mauritius in 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
The camp creole, at Port Louis, drawing by Karl Girardet (1813-1871), to illustrate Alfred Verney's stay in Mauritius in 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4324986: The camp creole, at Port Louis, drawing by Karl Girardet (1813-1871), to illustrate Alfred Verney's stay in Mauritius in 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Girardet, Karl (1813-71) / Bridgeman Images

A wooden bridge over the Danube, between Passau and Vienna, drawing by Lancelot, to illustrate Victor Duruy's journey from Paris to Bucharest in 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
A wooden bridge over the Danube, between Passau and Vienna, drawing by Lancelot, to illustrate Victor Duruy's journey from Paris to Bucharest in 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325002: A wooden bridge over the Danube, between Passau and Vienna, drawing by Lancelot, to illustrate Victor Duruy's journey from Paris to Bucharest in 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Lancelot, Dieudonne Auguste (1822-94) / Bridgeman Images

General view of Cusco or Cusco, former capital of the Incas, drawing of Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
General view of Cusco or Cusco, former capital of the Incas, drawing of Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325019: General view of Cusco or Cusco, former capital of the Incas, drawing of Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

Cod fishing on the Grand Bank of Newfoundland, the boats follow the lines, drawing by Lebreton, to illustrate the voyage to Newfoundland in 1860 by A. de Gobineau. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
Cod fishing on the Grand Bank of Newfoundland, the boats follow the lines, drawing by Lebreton, to illustrate the voyage to Newfoundland in 1860 by A. de Gobineau. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325047: Cod fishing on the Grand Bank of Newfoundland, the boats follow the lines, drawing by Lebreton, to illustrate the voyage to Newfoundland in 1860 by A. de Gobineau. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Lebreton, Louis (1818-66) / Bridgeman Images

Hacienda by Tian Tian, Peru and cocoa plantation, drawing by Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
Hacienda by Tian Tian, Peru and cocoa plantation, drawing by Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325089: Hacienda by Tian Tian, Peru and cocoa plantation, drawing by Riou, to illustrate Paul Marcoy's journey through South America from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

A self-portrait of Alfred Couverchel (1824-1867), a former pupil of Horace Vernet, he was a successful romantic Orientalist painter, who made numerous trips to the Algerian Sahara under Commander V.Colomieu in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
A self-portrait of Alfred Couverchel (1824-1867), a former pupil of Horace Vernet, he was a successful romantic Orientalist painter, who made numerous trips to the Algerian Sahara under Commander V.Colomieu in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325106: A self-portrait of Alfred Couverchel (1824-1867), a former pupil of Horace Vernet, he was a successful romantic Orientalist painter, who made numerous trips to the Algerian Sahara under Commander V.Colomieu in 1862. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Couverchel, Alfred (1824-1867) / Bridgeman Images

Siamese dramatic artists, drawing by E.Bocour, to illustrate Henri Mouhot's journey into the kingdoms of Siam, Cambodia and Laos from 1858 to 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.
Siamese dramatic artists, drawing by E.Bocour, to illustrate Henri Mouhot's journey into the kingdoms of Siam, Cambodia and Laos from 1858 to 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection.

LSE4325124: Siamese dramatic artists, drawing by E.Bocour, to illustrate Henri Mouhot's journey into the kingdoms of Siam, Cambodia and Laos from 1858 to 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1863. Selva's collection., Bocourt, Etienne Gabriel (1821-1913) / Bridgeman Images

The manufacture of turtle egg oil, the eggs, collected in a canoe that serves as a press, are burned with 5-pointed arrows, then their oily yellow is picked up in jars, then boiled and dirty, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The manufacture of turtle egg oil, the eggs, collected in a canoe that serves as a press, are burned with 5-pointed arrows, then their oily yellow is picked up in jars, then boiled and dirty, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325157: The manufacture of turtle egg oil, the eggs, collected in a canoe that serves as a press, are burned with 5-pointed arrows, then their oily yellow is picked up in jars, then boiled and dirty, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

A rice guard, near Batavia (present-day Jakarta). Drawing by M. de Molins, to illustrate his journey to Java, 1858 to 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
A rice guard, near Batavia (present-day Jakarta). Drawing by M. de Molins, to illustrate his journey to Java, 1858 to 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325164: A rice guard, near Batavia (present-day Jakarta). Drawing by M. de Molins, to illustrate his journey to Java, 1858 to 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Molins, Auguste de (1810-86) / Bridgeman Images

A bamboo bridge, in the jungle, near Salak Mountain. Drawing by M. de Molins, to illustrate his journey to Java, 1858 to 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
A bamboo bridge, in the jungle, near Salak Mountain. Drawing by M. de Molins, to illustrate his journey to Java, 1858 to 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325174: A bamboo bridge, in the jungle, near Salak Mountain. Drawing by M. de Molins, to illustrate his journey to Java, 1858 to 1861. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Molins, Auguste de (1810-86) / Bridgeman Images

The street of clothing dealers, Kalgan, Mongolia. Drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The street of clothing dealers, Kalgan, Mongolia. Drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325192: The street of clothing dealers, Kalgan, Mongolia. Drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Vaumort, Edouard (d.1886) / Bridgeman Images

The various methods of fishing the rivers in the province of Pet Tche Li (fire fishing, trident fishing, fish fishing, chess fishing and shore fishing) are described. Drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The various methods of fishing the rivers in the province of Pet Tche Li (fire fishing, trident fishing, fish fishing, chess fishing and shore fishing) are described. Drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325199: The various methods of fishing the rivers in the province of Pet Tche Li (fire fishing, trident fishing, fish fishing, chess fishing and shore fishing) are described. Drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Vaumort, Edouard (d.1886) / Bridgeman Images

The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325215: The caves (underground houses) of gypsies, in Sacro Monte, in Granada. Drawing by Gustave Dore (1832-1883), to illustrate his trip to Spain in 1862, accompanied by Ch.Davillier. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Dore, Gustave (1832-83) / Bridgeman Images

The mass of the departure in Echarati (Peru), attended by the converted natives, drawing by Riou, illustrating Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The mass of the departure in Echarati (Peru), attended by the converted natives, drawing by Riou, illustrating Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325230: The mass of the departure in Echarati (Peru), attended by the converted natives, drawing by Riou, illustrating Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

Tobacco auctioners, makeup according to the tradition of the tribe of the Antis (Peru), drawing by Riou, illustrating Paul Marcoy's voyage from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Tobacco auctioners, makeup according to the tradition of the tribe of the Antis (Peru), drawing by Riou, illustrating Paul Marcoy's voyage from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325243: Tobacco auctioners, makeup according to the tradition of the tribe of the Antis (Peru), drawing by Riou, illustrating Paul Marcoy's voyage from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

Religious ceremony in a Chinese lamasserie, drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Religious ceremony in a Chinese lamasserie, drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325326: Religious ceremony in a Chinese lamasserie, drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Vaumort, Edouard (d.1886) / Bridgeman Images

A mobile theatre of Chinese shadows, on a walk by Pekin, drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
A mobile theatre of Chinese shadows, on a walk by Pekin, drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325367: A mobile theatre of Chinese shadows, on a walk by Pekin, drawing by Vaumort (? -1886), to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, French minister to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Vaumort, Edouard (d.1886) / Bridgeman Images

The game of the bilboquet, with a turtle's head, among the Conibos Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
The game of the bilboquet, with a turtle's head, among the Conibos Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325379: The game of the bilboquet, with a turtle's head, among the Conibos Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

Manufacture of pottery by a Conibo Indian from Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.
Manufacture of pottery by a Conibo Indian from Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection.

LSE4325384: Manufacture of pottery by a Conibo Indian from Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P. Marcoy, from the Pacific Ocean to the Atlantic Ocean. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1864. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

The towpath on the banks of the Danube, digs into the rock wall, also called the path of Trajan (53-117, Roman emperor), which made it pierce, for his expedition against the Dacians of the north of the Danube (100-103). Drawing by Lancelot, to illustrate his journey from Paris to Bucharest (Romania), in 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The towpath on the banks of the Danube, digs into the rock wall, also called the path of Trajan (53-117, Roman emperor), which made it pierce, for his expedition against the Dacians of the north of the Danube (100-103). Drawing by Lancelot, to illustrate his journey from Paris to Bucharest (Romania), in 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325410: The towpath on the banks of the Danube, digs into the rock wall, also called the path of Trajan (53-117, Roman emperor), which made it pierce, for his expedition against the Dacians of the north of the Danube (100-103). Drawing by Lancelot, to illustrate his journey from Paris to Bucharest (Romania), in 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Lancelot, Dieudonne Auguste (1822-94) / Bridgeman Images

Paul Marcoy learned to make a carpet with the widows of Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
Paul Marcoy learned to make a carpet with the widows of Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325441: Paul Marcoy learned to make a carpet with the widows of Sarayacu (Peru), drawing by Riou, to illustrate Paul Marcoy's journey from the Pacific Ocean to the Atlantic Ocean from 1848 to 1860. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Riou, Edouard (1833-1900) / Bridgeman Images

The crossing of the Yenissei River (Russia), drawing by Emile Bayard (1837-1891) to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The crossing of the Yenissei River (Russia), drawing by Emile Bayard (1837-1891) to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325455: The crossing of the Yenissei River (Russia), drawing by Emile Bayard (1837-1891) to illustrate the journey from Shanghai to Moscow, from 1859 to 1862, of M. de Bourboulon, Minister of France to China. Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

The caravan of the Hajis (Muslim pelerins) in Korantaghi (Persia, Iran). Drawing by Emile Bayard (1837-1891), to illustrate the journey to Central Asia, in 1863, by Arminius Vambery (Hungarian scientist disguise in dervish). Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.
The caravan of the Hajis (Muslim pelerins) in Korantaghi (Persia, Iran). Drawing by Emile Bayard (1837-1891), to illustrate the journey to Central Asia, in 1863, by Arminius Vambery (Hungarian scientist disguise in dervish). Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection.

LSE4325524: The caravan of the Hajis (Muslim pelerins) in Korantaghi (Persia, Iran). Drawing by Emile Bayard (1837-1891), to illustrate the journey to Central Asia, in 1863, by Arminius Vambery (Hungarian scientist disguise in dervish). Engraving in “” Le tour du monde””, edited by Edouard Charton, 1865. Selva's collection., Unknown Artist, (19th century) / Bridgeman Images

Customers eat sitting on the stage of a restaurant and the neighbour of a butcher present to passers-by, under a big bamboo mesh bell a boar, hanging, its finest pieces of game, such as the squirrel, the hare or the monkey, whose climbing faces become the laughing of the children; the fox lying on the etal is condemned to hold in the mouth the knife that has to detecer him, to punish him for his reputatio de malignite; a Yedo (or Edo, present-day Tokyo),. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Customers eat sitting on the stage of a restaurant and the neighbour of a butcher present to passers-by, under a big bamboo mesh bell a boar, hanging, its finest pieces of game, such as the squirrel, the hare or the monkey, whose climbing faces become the laughing of the children; the fox lying on the etal is condemned to hold in the mouth the knife that has to detecer him, to punish him for his reputatio de malignite; a Yedo (or Edo, present-day Tokyo),. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328280: Customers eat sitting on the stage of a restaurant and the neighbour of a butcher present to passers-by, under a big bamboo mesh bell a boar, hanging, its finest pieces of game, such as the squirrel, the hare or the monkey, whose climbing faces become the laughing of the children; the fox lying on the etal is condemned to hold in the mouth the knife that has to detecer him, to punish him for his reputatio de malignite; a Yedo (or Edo, present-day Tokyo),. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A traveling salesman of painted lantern passes by a florist shop in Yedo (or Edo, present-day Tokyo), where a woman creates a composition of large flowers, while bonsai size is rather a masculine art. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
A traveling salesman of painted lantern passes by a florist shop in Yedo (or Edo, present-day Tokyo), where a woman creates a composition of large flowers, while bonsai size is rather a masculine art. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328287: A traveling salesman of painted lantern passes by a florist shop in Yedo (or Edo, present-day Tokyo), where a woman creates a composition of large flowers, while bonsai size is rather a masculine art. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A young girl from Yedo (or Edo, present-day Tokyo), painting her lips in front of her mirror, has her dimensions the lacquer box containing her necessities: combs, brushes and hairpins, toothpowder, rice powder and other cosmetics. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
A young girl from Yedo (or Edo, present-day Tokyo), painting her lips in front of her mirror, has her dimensions the lacquer box containing her necessities: combs, brushes and hairpins, toothpowder, rice powder and other cosmetics. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328301: A young girl from Yedo (or Edo, present-day Tokyo), painting her lips in front of her mirror, has her dimensions the lacquer box containing her necessities: combs, brushes and hairpins, toothpowder, rice powder and other cosmetics. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Fisherman of Yedo Bay (or Edo, present-day Tokyo), grabbed by an eagle, a low maree, the boats lay the fishermen on blocks of stone laid dry in the bay, the latter remain straight, motionless and fish with the hamecon of the fish that they slide in a long net bag that hangs from their belt until the water, so they keep their Live and fresh prey for walking until rising. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Fisherman of Yedo Bay (or Edo, present-day Tokyo), grabbed by an eagle, a low maree, the boats lay the fishermen on blocks of stone laid dry in the bay, the latter remain straight, motionless and fish with the hamecon of the fish that they slide in a long net bag that hangs from their belt until the water, so they keep their Live and fresh prey for walking until rising. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328340: Fisherman of Yedo Bay (or Edo, present-day Tokyo), grabbed by an eagle, a low maree, the boats lay the fishermen on blocks of stone laid dry in the bay, the latter remain straight, motionless and fish with the hamecon of the fish that they slide in a long net bag that hangs from their belt until the water, so they keep their Live and fresh prey for walking until rising. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

One night in the belly of a whale, the author is welcomed during his journey in a boer, home of fishermen, whose frame and furniture are made from the skeleton of the huge cetacee and from the skins of seals, horses and dogs. Engraving to illustrate the voyage in Iceland, recital by Noel Nougaret, in 1866, published in “Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection.
One night in the belly of a whale, the author is welcomed during his journey in a boer, home of fishermen, whose frame and furniture are made from the skeleton of the huge cetacee and from the skins of seals, horses and dogs. Engraving to illustrate the voyage in Iceland, recital by Noel Nougaret, in 1866, published in “Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection.

LSE4328368: One night in the belly of a whale, the author is welcomed during his journey in a boer, home of fishermen, whose frame and furniture are made from the skeleton of the huge cetacee and from the skins of seals, horses and dogs. Engraving to illustrate the voyage in Iceland, recital by Noel Nougaret, in 1866, published in “Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A bayadere or devadasi, a young girl devoted to a temple of her younger age and considered to be the wife of the deity she serves, in Srinagar (or Shrinagar, capital of the state of Kashmir, India), benefiting from an education, especially the mastery of dance, enjoying an advantageous position and certain privileges, their status evolua of the service of the divinites a servant of the Brahmans and with the degradation of morals, they became prostitutes, before being banned by the English - Engraving to illustrate the journey to Pandjab and Kashmir, recital by Guillaume Lejean, in 1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris - Selva Collection
A bayadere or devadasi, a young girl devoted to a temple of her younger age and considered to be the wife of the deity she serves, in Srinagar (or Shrinagar, capital of the state of Kashmir, India), benefiting from an education, especially the mastery of dance, enjoying an advantageous position and certain privileges, their status evolua of the service of the divinites a servant of the Brahmans and with the degradation of morals, they became prostitutes, before being banned by the English - Engraving to illustrate the journey to Pandjab and Kashmir, recital by Guillaume Lejean, in 1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris - Selva Collection

LSE4328382: A bayadere or devadasi, a young girl devoted to a temple of her younger age and considered to be the wife of the deity she serves, in Srinagar (or Shrinagar, capital of the state of Kashmir, India), benefiting from an education, especially the mastery of dance, enjoying an advantageous position and certain privileges, their status evolua of the service of the divinites a servant of the Brahmans and with the degradation of morals, they became prostitutes, before being banned by the English - Engraving to illustrate the journey to Pandjab and Kashmir, recital by Guillaume Lejean, in 1866, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris - Selva Collection, French School, (19th century) / Bridgeman Images


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