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James I of England (1566-1625) at Court, (engraving) (later colouration)
James I of England (1566-1625) at Court, (engraving) (later colouration)

XCF209204: James I of England (1566-1625) at Court, (engraving) (later colouration), English School, (17th century) / Bridgeman Images

ID: XCF209204

James I of England (1566-1625) at Court, (engraving) (later colouration)

English School, (17th century)

Sunset (oil on canvas)
Sunset (oil on canvas)

OWG199946: Sunset (oil on canvas), Maroniez, Georges Philibert Charles (1865-1933) / Bridgeman Images

ID: OWG199946

Sunset (oil on canvas)

Maroniez, Georges Philibert Charles (1865-1933)

Composition (A) in Red and White, 1936 (oil on canvas)
Composition (A) in Red and White, 1936 (oil on canvas)

PWI200218: Composition (A) in Red and White, 1936 (oil on canvas), Mondrian, Piet (1872-1944) / Bridgeman Images

ID: PWI200218

Composition (A) in Red and White, 1936 (oil on canvas)

Mondrian, Piet (1872-1944)

The Royal Banquet (engraving) (b/w photo)
The Royal Banquet (engraving) (b/w photo)

XIR207727: The Royal Banquet (engraving) (b/w photo), French School, (17th century) / Bridgeman Images

ID: XIR207727

The Royal Banquet (engraving) (b/w photo)

French School, (17th century)

Portrait of Madame Maurice Denis, 1904 (oil on canvas)
Portrait of Madame Maurice Denis, 1904 (oil on canvas)

XIR206472: Portrait of Madame Maurice Denis, 1904 (oil on canvas), Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

ID: XIR206472

Portrait of Madame Maurice Denis, 1904 (oil on canvas)

Renoir, Pierre Auguste (1841-1919)

Prince Rupert's Cavalry Charging at Edgehill in 1642, illustration from Hutchinson's 'The Story of the British Nation' c.1920 (colour litho)
Prince Rupert's Cavalry Charging at Edgehill in 1642, illustration from Hutchinson's 'The Story of the British Nation' c.1920 (colour litho)

IL212310: Prince Rupert's Cavalry Charging at Edgehill in 1642, illustration from Hutchinson's 'The Story of the British Nation' c.1920 (colour litho), Payne, Henry A. (Harry) (1868-1940) / Bridgeman Images

ID: IL212310

Prince Rupert's Cavalry Charging at Edgehill in 1642, illustration from Hutchinson's 'The Story of the British Nation' c.1920 (colour litho)

Payne, Henry A. (Harry) (1868-1940)

The Miner's Strike in Carmaux, from 'Le Petit Journal', 1st October 1892 (coloured engraving)
The Miner's Strike in Carmaux, from 'Le Petit Journal', 1st October 1892 (coloured engraving)

XIR212910: The Miner's Strike in Carmaux, from 'Le Petit Journal', 1st October 1892 (coloured engraving), Roll, Alfred (1846-1919) (after) / Bridgeman Images

ID: XIR212910

The Miner's Strike in Carmaux, from 'Le Petit Journal', 1st October 1892 (coloured engraving)

Roll, Alfred (1846-1919) (after)

Portrait of a woman, 1908 (oil on canvas)
Portrait of a woman, 1908 (oil on canvas)

MFA212162: Portrait of a woman, 1908 (oil on canvas), Kirchner, Ernst Ludwig (1880-1938) / Bridgeman Images

ID: MFA212162

Portrait of a woman, 1908 (oil on canvas)

Kirchner, Ernst Ludwig (1880-1938)

Portrait of Madame Manet (1839-1906), 1866 (oil on canvas)
Portrait of Madame Manet (1839-1906), 1866 (oil on canvas)

MFA197546: Portrait of Madame Manet (1839-1906), 1866 (oil on canvas), Manet, Edouard (1832-83) / Bridgeman Images

ID: MFA197546

Portrait of Madame Manet (1839-1906), 1866 (oil on canvas)

Manet, Edouard (1832-83)

Seated Mother and Child, Igbo, Nigeria (wood)
Seated Mother and Child, Igbo, Nigeria (wood)

MGS223985: Seated Mother and Child, Igbo, Nigeria (wood), African School / Bridgeman Images

ID: MGS223985

Seated Mother and Child, Igbo, Nigeria (wood)

African School

Queen Elizabeth I (1530-1603) Rallying the Troops at Tilbury before the Arrival of the Spanish Armada, 1588, plate 12 from 'Le Costume Ancien et Moderne' by Jules Ferrario, published c.1820s-30s (colour litho)
Queen Elizabeth I (1530-1603) Rallying the Troops at Tilbury before the Arrival of the Spanish Armada, 1588, plate 12 from 'Le Costume Ancien et Moderne' by Jules Ferrario, published c.1820s-30s (colour litho)

STC221893: Queen Elizabeth I (1530-1603) Rallying the Troops at Tilbury before the Arrival of the Spanish Armada, 1588, plate 12 from 'Le Costume Ancien et Moderne' by Jules Ferrario, published c.1820s-30s (colour litho), Bramati (19th century) / Bridgeman Images

ID: STC221893

Queen Elizabeth I (1530-1603) Rallying the Troops at Tilbury before the Arrival of the Spanish Armada, 1588, plate 12 from 'Le Costume Ancien et Moderne' by Jules Ferrario, published c.1820s-30s (colour litho)

Bramati (19th century)

Still life of a roemer and a plate of oysters (oil on panel)
Still life of a roemer and a plate of oysters (oil on panel)

JVH251389: Still life of a roemer and a plate of oysters (oil on panel), Boelema de Stomme, Maerten (1611-64) / Bridgeman Images

ID: JVH251389

Still life of a roemer and a plate of oysters (oil on panel)

Boelema de Stomme, Maerten (1611-64)

A Sleeping Tiger, 1876 (pencil & chalk on paper)
A Sleeping Tiger, 1876 (pencil & chalk on paper)

OJ189148: A Sleeping Tiger, 1876 (pencil & chalk on paper), Huggins, William (1820-84) / Bridgeman Images

ID: OJ189148

A Sleeping Tiger, 1876 (pencil & chalk on paper)

Huggins, William (1820-84)

Eastern Canada, Newfoundland, Nova Scotia and St John Island, from 'Atlas de Toutes les Parties Connues du Globe Terrestre' by Guillaume Raynal (1713-96), published J L Pellet, Geneva, 1780 (coloured engraving)
Eastern Canada, Newfoundland, Nova Scotia and St John Island, from 'Atlas de Toutes les Parties Connues du Globe Terrestre' by Guillaume Raynal (1713-96), published J L Pellet, Geneva, 1780 (coloured engraving)

KWE205896: Eastern Canada, Newfoundland, Nova Scotia and St John Island, from 'Atlas de Toutes les Parties Connues du Globe Terrestre' by Guillaume Raynal (1713-96), published J L Pellet, Geneva, 1780 (coloured engraving), Bonne, Charles Marie Rigobert (1727-95) / Bridgeman Images

ID: KWE205896

Eastern Canada, Newfoundland, Nova Scotia and St John Island, from 'Atlas de Toutes les Parties Connues du Globe Terrestre' by Guillaume Raynal (1713-96), published J L Pellet, Geneva, 1780 (coloured engraving)

Bonne, Charles Marie Rigobert (1727-95)

Letter to Lord Fairfax from Gerrard Winstanley (c.1609-60) on behalf of the Diggers at St. George Hill, Surrey, printed 1649 (engraving)
Letter to Lord Fairfax from Gerrard Winstanley (c.1609-60) on behalf of the Diggers at St. George Hill, Surrey, printed 1649 (engraving)

XJF206134: Letter to Lord Fairfax from Gerrard Winstanley (c.1609-60) on behalf of the Diggers at St. George Hill, Surrey, printed 1649 (engraving), English School, (17th century) / Bridgeman Images

ID: XJF206134

Letter to Lord Fairfax from Gerrard Winstanley (c.1609-60) on behalf of the Diggers at St. George Hill, Surrey, printed 1649 (engraving)

English School, (17th century)

Position of the Planets on the Right Hand, copy of an illustration from 'De Occulta Philosophia' Libri III, by Henricus Cornelius Agrippa, Antwerp 1533, used in a 'History of Magic', published late 19th century (woodcut)
Position of the Planets on the Right Hand, copy of an illustration from 'De Occulta Philosophia' Libri III, by Henricus Cornelius Agrippa, Antwerp 1533, used in a 'History of Magic', published late 19th century (woodcut)

STC202535: Position of the Planets on the Right Hand, copy of an illustration from 'De Occulta Philosophia' Libri III, by Henricus Cornelius Agrippa, Antwerp 1533, used in a 'History of Magic', published late 19th century (woodcut), Flemish School, (16th century) (after) / Bridgeman Images

ID: STC202535

Position of the Planets on the Right Hand, copy of an illustration from 'De Occulta Philosophia' Libri III, by Henricus Cornelius Agrippa, Antwerp 1533, used in a 'History of Magic', published late 19th century (woodcut)

Flemish School, (16th century) (after)

H.M.S. Pique under Sail (oil on board)
H.M.S. Pique under Sail (oil on board)

TSH201041: H.M.S. Pique under Sail (oil on board), Condy, Nicholas Matthews (1816-51) / Bridgeman Images

ID: TSH201041

H.M.S. Pique under Sail (oil on board)

Condy, Nicholas Matthews (1816-51)

Alexander Pope (1688-1744) from 'The Gallery of Portraits', published 1833 (engraving)
Alexander Pope (1688-1744) from 'The Gallery of Portraits', published 1833 (engraving)

KWE200750: Alexander Pope (1688-1744) from 'The Gallery of Portraits', published 1833 (engraving), English School, (19th century) / Bridgeman Images

ID: KWE200750

Alexander Pope (1688-1744) from 'The Gallery of Portraits', published 1833 (engraving)

English School, (19th century)

View from the artist's bedroom, c.1930 (oil on canvas) (for detail see 244507)
View from the artist's bedroom, c.1930 (oil on canvas) (for detail see 244507)

LIS244506: View from the artist's bedroom, c.1930 (oil on canvas) (for detail see 244507), Shakespeare, Percy (1906-43) / Bridgeman Images

ID: LIS244506

View from the artist's bedroom, c.1930 (oil on canvas) (for detail see 244507)

Shakespeare, Percy (1906-43)

A shoe and bootmaker and their tools, from the 'Encyclopedie des Sciences et Metiers' by Denis Diderot (1713-84) published c.1770 (engraving)
A shoe and bootmaker and their tools, from the 'Encyclopedie des Sciences et Metiers' by Denis Diderot (1713-84) published c.1770 (engraving)

STC243967: A shoe and bootmaker and their tools, from the 'Encyclopedie des Sciences et Metiers' by Denis Diderot (1713-84) published c.1770 (engraving), French School, (18th century) / Bridgeman Images

ID: STC243967

A shoe and bootmaker and their tools, from the 'Encyclopedie des Sciences et Metiers' by Denis Diderot (1713-84) published c.1770 (engraving)

French School, (18th century)

The Angel of Splendours, 1894 (oil on canvas)
The Angel of Splendours, 1894 (oil on canvas)

XIR221329: The Angel of Splendours, 1894 (oil on canvas), Delville, Jean (1867-1953) / Bridgeman Images

ID: XIR221329

The Angel of Splendours, 1894 (oil on canvas)

Delville, Jean (1867-1953)

'Gulliver in Lilliput', illustration from 'Gulliver's Travels' by Jonathan Swift (1667-1745) published 1904 (colour litho)
'Gulliver in Lilliput', illustration from 'Gulliver's Travels' by Jonathan Swift (1667-1745) published 1904 (colour litho)

EWD229632: 'Gulliver in Lilliput', illustration from 'Gulliver's Travels' by Jonathan Swift (1667-1745) published 1904 (colour litho), Baghot de la Bere, Stephen (1887-1927) / Bridgeman Images

ID: EWD229632

'Gulliver in Lilliput', illustration from 'Gulliver's Travels' by Jonathan Swift (1667-1745) published 1904 (colour litho)

Baghot de la Bere, Stephen (1887-1927)

'Huck and Tom ran for their lives', illustration from 'The Adventures of Tom Sawyer' by Mark Twain (1835-1910) (colour litho)
'Huck and Tom ran for their lives', illustration from 'The Adventures of Tom Sawyer' by Mark Twain (1835-1910) (colour litho)

EWD229637: 'Huck and Tom ran for their lives', illustration from 'The Adventures of Tom Sawyer' by Mark Twain (1835-1910) (colour litho), Whittam, Geoffrey (1916-1998) / Bridgeman Images

ID: EWD229637

'Huck and Tom ran for their lives', illustration from 'The Adventures of Tom Sawyer' by Mark Twain (1835-1910) (colour litho)

Whittam, Geoffrey (1916-1998)

Young Woman in Fancy Dress (oil on canvas)
Young Woman in Fancy Dress (oil on canvas)

PHD539: Young Woman in Fancy Dress (oil on canvas), Rembrandt Harmensz. van Rijn (1606-69) / Bridgeman Images

ID: PHD539

Young Woman in Fancy Dress (oil on canvas)

Rembrandt Harmensz. van Rijn (1606-69)

Portrait of George IV (1762-1830)
Portrait of George IV (1762-1830)

MOU58634: Portrait of George IV (1762-1830), Lawrence, Thomas (1769-1830) (circle of) / Bridgeman Images

ID: MOU58634

Portrait of George IV (1762-1830)

Lawrence, Thomas (1769-1830) (circle of)

The Rustic Stile (litho)
The Rustic Stile (litho)

STC60151: The Rustic Stile (litho), Foster, Myles Birket (1825-99) (after) / Bridgeman Images

ID: STC60151

The Rustic Stile (litho)

Foster, Myles Birket (1825-99) (after)

The Daughters of the Harem, 1921 (oil on canvas)
The Daughters of the Harem, 1921 (oil on canvas)

WH48528: The Daughters of the Harem, 1921 (oil on canvas), Rochegrosse, Georges Marie (1859-1938) / Bridgeman Images

ID: WH48528

The Daughters of the Harem, 1921 (oil on canvas)

Rochegrosse, Georges Marie (1859-1938)

St. Cecily, c.1904 (oil on canvas)
St. Cecily, c.1904 (oil on canvas)

WH75216: St. Cecily, c.1904 (oil on canvas), Frampton, Edward Reginald (1872-1923) / Bridgeman Images

ID: WH75216

St. Cecily, c.1904 (oil on canvas)

Frampton, Edward Reginald (1872-1923)

Sioux ball player Ah-No-Je-Nange, 'He who stands on both sides' (hand-coloured litho)
Sioux ball player Ah-No-Je-Nange, 'He who stands on both sides' (hand-coloured litho)

XND76000: Sioux ball player Ah-No-Je-Nange, 'He who stands on both sides' (hand-coloured litho), Catlin, George (1796-1872) (after) / Bridgeman Images

ID: XND76000

Sioux ball player Ah-No-Je-Nange, 'He who stands on both sides' (hand-coloured litho)

Catlin, George (1796-1872) (after)

View of the City of Peking Taken from the South (engraving)
View of the City of Peking Taken from the South (engraving)

STC88762: View of the City of Peking Taken from the South (engraving), Rouergue, Adolphe (1810-p.1870) (after) / Bridgeman Images

ID: STC88762

View of the City of Peking Taken from the South (engraving)

Rouergue, Adolphe (1810-p.1870) (after)

City of Kandahar, its Principal Bazaar and Citadel, Taken from the Nakarra Khauneh, or Royal Band Room, plate 28 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by Robert Carrick (c.1829-1904) 1848 (litho)
City of Kandahar, its Principal Bazaar and Citadel, Taken from the Nakarra Khauneh, or Royal Band Room, plate 28 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by Robert Carrick (c.1829-1904) 1848 (litho)

STC89064: City of Kandahar, its Principal Bazaar and Citadel, Taken from the Nakarra Khauneh, or Royal Band Room, plate 28 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by Robert Carrick (c.1829-1904) 1848 (litho), Rattray, James (fl.1847-51) (after) / Bridgeman Images

ID: STC89064

City of Kandahar, its Principal Bazaar and Citadel, Taken from the Nakarra Khauneh, or Royal Band Room, plate 28 from 'Scenery, Inhabitants and Costumes of Afghanistan', engraved by Robert Carrick (c.1829-1904) 1848 (litho)

Rattray, James (fl.1847-51) (after)

Plan of the Theatre of Marcellus, Rome, 1558 (engraving)
Plan of the Theatre of Marcellus, Rome, 1558 (engraving)

STC84895: Plan of the Theatre of Marcellus, Rome, 1558 (engraving), Tramezini, Michael (16th century) / Bridgeman Images

ID: STC84895

Plan of the Theatre of Marcellus, Rome, 1558 (engraving)

Tramezini, Michael (16th century)

T31567 A Study of Various Insects, Fruit and Animals (gouache on vellum) (see also 84627)
T31567 A Study of Various Insects, Fruit and Animals (gouache on vellum) (see also 84627)

PFA84626: T31567 A Study of Various Insects, Fruit and Animals (gouache on vellum) (see also 84627), Kessel, Jan van, the Elder (1626-79) / Bridgeman Images

ID: PFA84626

T31567 A Study of Various Insects, Fruit and Animals (gouache on vellum) (see also 84627)

Kessel, Jan van, the Elder (1626-79)

River Landscape with a boat
River Landscape with a boat

PWI83736: River Landscape with a boat, Seurat, Georges Pierre (1859-91) / Bridgeman Images

ID: PWI83736

River Landscape with a boat

Seurat, Georges Pierre (1859-91)

Leo (the Lion) an illustration from the 'Poeticon Astronomicon' by C.J. Hyginus, Venice, 1485 (woodcut)
Leo (the Lion) an illustration from the 'Poeticon Astronomicon' by C.J. Hyginus, Venice, 1485 (woodcut)

STC86215: Leo (the Lion) an illustration from the 'Poeticon Astronomicon' by C.J. Hyginus, Venice, 1485 (woodcut), Italian School, (15th century) / Bridgeman Images

ID: STC86215

Leo (the Lion) an illustration from the 'Poeticon Astronomicon' by C.J. Hyginus, Venice, 1485 (woodcut)

Italian School, (15th century)

The Colossus of Rhodes, detail of the statue straddling the entrance to the harbour (engraving) (detail of 87200)
The Colossus of Rhodes, detail of the statue straddling the entrance to the harbour (engraving) (detail of 87200)

STC87201: The Colossus of Rhodes, detail of the statue straddling the entrance to the harbour (engraving) (detail of 87200), Probst, Georg Balthasar (1732-1801) / Bridgeman Images

ID: STC87201

The Colossus of Rhodes, detail of the statue straddling the entrance to the harbour (engraving) (detail of 87200)

Probst, Georg Balthasar (1732-1801)


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